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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC9C2F it is the complementary color #0363D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC9C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC9C2F shade: #FF9C2A, #FFAE3D, #FFC050, #FFD263 and #FFE476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC9C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC9C2F shade: #FC9C2F, #EB8A1C, #DA7809, #C96600 and #B85400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC9C2F shade: #FC9D31, #FC6631 and #FC3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC9C2F shade: #FC9D31, #FCD431, #EDFC31, #B7FC31 and #80FC31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC9C2F shade matches the following richer shades: #FC9D31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC9C2F shade: #FC9D31, #EB9C42, #DA9B53, #C99A64 and #B89975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC9C2F shade: #FC3134, #FC6431, #FC9A31, #FCD031 and #F2FC31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC9C2F shade: #D77403, #FB8A08, #FC9D31, #FCB05A and #FDC482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC9C2F shade: #FC9C2F, #6BFC31 and #4931FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC9C2F shade: #FC9C2F, #31FC9A and #9A31FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC9C2F shade: #FC9C2F, #6BFC31, #3193FC and #C231FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC9C2F shade: #FC9C2F, #31FC34, #3193FC and #FC31F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 81 / 1

HEX #FC9C2F

RGB 252 156 47

HSL 31.9, 0.97%, 0.59%

LAB 72.68, 28.13, 67.27

 

Complementary color

CMYK 99 / 52 / 0 / 18

HEX #0363D0

RGB 3 99 208

HSL 211.9, 0.97%, 0.41%

LAB 43.5, 18.93, -62.68

 

CMYK 0 / 39 / 84 / 0

HEX #FF9C2A

RGB 255 156 42

HSL 32.11, 1%, 0.58%

LAB 73.03, 29.22, 69.4

 

CMYK 0 / 32 / 76 / 0

HEX #FFAE3D

RGB 255 174 61

HSL 34.95, 1%, 0.62%

LAB 77.2, 20.45, 66.4

 

CMYK 0 / 25 / 69 / 0

HEX #FFC050

RGB 255 192 80

HSL 38.4, 1%, 0.66%

LAB 81.59, 11.92, 63.07

 

CMYK 0 / 18 / 61 / 0

HEX #FFD263

RGB 255 210 99

HSL 42.69, 1%, 0.69%

LAB 86.13, 3.74, 59.68

 

CMYK 0 / 11 / 54 / 0

HEX #FFE476

RGB 255 228 118

HSL 48.18, 1%, 0.73%

LAB 90.8, -4.04, 56.36

 

CMYK 0 / 38 / 81 / 1

HEX #FC9C2F

RGB 252 156 47

HSL 31.9, 0.97%, 0.59%

LAB 72.68, 28.13, 67.27

 

CMYK 0 / 41 / 88 / 8

HEX #EB8A1C

RGB 235 138 28

HSL 31.88, 0.84%, 0.52%

LAB 66.46, 30.06, 67.2

 

CMYK 0 / 45 / 96 / 15

HEX #DA7809

RGB 218 120 9

HSL 31.87, 0.92%, 0.45%

LAB 60.21, 32.19, 65.74

 

CMYK 0 / 49 / 100 / 21

HEX #C96600

RGB 201 102 0

HSL 30.45, 1%, 0.39%

LAB 53.94, 34.51, 62.19

 

CMYK 0 / 54 / 100 / 28

HEX #B85400

RGB 184 84 0

HSL 27.39, 1%, 0.36%

LAB 47.66, 36.88, 57.15

 

CMYK 0 / 38 / 81 / 1

HEX #FC9D31

RGB 252 157 49

HSL 31.92, 0.97%, 0.59%

LAB 72.91, 27.67, 66.77

 

CMYK 0 / 60 / 81 / 1

HEX #FC6631

RGB 252 102 49

HSL 15.67, 0.97%, 0.59%

LAB 62.01, 54.72, 56.82

 

CMYK 0 / 81 / 81 / 1

HEX #FC3131

RGB 252 49 49

HSL 0, 0.97%, 0.59%

LAB 55.19, 73.37, 50.35

 

CMYK 0 / 38 / 81 / 1

HEX #FC9D31

RGB 252 157 49

HSL 31.92, 0.97%, 0.59%

LAB 72.91, 27.67, 66.77

 

CMYK 0 / 16 / 81 / 1

HEX #FCD431

RGB 252 212 49

HSL 48.18, 0.97%, 0.59%

LAB 86.01, -0.89, 78.3

 

CMYK 6 / 0 / 81 / 1

HEX #EDFC31

RGB 237 252 49

HSL 64.43, 0.97%, 0.59%

LAB 95.1, -26.71, 85.66

 

CMYK 27 / 0 / 81 / 1

HEX #B7FC31

RGB 183 252 49

HSL 80.39, 0.97%, 0.59%

LAB 91.64, -47.6, 81.31

 

CMYK 49 / 0 / 81 / 1

HEX #80FC31

RGB 128 252 49

HSL 96.65, 0.97%, 0.59%

LAB 89.13, -65.56, 78.1

 

CMYK 0 / 38 / 81 / 1

HEX #FC9D31

RGB 252 157 49

HSL 31.92, 0.97%, 0.59%

LAB 72.91, 27.67, 66.77

 

CMYK 0 / 38 / 81 / 1

HEX #FC9D31

RGB 252 157 49

HSL 31.92, 0.97%, 0.59%

LAB 72.91, 27.67, 66.77

 

CMYK 0 / 34 / 72 / 8

HEX #EB9C42

RGB 235 156 66

HSL 31.95, 0.81%, 0.59%

LAB 70.76, 21.81, 57.16

 

CMYK 0 / 29 / 62 / 15

HEX #DA9B53

RGB 218 155 83

HSL 32, 0.65%, 0.59%

LAB 68.73, 16.21, 46.4

 

CMYK 0 / 23 / 50 / 21

HEX #C99A64

RGB 201 154 100

HSL 32.08, 0.48%, 0.59%

LAB 66.86, 11, 34.98

 

CMYK 0 / 17 / 36 / 28

HEX #B89975

RGB 184 153 117

HSL 32.24, 0.32%, 0.59%

LAB 65.17, 6.36, 23.24

 

CMYK 0 / 81 / 79 / 1

HEX #FC3134

RGB 252 49 52

HSL 359.11, 0.97%, 0.59%

LAB 55.22, 73.46, 48.82

 

CMYK 0 / 60 / 81 / 1

HEX #FC6431

RGB 252 100 49

HSL 15.07, 0.97%, 0.59%

LAB 61.68, 55.6, 56.51

 

CMYK 0 / 39 / 81 / 1

HEX #FC9A31

RGB 252 154 49

HSL 31.03, 0.97%, 0.59%

LAB 72.25, 29.23, 66.17

 

CMYK 0 / 17 / 81 / 1

HEX #FCD031

RGB 252 208 49

HSL 47, 0.97%, 0.59%

LAB 85.01, 1.15, 77.43

 

CMYK 4 / 0 / 81 / 1

HEX #F2FC31

RGB 242 252 49

HSL 62.96, 0.97%, 0.59%

LAB 95.46, -24.69, 86.12

 

CMYK 0 / 46 / 99 / 16

HEX #D77403

RGB 215 116 3

HSL 31.98, 0.97%, 0.43%

LAB 58.92, 32.99, 65.71

 

CMYK 0 / 45 / 97 / 2

HEX #FB8A08

RGB 251 138 8

HSL 32.1, 0.97%, 0.51%

LAB 68.54, 36.31, 73.55

 

CMYK 0 / 38 / 81 / 1

HEX #FC9D31

RGB 252 157 49

HSL 31.92, 0.97%, 0.59%

LAB 72.91, 27.67, 66.77

 

CMYK 0 / 30 / 64 / 1

HEX #FCB05A

RGB 252 176 90

HSL 31.85, 0.96%, 0.67%

LAB 77.57, 19.6, 54.12

 

CMYK 0 / 23 / 49 / 1

HEX #FDC482

RGB 253 196 130

HSL 32.2, 0.97%, 0.75%

LAB 82.9, 12.59, 40.82

 

CMYK 0 / 38 / 81 / 1

HEX #FC9C2F

RGB 252 156 47

HSL 31.9, 0.97%, 0.59%

LAB 72.68, 28.13, 67.27

 

CMYK 58 / 0 / 81 / 1

HEX #6BFC31

RGB 107 252 49

HSL 102.86, 0.97%, 0.59%

LAB 88.43, -71.04, 77.21

 

CMYK 71 / 81 / 0 / 1

HEX #4931FC

RGB 73 49 252

HSL 247.09, 0.97%, 0.59%

LAB 38.97, 67.32, -95

 

CMYK 0 / 38 / 81 / 1

HEX #FC9C2F

RGB 252 156 47

HSL 31.9, 0.97%, 0.59%

LAB 72.68, 28.13, 67.27

 

CMYK 81 / 0 / 39 / 1

HEX #31FC9A

RGB 49 252 154

HSL 151.03, 0.97%, 0.59%

LAB 88.26, -68.83, 33.74

 

CMYK 39 / 81 / 0 / 1

HEX #9A31FC

RGB 154 49 252

HSL 271.03, 0.97%, 0.59%

LAB 47.1, 75.84, -81.32

 

CMYK 0 / 38 / 81 / 1

HEX #FC9C2F

RGB 252 156 47

HSL 31.9, 0.97%, 0.59%

LAB 72.68, 28.13, 67.27

 

CMYK 58 / 0 / 81 / 1

HEX #6BFC31

RGB 107 252 49

HSL 102.86, 0.97%, 0.59%

LAB 88.43, -71.04, 77.21

 

CMYK 81 / 42 / 0 / 1

HEX #3193FC

RGB 49 147 252

HSL 211.03, 0.97%, 0.59%

LAB 60.38, 8.42, -60.13

 

CMYK 23 / 81 / 0 / 1

HEX #C231FC

RGB 194 49 252

HSL 282.86, 0.97%, 0.59%

LAB 52.61, 81.79, -72.09

 

CMYK 0 / 38 / 81 / 1

HEX #FC9C2F

RGB 252 156 47

HSL 31.9, 0.97%, 0.59%

LAB 72.68, 28.13, 67.27

 

CMYK 81 / 0 / 79 / 1

HEX #31FC34

RGB 49 252 52

HSL 120.89, 0.97%, 0.59%

LAB 87.25, -80.97, 74.9

 

CMYK 81 / 42 / 0 / 1

HEX #3193FC

RGB 49 147 252

HSL 211.03, 0.97%, 0.59%

LAB 60.38, 8.42, -60.13

 

CMYK 0 / 81 / 2 / 1

HEX #FC31F8

RGB 252 49 248

HSL 301.18, 0.97%, 0.59%

LAB 61.37, 91.07, -55.32

 

Description

Color code: HEX #FC9C2F | qconv.com Color code: HEX #FC9C2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 156 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 156 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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