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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC99C5 it is the complementary color #03663A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC99C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC99C5 shade: #FF99C0, #FFABD3, #FFBDE6, #FFCFF9 and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC99C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC99C5 shade: #FC99C5, #EB87B2, #DA759F, #C9638C and #B85179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC99C5 shade: #FC97C4, #FC97A9 and #FC9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC99C5 shade: #FC97C4, #FC97DF, #FC97FA, #E297FC and #C797FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC99C5 shade matches the following richer shades: #FC97C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC99C5 shade: #FC97C4, #F3A0C5, #EAA8C6, #E2B1C7 and #D9BAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC99C5 shade: #FC97FA, #FC97DF, #FC97C4, #FC97AA and #FCA097

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC99C5 shade: #F94796, #FB6FAD, #FC97C4, #FDBFDB and #FEE7F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC99C5 shade: #FC99C5, #FCE397 and #97EDFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC99C5 shade: #FC99C5, #C4FC97 and #97C4FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC99C5 shade: #FC99C5, #FCE397, #97FCCE and #97B0FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC99C5 shade: #FC99C5, #F7FC97, #97FCCE and #9C97FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 22 / 1

HEX #FC99C5

RGB 252 153 197

HSL 333.33, 0.94%, 0.79%

LAB 74.51, 42.58, -6.76

 

Complementary color

CMYK 97 / 0 / 43 / 60

HEX #03663A

RGB 3 102 58

HSL 153.33, 0.94%, 0.21%

LAB 37.53, -36.73, 17.89

 

CMYK 0 / 40 / 25 / 0

HEX #FF99C0

RGB 255 153 192

HSL 337.06, 1%, 0.8%

LAB 74.73, 42.9, -3.65

 

CMYK 0 / 33 / 17 / 0

HEX #FFABD3

RGB 255 171 211

HSL 331.43, 1%, 0.84%

LAB 79.09, 36.35, -7.59

 

CMYK 0 / 26 / 10 / 0

HEX #FFBDE6

RGB 255 189 230

HSL 322.73, 1%, 0.87%

LAB 83.64, 29.93, -11.07

 

CMYK 0 / 19 / 2 / 0

HEX #FFCFF9

RGB 255 207 249

HSL 307.5, 1%, 0.91%

LAB 88.32, 23.72, -14.17

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 39 / 22 / 1

HEX #FC99C5

RGB 252 153 197

HSL 333.33, 0.94%, 0.79%

LAB 74.51, 42.58, -6.76

 

CMYK 0 / 43 / 24 / 8

HEX #EB87B2

RGB 235 135 178

HSL 334.2, 0.71%, 0.73%

LAB 68.17, 43.39, -5.82

 

CMYK 0 / 46 / 27 / 15

HEX #DA759F

RGB 218 117 159

HSL 335.05, 0.58%, 0.66%

LAB 61.77, 44.22, -4.76

 

CMYK 0 / 51 / 30 / 21

HEX #C9638C

RGB 201 99 140

HSL 335.88, 0.49%, 0.59%

LAB 55.31, 45.04, -3.53

 

CMYK 0 / 56 / 34 / 28

HEX #B85179

RGB 184 81 121

HSL 336.7, 0.42%, 0.52%

LAB 48.83, 45.81, -2.07

 

CMYK 0 / 40 / 22 / 1

HEX #FC97C4

RGB 252 151 196

HSL 333.27, 0.94%, 0.79%

LAB 74.07, 43.46, -6.87

 

CMYK 0 / 40 / 33 / 1

HEX #FC97A9

RGB 252 151 169

HSL 349.31, 0.94%, 0.79%

LAB 73.35, 39.89, 6.99

 

CMYK 0 / 40 / 40 / 1

HEX #FC9797

RGB 252 151 151

HSL 0, 0.94%, 0.79%

LAB 72.93, 37.81, 16.35

 

CMYK 0 / 40 / 22 / 1

HEX #FC97C4

RGB 252 151 196

HSL 333.27, 0.94%, 0.79%

LAB 74.07, 43.46, -6.87

 

CMYK 0 / 40 / 12 / 1

HEX #FC97DF

RGB 252 151 223

HSL 317.23, 0.94%, 0.79%

LAB 74.92, 47.54, -20.42

 

CMYK 0 / 40 / 1 / 1

HEX #FC97FA

RGB 252 151 250

HSL 301.19, 0.94%, 0.79%

LAB 75.9, 52.08, -33.61

 

CMYK 10 / 40 / 0 / 1

HEX #E297FC

RGB 226 151 252

HSL 284.55, 0.94%, 0.79%

LAB 73.11, 44.83, -39.26

 

CMYK 21 / 40 / 0 / 1

HEX #C797FC

RGB 199 151 252

HSL 268.51, 0.94%, 0.79%

LAB 70.39, 37.07, -43.71

 

CMYK 0 / 40 / 22 / 1

HEX #FC97C4

RGB 252 151 196

HSL 333.27, 0.94%, 0.79%

LAB 74.07, 43.46, -6.87

 

CMYK 0 / 40 / 22 / 1

HEX #FC97C4

RGB 252 151 196

HSL 333.27, 0.94%, 0.79%

LAB 74.07, 43.46, -6.87

 

CMYK 0 / 34 / 19 / 5

HEX #F3A0C5

RGB 243 160 197

HSL 333.25, 0.78%, 0.79%

LAB 74.97, 35.88, -6.2

 

CMYK 0 / 28 / 15 / 8

HEX #EAA8C6

RGB 234 168 198

HSL 332.73, 0.61%, 0.79%

LAB 75.81, 28.69, -5.62

 

CMYK 0 / 22 / 12 / 11

HEX #E2B1C7

RGB 226 177 199

HSL 333.06, 0.46%, 0.79%

LAB 77.12, 21.23, -4.31

 

CMYK 0 / 14 / 8 / 15

HEX #D9BAC8

RGB 217 186 200

HSL 332.9, 0.29%, 0.79%

LAB 78.48, 13.39, -2.95

 

CMYK 0 / 40 / 1 / 1

HEX #FC97FA

RGB 252 151 250

HSL 301.19, 0.94%, 0.79%

LAB 75.9, 52.08, -33.61

 

CMYK 0 / 40 / 12 / 1

HEX #FC97DF

RGB 252 151 223

HSL 317.23, 0.94%, 0.79%

LAB 74.92, 47.54, -20.42

 

CMYK 0 / 40 / 22 / 1

HEX #FC97C4

RGB 252 151 196

HSL 333.27, 0.94%, 0.79%

LAB 74.07, 43.46, -6.87

 

CMYK 0 / 40 / 33 / 1

HEX #FC97AA

RGB 252 151 170

HSL 348.71, 0.94%, 0.79%

LAB 73.37, 40.02, 6.48

 

CMYK 0 / 37 / 40 / 1

HEX #FCA097

RGB 252 160 151

HSL 5.35, 0.94%, 0.79%

LAB 74.87, 33.15, 19.04

 

CMYK 0 / 71 / 40 / 2

HEX #F94796

RGB 249 71 150

HSL 333.37, 0.94%, 0.63%

LAB 58.83, 72.34, -3.35

 

CMYK 0 / 56 / 31 / 2

HEX #FB6FAD

RGB 251 111 173

HSL 333.43, 0.95%, 0.71%

LAB 65.67, 59.56, -6.47

 

CMYK 0 / 40 / 22 / 1

HEX #FC97C4

RGB 252 151 196

HSL 333.27, 0.94%, 0.79%

LAB 74.07, 43.46, -6.87

 

CMYK 0 / 25 / 13 / 1

HEX #FDBFDB

RGB 253 191 219

HSL 332.9, 0.94%, 0.87%

LAB 83.58, 26.42, -5.29

 

CMYK 0 / 9 / 5 / 0

HEX #FEE7F1

RGB 254 231 241

HSL 333.91, 0.92%, 0.95%

LAB 93.7, 9.5, -2.01

 

CMYK 0 / 39 / 22 / 1

HEX #FC99C5

RGB 252 153 197

HSL 333.33, 0.94%, 0.79%

LAB 74.51, 42.58, -6.76

 

CMYK 0 / 10 / 40 / 1

HEX #FCE397

RGB 252 227 151

HSL 45.15, 0.94%, 0.79%

LAB 90.72, -1.69, 40.22

 

CMYK 40 / 6 / 0 / 1

HEX #97EDFC

RGB 151 237 252

HSL 188.91, 0.94%, 0.79%

LAB 89.01, -22.23, -15.43

 

CMYK 0 / 39 / 22 / 1

HEX #FC99C5

RGB 252 153 197

HSL 333.33, 0.94%, 0.79%

LAB 74.51, 42.58, -6.76

 

CMYK 22 / 0 / 40 / 1

HEX #C4FC97

RGB 196 252 151

HSL 93.27, 0.94%, 0.79%

LAB 93.27, -34.68, 42.72

 

CMYK 40 / 22 / 0 / 1

HEX #97C4FC

RGB 151 196 252

HSL 213.27, 0.94%, 0.79%

LAB 77.93, -1.03, -32.27

 

CMYK 0 / 39 / 22 / 1

HEX #FC99C5

RGB 252 153 197

HSL 333.33, 0.94%, 0.79%

LAB 74.51, 42.58, -6.76

 

CMYK 0 / 10 / 40 / 1

HEX #FCE397

RGB 252 227 151

HSL 45.15, 0.94%, 0.79%

LAB 90.72, -1.69, 40.22

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 40 / 30 / 0 / 1

HEX #97B0FC

RGB 151 176 252

HSL 225.15, 0.94%, 0.79%

LAB 72.67, 9.98, -40.42

 

CMYK 0 / 39 / 22 / 1

HEX #FC99C5

RGB 252 153 197

HSL 333.33, 0.94%, 0.79%

LAB 74.51, 42.58, -6.76

 

CMYK 2 / 0 / 40 / 1

HEX #F7FC97

RGB 247 252 151

HSL 62.97, 0.94%, 0.79%

LAB 96.67, -16.02, 47.73

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 38 / 40 / 0 / 1

HEX #9C97FC

RGB 156 151 252

HSL 242.97, 0.94%, 0.79%

LAB 66.69, 25.44, -49.77

 

Description

Color code: HEX #FC99C5 | qconv.com Color code: HEX #FC99C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 153 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 153 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 22 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 22% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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