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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC95BA it is the complementary color #036A45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC95BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC95BA shade: #FF95B5, #FFA7C8, #FFB9DB, #FFCBEE and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC95BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC95BA shade: #FC95BA, #EB83A7, #DA7194, #C95F81 and #B84D6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC95BA shade: #FC97BB, #FC97A0 and #FC9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC95BA shade: #FC97BB, #FC97D6, #FC97F2, #EB97FC and #D097FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC95BA shade matches the following richer shades: #FC97BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC95BA shade: #FC97BB, #F3A0BE, #EAA8C0, #E2B1C3 and #D9BAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC95BA shade: #FC97F2, #FC97D7, #FC97BC, #FC97A1 and #FCA897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC95BA shade: #F94787, #FB6FA1, #FC97BB, #FDBFD5 and #FEE7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC95BA shade: #FC95BA, #FCEB97 and #97E4FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC95BA shade: #FC95BA, #BCFC97 and #97BCFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC95BA shade: #FC95BA, #FCEB97, #97FCD7 and #97A8FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC95BA shade: #FC95BA, #EEFC97, #97FCD7 and #A597FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 26 / 1

HEX #FC95BA

RGB 252 149 186

HSL 338.45, 0.94%, 0.79%

LAB 73.37, 43.1, -2.37

 

Complementary color

CMYK 97 / 0 / 35 / 58

HEX #036A45

RGB 3 106 69

HSL 158.45, 0.94%, 0.21%

LAB 39.17, -35.81, 13.59

 

CMYK 0 / 42 / 29 / 0

HEX #FF95B5

RGB 255 149 181

HSL 341.89, 1%, 0.79%

LAB 73.6, 43.47, 0.78

 

CMYK 0 / 35 / 22 / 0

HEX #FFA7C8

RGB 255 167 200

HSL 337.5, 1%, 0.83%

LAB 77.91, 36.8, -3.34

 

CMYK 0 / 27 / 14 / 0

HEX #FFB9DB

RGB 255 185 219

HSL 330.86, 1%, 0.86%

LAB 82.42, 30.26, -6.98

 

CMYK 0 / 20 / 7 / 0

HEX #FFCBEE

RGB 255 203 238

HSL 319.62, 1%, 0.9%

LAB 87.07, 23.92, -10.21

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 41 / 26 / 1

HEX #FC95BA

RGB 252 149 186

HSL 338.45, 0.94%, 0.79%

LAB 73.37, 43.1, -2.37

 

CMYK 0 / 44 / 29 / 8

HEX #EB83A7

RGB 235 131 167

HSL 339.23, 0.72%, 0.72%

LAB 67.04, 43.95, -1.3

 

CMYK 0 / 48 / 32 / 15

HEX #DA7194

RGB 218 113 148

HSL 340, 0.59%, 0.65%

LAB 60.65, 44.81, -0.07

 

CMYK 0 / 53 / 36 / 21

HEX #C95F81

RGB 201 95 129

HSL 340.75, 0.5%, 0.58%

LAB 54.22, 45.66, 1.35

 

CMYK 0 / 58 / 40 / 28

HEX #B84D6E

RGB 184 77 110

HSL 341.5, 0.43%, 0.51%

LAB 47.78, 46.44, 3.06

 

CMYK 0 / 40 / 26 / 1

HEX #FC97BB

RGB 252 151 187

HSL 338.61, 0.94%, 0.79%

LAB 73.81, 42.22, -2.28

 

CMYK 0 / 40 / 37 / 1

HEX #FC97A0

RGB 252 151 160

HSL 354.65, 0.94%, 0.79%

LAB 73.13, 38.82, 11.66

 

CMYK 0 / 40 / 40 / 1

HEX #FC9797

RGB 252 151 151

HSL 0, 0.94%, 0.79%

LAB 72.93, 37.81, 16.35

 

CMYK 0 / 40 / 26 / 1

HEX #FC97BB

RGB 252 151 187

HSL 338.61, 0.94%, 0.79%

LAB 73.81, 42.22, -2.28

 

CMYK 0 / 40 / 15 / 1

HEX #FC97D6

RGB 252 151 214

HSL 322.57, 0.94%, 0.79%

LAB 74.62, 46.13, -15.94

 

CMYK 0 / 40 / 4 / 1

HEX #FC97F2

RGB 252 151 242

HSL 305.94, 0.94%, 0.79%

LAB 75.6, 50.69, -29.74

 

CMYK 7 / 40 / 0 / 1

HEX #EB97FC

RGB 235 151 252

HSL 289.9, 0.94%, 0.79%

LAB 74.08, 47.45, -37.68

 

CMYK 17 / 40 / 0 / 1

HEX #D097FC

RGB 208 151 252

HSL 273.86, 0.94%, 0.79%

LAB 71.26, 39.64, -42.27

 

CMYK 0 / 40 / 26 / 1

HEX #FC97BB

RGB 252 151 187

HSL 338.61, 0.94%, 0.79%

LAB 73.81, 42.22, -2.28

 

CMYK 0 / 40 / 26 / 1

HEX #FC97BB

RGB 252 151 187

HSL 338.61, 0.94%, 0.79%

LAB 73.81, 42.22, -2.28

 

CMYK 0 / 34 / 22 / 5

HEX #F3A0BE

RGB 243 160 190

HSL 338.31, 0.78%, 0.79%

LAB 74.77, 34.85, -2.65

 

CMYK 0 / 28 / 18 / 8

HEX #EAA8C0

RGB 234 168 192

HSL 338.18, 0.61%, 0.79%

LAB 75.64, 27.75, -2.58

 

CMYK 0 / 22 / 14 / 11

HEX #E2B1C3

RGB 226 177 195

HSL 337.96, 0.46%, 0.79%

LAB 77.01, 20.57, -2.3

 

CMYK 0 / 14 / 9 / 15

HEX #D9BAC5

RGB 217 186 197

HSL 338.71, 0.29%, 0.79%

LAB 78.4, 12.88, -1.44

 

CMYK 0 / 40 / 4 / 1

HEX #FC97F2

RGB 252 151 242

HSL 305.94, 0.94%, 0.79%

LAB 75.6, 50.69, -29.74

 

CMYK 0 / 40 / 15 / 1

HEX #FC97D7

RGB 252 151 215

HSL 321.98, 0.94%, 0.79%

LAB 74.66, 46.28, -16.44

 

CMYK 0 / 40 / 25 / 1

HEX #FC97BC

RGB 252 151 188

HSL 338.02, 0.94%, 0.79%

LAB 73.84, 42.35, -2.79

 

CMYK 0 / 40 / 36 / 1

HEX #FC97A1

RGB 252 151 161

HSL 354.06, 0.94%, 0.79%

LAB 73.16, 38.94, 11.14

 

CMYK 0 / 33 / 40 / 1

HEX #FCA897

RGB 252 168 151

HSL 10.1, 0.94%, 0.79%

LAB 76.64, 28.97, 21.48

 

CMYK 0 / 71 / 46 / 2

HEX #F94787

RGB 249 71 135

HSL 338.43, 0.94%, 0.63%

LAB 58.41, 70.95, 4.84

 

CMYK 0 / 56 / 36 / 2

HEX #FB6FA1

RGB 251 111 161

HSL 338.57, 0.95%, 0.71%

LAB 65.32, 58.17, -0.15

 

CMYK 0 / 40 / 26 / 1

HEX #FC97BB

RGB 252 151 187

HSL 338.61, 0.94%, 0.79%

LAB 73.81, 42.22, -2.28

 

CMYK 0 / 25 / 16 / 1

HEX #FDBFD5

RGB 253 191 213

HSL 338.71, 0.94%, 0.87%

LAB 83.42, 25.48, -2.31

 

CMYK 0 / 9 / 6 / 0

HEX #FEE7EF

RGB 254 231 239

HSL 339.13, 0.92%, 0.95%

LAB 93.65, 9.16, -1.04

 

CMYK 0 / 41 / 26 / 1

HEX #FC95BA

RGB 252 149 186

HSL 338.45, 0.94%, 0.79%

LAB 73.37, 43.1, -2.37

 

CMYK 0 / 7 / 40 / 1

HEX #FCEB97

RGB 252 235 151

HSL 49.9, 0.94%, 0.79%

LAB 92.73, -5.72, 42.81

 

CMYK 40 / 10 / 0 / 1

HEX #97E4FC

RGB 151 228 252

HSL 194.26, 0.94%, 0.79%

LAB 86.55, -17.74, -19.12

 

CMYK 0 / 41 / 26 / 1

HEX #FC95BA

RGB 252 149 186

HSL 338.45, 0.94%, 0.79%

LAB 73.37, 43.1, -2.37

 

CMYK 25 / 0 / 40 / 1

HEX #BCFC97

RGB 188 252 151

HSL 98.02, 0.94%, 0.79%

LAB 92.82, -37.43, 42.04

 

CMYK 40 / 25 / 0 / 1

HEX #97BCFC

RGB 151 188 252

HSL 218.02, 0.94%, 0.79%

LAB 75.81, 3.33, -35.54

 

CMYK 0 / 41 / 26 / 1

HEX #FC95BA

RGB 252 149 186

HSL 338.45, 0.94%, 0.79%

LAB 73.37, 43.1, -2.37

 

CMYK 0 / 7 / 40 / 1

HEX #FCEB97

RGB 252 235 151

HSL 49.9, 0.94%, 0.79%

LAB 92.73, -5.72, 42.81

 

CMYK 40 / 0 / 15 / 1

HEX #97FCD7

RGB 151 252 215

HSL 158.02, 0.94%, 0.79%

LAB 92.18, -37.76, 8.49

 

CMYK 40 / 33 / 0 / 1

HEX #97A8FC

RGB 151 168 252

HSL 229.9, 0.94%, 0.79%

LAB 70.6, 14.48, -43.65

 

CMYK 0 / 41 / 26 / 1

HEX #FC95BA

RGB 252 149 186

HSL 338.45, 0.94%, 0.79%

LAB 73.37, 43.1, -2.37

 

CMYK 6 / 0 / 40 / 1

HEX #EEFC97

RGB 238 252 151

HSL 68.32, 0.94%, 0.79%

LAB 96.01, -19.42, 46.76

 

CMYK 40 / 0 / 15 / 1

HEX #97FCD7

RGB 151 252 215

HSL 158.02, 0.94%, 0.79%

LAB 92.18, -37.76, 8.49

 

CMYK 35 / 40 / 0 / 1

HEX #A597FC

RGB 165 151 252

HSL 248.32, 0.94%, 0.79%

LAB 67.4, 27.77, -48.61

 

Description

Color code: HEX #FC95BA | qconv.com Color code: HEX #FC95BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 149 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 149 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 26 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 26% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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