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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC948ACE it is the complementary color #036B75CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC948ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC948ACE shade: #FF9485CE, #FFA698CE, #FFB8ABCE, #FFCABECE and #FFDCD1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC948ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC948ACE shade: #FC948ACE, #EB8277CE, #DA7064CE, #C95E51CE and #B84C3ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC948ACE shade: #FC9288 and #FC8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC948ACE shade: #FC9288, #FCB188, #FCD188, #FCF088 and #E9FC88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC948ACE shade matches the following richer shades: #FC9288

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC948ACE shade: #FC9288, #F29A92, #E8A29B, #DEAAA5 and #D4B3AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC948ACE shade: #FC88BC, #FC889D, #FC9188, #FCB088 and #FCCF88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC948ACE shade: #FA4837, #FB6D5F, #FC9288, #FDB7B0 and #FEDBD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC948ACE shade: #FC948A, #DBFC88 and #88ACFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC948ACE shade: #FC948A, #88FC91 and #9188FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC948ACE shade: #FC948A, #DBFC88, #88F2FC and #A988FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC948ACE shade: #FC948A, #B8FC88, #88F2FC and #CB88FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 37 / 1

HEX #FC948ACE

RGBA 252 148 138 0.81

HSLA 5.26, 0.95%, 0.76%, 0.81

LABA 72.03, 38.01, 22.27, 0.81

 

Complementary color

CMYK 79 / 7 / 0 / 44

HEX #036B75CE

RGBA 3 107 117 0.81

HSLA 185.26, 0.95%, 0.24%, 0.81

LABA 40.93, -21.73, -12.95, 0.81

 

CMYK 0 / 34 / 39 / 0

HEX #FF9485CE

RGBA 255 148 133 0.81

HSLA 7.38, 1%, 0.76%, 0.81

LABA 72.32, 38.65, 25.46, 0.81

 

CMYK 0 / 28 / 33 / 0

HEX #FFA698CE

RGBA 255 166 152 0.81

HSLA 8.16, 1%, 0.8%, 0.81

LABA 76.56, 31.26, 20.88, 0.81

 

CMYK 0 / 23 / 27 / 0

HEX #FFB8ABCE

RGBA 255 184 171 0.81

HSLA 9.29, 1%, 0.84%, 0.81

LABA 81.01, 24.03, 16.8, 0.81

 

CMYK 0 / 17 / 21 / 0

HEX #FFCABECE

RGBA 255 202 190 0.81

HSLA 11.08, 1%, 0.87%, 0.81

LABA 85.61, 17.07, 13.15, 0.81

 

CMYK 0 / 11 / 15 / 0

HEX #FFDCD1CE

RGBA 255 220 209 0.81

HSLA 14.35, 1%, 0.91%, 0.81

LABA 90.34, 10.42, 9.87, 0.81

 

CMYK 0 / 33 / 37 / 1

HEX #FC948ACE

RGBA 252 148 138 0.81

HSLA 5.26, 0.95%, 0.76%, 0.81

LABA 72.03, 38.01, 22.27, 0.81

 

CMYK 0 / 36 / 40 / 6

HEX #EB8277CE

RGBA 235 130 119 0.81

HSLA 5.69, 0.74%, 0.69%, 0.81

LABA 65.72, 39.12, 23.89, 0.81

 

CMYK 0 / 39 / 44 / 12

HEX #DA7064CE

RGBA 218 112 100 0.81

HSLA 6.1, 0.61%, 0.62%, 0.81

LABA 59.36, 40.3, 25.73, 0.81

 

CMYK 0 / 43 / 48 / 17

HEX #C95E51CE

RGBA 201 94 81 0.81

HSLA 6.5, 0.53%, 0.55%, 0.81

LABA 52.97, 41.54, 27.83, 0.81

 

CMYK 0 / 48 / 54 / 23

HEX #B84C3ECE

RGBA 184 76 62 0.81

HSLA 6.89, 0.5%, 0.48%, 0.81

LABA 46.59, 42.8, 30.29, 0.81

 

CMYK 0 / 42 / 46 / 1

HEX #FC9288

RGB 252 146 136

HSL 5.17, 0.95%, 0.76%

LAB 71.58, 38.84, 22.75

 

CMYK 0 / 46 / 46 / 1

HEX #FC8888

RGB 252 136 136

HSL 0, 0.95%, 0.76%

LAB 69.53, 43.91, 19.95

 

CMYK 0 / 42 / 46 / 1

HEX #FC9288

RGB 252 146 136

HSL 5.17, 0.95%, 0.76%

LAB 71.58, 38.84, 22.75

 

CMYK 0 / 30 / 46 / 1

HEX #FCB188

RGB 252 177 136

HSL 21.21, 0.95%, 0.76%

LAB 78.41, 22.7, 31.89

 

CMYK 0 / 17 / 46 / 1

HEX #FCD188

RGB 252 209 136

HSL 37.76, 0.95%, 0.76%

LAB 86.04, 6.01, 41.76

 

CMYK 0 / 5 / 46 / 1

HEX #FCF088

RGB 252 240 136

HSL 53.79, 0.95%, 0.76%

LAB 93.79, -9.68, 51.43

 

CMYK 8 / 0 / 46 / 1

HEX #E9FC88

RGB 233 252 136

HSL 69.83, 0.95%, 0.76%

LAB 95.46, -22.85, 53.15

 

CMYK 0 / 42 / 46 / 1

HEX #FC9288

RGB 252 146 136

HSL 5.17, 0.95%, 0.76%

LAB 71.58, 38.84, 22.75

 

CMYK 0 / 42 / 46 / 1

HEX #FC9288

RGB 252 146 136

HSL 5.17, 0.95%, 0.76%

LAB 71.58, 38.84, 22.75

 

CMYK 0 / 36 / 40 / 5

HEX #F29A92

RGB 242 154 146

HSL 5, 0.79%, 0.76%

LAB 72.27, 32, 18

 

CMYK 0 / 30 / 33 / 9

HEX #E8A29B

RGB 232 162 155

HSL 5.45, 0.63%, 0.76%

LAB 73.13, 25.06, 14.08

 

CMYK 0 / 23 / 26 / 13

HEX #DEAAA5

RGB 222 170 165

HSL 5.26, 0.46%, 0.76%

LAB 74.19, 18.33, 9.95

 

CMYK 0 / 16 / 17 / 17

HEX #D4B3AF

RGB 212 179 175

HSL 6.49, 0.3%, 0.76%

LAB 75.66, 11.25, 6.46

 

CMYK 0 / 46 / 25 / 1

HEX #FC88BC

RGB 252 136 188

HSL 333.1, 0.95%, 0.76%

LAB 70.83, 49.91, -7.24

 

CMYK 0 / 46 / 38 / 1

HEX #FC889D

RGB 252 136 157

HSL 349.14, 0.95%, 0.76%

LAB 69.99, 46.09, 8.87

 

CMYK 0 / 42 / 46 / 1

HEX #FC9188

RGB 252 145 136

HSL 4.66, 0.95%, 0.76%

LAB 71.37, 39.35, 22.47

 

CMYK 0 / 30 / 46 / 1

HEX #FCB088

RGB 252 176 136

HSL 20.69, 0.95%, 0.76%

LAB 78.18, 23.23, 31.59

 

CMYK 0 / 18 / 46 / 1

HEX #FCCF88

RGB 252 207 136

HSL 36.72, 0.95%, 0.76%

LAB 85.55, 7.04, 41.13

 

CMYK 0 / 71 / 78 / 2

HEX #FA4837

RGB 250 72 55

HSL 5.23, 0.95%, 0.6%

LAB 57.3, 66.17, 49.24

 

CMYK 0 / 57 / 62 / 2

HEX #FB6D5F

RGB 251 109 95

HSL 5.38, 0.95%, 0.68%

LAB 63.57, 53.31, 34.91

 

CMYK 0 / 42 / 46 / 1

HEX #FC9288

RGB 252 146 136

HSL 5.17, 0.95%, 0.76%

LAB 71.58, 38.84, 22.75

 

CMYK 0 / 28 / 30 / 1

HEX #FDB7B0

RGB 253 183 176

HSL 5.45, 0.95%, 0.84%

LAB 80.67, 24.44, 13.62

 

CMYK 0 / 14 / 15 / 0

HEX #FEDBD8

RGB 254 219 216

HSL 4.74, 0.95%, 0.92%

LAB 90.18, 11.64, 5.95

 

CMYK 0 / 41 / 45 / 1

HEX #FC948A

RGB 252 148 138

HSL 5.26, 0.95%, 0.76%

LAB 72.03, 38.01, 22.27

 

CMYK 13 / 0 / 46 / 1

HEX #DBFC88

RGB 219 252 136

HSL 77.07, 0.95%, 0.76%

LAB 94.51, -28.11, 51.76

 

CMYK 46 / 32 / 0 / 1

HEX #88ACFC

RGB 136 172 252

HSL 221.38, 0.95%, 0.76%

LAB 70.71, 8.52, -43.55

 

CMYK 0 / 41 / 45 / 1

HEX #FC948A

RGB 252 148 138

HSL 5.26, 0.95%, 0.76%

LAB 72.03, 38.01, 22.27

 

CMYK 46 / 0 / 42 / 1

HEX #88FC91

RGB 136 252 145

HSL 124.66, 0.95%, 0.76%

LAB 90.28, -54.26, 41.21

 

CMYK 42 / 46 / 0 / 1

HEX #9188FC

RGB 145 136 252

HSL 244.66, 0.95%, 0.76%

LAB 62.22, 31.37, -56.93

 

CMYK 0 / 41 / 45 / 1

HEX #FC948A

RGB 252 148 138

HSL 5.26, 0.95%, 0.76%

LAB 72.03, 38.01, 22.27

 

CMYK 13 / 0 / 46 / 1

HEX #DBFC88

RGB 219 252 136

HSL 77.07, 0.95%, 0.76%

LAB 94.51, -28.11, 51.76

 

CMYK 46 / 4 / 0 / 1

HEX #88F2FC

RGB 136 242 252

HSL 185.17, 0.95%, 0.76%

LAB 89.75, -28.16, -14.37

 

CMYK 33 / 46 / 0 / 1

HEX #A988FC

RGB 169 136 252

HSL 257.07, 0.95%, 0.76%

LAB 64.22, 37.28, -53.62

 

CMYK 0 / 41 / 45 / 1

HEX #FC948A

RGB 252 148 138

HSL 5.26, 0.95%, 0.76%

LAB 72.03, 38.01, 22.27

 

CMYK 27 / 0 / 46 / 1

HEX #B8FC88

RGB 184 252 136

HSL 95.17, 0.95%, 0.76%

LAB 92.39, -40.64, 48.68

 

CMYK 46 / 4 / 0 / 1

HEX #88F2FC

RGB 136 242 252

HSL 185.17, 0.95%, 0.76%

LAB 89.75, -28.16, -14.37

 

CMYK 19 / 46 / 0 / 1

HEX #CB88FC

RGB 203 136 252

HSL 274.66, 0.95%, 0.76%

LAB 67.53, 46.28, -48.18

 

Description

Color code: HEX #FC948ACE | qconv.com Color code: HEX #FC948ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 148 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 148 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 37 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 37% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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