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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC8F75CE it is the complementary color #03708ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC8F75CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC8F75CE shade: #FF8F70CE, #FFA183CE, #FFB396CE, #FFC5A9CE and #FFD7BCCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC8F75CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC8F75CE shade: #FC8F75CE, #EB7D62CE, #DA6B4FCE, #C9593CCE and #B84729CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC8F75CE shade: #FC8D73 and #FC7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC8F75CE shade: #FC8D73, #FCB273, #FCD773, #FCFC73 and #D7FC73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC8F75CE shade matches the following richer shades: #FC8D73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC8F75CE shade: #FC8D73, #F1957F, #E59C8A, #D9A396 and #CEAAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC8F75CE shade: #FC73A3, #FC737E, #FC8C73, #FCB173 and #FCD573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC8F75CE shade: #FA4C22, #FB6D4B, #FC8D73, #FDAE9B and #FECFC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC8F75CE shade: #FC8F75, #C8FC73 and #7391FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC8F75CE shade: #FC8F75, #73FC8C and #8C73FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC8F75CE shade: #FC8F75, #C8FC73, #73E3FC and #A873FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC8F75CE shade: #FC8F75, #9EFC73, #73E3FC and #D173FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 43 / 1

HEX #FC8F75CE

RGBA 252 143 117 0.81

HSLA 11.56, 0.96%, 0.72%, 0.81

LABA 70.61, 38.68, 31.86, 0.81

 

Complementary color

CMYK 79 / 15 / 0 / 37

HEX #03708ACE

RGBA 3 112 138 0.81

HSLA 191.56, 0.96%, 0.28%, 0.81

LABA 43.42, -16.84, -21.77, 0.81

 

CMYK 0 / 36 / 45 / 0

HEX #FF8F70CE

RGBA 255 143 112 0.81

HSLA 13.01, 1%, 0.72%, 0.81

LABA 70.92, 39.42, 35.04, 0.81

 

CMYK 0 / 30 / 39 / 0

HEX #FFA183CE

RGBA 255 161 131 0.81

HSLA 14.52, 1%, 0.76%, 0.81

LABA 75.07, 31.76, 30.21, 0.81

 

CMYK 0 / 24 / 33 / 0

HEX #FFB396CE

RGBA 255 179 150 0.81

HSLA 16.57, 1%, 0.79%, 0.81

LABA 79.44, 24.24, 25.89, 0.81

 

CMYK 0 / 18 / 27 / 0

HEX #FFC5A9CE

RGBA 255 197 169 0.81

HSLA 19.53, 1%, 0.83%, 0.81

LABA 84, 16.98, 22.01, 0.81

 

CMYK 0 / 13 / 21 / 0

HEX #FFD7BCCE

RGBA 255 215 188 0.81

HSLA 24.18, 1%, 0.87%, 0.81

LABA 88.68, 10.04, 18.52, 0.81

 

CMYK 0 / 35 / 43 / 1

HEX #FC8F75CE

RGBA 252 143 117 0.81

HSLA 11.56, 0.96%, 0.72%, 0.81

LABA 70.61, 38.68, 31.86, 0.81

 

CMYK 0 / 38 / 47 / 6

HEX #EB7D62CE

RGBA 235 125 98 0.81

HSLA 11.82, 0.77%, 0.65%, 0.81

LABA 64.33, 39.94, 33.72, 0.81

 

CMYK 0 / 41 / 52 / 12

HEX #DA6B4FCE

RGBA 218 107 79 0.81

HSLA 12.09, 0.65%, 0.58%, 0.81

LABA 58.02, 41.29, 35.8, 0.81

 

CMYK 0 / 45 / 57 / 17

HEX #C9593CCE

RGBA 201 89 60 0.81

HSLA 12.34, 0.57%, 0.51%, 0.81

LABA 51.71, 42.71, 38.13, 0.81

 

CMYK 0 / 50 / 63 / 23

HEX #B84729CE

RGBA 184 71 41 0.81

HSLA 12.59, 0.64%, 0.44%, 0.81

LABA 45.44, 44.12, 40.66, 0.81

 

CMYK 0 / 44 / 54 / 1

HEX #FC8D73

RGB 252 141 115

HSL 11.39, 0.96%, 0.72%

LAB 70.16, 39.54, 32.37

 

CMYK 0 / 54 / 54 / 1

HEX #FC7373

RGB 252 115 115

HSL 0, 0.96%, 0.72%

LAB 65.12, 52.28, 25.76

 

CMYK 0 / 44 / 54 / 1

HEX #FC8D73

RGB 252 141 115

HSL 11.39, 0.96%, 0.72%

LAB 70.16, 39.54, 32.37

 

CMYK 0 / 29 / 54 / 1

HEX #FCB273

RGB 252 178 115

HSL 27.59, 0.96%, 0.72%

LAB 78.33, 20.31, 42.7

 

CMYK 0 / 15 / 54 / 1

HEX #FCD773

RGB 252 215 115

HSL 43.8, 0.96%, 0.72%

LAB 87.26, 1.1, 53.52

 

CMYK 0 / 0 / 54 / 1

HEX #FCFC73

RGB 252 252 115

HSL 60, 0.96%, 0.72%

LAB 96.64, -17.29, 64.38

 

CMYK 15 / 0 / 54 / 1

HEX #D7FC73

RGB 215 252 115

HSL 76.2, 0.96%, 0.72%

LAB 94.01, -31.6, 60.69

 

CMYK 0 / 44 / 54 / 1

HEX #FC8D73

RGB 252 141 115

HSL 11.39, 0.96%, 0.72%

LAB 70.16, 39.54, 32.37

 

CMYK 0 / 44 / 54 / 1

HEX #FC8D73

RGB 252 141 115

HSL 11.39, 0.96%, 0.72%

LAB 70.16, 39.54, 32.37

 

CMYK 0 / 38 / 47 / 5

HEX #F1957F

RGB 241 149 127

HSL 11.58, 0.8%, 0.72%

LAB 70.68, 32.28, 26.25

 

CMYK 0 / 32 / 40 / 10

HEX #E59C8A

RGB 229 156 138

HSL 11.87, 0.64%, 0.72%

LAB 71.06, 25.1, 20.49

 

CMYK 0 / 25 / 31 / 15

HEX #D9A396

RGB 217 163 150

HSL 11.64, 0.47%, 0.72%

LAB 71.66, 18.17, 14.53

 

CMYK 0 / 17 / 22 / 19

HEX #CEAAA1

RGB 206 170 161

HSL 12, 0.31%, 0.72%

LAB 72.52, 11.73, 9.56

 

CMYK 0 / 54 / 35 / 1

HEX #FC73A3

RGB 252 115 163

HSL 338.98, 0.96%, 0.72%

LAB 66.21, 56.88, 0.04

 

CMYK 0 / 54 / 50 / 1

HEX #FC737E

RGB 252 115 126

HSL 355.18, 0.96%, 0.72%

LAB 65.33, 53.18, 19.82

 

CMYK 0 / 44 / 54 / 1

HEX #FC8C73

RGB 252 140 115

HSL 10.95, 0.96%, 0.72%

LAB 69.96, 40.04, 32.1

 

CMYK 0 / 30 / 54 / 1

HEX #FCB173

RGB 252 177 115

HSL 27.15, 0.96%, 0.72%

LAB 78.1, 20.84, 42.41

 

CMYK 0 / 15 / 54 / 1

HEX #FCD573

RGB 252 213 115

HSL 42.92, 0.96%, 0.72%

LAB 86.76, 2.12, 52.93

 

CMYK 0 / 70 / 86 / 2

HEX #FA4C22

RGB 250 76 34

HSL 11.67, 0.96%, 0.56%

LAB 57.66, 64.22, 59.29

 

CMYK 0 / 57 / 70 / 2

HEX #FB6D4B

RGB 251 109 75

HSL 11.59, 0.96%, 0.64%

LAB 63.31, 52.21, 45.39

 

CMYK 0 / 44 / 54 / 1

HEX #FC8D73

RGB 252 141 115

HSL 11.39, 0.96%, 0.72%

LAB 70.16, 39.54, 32.37

 

CMYK 0 / 31 / 39 / 1

HEX #FDAE9B

RGB 253 174 155

HSL 11.63, 0.96%, 0.8%

LAB 78.18, 26.65, 21.45

 

CMYK 0 / 19 / 23 / 0

HEX #FECFC4

RGB 254 207 196

HSL 11.38, 0.97%, 0.88%

LAB 86.84, 14.93, 11.7

 

CMYK 0 / 43 / 54 / 1

HEX #FC8F75

RGB 252 143 117

HSL 11.56, 0.96%, 0.72%

LAB 70.61, 38.68, 31.86

 

CMYK 21 / 0 / 54 / 1

HEX #C8FC73

RGB 200 252 115

HSL 82.77, 0.96%, 0.72%

LAB 93.07, -37.16, 59.36

 

CMYK 54 / 42 / 0 / 1

HEX #7391FC

RGB 115 145 252

HSL 226.86, 0.96%, 0.72%

LAB 62.44, 19.47, -56.69

 

CMYK 0 / 43 / 54 / 1

HEX #FC8F75

RGB 252 143 117

HSL 11.56, 0.96%, 0.72%

LAB 70.61, 38.68, 31.86

 

CMYK 54 / 0 / 44 / 1

HEX #73FC8C

RGB 115 252 140

HSL 130.95, 0.96%, 0.72%

LAB 89.47, -60.3, 42.45

 

CMYK 44 / 54 / 0 / 1

HEX #8C73FC

RGB 140 115 252

HSL 250.95, 0.96%, 0.72%

LAB 56.94, 42.31, -65.4

 

CMYK 0 / 43 / 54 / 1

HEX #FC8F75

RGB 252 143 117

HSL 11.56, 0.96%, 0.72%

LAB 70.61, 38.68, 31.86

 

CMYK 21 / 0 / 54 / 1

HEX #C8FC73

RGB 200 252 115

HSL 82.77, 0.96%, 0.72%

LAB 93.07, -37.16, 59.36

 

CMYK 54 / 10 / 0 / 1

HEX #73E3FC

RGB 115 227 252

HSL 190.95, 0.96%, 0.72%

LAB 84.8, -25.25, -21.91

 

CMYK 33 / 54 / 0 / 1

HEX #A873FC

RGB 168 115 252

HSL 263.21, 0.96%, 0.72%

LAB 59.54, 48.63, -61.09

 

CMYK 0 / 43 / 54 / 1

HEX #FC8F75

RGB 252 143 117

HSL 11.56, 0.96%, 0.72%

LAB 70.61, 38.68, 31.86

 

CMYK 37 / 0 / 54 / 1

HEX #9EFC73

RGB 158 252 115

HSL 101.17, 0.96%, 0.72%

LAB 90.84, -51.56, 56.18

 

CMYK 54 / 10 / 0 / 1

HEX #73E3FC

RGB 115 227 252

HSL 190.95, 0.96%, 0.72%

LAB 84.8, -25.25, -21.91

 

CMYK 17 / 54 / 0 / 1

HEX #D173FC

RGB 209 115 252

HSL 281.17, 0.96%, 0.72%

LAB 64.04, 58.64, -53.65

 

Description

Color code: HEX #FC8F75CE | qconv.com Color code: HEX #FC8F75CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 143 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 143 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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