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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC8ECE it is the complementary color #037131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC8ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC8ECE shade: #FF8EC9, #FFA0DC, #FFB2EF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC8ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC8ECE shade: #FC8ECE, #EB7CBB, #DA6AA8, #C95895 and #B84682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC8ECE shade: #FC8DCD, #FC8DAF, #FC8D91 and #FC8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC8ECE shade: #FC8DCD, #FC8DEC, #EF8DFC, #D18DFC and #B28DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC8ECE shade matches the following richer shades: #FC8DCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC8ECE shade: #FC8DCD, #F396CC, #E9A0CA, #E0A9C9 and #D6B3C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC8ECE shade: #EF8DFC, #FC8DEB, #FC8DCE, #FC8DB0 and #FC8D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC8ECE shade: #FA3CAB, #FB64BC, #FC8DCD, #FDB5DF and #FEDDF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC8ECE shade: #FC8ECE, #FCD18D and #8DFAFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC8ECE shade: #FC8ECE, #CEFC8D and #8DCEFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC8ECE shade: #FC8ECE, #FCD18D, #8DFCBB and #8DB7FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC8ECE shade: #FC8ECE, #FCF38D, #8DFCBB and #8D96FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 18 / 1

HEX #FC8ECE

RGB 252 142 206

HSL 325.09, 0.95%, 0.77%

LAB 72.56, 49.47, -14.64

 

Complementary color

CMYK 97 / 0 / 57 / 56

HEX #037131

RGB 3 113 49

HSL 145.09, 0.95%, 0.23%

LAB 41.3, -42.53, 27.7

 

CMYK 0 / 44 / 21 / 0

HEX #FF8EC9

RGB 255 142 201

HSL 328.67, 1%, 0.78%

LAB 72.78, 49.71, -11.52

 

CMYK 0 / 37 / 14 / 0

HEX #FFA0DC

RGB 255 160 220

HSL 322.11, 1%, 0.81%

LAB 77.02, 43.43, -15.57

 

CMYK 0 / 30 / 6 / 0

HEX #FFB2EF

RGB 255 178 239

HSL 312.47, 1%, 0.85%

LAB 81.47, 37.2, -19.14

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 44 / 18 / 1

HEX #FC8ECE

RGB 252 142 206

HSL 325.09, 0.95%, 0.77%

LAB 72.56, 49.47, -14.64

 

CMYK 0 / 47 / 20 / 8

HEX #EB7CBB

RGB 235 124 187

HSL 325.95, 0.74%, 0.7%

LAB 66.26, 50.22, -13.73

 

CMYK 0 / 51 / 23 / 15

HEX #DA6AA8

RGB 218 106 168

HSL 326.79, 0.6%, 0.64%

LAB 59.93, 50.94, -12.68

 

CMYK 0 / 56 / 26 / 21

HEX #C95895

RGB 201 88 149

HSL 327.61, 0.51%, 0.57%

LAB 53.56, 51.58, -11.43

 

CMYK 0 / 62 / 29 / 28

HEX #B84682

RGB 184 70 130

HSL 328.42, 0.45%, 0.5%

LAB 47.21, 52.05, -9.9

 

CMYK 0 / 44 / 19 / 1

HEX #FC8DCD

RGB 252 141 205

HSL 325.41, 0.95%, 0.77%

LAB 72.33, 49.82, -14.43

 

CMYK 0 / 44 / 31 / 1

HEX #FC8DAF

RGB 252 141 175

HSL 341.62, 0.95%, 0.77%

LAB 71.45, 45.73, 0.92

 

CMYK 0 / 44 / 42 / 1

HEX #FC8D91

RGB 252 141 145

HSL 357.84, 0.95%, 0.77%

LAB 70.73, 42.28, 16.6

 

CMYK 0 / 44 / 44 / 1

HEX #FC8D8D

RGB 252 141 141

HSL 0, 0.95%, 0.77%

LAB 70.64, 41.88, 18.71

 

CMYK 0 / 44 / 19 / 1

HEX #FC8DCD

RGB 252 141 205

HSL 325.41, 0.95%, 0.77%

LAB 72.33, 49.82, -14.43

 

CMYK 0 / 44 / 6 / 1

HEX #FC8DEC

RGB 252 141 236

HSL 308.65, 0.95%, 0.77%

LAB 73.42, 54.67, -29.83

 

CMYK 5 / 44 / 0 / 1

HEX #EF8DFC

RGB 239 141 252

HSL 292.97, 0.95%, 0.77%

LAB 72.51, 53.71, -40.07

 

CMYK 17 / 44 / 0 / 1

HEX #D18DFC

RGB 209 141 252

HSL 276.76, 0.95%, 0.77%

LAB 69.21, 45.28, -45.49

 

CMYK 29 / 44 / 0 / 1

HEX #B28DFC

RGB 178 141 252

HSL 260, 0.95%, 0.77%

LAB 66.17, 36.83, -50.48

 

CMYK 0 / 44 / 19 / 1

HEX #FC8DCD

RGB 252 141 205

HSL 325.41, 0.95%, 0.77%

LAB 72.33, 49.82, -14.43

 

CMYK 0 / 44 / 19 / 1

HEX #FC8DCD

RGB 252 141 205

HSL 325.41, 0.95%, 0.77%

LAB 72.33, 49.82, -14.43

 

CMYK 0 / 38 / 16 / 5

HEX #F396CC

RGB 243 150 204

HSL 325.16, 0.79%, 0.77%

LAB 73.04, 42.16, -12.93

 

CMYK 0 / 31 / 13 / 9

HEX #E9A0CA

RGB 233 160 202

HSL 325.48, 0.62%, 0.77%

LAB 74.02, 33.24, -10.48

 

CMYK 0 / 25 / 10 / 12

HEX #E0A9C9

RGB 224 169 201

HSL 325.09, 0.47%, 0.77%

LAB 75.1, 25.16, -8.42

 

CMYK 0 / 16 / 7 / 16

HEX #D6B3C7

RGB 214 179 199

HSL 325.71, 0.3%, 0.77%

LAB 76.47, 15.94, -5.4

 

CMYK 5 / 44 / 0 / 1

HEX #EF8DFC

RGB 239 141 252

HSL 292.97, 0.95%, 0.77%

LAB 72.51, 53.71, -40.07

 

CMYK 0 / 44 / 7 / 1

HEX #FC8DEB

RGB 252 141 235

HSL 309.19, 0.95%, 0.77%

LAB 73.38, 54.51, -29.34

 

CMYK 0 / 44 / 18 / 1

HEX #FC8DCE

RGB 252 141 206

HSL 324.86, 0.95%, 0.77%

LAB 72.36, 49.97, -14.94

 

CMYK 0 / 44 / 30 / 1

HEX #FC8DB0

RGB 252 141 176

HSL 341.08, 0.95%, 0.77%

LAB 71.47, 45.85, 0.4

 

CMYK 0 / 44 / 42 / 1

HEX #FC8D92

RGB 252 141 146

HSL 357.3, 0.95%, 0.77%

LAB 70.75, 42.39, 16.07

 

CMYK 0 / 76 / 32 / 2

HEX #FA3CAB

RGB 250 60 171

HSL 324.95, 0.95%, 0.61%

LAB 58.5, 78.11, -16.07

 

CMYK 0 / 60 / 25 / 2

HEX #FB64BC

RGB 251 100 188

HSL 325.03, 0.95%, 0.69%

LAB 64.37, 66.22, -16.94

 

CMYK 0 / 44 / 19 / 1

HEX #FC8DCD

RGB 252 141 205

HSL 325.41, 0.95%, 0.77%

LAB 72.33, 49.82, -14.43

 

CMYK 0 / 28 / 12 / 1

HEX #FDB5DF

RGB 253 181 223

HSL 325, 0.95%, 0.85%

LAB 81.43, 32.32, -10.61

 

CMYK 0 / 13 / 6 / 0

HEX #FEDDF0

RGB 254 221 240

HSL 325.45, 0.94%, 0.93%

LAB 91.27, 14.51, -5.06

 

CMYK 0 / 44 / 18 / 1

HEX #FC8ECE

RGB 252 142 206

HSL 325.09, 0.95%, 0.77%

LAB 72.56, 49.47, -14.64

 

CMYK 0 / 17 / 44 / 1

HEX #FCD18D

RGB 252 209 141

HSL 36.76, 0.95%, 0.77%

LAB 86.12, 6.49, 39.33

 

CMYK 44 / 1 / 0 / 1

HEX #8DFAFC

RGB 141 250 252

HSL 181.08, 0.95%, 0.77%

LAB 92.16, -30.85, -10.76

 

CMYK 0 / 44 / 18 / 1

HEX #FC8ECE

RGB 252 142 206

HSL 325.09, 0.95%, 0.77%

LAB 72.56, 49.47, -14.64

 

CMYK 18 / 0 / 44 / 1

HEX #CEFC8D

RGB 206 252 141

HSL 84.86, 0.95%, 0.77%

LAB 93.74, -32.33, 48.26

 

CMYK 44 / 18 / 0 / 1

HEX #8DCEFC

RGB 141 206 252

HSL 204.86, 0.95%, 0.77%

LAB 80.09, -8.86, -29

 

CMYK 0 / 44 / 18 / 1

HEX #FC8ECE

RGB 252 142 206

HSL 325.09, 0.95%, 0.77%

LAB 72.56, 49.47, -14.64

 

CMYK 0 / 17 / 44 / 1

HEX #FCD18D

RGB 252 209 141

HSL 36.76, 0.95%, 0.77%

LAB 86.12, 6.49, 39.33

 

CMYK 44 / 0 / 26 / 1

HEX #8DFCBB

RGB 141 252 187

HSL 144.86, 0.95%, 0.77%

LAB 91.18, -45.9, 21.41

 

CMYK 44 / 27 / 0 / 1

HEX #8DB7FC

RGB 141 183 252

HSL 217.3, 0.95%, 0.77%

LAB 73.91, 3.58, -38.54

 

CMYK 0 / 44 / 18 / 1

HEX #FC8ECE

RGB 252 142 206

HSL 325.09, 0.95%, 0.77%

LAB 72.56, 49.47, -14.64

 

CMYK 0 / 4 / 44 / 1

HEX #FCF38D

RGB 252 243 141

HSL 55.14, 0.95%, 0.77%

LAB 94.62, -10.69, 50.06

 

CMYK 44 / 0 / 26 / 1

HEX #8DFCBB

RGB 141 252 187

HSL 144.86, 0.95%, 0.77%

LAB 91.18, -45.9, 21.41

 

CMYK 44 / 40 / 0 / 1

HEX #8D96FC

RGB 141 150 252

HSL 235.14, 0.95%, 0.77%

LAB 65.36, 22.31, -51.95

 

Description

Color code: HEX #FC8ECE | qconv.com Color code: HEX #FC8ECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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