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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC891E it is the complementary color #0376E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC891E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC891E shade: #FF8919, #FF9B2C, #FFAD3F, #FFBF52 and #FFD165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC891E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC891E shade: #FC891E, #EB770B, #DA6500, #C95300 and #B84100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC891E shade: #FB881C, #FB4C1C and #FB1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC891E shade: #FB881C, #FBC41C, #F6FB1C, #BAFB1C and #7EFB1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC891E shade matches the following richer shades: #FB881C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC891E shade: #FB881C, #E8882F, #D68942, #C38A54 and #B18A67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC891E shade: #FB1C2B, #FB491C, #FB841C, #FBC01C and #FBFB1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC891E shade: #C35F02, #EB7303, #FB881C, #FC9D45 and #FCB26E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC891E shade: #FC891E, #67FB1C and #2B1CFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC891E shade: #FC891E, #1CFB84 and #841CFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC891E shade: #FC891E, #67FB1C, #1C93FB and #B11CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC891E shade: #FC891E, #24FB1C, #1C93FB and #F41CFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 88 / 1

HEX #FC891E

RGB 252 137 30

HSL 28.92, 0.97%, 0.55%

LAB 68.52, 37.5, 69.22

 

Complementary color

CMYK 99 / 48 / 0 / 12

HEX #0376E1

RGB 3 118 225

HSL 208.92, 0.97%, 0.45%

LAB 49.99, 13.47, -61.85

 

CMYK 0 / 46 / 90 / 0

HEX #FF8919

RGB 255 137 25

HSL 29.22, 1%, 0.55%

LAB 68.91, 38.6, 70.99

 

CMYK 0 / 39 / 83 / 0

HEX #FF9B2C

RGB 255 155 44

HSL 31.56, 1%, 0.59%

LAB 72.82, 29.79, 68.56

 

CMYK 0 / 32 / 75 / 0

HEX #FFAD3F

RGB 255 173 63

HSL 34.38, 1%, 0.62%

LAB 76.98, 21.05, 65.41

 

CMYK 0 / 25 / 68 / 0

HEX #FFBF52

RGB 255 191 82

HSL 37.8, 1%, 0.66%

LAB 81.36, 12.54, 61.98

 

CMYK 0 / 18 / 60 / 0

HEX #FFD165

RGB 255 209 101

HSL 42.08, 1%, 0.7%

LAB 85.91, 4.38, 58.52

 

CMYK 0 / 46 / 88 / 1

HEX #FC891E

RGB 252 137 30

HSL 28.92, 0.97%, 0.55%

LAB 68.52, 37.5, 69.22

 

CMYK 0 / 49 / 95 / 8

HEX #EB770B

RGB 235 119 11

HSL 28.93, 0.91%, 0.48%

LAB 62.41, 39.58, 68.04

 

CMYK 0 / 54 / 100 / 15

HEX #DA6500

RGB 218 101 0

HSL 27.8, 1%, 0.43%

LAB 56.3, 41.78, 64.9

 

CMYK 0 / 59 / 100 / 21

HEX #C95300

RGB 201 83 0

HSL 24.78, 1%, 0.39%

LAB 50.22, 43.98, 60.05

 

CMYK 0 / 65 / 100 / 28

HEX #B84100

RGB 184 65 0

HSL 21.2, 1%, 0.36%

LAB 44.19, 45.95, 55.25

 

CMYK 0 / 46 / 89 / 2

HEX #FB881C

RGB 251 136 28

HSL 29.06, 0.97%, 0.55%

LAB 68.17, 37.57, 69.44

 

CMYK 0 / 70 / 89 / 2

HEX #FB4C1C

RGB 251 76 28

HSL 12.91, 0.97%, 0.55%

LAB 57.81, 64.43, 61.75

 

CMYK 0 / 89 / 89 / 2

HEX #FB1C1C

RGB 251 28 28

HSL 0, 0.97%, 0.55%

LAB 53.41, 76.78, 58.58

 

CMYK 0 / 46 / 89 / 2

HEX #FB881C

RGB 251 136 28

HSL 29.06, 0.97%, 0.55%

LAB 68.17, 37.57, 69.44

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 2 / 0 / 89 / 2

HEX #F6FB1C

RGB 246 251 28

HSL 61.35, 0.97%, 0.55%

LAB 95.44, -23.06, 90.29

 

CMYK 26 / 0 / 89 / 2

HEX #BAFB1C

RGB 186 251 28

HSL 77.49, 0.97%, 0.55%

LAB 91.47, -46.68, 85.44

 

CMYK 50 / 0 / 89 / 2

HEX #7EFB1C

RGB 126 251 28

HSL 93.63, 0.97%, 0.55%

LAB 88.69, -66.5, 82.01

 

CMYK 0 / 46 / 89 / 2

HEX #FB881C

RGB 251 136 28

HSL 29.06, 0.97%, 0.55%

LAB 68.17, 37.57, 69.44

 

CMYK 0 / 46 / 89 / 2

HEX #FB881C

RGB 251 136 28

HSL 29.06, 0.97%, 0.55%

LAB 68.17, 37.57, 69.44

 

CMYK 0 / 41 / 80 / 9

HEX #E8882F

RGB 232 136 47

HSL 28.86, 0.8%, 0.55%

LAB 65.72, 30.37, 60.05

 

CMYK 0 / 36 / 69 / 16

HEX #D68942

RGB 214 137 66

HSL 28.78, 0.64%, 0.55%

LAB 63.82, 23.19, 49.05

 

CMYK 0 / 29 / 57 / 24

HEX #C38A54

RGB 195 138 84

HSL 29.19, 0.48%, 0.55%

LAB 62.01, 15.84, 37.28

 

CMYK 0 / 22 / 42 / 31

HEX #B18A67

RGB 177 138 103

HSL 28.38, 0.32%, 0.55%

LAB 60.34, 10.12, 24.42

 

CMYK 0 / 89 / 83 / 2

HEX #FB1C2B

RGB 251 28 43

HSL 355.96, 0.97%, 0.55%

LAB 53.51, 77.06, 51.75

 

CMYK 0 / 71 / 89 / 2

HEX #FB491C

RGB 251 73 28

HSL 12.11, 0.97%, 0.55%

LAB 57.42, 65.49, 61.46

 

CMYK 0 / 47 / 89 / 2

HEX #FB841C

RGB 251 132 28

HSL 27.98, 0.97%, 0.55%

LAB 67.35, 39.59, 68.82

 

CMYK 0 / 24 / 89 / 2

HEX #FBC01C

RGB 251 192 28

HSL 44.13, 0.97%, 0.55%

LAB 80.9, 8.47, 79.15

 

CMYK 0 / 0 / 89 / 2

HEX #FBFB1C

RGB 251 251 28

HSL 60, 0.97%, 0.55%

LAB 95.83, -21.02, 90.75

 

CMYK 0 / 51 / 99 / 24

HEX #C35F02

RGB 195 95 2

HSL 28.91, 0.98%, 0.39%

LAB 51.6, 35.71, 59.9

 

CMYK 0 / 51 / 99 / 8

HEX #EB7303

RGB 235 115 3

HSL 28.97, 0.97%, 0.47%

LAB 61.59, 41.51, 68.81

 

CMYK 0 / 46 / 89 / 2

HEX #FB881C

RGB 251 136 28

HSL 29.06, 0.97%, 0.55%

LAB 68.17, 37.57, 69.44

 

CMYK 0 / 38 / 73 / 1

HEX #FC9D45

RGB 252 157 69

HSL 28.85, 0.97%, 0.63%

LAB 73.05, 28.42, 58.85

 

CMYK 0 / 29 / 56 / 1

HEX #FCB26E

RGB 252 178 110

HSL 28.73, 0.96%, 0.71%

LAB 78.26, 19.92, 45.15

 

CMYK 0 / 46 / 88 / 1

HEX #FC891E

RGB 252 137 30

HSL 28.92, 0.97%, 0.55%

LAB 68.52, 37.5, 69.22

 

CMYK 59 / 0 / 89 / 2

HEX #67FB1C

RGB 103 251 28

HSL 99.82, 0.97%, 0.55%

LAB 87.95, -72.43, 81.09

 

CMYK 83 / 89 / 0 / 2

HEX #2B1CFB

RGB 43 28 251

HSL 244.04, 0.97%, 0.55%

LAB 34.62, 73.27, -101.72

 

CMYK 0 / 46 / 88 / 1

HEX #FC891E

RGB 252 137 30

HSL 28.92, 0.97%, 0.55%

LAB 68.52, 37.5, 69.22

 

CMYK 89 / 0 / 47 / 2

HEX #1CFB84

RGB 28 251 132

HSL 147.98, 0.97%, 0.55%

LAB 87.44, -73.87, 43.39

 

CMYK 47 / 89 / 0 / 2

HEX #841CFB

RGB 132 28 251

HSL 267.98, 0.97%, 0.55%

LAB 42.31, 78.74, -88.73

 

CMYK 0 / 46 / 88 / 1

HEX #FC891E

RGB 252 137 30

HSL 28.92, 0.97%, 0.55%

LAB 68.52, 37.5, 69.22

 

CMYK 59 / 0 / 89 / 2

HEX #67FB1C

RGB 103 251 28

HSL 99.82, 0.97%, 0.55%

LAB 87.95, -72.43, 81.09

 

CMYK 89 / 41 / 0 / 2

HEX #1C93FB

RGB 28 147 251

HSL 207.98, 0.97%, 0.55%

LAB 59.96, 6.56, -60.27

 

CMYK 29 / 89 / 0 / 2

HEX #B11CFB

RGB 177 28 251

HSL 280.09, 0.97%, 0.55%

LAB 48.44, 83.87, -78.44

 

CMYK 0 / 46 / 88 / 1

HEX #FC891E

RGB 252 137 30

HSL 28.92, 0.97%, 0.55%

LAB 68.52, 37.5, 69.22

 

CMYK 86 / 0 / 89 / 2

HEX #24FB1C

RGB 36 251 28

HSL 117.85, 0.97%, 0.55%

LAB 86.73, -82.93, 79.56

 

CMYK 89 / 41 / 0 / 2

HEX #1C93FB

RGB 28 147 251

HSL 207.98, 0.97%, 0.55%

LAB 59.96, 6.56, -60.27

 

CMYK 3 / 89 / 0 / 2

HEX #F41CFB

RGB 244 28 251

HSL 298.12, 0.97%, 0.55%

LAB 59, 93.72, -60.84

 

Description

Color code: HEX #FC891E | qconv.com Color code: HEX #FC891E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 137 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 137 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 88 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 88% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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