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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC851D it is the complementary color #037AE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC851D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC851D shade: #FF8518, #FF972B, #FFA93E, #FFBB51 and #FFCD64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC851D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC851D shade: #FC851D, #EB730A, #DA6100, #C94F00 and #B83D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC851D shade: #FC851D, #FC491D and #FC1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC851D shade: #FC851D, #FCC11D, #FAFC1D, #BEFC1D and #82FC1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC851D shade matches the following richer shades: #FC851D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC851D shade: #FC851D, #E98630, #D68742, #C48955 and #B18A67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC851D shade: #FC1D2F, #FC461D, #FC811D, #FCBC1D and #FCF81D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC851D shade: #C35D03, #EC7004, #FC851D, #FC9B46 and #FDB16E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC851D shade: #FC851D, #6BFC1D and #281DFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC851D shade: #FC851D, #1DFC81 and #811DFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC851D shade: #FC851D, #6BFC1D, #1D97FC and #AE1DFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC851D shade: #FC851D, #28FC1D, #1D97FC and #F01DFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

Complementary color

CMYK 99 / 46 / 0 / 11

HEX #037AE2

RGB 3 122 226

HSL 207.98, 0.97%, 0.45%

LAB 51.19, 11.35, -60.48

 

CMYK 0 / 48 / 91 / 0

HEX #FF8518

RGB 255 133 24

HSL 28.31, 1%, 0.55%

LAB 68.09, 40.59, 70.64

 

CMYK 0 / 41 / 83 / 0

HEX #FF972B

RGB 255 151 43

HSL 30.57, 1%, 0.58%

LAB 71.94, 31.83, 68.15

 

CMYK 0 / 34 / 76 / 0

HEX #FFA93E

RGB 255 169 62

HSL 33.26, 1%, 0.62%

LAB 76.06, 23.1, 64.91

 

CMYK 0 / 27 / 68 / 0

HEX #FFBB51

RGB 255 187 81

HSL 36.55, 1%, 0.66%

LAB 80.4, 14.57, 61.39

 

CMYK 0 / 20 / 61 / 0

HEX #FFCD64

RGB 255 205 100

HSL 40.65, 1%, 0.7%

LAB 84.92, 6.37, 57.86

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 0 / 51 / 96 / 8

HEX #EB730A

RGB 235 115 10

HSL 28, 0.92%, 0.48%

LAB 61.61, 41.57, 67.68

 

CMYK 0 / 56 / 100 / 15

HEX #DA6100

RGB 218 97 0

HSL 26.7, 1%, 0.43%

LAB 55.54, 43.74, 64.46

 

CMYK 0 / 61 / 100 / 21

HEX #C94F00

RGB 201 79 0

HSL 23.58, 1%, 0.39%

LAB 49.51, 45.85, 59.66

 

CMYK 0 / 67 / 100 / 28

HEX #B83D00

RGB 184 61 0

HSL 19.89, 1%, 0.36%

LAB 43.55, 47.68, 54.92

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 0 / 71 / 88 / 1

HEX #FC491D

RGB 252 73 29

HSL 11.84, 0.97%, 0.55%

LAB 57.61, 65.82, 61.32

 

CMYK 0 / 88 / 88 / 1

HEX #FC1D1D

RGB 252 29 29

HSL 0, 0.97%, 0.55%

LAB 53.67, 76.9, 58.44

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 0 / 23 / 88 / 1

HEX #FCC11D

RGB 252 193 29

HSL 44.13, 0.97%, 0.55%

LAB 81.25, 8.39, 79.27

 

CMYK 1 / 0 / 88 / 1

HEX #FAFC1D

RGB 250 252 29

HSL 60.54, 0.97%, 0.55%

LAB 96.01, -21.89, 90.72

 

CMYK 25 / 0 / 88 / 1

HEX #BEFC1D

RGB 190 252 29

HSL 76.68, 0.97%, 0.55%

LAB 91.98, -45.59, 85.79

 

CMYK 48 / 0 / 88 / 1

HEX #82FC1D

RGB 130 252 29

HSL 92.83, 0.97%, 0.55%

LAB 89.14, -65.69, 82.28

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 0 / 42 / 79 / 9

HEX #E98630

RGB 233 134 48

HSL 27.89, 0.81%, 0.55%

LAB 65.43, 31.86, 59.42

 

CMYK 0 / 37 / 69 / 16

HEX #D68742

RGB 214 135 66

HSL 27.97, 0.64%, 0.55%

LAB 63.36, 24.27, 48.54

 

CMYK 0 / 30 / 57 / 23

HEX #C48955

RGB 196 137 85

HSL 28.11, 0.48%, 0.55%

LAB 61.9, 16.9, 36.63

 

CMYK 0 / 22 / 42 / 31

HEX #B18A67

RGB 177 138 103

HSL 28.38, 0.32%, 0.55%

LAB 60.34, 10.12, 24.42

 

CMYK 0 / 88 / 81 / 1

HEX #FC1D2F

RGB 252 29 47

HSL 355.16, 0.97%, 0.55%

LAB 53.79, 77.26, 50.04

 

CMYK 0 / 72 / 88 / 1

HEX #FC461D

RGB 252 70 29

HSL 11.03, 0.97%, 0.55%

LAB 57.24, 66.84, 61.04

 

CMYK 0 / 49 / 88 / 1

HEX #FC811D

RGB 252 129 29

HSL 26.91, 0.97%, 0.55%

LAB 66.89, 41.49, 68.25

 

CMYK 0 / 25 / 88 / 1

HEX #FCBC1D

RGB 252 188 29

HSL 42.78, 0.97%, 0.55%

LAB 80.04, 10.99, 78.33

 

CMYK 0 / 2 / 88 / 1

HEX #FCF81D

RGB 252 248 29

HSL 58.92, 0.97%, 0.55%

LAB 95.13, -19.16, 90.09

 

CMYK 0 / 52 / 98 / 24

HEX #C35D03

RGB 195 93 3

HSL 28.13, 0.97%, 0.39%

LAB 51.2, 36.75, 59.43

 

CMYK 0 / 53 / 98 / 7

HEX #EC7004

RGB 236 112 4

HSL 27.93, 0.97%, 0.47%

LAB 61.16, 43.38, 68.45

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 0 / 38 / 72 / 1

HEX #FC9B46

RGB 252 155 70

HSL 28.02, 0.97%, 0.63%

LAB 72.61, 29.51, 57.95

 

CMYK 0 / 30 / 57 / 1

HEX #FDB16E

RGB 253 177 110

HSL 28.11, 0.97%, 0.71%

LAB 78.14, 20.85, 45.03

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 58 / 0 / 88 / 1

HEX #6BFC1D

RGB 107 252 29

HSL 99.01, 0.97%, 0.55%

LAB 88.37, -71.78, 81.33

 

CMYK 84 / 88 / 0 / 1

HEX #281DFC

RGB 40 29 252

HSL 242.96, 0.97%, 0.55%

LAB 34.72, 73.15, -102.12

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 88 / 0 / 49 / 1

HEX #1DFC81

RGB 29 252 129

HSL 146.91, 0.97%, 0.55%

LAB 87.71, -74.6, 45.16

 

CMYK 49 / 88 / 0 / 1

HEX #811DFC

RGB 129 29 252

HSL 266.91, 0.97%, 0.55%

LAB 42.11, 78.45, -89.63

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 58 / 0 / 88 / 1

HEX #6BFC1D

RGB 107 252 29

HSL 99.01, 0.97%, 0.55%

LAB 88.37, -71.78, 81.33

 

CMYK 88 / 40 / 0 / 1

HEX #1D97FC

RGB 29 151 252

HSL 207.17, 0.97%, 0.55%

LAB 61.15, 4.61, -58.92

 

CMYK 31 / 88 / 0 / 1

HEX #AE1DFC

RGB 174 29 252

HSL 279.01, 0.97%, 0.55%

LAB 48.14, 83.49, -79.5

 

CMYK 0 / 47 / 88 / 1

HEX #FC851D

RGB 252 133 29

HSL 27.98, 0.97%, 0.55%

LAB 67.69, 39.49, 68.87

 

CMYK 84 / 0 / 88 / 1

HEX #28FC1D

RGB 40 252 29

HSL 117.04, 0.97%, 0.55%

LAB 87.08, -82.84, 79.71

 

CMYK 88 / 40 / 0 / 1

HEX #1D97FC

RGB 29 151 252

HSL 207.17, 0.97%, 0.55%

LAB 61.15, 4.61, -58.92

 

CMYK 5 / 88 / 0 / 1

HEX #F01DFC

RGB 240 29 252

HSL 296.77, 0.97%, 0.55%

LAB 58.45, 93.09, -62.32

 

Description

Color code: HEX #FC851D | qconv.com Color code: HEX #FC851D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 133 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 133 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 88 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 88% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

80% - 易网科技
Link: http://eoner.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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