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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC84DE it is the complementary color #037B21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC84DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC84DE shade: #FF84D9, #FF96EC, #FFA8FF, #FFBAFF and #FFCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC84DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC84DE shade: #FC84DE, #EB72CB, #DA60B8, #C94EA5 and #B83C92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC84DE shade: #FC83DE, #FC83BD, #FC839C and #FC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC84DE shade: #FC83DE, #F983FC, #D983FC, #B883FC and #9783FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC84DE shade matches the following richer shades: #FC83DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC84DE shade: #FC83DE, #F18DD8, #E797D3, #DDA2CE and #D3ACC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC84DE shade: #D983FC, #FA83FC, #FC83DE, #FC83BD and #FC839D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC84DE shade: #FA32C8, #FB5AD3, #FC83DE, #FDABE8 and #FED3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC84DE shade: #FC84DE, #FCB983 and #83FCEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC84DE shade: #FC84DE, #DEFC83 and #83DEFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC84DE shade: #FC84DE, #FCB983, #83FCA1 and #83C5FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC84DE shade: #FC84DE, #FCDE83, #83FCA1 and #83A1FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 12 / 1

HEX #FC84DE

RGB 252 132 222

HSL 315, 0.95%, 0.75%

LAB 71.2, 56.81, -25.55

 

Complementary color

CMYK 98 / 0 / 73 / 52

HEX #037B21

RGB 3 123 33

HSL 135, 0.95%, 0.25%

LAB 44.65, -47.98, 39.17

 

CMYK 0 / 48 / 15 / 0

HEX #FF84D9

RGB 255 132 217

HSL 318.54, 1%, 0.76%

LAB 71.4, 56.94, -22.44

 

CMYK 0 / 41 / 7 / 0

HEX #FF96EC

RGB 255 150 236

HSL 310.86, 1%, 0.79%

LAB 75.53, 51.09, -26.55

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 48 / 12 / 1

HEX #FC84DE

RGB 252 132 222

HSL 315, 0.95%, 0.75%

LAB 71.2, 56.81, -25.55

 

CMYK 0 / 51 / 14 / 8

HEX #EB72CB

RGB 235 114 203

HSL 315.87, 0.75%, 0.68%

LAB 64.97, 57.45, -24.71

 

CMYK 0 / 56 / 16 / 15

HEX #DA60B8

RGB 218 96 184

HSL 316.72, 0.62%, 0.62%

LAB 58.73, 57.98, -23.7

 

CMYK 0 / 61 / 18 / 21

HEX #C94EA5

RGB 201 78 165

HSL 317.56, 0.53%, 0.55%

LAB 52.49, 58.34, -22.48

 

CMYK 0 / 67 / 21 / 28

HEX #B83C92

RGB 184 60 146

HSL 318.39, 0.51%, 0.48%

LAB 46.31, 58.37, -20.93

 

CMYK 0 / 48 / 12 / 1

HEX #FC83DE

RGB 252 131 222

HSL 314.88, 0.95%, 0.75%

LAB 71.01, 57.29, -25.84

 

CMYK 0 / 48 / 25 / 1

HEX #FC83BD

RGB 252 131 189

HSL 331.24, 0.95%, 0.75%

LAB 69.9, 52.5, -9.18

 

CMYK 0 / 48 / 38 / 1

HEX #FC839C

RGB 252 131 156

HSL 347.6, 0.95%, 0.75%

LAB 68.99, 48.45, 8

 

CMYK 0 / 48 / 48 / 1

HEX #FC8383

RGB 252 131 131

HSL 0, 0.95%, 0.75%

LAB 68.44, 45.93, 21.25

 

CMYK 0 / 48 / 12 / 1

HEX #FC83DE

RGB 252 131 222

HSL 314.88, 0.95%, 0.75%

LAB 71.01, 57.29, -25.84

 

CMYK 1 / 48 / 0 / 1

HEX #F983FC

RGB 249 131 252

HSL 298.51, 0.95%, 0.75%

LAB 71.83, 61.4, -41.06

 

CMYK 14 / 48 / 0 / 1

HEX #D983FC

RGB 217 131 252

HSL 282.64, 0.95%, 0.75%

LAB 68.03, 52.69, -47.28

 

CMYK 27 / 48 / 0 / 1

HEX #B883FC

RGB 184 131 252

HSL 266.28, 0.95%, 0.75%

LAB 64.52, 43.92, -53.05

 

CMYK 40 / 48 / 0 / 1

HEX #9783FC

RGB 151 131 252

HSL 249.92, 0.95%, 0.75%

LAB 61.52, 35.67, -58.02

 

CMYK 0 / 48 / 12 / 1

HEX #FC83DE

RGB 252 131 222

HSL 314.88, 0.95%, 0.75%

LAB 71.01, 57.29, -25.84

 

CMYK 0 / 48 / 12 / 1

HEX #FC83DE

RGB 252 131 222

HSL 314.88, 0.95%, 0.75%

LAB 71.01, 57.29, -25.84

 

CMYK 0 / 41 / 10 / 5

HEX #F18DD8

RGB 241 141 216

HSL 315, 0.78%, 0.75%

LAB 71.36, 48.04, -22.12

 

CMYK 0 / 35 / 9 / 9

HEX #E797D3

RGB 231 151 211

HSL 315, 0.63%, 0.75%

LAB 72.11, 38.82, -18.32

 

CMYK 0 / 27 / 7 / 13

HEX #DDA2CE

RGB 221 162 206

HSL 315.25, 0.46%, 0.75%

LAB 73.33, 28.76, -13.84

 

CMYK 0 / 18 / 5 / 17

HEX #D3ACC9

RGB 211 172 201

HSL 315.38, 0.31%, 0.75%

LAB 74.55, 19.04, -9.37

 

CMYK 14 / 48 / 0 / 1

HEX #D983FC

RGB 217 131 252

HSL 282.64, 0.95%, 0.75%

LAB 68.03, 52.69, -47.28

 

CMYK 1 / 48 / 0 / 1

HEX #FA83FC

RGB 250 131 252

HSL 299.01, 0.95%, 0.75%

LAB 71.95, 61.67, -40.85

 

CMYK 0 / 48 / 12 / 1

HEX #FC83DE

RGB 252 131 222

HSL 314.88, 0.95%, 0.75%

LAB 71.01, 57.29, -25.84

 

CMYK 0 / 48 / 25 / 1

HEX #FC83BD

RGB 252 131 189

HSL 331.24, 0.95%, 0.75%

LAB 69.9, 52.5, -9.18

 

CMYK 0 / 48 / 38 / 1

HEX #FC839D

RGB 252 131 157

HSL 347.11, 0.95%, 0.75%

LAB 69.01, 48.57, 7.47

 

CMYK 0 / 80 / 20 / 2

HEX #FA32C8

RGB 250 50 200

HSL 315, 0.95%, 0.59%

LAB 58.77, 84.01, -32.4

 

CMYK 0 / 64 / 16 / 2

HEX #FB5AD3

RGB 251 90 211

HSL 314.91, 0.95%, 0.67%

LAB 63.77, 73.3, -30.86

 

CMYK 0 / 48 / 12 / 1

HEX #FC83DE

RGB 252 131 222

HSL 314.88, 0.95%, 0.75%

LAB 71.01, 57.29, -25.84

 

CMYK 0 / 32 / 8 / 1

HEX #FDABE8

RGB 253 171 232

HSL 315.37, 0.95%, 0.83%

LAB 79.52, 39.03, -18.34

 

CMYK 0 / 17 / 4 / 0

HEX #FED3F3

RGB 254 211 243

HSL 315.35, 0.96%, 0.91%

LAB 88.98, 20.25, -10.01

 

CMYK 0 / 48 / 12 / 1

HEX #FC84DE

RGB 252 132 222

HSL 315, 0.95%, 0.75%

LAB 71.2, 56.81, -25.55

 

CMYK 0 / 27 / 48 / 1

HEX #FCB983

RGB 252 185 131

HSL 26.78, 0.95%, 0.75%

LAB 80.2, 18.03, 36.83

 

CMYK 48 / 0 / 7 / 1

HEX #83FCEA

RGB 131 252 234

HSL 171.07, 0.95%, 0.75%

LAB 91.86, -38.33, -1.91

 

CMYK 0 / 48 / 12 / 1

HEX #FC84DE

RGB 252 132 222

HSL 315, 0.95%, 0.75%

LAB 71.2, 56.81, -25.55

 

CMYK 12 / 0 / 48 / 1

HEX #DEFC83

RGB 222 252 131

HSL 74.88, 0.95%, 0.75%

LAB 94.65, -27.49, 54.31

 

CMYK 48 / 12 / 0 / 1

HEX #83DEFC

RGB 131 222 252

HSL 194.88, 0.95%, 0.75%

LAB 84.02, -19.42, -23.04

 

CMYK 0 / 48 / 12 / 1

HEX #FC84DE

RGB 252 132 222

HSL 315, 0.95%, 0.75%

LAB 71.2, 56.81, -25.55

 

CMYK 0 / 27 / 48 / 1

HEX #FCB983

RGB 252 185 131

HSL 26.78, 0.95%, 0.75%

LAB 80.2, 18.03, 36.83

 

CMYK 48 / 0 / 36 / 1

HEX #83FCA1

RGB 131 252 161

HSL 134.88, 0.95%, 0.75%

LAB 90.33, -53.08, 33.35

 

CMYK 48 / 22 / 0 / 1

HEX #83C5FC

RGB 131 197 252

HSL 207.27, 0.95%, 0.75%

LAB 77.15, -6.42, -33.55

 

CMYK 0 / 48 / 12 / 1

HEX #FC84DE

RGB 252 132 222

HSL 315, 0.95%, 0.75%

LAB 71.2, 56.81, -25.55

 

CMYK 0 / 12 / 48 / 1

HEX #FCDE83

RGB 252 222 131

HSL 45.12, 0.95%, 0.75%

LAB 89.19, -1.11, 48.18

 

CMYK 48 / 0 / 36 / 1

HEX #83FCA1

RGB 131 252 161

HSL 134.88, 0.95%, 0.75%

LAB 90.33, -53.08, 33.35

 

CMYK 48 / 36 / 0 / 1

HEX #83A1FC

RGB 131 161 252

HSL 225.12, 0.95%, 0.75%

LAB 67.53, 13.62, -48.56

 

Description

Color code: HEX #FC84DE | qconv.com Color code: HEX #FC84DE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 132 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 132 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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