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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC7E4D4C it is the complementary color #0381B24C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC7E4D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC7E4D4C shade: #FF7E484C, #FF905B4C, #FFA26E4C, #FFB4814C and #FFC6944C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC7E4D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC7E4D4C shade: #FC7E4D4C, #EB6C3A4C, #DA5A274C, #C948144C and #B836014C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC7E4D4C shade: #FC804F, #FC514F and #FC4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC7E4D4C shade: #FC804F, #FCAE4F, #FCDD4F, #EDFC4F and #BEFC4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC7E4D4C shade matches the following richer shades: #FC804F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC7E4D4C shade: #FC804F, #EE865E, #DF8C6C, #D1937A and #C39989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC7E4D4C shade: #FC4F7D, #FC4F4F, #FC7D4F, #FCAC4F and #FCDA4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC7E4D4C shade: #F54704, #FC6227, #FC804F, #FD9D78 and #FEBBA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC7E4D4C shade: #FC7E4D, #ACFC4F and #4F66FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC7E4D4C shade: #FC7E4D, #4FFC7D and #7D4FFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC7E4D4C shade: #FC7E4D, #ACFC4F, #4FCEFC and #A04FFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC7E4D4C shade: #FC7E4D, #78FC4F, #4FCEFC and #D44FFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 21 / 0

HEX #FC7E4D4C

RGBA 252 126 77 0.3

HSLA 16.8, 0.97%, 0.65%, 0.3

LABA 66.64, 44.58, 48.16, 0.3

 

Complementary color

CMYK 29 / 8 / 0 / 9

HEX #0381B24C

RGBA 3 129 178 0.3

HSLA 196.8, 0.97%, 0.35%, 0.3

LABA 50.61, -11.48, -34.06, 0.3

 

CMYK 0 / 15 / 22 / 0

HEX #FF7E484C

RGBA 255 126 72 0.3

HSLA 17.7, 1%, 0.64%, 0.3

LABA 67.01, 45.46, 51.19, 0.3

 

CMYK 0 / 13 / 19 / 0

HEX #FF905B4C

RGBA 255 144 91 0.3

HSLA 19.39, 1%, 0.68%, 0.3

LABA 70.84, 37.48, 45.99, 0.3

 

CMYK 0 / 11 / 17 / 0

HEX #FFA26E4C

RGBA 255 162 110 0.3

HSLA 21.52, 1%, 0.72%, 0.3

LABA 74.97, 29.48, 41.18, 0.3

 

CMYK 0 / 9 / 15 / 0

HEX #FFB4814C

RGBA 255 180 129 0.3

HSLA 24.29, 1%, 0.75%, 0.3

LABA 79.32, 21.65, 36.81, 0.3

 

CMYK 0 / 7 / 13 / 0

HEX #FFC6944C

RGBA 255 198 148 0.3

HSLA 28.04, 1%, 0.79%, 0.3

LABA 83.85, 14.09, 32.84, 0.3

HEX #FFC6944C

CMYK 0 / 15 / 21 / 0

HEX #FC7E4D4C

RGBA 252 126 77 0.3

HSLA 16.8, 0.97%, 0.65%, 0.3

LABA 66.64, 44.58, 48.16, 0.3

 

CMYK 0 / 16 / 23 / 2

HEX #EB6C3A4C

RGBA 235 108 58 0.3

HSLA 16.95, 0.82%, 0.57%, 0.3

LABA 60.51, 46.12, 50.25, 0.3

 

CMYK 0 / 18 / 25 / 4

HEX #DA5A274C

RGBA 218 90 39 0.3

HSLA 17.09, 0.71%, 0.5%, 0.3

LABA 54.41, 47.7, 52.25, 0.3

 

CMYK 0 / 19 / 27 / 6

HEX #C948144C

RGBA 201 72 20 0.3

HSLA 17.24, 0.82%, 0.43%, 0.3

LABA 48.39, 49.23, 53.69, 0.3

 

CMYK 0 / 21 / 30 / 8

HEX #B836014C

RGBA 184 54 1 0.3

HSLA 17.38, 0.99%, 0.36%, 0.3

LABA 42.51, 50.52, 54.09, 0.3

 

CMYK 0 / 49 / 69 / 1

HEX #FC804F

RGB 252 128 79

HSL 16.99, 0.97%, 0.65%

LAB 67.05, 43.69, 47.61

 

CMYK 0 / 68 / 69 / 1

HEX #FC514F

RGB 252 81 79

HSL 0.69, 0.97%, 0.65%

LAB 59.11, 64.5, 38.39

 

CMYK 0 / 69 / 69 / 1

HEX #FC4F4F

RGB 252 79 79

HSL 0, 0.97%, 0.65%

LAB 58.84, 65.25, 38.07

 

CMYK 0 / 49 / 69 / 1

HEX #FC804F

RGB 252 128 79

HSL 16.99, 0.97%, 0.65%

LAB 67.05, 43.69, 47.61

 

CMYK 0 / 31 / 69 / 1

HEX #FCAE4F

RGB 252 174 79

HSL 32.95, 0.97%, 0.65%

LAB 77, 20.02, 58.55

 

CMYK 0 / 12 / 69 / 1

HEX #FCDD4F

RGB 252 221 79

HSL 49.25, 0.97%, 0.65%

LAB 88.43, -4.25, 70.44

 

CMYK 6 / 0 / 69 / 1

HEX #EDFC4F

RGB 237 252 79

HSL 65.2, 0.97%, 0.65%

LAB 95.24, -25.5, 76.85

 

CMYK 25 / 0 / 69 / 1

HEX #BEFC4F

RGB 190 252 79

HSL 81.5, 0.97%, 0.65%

LAB 92.19, -43.57, 72.79

 

CMYK 0 / 49 / 69 / 1

HEX #FC804F

RGB 252 128 79

HSL 16.99, 0.97%, 0.65%

LAB 67.05, 43.69, 47.61

 

CMYK 0 / 49 / 69 / 1

HEX #FC804F

RGB 252 128 79

HSL 16.99, 0.97%, 0.65%

LAB 67.05, 43.69, 47.61

 

CMYK 0 / 44 / 61 / 7

HEX #EE865E

RGB 238 134 94

HSL 16.67, 0.81%, 0.65%

LAB 66.55, 36.2, 38.73

 

CMYK 0 / 37 / 52 / 13

HEX #DF8C6C

RGB 223 140 108

HSL 16.7, 0.64%, 0.65%

LAB 66.16, 28.27, 30.27

 

CMYK 0 / 30 / 42 / 18

HEX #D1937A

RGB 209 147 122

HSL 17.24, 0.49%, 0.65%

LAB 66.39, 20.32, 22.58

 

CMYK 0 / 22 / 30 / 24

HEX #C39989

RGB 195 153 137

HSL 16.55, 0.33%, 0.65%

LAB 66.67, 13.35, 14.4

 

CMYK 0 / 69 / 50 / 1

HEX #FC4F7D

RGB 252 79 125

HSL 344.05, 0.97%, 0.65%

LAB 59.68, 68.18, 12.58

 

CMYK 0 / 69 / 69 / 1

HEX #FC4F4F

RGB 252 79 79

HSL 0, 0.97%, 0.65%

LAB 58.84, 65.25, 38.07

 

CMYK 0 / 50 / 69 / 1

HEX #FC7D4F

RGB 252 125 79

HSL 15.95, 0.97%, 0.65%

LAB 66.46, 45.17, 46.95

 

CMYK 0 / 32 / 69 / 1

HEX #FCAC4F

RGB 252 172 79

HSL 32.25, 0.97%, 0.65%

LAB 76.54, 21.07, 58.06

 

CMYK 0 / 13 / 69 / 1

HEX #FCDA4F

RGB 252 218 79

HSL 48.21, 0.97%, 0.65%

LAB 87.68, -2.74, 69.67

 

CMYK 0 / 71 / 98 / 4

HEX #F54704

RGB 245 71 4

HSL 16.68, 0.97%, 0.49%

LAB 56.02, 64.07, 66.36

 

CMYK 0 / 61 / 85 / 1

HEX #FC6227

RGB 252 98 39

HSL 16.62, 0.97%, 0.57%

LAB 61.29, 56.21, 60.4

 

CMYK 0 / 49 / 69 / 1

HEX #FC804F

RGB 252 128 79

HSL 16.99, 0.97%, 0.65%

LAB 67.05, 43.69, 47.61

 

CMYK 0 / 38 / 53 / 1

HEX #FD9D78

RGB 253 157 120

HSL 16.69, 0.97%, 0.73%

LAB 73.77, 32.1, 34.36

 

CMYK 0 / 26 / 37 / 0

HEX #FEBBA0

RGB 254 187 160

HSL 17.23, 0.98%, 0.81%

LAB 81.37, 20.78, 23.17

 

CMYK 0 / 50 / 69 / 1

HEX #FC7E4D

RGB 252 126 77

HSL 16.8, 0.97%, 0.65%

LAB 66.64, 44.58, 48.16

 

CMYK 32 / 0 / 69 / 1

HEX #ACFC4F

RGB 172 252 79

HSL 87.75, 0.97%, 0.65%

LAB 91.21, -49.98, 71.48

 

CMYK 69 / 60 / 0 / 1

HEX #4F66FC

RGB 79 102 252

HSL 232.02, 0.97%, 0.65%

LAB 49.73, 39.36, -77.29

 

CMYK 0 / 50 / 69 / 1

HEX #FC7E4D

RGB 252 126 77

HSL 16.8, 0.97%, 0.65%

LAB 66.64, 44.58, 48.16

 

CMYK 69 / 0 / 50 / 1

HEX #4FFC7D

RGB 79 252 125

HSL 135.95, 0.97%, 0.65%

LAB 88.33, -69.68, 47.97

 

CMYK 50 / 69 / 0 / 1

HEX #7D4FFC

RGB 125 79 252

HSL 255.95, 0.97%, 0.65%

LAB 48.24, 59.05, -79.59

 

CMYK 0 / 50 / 69 / 1

HEX #FC7E4D

RGB 252 126 77

HSL 16.8, 0.97%, 0.65%

LAB 66.64, 44.58, 48.16

 

CMYK 32 / 0 / 69 / 1

HEX #ACFC4F

RGB 172 252 79

HSL 87.75, 0.97%, 0.65%

LAB 91.21, -49.98, 71.48

 

CMYK 69 / 18 / 0 / 1

HEX #4FCEFC

RGB 79 206 252

HSL 195.95, 0.97%, 0.65%

LAB 77.78, -20.77, -32.74

 

CMYK 37 / 69 / 0 / 1

HEX #A04FFC

RGB 160 79 252

HSL 268.09, 0.97%, 0.65%

LAB 51.94, 65.06, -73.39

 

CMYK 0 / 50 / 69 / 1

HEX #FC7E4D

RGB 252 126 77

HSL 16.8, 0.97%, 0.65%

LAB 66.64, 44.58, 48.16

 

CMYK 52 / 0 / 69 / 1

HEX #78FC4F

RGB 120 252 79

HSL 105.78, 0.97%, 0.65%

LAB 89.01, -65.92, 68.51

 

CMYK 69 / 18 / 0 / 1

HEX #4FCEFC

RGB 79 206 252

HSL 195.95, 0.97%, 0.65%

LAB 77.78, -20.77, -32.74

 

CMYK 16 / 69 / 0 / 1

HEX #D44FFC

RGB 212 79 252

HSL 286.13, 0.97%, 0.65%

LAB 58.62, 75.2, -62.28

 

Description

Color code: HEX #FC7E4D4C | qconv.com Color code: HEX #FC7E4D4C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 126 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 126 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 21 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 21% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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