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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC7964 it is the complementary color #03869B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC7964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC7964 shade: #FF795F, #FF8B72, #FF9D85, #FFAF98 and #FFC1AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC7964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC7964 shade: #FC7964, #EB6751, #DA553E, #C9432B and #B83118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC7964 shade: #FC7964 and #FC6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC7964 shade: #FC7964, #FCA264, #FCCB64, #FCF464 and #DBFC64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC7964 shade matches the following richer shades: #FC7964

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC7964 shade: #FC7964, #EF8271, #E28C7E, #D5958A and #C99E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC7964 shade: #FC64A1, #FC6478, #FC7864, #FCA164 and #FCC964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC7964 shade: #FA3313, #FB563C, #FC7964, #FD9C8C and #FDBFB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC7964 shade: #FC7964, #C9FC64 and #648DFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC7964 shade: #FC7964, #64FC78 and #7864FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC7964 shade: #FC7964, #C9FC64, #64E8FC and #9764FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC7964 shade: #FC7964, #9CFC64, #64E8FC and #C464FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

Complementary color

CMYK 98 / 14 / 0 / 39

HEX #03869B

RGB 3 134 155

HSL 188.29, 0.96%, 0.31%

LAB 51.19, -22.59, -19.83

 

CMYK 0 / 53 / 63 / 0

HEX #FF795F

RGB 255 121 95

HSL 9.75, 1%, 0.69%

LAB 66.34, 49.11, 38.47

 

CMYK 0 / 45 / 55 / 0

HEX #FF8B72

RGB 255 139 114

HSL 10.64, 1%, 0.72%

LAB 70.13, 41.59, 32.95

 

CMYK 0 / 38 / 48 / 0

HEX #FF9D85

RGB 255 157 133

HSL 11.8, 1%, 0.76%

LAB 74.23, 34.02, 28.02

 

CMYK 0 / 31 / 40 / 0

HEX #FFAF98

RGB 255 175 152

HSL 13.4, 1%, 0.8%

LAB 78.57, 26.55, 23.63

 

CMYK 0 / 24 / 33 / 0

HEX #FFC1AB

RGB 255 193 171

HSL 15.71, 1%, 0.84%

LAB 83.09, 19.32, 19.71

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 0 / 56 / 66 / 8

HEX #EB6751

RGB 235 103 81

HSL 8.57, 0.79%, 0.62%

LAB 59.85, 49.61, 37.51

 

CMYK 0 / 61 / 72 / 15

HEX #DA553E

RGB 218 85 62

HSL 8.85, 0.68%, 0.55%

LAB 53.76, 50.84, 40.1

 

CMYK 0 / 67 / 79 / 21

HEX #C9432B

RGB 201 67 43

HSL 9.11, 0.65%, 0.48%

LAB 47.76, 51.94, 42.94

 

CMYK 0 / 73 / 87 / 28

HEX #B83118

RGB 184 49 24

HSL 9.38, 0.77%, 0.41%

LAB 41.93, 52.73, 45.74

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 0 / 60 / 60 / 1

HEX #FC6464

RGB 252 100 100

HSL 0, 0.96%, 0.69%

LAB 62.28, 57.98, 30.51

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 0 / 36 / 60 / 1

HEX #FCA264

RGB 252 162 100

HSL 24.47, 0.96%, 0.69%

LAB 74.48, 27.57, 45.63

 

CMYK 0 / 19 / 60 / 1

HEX #FCCB64

RGB 252 203 100

HSL 40.66, 0.96%, 0.69%

LAB 84.14, 6.17, 56.89

 

CMYK 0 / 3 / 60 / 1

HEX #FCF464

RGB 252 244 100

HSL 56.84, 0.96%, 0.69%

LAB 94.45, -14.45, 68.33

 

CMYK 13 / 0 / 60 / 1

HEX #DBFC64

RGB 219 252 100

HSL 73.03, 0.96%, 0.69%

LAB 94.14, -31.26, 67.29

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 0 / 46 / 53 / 6

HEX #EF8271

RGB 239 130 113

HSL 8.1, 0.8%, 0.69%

LAB 66.14, 40.09, 27.89

 

CMYK 0 / 38 / 44 / 11

HEX #E28C7E

RGB 226 140 126

HSL 8.4, 0.63%, 0.69%

LAB 66.85, 31.17, 21.32

 

CMYK 0 / 30 / 35 / 16

HEX #D5958A

RGB 213 149 138

HSL 8.8, 0.47%, 0.69%

LAB 67.63, 22.68, 15.48

 

CMYK 0 / 21 / 25 / 21

HEX #C99E97

RGB 201 158 151

HSL 8.4, 0.32%, 0.69%

LAB 68.83, 14.9, 9.75

 

CMYK 0 / 60 / 36 / 1

HEX #FC64A1

RGB 252 100 161

HSL 335.92, 0.96%, 0.69%

LAB 63.66, 63.3, -2.57

 

CMYK 0 / 60 / 52 / 1

HEX #FC6478

RGB 252 100 120

HSL 352.11, 0.96%, 0.69%

LAB 62.65, 59.43, 19.59

 

CMYK 0 / 52 / 60 / 1

HEX #FC7864

RGB 252 120 100

HSL 7.89, 0.96%, 0.69%

LAB 65.79, 48.83, 34.97

 

CMYK 0 / 36 / 60 / 1

HEX #FCA164

RGB 252 161 100

HSL 24.08, 0.96%, 0.69%

LAB 74.26, 28.1, 45.36

 

CMYK 0 / 20 / 60 / 1

HEX #FCC964

RGB 252 201 100

HSL 39.87, 0.96%, 0.69%

LAB 83.65, 7.2, 56.34

 

CMYK 0 / 80 / 92 / 2

HEX #FA3313

RGB 250 51 19

HSL 8.31, 0.96%, 0.53%

LAB 54.8, 71.77, 62.63

 

CMYK 0 / 66 / 76 / 2

HEX #FB563C

RGB 251 86 60

HSL 8.17, 0.96%, 0.61%

LAB 59.43, 61.46, 48.92

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 0 / 38 / 45 / 1

HEX #FD9C8C

RGB 253 156 140

HSL 8.5, 0.97%, 0.77%

LAB 73.9, 34.45, 23.74

 

CMYK 0 / 25 / 28 / 1

HEX #FDBFB5

RGB 253 191 181

HSL 8.33, 0.95%, 0.85%

LAB 82.64, 20.89, 13.71

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 20 / 0 / 60 / 1

HEX #C9FC64

RGB 201 252 100

HSL 80.13, 0.96%, 0.69%

LAB 93, -38.06, 65.71

 

CMYK 60 / 44 / 0 / 1

HEX #648DFC

RGB 100 141 252

HSL 223.82, 0.96%, 0.69%

LAB 60.59, 18.96, -59.69

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 60 / 0 / 52 / 1

HEX #64FC78

RGB 100 252 120

HSL 127.89, 0.96%, 0.69%

LAB 88.77, -66.42, 50.94

 

CMYK 52 / 60 / 0 / 1

HEX #7864FC

RGB 120 100 252

HSL 247.89, 0.96%, 0.69%

LAB 51.99, 46.89, -73.49

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 20 / 0 / 60 / 1

HEX #C9FC64

RGB 201 252 100

HSL 80.13, 0.96%, 0.69%

LAB 93, -38.06, 65.71

 

CMYK 60 / 8 / 0 / 1

HEX #64E8FC

RGB 100 232 252

HSL 187.89, 0.96%, 0.69%

LAB 85.73, -30.39, -20.54

 

CMYK 40 / 60 / 0 / 1

HEX #9764FC

RGB 151 100 252

HSL 260.13, 0.96%, 0.69%

LAB 54.78, 52.9, -68.83

 

CMYK 0 / 52 / 60 / 1

HEX #FC7964

RGB 252 121 100

HSL 8.29, 0.96%, 0.69%

LAB 65.97, 48.35, 35.2

 

CMYK 38 / 0 / 60 / 1

HEX #9CFC64

RGB 156 252 100

HSL 97.89, 0.96%, 0.69%

LAB 90.6, -53.66, 62.38

 

CMYK 60 / 8 / 0 / 1

HEX #64E8FC

RGB 100 232 252

HSL 187.89, 0.96%, 0.69%

LAB 85.73, -30.39, -20.54

 

CMYK 22 / 60 / 0 / 1

HEX #C464FC

RGB 196 100 252

HSL 277.89, 0.96%, 0.69%

LAB 59.78, 62.76, -60.53

 

Description

Color code: HEX #FC7964 | qconv.com Color code: HEX #FC7964 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 121 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 121 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 60% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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