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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC7705 it is the complementary color #0388FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC7705. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC7705 shade: #FF7700, #FF8913, #FF9B26, #FFAD39 and #FFBF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC7705. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC7705 shade: #FC7705, #EB6500, #DA5300, #C94100 and #B82F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC7705 shade: #FC7603, #FC3203 and #FC0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC7705 shade: #FC7603, #FCB903, #FCFC03, #B9FC03 and #75FC03

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC7705 shade matches the following richer shades: #FC7603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC7705 shade: #FC7603, #E87717, #D3792C, #BF7B40 and #AA7C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC7705 shade: #FC0317, #FC3003, #FC7303, #FCB603 and #FCF803

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC7705 shade: #AB5002, #D46302, #FC7603, #FD8C2B and #FDA254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC7705 shade: #FC7705, #5AFC03 and #0F03FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC7705 shade: #FC7705, #03FC73 and #7303FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC7705 shade: #FC7705, #5AFC03, #038CFC and #A503FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC7705 shade: #FC7705, #0FFC03, #038CFC and #F003FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 98 / 1

HEX #FC7705

RGB 252 119 5

HSL 27.69, 0.98%, 0.5%

LAB 64.88, 46.1, 71.76

 

Complementary color

CMYK 99 / 46 / 0 / 2

HEX #0388FA

RGB 3 136 250

HSL 207.69, 0.98%, 0.5%

LAB 56.61, 11.99, -65.11

 

CMYK 0 / 53 / 100 / 0

HEX #FF7700

RGB 255 119 0

HSL 28, 1%, 0.5%

LAB 65.32, 47.2, 73.02

 

CMYK 0 / 46 / 93 / 0

HEX #FF8913

RGB 255 137 19

HSL 30, 1%, 0.54%

LAB 68.89, 38.52, 72.3

 

CMYK 0 / 39 / 85 / 0

HEX #FF9B26

RGB 255 155 38

HSL 32.35, 1%, 0.57%

LAB 72.79, 29.64, 70.45

 

CMYK 0 / 32 / 78 / 0

HEX #FFAD39

RGB 255 173 57

HSL 35.15, 1%, 0.61%

LAB 76.95, 20.82, 67.67

 

CMYK 0 / 25 / 70 / 0

HEX #FFBF4C

RGB 255 191 76

HSL 38.55, 1%, 0.65%

LAB 81.32, 12.24, 64.47

 

CMYK 0 / 53 / 98 / 1

HEX #FC7705

RGB 252 119 5

HSL 27.69, 0.98%, 0.5%

LAB 64.88, 46.1, 71.76

 

CMYK 0 / 57 / 100 / 8

HEX #EB6500

RGB 235 101 0

HSL 25.79, 1%, 0.46%

LAB 58.95, 48.23, 67.79

 

CMYK 0 / 62 / 100 / 15

HEX #DA5300

RGB 218 83 0

HSL 22.84, 1%, 0.43%

LAB 53.05, 50.23, 63.1

 

CMYK 0 / 68 / 100 / 21

HEX #C94100

RGB 201 65 0

HSL 19.4, 1%, 0.39%

LAB 47.23, 51.92, 58.48

 

CMYK 0 / 74 / 100 / 28

HEX #B82F00

RGB 184 47 0

HSL 15.33, 1%, 0.36%

LAB 41.57, 53.09, 53.97

 

CMYK 0 / 53 / 99 / 1

HEX #FC7603

RGB 252 118 3

HSL 27.71, 0.98%, 0.5%

LAB 64.69, 46.57, 71.95

 

CMYK 0 / 80 / 99 / 1

HEX #FC3203

RGB 252 50 3

HSL 11.33, 0.98%, 0.5%

LAB 55.06, 72.44, 66.86

 

CMYK 0 / 99 / 99 / 1

HEX #FC0303

RGB 252 3 3

HSL 0, 0.98%, 0.5%

LAB 52.69, 79.21, 65.88

 

CMYK 0 / 53 / 99 / 1

HEX #FC7603

RGB 252 118 3

HSL 27.71, 0.98%, 0.5%

LAB 64.69, 46.57, 71.95

 

CMYK 0 / 27 / 99 / 1

HEX #FCB903

RGB 252 185 3

HSL 43.86, 0.98%, 0.5%

LAB 79.27, 12.25, 81.38

 

CMYK 0 / 0 / 99 / 1

HEX #FCFC03

RGB 252 252 3

HSL 60, 0.98%, 0.5%

LAB 96.13, -21.34, 93.43

 

CMYK 27 / 0 / 99 / 1

HEX #B9FC03

RGB 185 252 3

HSL 76.14, 0.98%, 0.5%

LAB 91.66, -47.81, 88.09

 

CMYK 54 / 0 / 99 / 1

HEX #75FC03

RGB 117 252 3

HSL 92.53, 0.98%, 0.5%

LAB 88.64, -69.72, 84.44

 

CMYK 0 / 53 / 99 / 1

HEX #FC7603

RGB 252 118 3

HSL 27.71, 0.98%, 0.5%

LAB 64.69, 46.57, 71.95

 

CMYK 0 / 53 / 99 / 1

HEX #FC7603

RGB 252 118 3

HSL 27.71, 0.98%, 0.5%

LAB 64.69, 46.57, 71.95

 

CMYK 0 / 49 / 90 / 9

HEX #E87717

RGB 232 119 23

HSL 27.56, 0.82%, 0.5%

LAB 62.01, 38.55, 64.99

 

CMYK 0 / 43 / 79 / 17

HEX #D3792C

RGB 211 121 44

HSL 27.66, 0.65%, 0.5%

LAB 59.62, 29.52, 54.57

 

CMYK 0 / 36 / 66 / 25

HEX #BF7B40

RGB 191 123 64

HSL 27.87, 0.5%, 0.5%

LAB 57.67, 20.98, 42.42

 

CMYK 0 / 27 / 50 / 33

HEX #AA7C55

RGB 170 124 85

HSL 27.53, 0.33%, 0.5%

LAB 55.7, 13.1, 28.24

 

CMYK 0 / 99 / 91 / 1

HEX #FC0317

RGB 252 3 23

HSL 355.18, 0.98%, 0.5%

LAB 52.75, 79.37, 60.19

 

CMYK 0 / 81 / 99 / 1

HEX #FC3003

RGB 252 48 3

HSL 10.84, 0.98%, 0.5%

LAB 54.88, 72.93, 66.78

 

CMYK 0 / 54 / 99 / 1

HEX #FC7303

RGB 252 115 3

HSL 26.99, 0.98%, 0.5%

LAB 64.13, 48, 71.62

 

CMYK 0 / 28 / 99 / 1

HEX #FCB603

RGB 252 182 3

HSL 43.13, 0.98%, 0.5%

LAB 78.55, 13.81, 80.89

 

CMYK 0 / 2 / 99 / 1

HEX #FCF803

RGB 252 248 3

HSL 59.04, 0.98%, 0.5%

LAB 95.09, -19.43, 92.67

 

CMYK 0 / 53 / 99 / 33

HEX #AB5002

RGB 171 80 2

HSL 27.69, 0.98%, 0.34%

LAB 44.8, 33.7, 53.88

 

CMYK 0 / 53 / 99 / 17

HEX #D46302

RGB 212 99 2

HSL 27.71, 0.98%, 0.42%

LAB 55, 40.45, 63.26

 

CMYK 0 / 53 / 99 / 1

HEX #FC7603

RGB 252 118 3

HSL 27.71, 0.98%, 0.5%

LAB 64.69, 46.57, 71.95

 

CMYK 0 / 45 / 83 / 1

HEX #FD8C2B

RGB 253 140 43

HSL 27.71, 0.98%, 0.58%

LAB 69.34, 36.66, 65.82

 

CMYK 0 / 36 / 67 / 1

HEX #FDA254

RGB 253 162 84

HSL 27.69, 0.98%, 0.66%

LAB 74.42, 26.98, 53.46

 

CMYK 0 / 53 / 98 / 1

HEX #FC7705

RGB 252 119 5

HSL 27.69, 0.98%, 0.5%

LAB 64.88, 46.1, 71.76

 

CMYK 64 / 0 / 99 / 1

HEX #5AFC03

RGB 90 252 3

HSL 99.04, 0.98%, 0.5%

LAB 87.87, -76.04, 83.5

 

CMYK 94 / 99 / 0 / 1

HEX #0F03FC

RGB 15 3 252

HSL 242.89, 0.98%, 0.5%

LAB 32.25, 78.11, -106.27

 

CMYK 0 / 53 / 98 / 1

HEX #FC7705

RGB 252 119 5

HSL 27.69, 0.98%, 0.5%

LAB 64.88, 46.1, 71.76

 

CMYK 99 / 0 / 54 / 1

HEX #03FC73

RGB 3 252 115

HSL 146.99, 0.98%, 0.5%

LAB 87.43, -77.64, 51.29

 

CMYK 54 / 99 / 0 / 1

HEX #7303FC

RGB 115 3 252

HSL 266.99, 0.98%, 0.5%

LAB 39.14, 81.3, -94.61

 

CMYK 0 / 53 / 98 / 1

HEX #FC7705

RGB 252 119 5

HSL 27.69, 0.98%, 0.5%

LAB 64.88, 46.1, 71.76

 

CMYK 64 / 0 / 99 / 1

HEX #5AFC03

RGB 90 252 3

HSL 99.04, 0.98%, 0.5%

LAB 87.87, -76.04, 83.5

 

CMYK 99 / 44 / 0 / 1

HEX #038CFC

RGB 3 140 252

HSL 206.99, 0.98%, 0.5%

LAB 57.85, 10.31, -64.22

 

CMYK 35 / 99 / 0 / 1

HEX #A503FC

RGB 165 3 252

HSL 279.04, 0.98%, 0.5%

LAB 45.76, 85.64, -83.45

 

CMYK 0 / 53 / 98 / 1

HEX #FC7705

RGB 252 119 5

HSL 27.69, 0.98%, 0.5%

LAB 64.88, 46.1, 71.76

 

CMYK 94 / 0 / 99 / 1

HEX #0FFC03

RGB 15 252 3

HSL 117.11, 0.98%, 0.5%

LAB 86.86, -84.91, 82.27

 

CMYK 99 / 44 / 0 / 1

HEX #038CFC

RGB 3 140 252

HSL 206.99, 0.98%, 0.5%

LAB 57.85, 10.31, -64.22

 

CMYK 5 / 99 / 0 / 1

HEX #F003FC

RGB 240 3 252

HSL 297.11, 0.98%, 0.5%

LAB 57.67, 95.38, -63.56

 

Description

Color code: HEX #FC7705 | qconv.com Color code: HEX #FC7705 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 119 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 119 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 98 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 98% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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