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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC763F it is the complementary color #0389C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC763F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC763F shade: #FF763A, #FF884D, #FF9A60, #FFAC73 and #FFBE86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC763F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC763F shade: #FC763F, #EB642C, #DA5219, #C94006 and #B82E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC763F shade: #FC7740, #FC4440 and #FC4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC763F shade: #FC7740, #FCAA40, #FCDC40, #E9FC40 and #B7FC40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC763F shade matches the following richer shades: #FC7740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC763F shade: #FC7740, #EC7D50, #DD845F, #CD8A6F and #BD917F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC763F shade: #FC406F, #FC4340, #FC7540, #FCA740 and #FCDA40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC763F shade: #E64504, #FB5A17, #FC7740, #FD9469 and #FDB191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC763F shade: #FC763F, #A1FC40 and #4056FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC763F shade: #FC763F, #40FC75 and #7540FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC763F shade: #FC763F, #A1FC40, #40C7FC and #9B40FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC763F shade: #FC763F, #69FC40, #40C7FC and #D340FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 75 / 1

HEX #FC763F

RGB 252 118 63

HSL 17.46, 0.97%, 0.62%

LAB 64.97, 47.83, 53.26

 

Complementary color

CMYK 98 / 29 / 0 / 25

HEX #0389C0

RGB 3 137 192

HSL 197.46, 0.97%, 0.38%

LAB 53.72, -10.78, -37.2

 

CMYK 0 / 54 / 77 / 0

HEX #FF763A

RGB 255 118 58

HSL 18.27, 1%, 0.61%

LAB 65.38, 48.75, 56.15

 

CMYK 0 / 47 / 70 / 0

HEX #FF884D

RGB 255 136 77

HSL 19.89, 1%, 0.65%

LAB 69.04, 40.75, 50.95

 

CMYK 0 / 40 / 62 / 0

HEX #FF9A60

RGB 255 154 96

HSL 21.89, 1%, 0.69%

LAB 73.03, 32.66, 46.02

 

CMYK 0 / 33 / 55 / 0

HEX #FFAC73

RGB 255 172 115

HSL 24.43, 1%, 0.73%

LAB 77.28, 24.65, 41.47

 

CMYK 0 / 25 / 47 / 0

HEX #FFBE86

RGB 255 190 134

HSL 27.77, 1%, 0.76%

LAB 81.73, 16.88, 37.32

 

CMYK 0 / 53 / 75 / 1

HEX #FC763F

RGB 252 118 63

HSL 17.46, 0.97%, 0.62%

LAB 64.97, 47.83, 53.26

 

CMYK 0 / 57 / 81 / 8

HEX #EB642C

RGB 235 100 44

HSL 17.59, 0.83%, 0.55%

LAB 58.94, 49.41, 55.19

 

CMYK 0 / 62 / 89 / 15

HEX #DA5219

RGB 218 82 25

HSL 17.72, 0.79%, 0.48%

LAB 52.96, 50.98, 56.65

 

CMYK 0 / 68 / 97 / 21

HEX #C94006

RGB 201 64 6

HSL 17.85, 0.94%, 0.41%

LAB 47.1, 52.39, 56.82

 

CMYK 0 / 75 / 100 / 28

HEX #B82E00

RGB 184 46 0

HSL 15, 1%, 0.36%

LAB 41.44, 53.43, 53.92

 

CMYK 0 / 53 / 75 / 1

HEX #FC7740

RGB 252 119 64

HSL 17.55, 0.97%, 0.62%

LAB 65.17, 47.39, 52.98

 

CMYK 0 / 73 / 75 / 1

HEX #FC4440

RGB 252 68 64

HSL 1.28, 0.97%, 0.62%

LAB 57.27, 68.43, 44.56

 

CMYK 0 / 75 / 75 / 1

HEX #FC4040

RGB 252 64 64

HSL 0, 0.97%, 0.62%

LAB 56.81, 69.7, 44.06

 

CMYK 0 / 53 / 75 / 1

HEX #FC7740

RGB 252 119 64

HSL 17.55, 0.97%, 0.62%

LAB 65.17, 47.39, 52.98

 

CMYK 0 / 33 / 75 / 1

HEX #FCAA40

RGB 252 170 64

HSL 33.83, 0.97%, 0.62%

LAB 75.96, 21.42, 63.89

 

CMYK 0 / 13 / 75 / 1

HEX #FCDC40

RGB 252 220 64

HSL 49.79, 0.97%, 0.62%

LAB 88.09, -4.42, 75.53

 

CMYK 8 / 0 / 75 / 1

HEX #E9FC40

RGB 233 252 64

HSL 66.06, 0.97%, 0.62%

LAB 94.87, -27.78, 81.29

 

CMYK 27 / 0 / 75 / 1

HEX #B7FC40

RGB 183 252 64

HSL 82.02, 0.97%, 0.62%

LAB 91.71, -46.95, 77.2

 

CMYK 0 / 53 / 75 / 1

HEX #FC7740

RGB 252 119 64

HSL 17.55, 0.97%, 0.62%

LAB 65.17, 47.39, 52.98

 

CMYK 0 / 53 / 75 / 1

HEX #FC7740

RGB 252 119 64

HSL 17.55, 0.97%, 0.62%

LAB 65.17, 47.39, 52.98

 

CMYK 0 / 47 / 66 / 7

HEX #EC7D50

RGB 236 125 80

HSL 17.31, 0.8%, 0.62%

LAB 64.23, 39.15, 43.27

 

CMYK 0 / 40 / 57 / 13

HEX #DD845F

RGB 221 132 95

HSL 17.62, 0.65%, 0.62%

LAB 63.92, 30.64, 34.44

 

CMYK 0 / 33 / 46 / 20

HEX #CD8A6F

RGB 205 138 111

HSL 17.23, 0.48%, 0.62%

LAB 63.59, 22.45, 24.85

 

CMYK 0 / 23 / 33 / 26

HEX #BD917F

RGB 189 145 127

HSL 17.42, 0.32%, 0.62%

LAB 63.84, 14.06, 15.95

 

CMYK 0 / 75 / 56 / 1

HEX #FC406F

RGB 252 64 111

HSL 345, 0.97%, 0.62%

LAB 57.57, 72.15, 17.9

 

CMYK 0 / 73 / 75 / 1

HEX #FC4340

RGB 252 67 64

HSL 0.96, 0.97%, 0.62%

LAB 57.15, 68.75, 44.43

 

CMYK 0 / 54 / 75 / 1

HEX #FC7540

RGB 252 117 64

HSL 16.91, 0.97%, 0.62%

LAB 64.79, 48.34, 52.59

 

CMYK 0 / 34 / 75 / 1

HEX #FCA740

RGB 252 167 64

HSL 32.87, 0.97%, 0.62%

LAB 75.27, 22.99, 63.21

 

CMYK 0 / 13 / 75 / 1

HEX #FCDA40

RGB 252 218 64

HSL 49.15, 0.97%, 0.62%

LAB 87.59, -3.41, 75.05

 

CMYK 0 / 70 / 98 / 10

HEX #E64504

RGB 230 69 4

HSL 17.26, 0.97%, 0.46%

LAB 53.05, 60.03, 63.34

 

CMYK 0 / 64 / 91 / 2

HEX #FB5A17

RGB 251 90 23

HSL 17.63, 0.97%, 0.54%

LAB 59.78, 58.95, 64.76

 

CMYK 0 / 53 / 75 / 1

HEX #FC7740

RGB 252 119 64

HSL 17.55, 0.97%, 0.62%

LAB 65.17, 47.39, 52.98

 

CMYK 0 / 42 / 58 / 1

HEX #FD9469

RGB 253 148 105

HSL 17.43, 0.97%, 0.7%

LAB 71.61, 35.58, 39.58

 

CMYK 0 / 30 / 43 / 1

HEX #FDB191

RGB 253 177 145

HSL 17.78, 0.96%, 0.78%

LAB 78.68, 24, 27.48

 

CMYK 0 / 53 / 75 / 1

HEX #FC763F

RGB 252 118 63

HSL 17.46, 0.97%, 0.62%

LAB 64.97, 47.83, 53.26

 

CMYK 36 / 0 / 75 / 1

HEX #A1FC40

RGB 161 252 64

HSL 89.04, 0.97%, 0.62%

LAB 90.58, -54.62, 75.72

 

CMYK 75 / 66 / 0 / 1

HEX #4056FC

RGB 64 86 252

HSL 232.98, 0.97%, 0.62%

LAB 45.32, 47.31, -84.53

 

CMYK 0 / 53 / 75 / 1

HEX #FC763F

RGB 252 118 63

HSL 17.46, 0.97%, 0.62%

LAB 64.97, 47.83, 53.26

 

CMYK 75 / 0 / 54 / 1

HEX #40FC75

RGB 64 252 117

HSL 136.91, 0.97%, 0.62%

LAB 87.97, -73.01, 51.15

 

CMYK 54 / 75 / 0 / 1

HEX #7540FC

RGB 117 64 252

HSL 256.91, 0.97%, 0.62%

LAB 44.91, 65.09, -85.07

 

CMYK 0 / 53 / 75 / 1

HEX #FC763F

RGB 252 118 63

HSL 17.46, 0.97%, 0.62%

LAB 64.97, 47.83, 53.26

 

CMYK 36 / 0 / 75 / 1

HEX #A1FC40

RGB 161 252 64

HSL 89.04, 0.97%, 0.62%

LAB 90.58, -54.62, 75.72

 

CMYK 75 / 21 / 0 / 1

HEX #40C7FC

RGB 64 199 252

HSL 196.91, 0.97%, 0.62%

LAB 75.43, -19.06, -36.4

 

CMYK 38 / 75 / 0 / 1

HEX #9B40FC

RGB 155 64 252

HSL 269.04, 0.97%, 0.62%

LAB 49.09, 70.6, -78.07

 

CMYK 0 / 53 / 75 / 1

HEX #FC763F

RGB 252 118 63

HSL 17.46, 0.97%, 0.62%

LAB 64.97, 47.83, 53.26

 

CMYK 58 / 0 / 75 / 1

HEX #69FC40

RGB 105 252 64

HSL 106.91, 0.97%, 0.62%

LAB 88.44, -70.69, 72.92

 

CMYK 75 / 21 / 0 / 1

HEX #40C7FC

RGB 64 199 252

HSL 196.91, 0.97%, 0.62%

LAB 75.43, -19.06, -36.4

 

CMYK 16 / 75 / 0 / 1

HEX #D340FC

RGB 211 64 252

HSL 286.91, 0.97%, 0.62%

LAB 56.63, 80.27, -65.48

 

Description

Color code: HEX #FC763F | qconv.com Color code: HEX #FC763F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 118 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 118 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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