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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC736A it is the complementary color #038C95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC736A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC736A shade: #FF7365, #FF8578, #FF978B, #FFA99E and #FFBBB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC736A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC736A shade: #FC736A, #EB6157, #DA4F44, #C93D31 and #B82B1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC736A shade: #FC7269 and #FC6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC736A shade: #FC7269, #FC9A69, #FCC169, #FCE969 and #E7FC69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC736A shade matches the following richer shades: #FC7269

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC736A shade: #FC7269, #F07D75, #E38882, #D7938E and #CA9E9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC736A shade: #FC69B0, #FC6989, #FC7069, #FC9869 and #FCBF69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC736A shade: #FA2618, #FB4C41, #FC7269, #FD9891 and #FEBEBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC736A shade: #FC736A, #D7FC69 and #699CFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC736A shade: #FC736A, #69FC70 and #7069FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC736A shade: #FC736A, #D7FC69, #69F5FC and #8E69FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC736A shade: #FC736A, #ABFC69, #69F5FC and #BA69FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 58 / 1

HEX #FC736A

RGB 252 115 106

HSL 3.7, 0.96%, 0.7%

LAB 64.96, 51.61, 30.6

 

Complementary color

CMYK 98 / 6 / 0 / 42

HEX #038C95

RGB 3 140 149

HSL 183.7, 0.96%, 0.3%

LAB 52.89, -27.7, -13.77

 

CMYK 0 / 55 / 60 / 0

HEX #FF7365

RGB 255 115 101

HSL 5.45, 1%, 0.7%

LAB 65.33, 52.32, 33.93

 

CMYK 0 / 48 / 53 / 0

HEX #FF8578

RGB 255 133 120

HSL 5.78, 1%, 0.74%

LAB 69.03, 45.07, 28.23

 

CMYK 0 / 41 / 45 / 0

HEX #FF978B

RGB 255 151 139

HSL 6.21, 1%, 0.77%

LAB 73.06, 37.68, 23.18

 

CMYK 0 / 34 / 38 / 0

HEX #FFA99E

RGB 255 169 158

HSL 6.8, 1%, 0.81%

LAB 77.34, 30.35, 18.71

 

CMYK 0 / 27 / 31 / 0

HEX #FFBBB1

RGB 255 187 177

HSL 7.69, 1%, 0.85%

LAB 81.82, 23.21, 14.73

 

CMYK 0 / 54 / 58 / 1

HEX #FC736A

RGB 252 115 106

HSL 3.7, 0.96%, 0.7%

LAB 64.96, 51.61, 30.6

 

CMYK 0 / 59 / 63 / 8

HEX #EB6157

RGB 235 97 87

HSL 4.05, 0.79%, 0.63%

LAB 58.88, 52.73, 32.98

 

CMYK 0 / 64 / 69 / 15

HEX #DA4F44

RGB 218 79 68

HSL 4.4, 0.67%, 0.56%

LAB 52.86, 53.75, 35.73

 

CMYK 0 / 70 / 76 / 21

HEX #C93D31

RGB 201 61 49

HSL 4.74, 0.61%, 0.49%

LAB 46.94, 54.55, 38.85

 

CMYK 0 / 77 / 84 / 28

HEX #B82B1E

RGB 184 43 30

HSL 5.06, 0.72%, 0.42%

LAB 41.23, 54.92, 42.24

 

CMYK 0 / 55 / 58 / 1

HEX #FC7269

RGB 252 114 105

HSL 3.67, 0.96%, 0.7%

LAB 64.76, 52.01, 30.9

 

CMYK 0 / 58 / 58 / 1

HEX #FC6969

RGB 252 105 105

HSL 0, 0.96%, 0.7%

LAB 63.19, 56.12, 28.87

 

CMYK 0 / 55 / 58 / 1

HEX #FC7269

RGB 252 114 105

HSL 3.67, 0.96%, 0.7%

LAB 64.76, 52.01, 30.9

 

CMYK 0 / 39 / 58 / 1

HEX #FC9A69

RGB 252 154 105

HSL 20, 0.96%, 0.7%

LAB 72.78, 32.09, 40.99

 

CMYK 0 / 23 / 58 / 1

HEX #FCC169

RGB 252 193 105

HSL 35.92, 0.96%, 0.7%

LAB 81.76, 11.71, 51.79

 

CMYK 0 / 8 / 58 / 1

HEX #FCE969

RGB 252 233 105

HSL 52.24, 0.96%, 0.7%

LAB 91.68, -8.7, 63.16

 

CMYK 8 / 0 / 58 / 1

HEX #E7FC69

RGB 231 252 105

HSL 68.57, 0.96%, 0.7%

LAB 95, -26.26, 66.4

 

CMYK 0 / 55 / 58 / 1

HEX #FC7269

RGB 252 114 105

HSL 3.67, 0.96%, 0.7%

LAB 64.76, 52.01, 30.9

 

CMYK 0 / 55 / 58 / 1

HEX #FC7269

RGB 252 114 105

HSL 3.67, 0.96%, 0.7%

LAB 64.76, 52.01, 30.9

 

CMYK 0 / 48 / 51 / 6

HEX #F07D75

RGB 240 125 117

HSL 3.9, 0.8%, 0.7%

LAB 65.34, 43.32, 24.62

 

CMYK 0 / 40 / 43 / 11

HEX #E38882

RGB 227 136 130

HSL 3.71, 0.63%, 0.7%

LAB 66.18, 34.08, 18.19

 

CMYK 0 / 32 / 34 / 16

HEX #D7938E

RGB 215 147 142

HSL 4.11, 0.48%, 0.7%

LAB 67.48, 25.03, 13.07

 

CMYK 0 / 22 / 23 / 21

HEX #CA9E9B

RGB 202 158 155

HSL 3.83, 0.31%, 0.7%

LAB 69.02, 15.86, 7.82

 

CMYK 0 / 58 / 30 / 1

HEX #FC69B0

RGB 252 105 176

HSL 331.02, 0.96%, 0.7%

LAB 64.91, 62.88, -9.29

 

CMYK 0 / 58 / 46 / 1

HEX #FC6989

RGB 252 105 137

HSL 346.94, 0.96%, 0.7%

LAB 63.84, 58.71, 11.48

 

CMYK 0 / 56 / 58 / 1

HEX #FC7069

RGB 252 112 105

HSL 2.86, 0.96%, 0.7%

LAB 64.41, 52.94, 30.44

 

CMYK 0 / 40 / 58 / 1

HEX #FC9869

RGB 252 152 105

HSL 19.18, 0.96%, 0.7%

LAB 72.34, 33.13, 40.46

 

CMYK 0 / 24 / 58 / 1

HEX #FCBF69

RGB 252 191 105

HSL 35.1, 0.96%, 0.7%

LAB 81.28, 12.75, 51.23

 

CMYK 0 / 85 / 90 / 2

HEX #FA2618

RGB 250 38 24

HSL 3.72, 0.96%, 0.54%

LAB 53.79, 74.76, 60.3

 

CMYK 0 / 70 / 74 / 2

HEX #FB4C41

RGB 251 76 65

HSL 3.55, 0.96%, 0.62%

LAB 58.09, 65.42, 44.87

 

CMYK 0 / 55 / 58 / 1

HEX #FC7269

RGB 252 114 105

HSL 3.67, 0.96%, 0.7%

LAB 64.76, 52.01, 30.9

 

CMYK 0 / 40 / 43 / 1

HEX #FD9891

RGB 253 152 145

HSL 3.89, 0.96%, 0.78%

LAB 73.14, 37.03, 19.96

 

CMYK 0 / 25 / 27 / 0

HEX #FEBEBA

RGB 254 190 186

HSL 3.53, 0.97%, 0.86%

LAB 82.62, 22.45, 11.02

 

CMYK 0 / 54 / 58 / 1

HEX #FC736A

RGB 252 115 106

HSL 3.7, 0.96%, 0.7%

LAB 64.96, 51.61, 30.6

 

CMYK 15 / 0 / 58 / 1

HEX #D7FC69

RGB 215 252 105

HSL 75.1, 0.96%, 0.7%

LAB 93.92, -32.41, 64.9

 

CMYK 58 / 38 / 0 / 1

HEX #699CFC

RGB 105 156 252

HSL 219.18, 0.96%, 0.7%

LAB 64.81, 11.03, -52.96

 

CMYK 0 / 54 / 58 / 1

HEX #FC736A

RGB 252 115 106

HSL 3.7, 0.96%, 0.7%

LAB 64.96, 51.61, 30.6

 

CMYK 58 / 0 / 56 / 1

HEX #69FC70

RGB 105 252 112

HSL 122.86, 0.96%, 0.7%

LAB 88.82, -66.33, 54.65

 

CMYK 56 / 58 / 0 / 1

HEX #7069FC

RGB 112 105 252

HSL 242.86, 0.96%, 0.7%

LAB 52.48, 42.6, -72.72

 

CMYK 0 / 54 / 58 / 1

HEX #FC736A

RGB 252 115 106

HSL 3.7, 0.96%, 0.7%

LAB 64.96, 51.61, 30.6

 

CMYK 15 / 0 / 58 / 1

HEX #D7FC69

RGB 215 252 105

HSL 75.1, 0.96%, 0.7%

LAB 93.92, -32.41, 64.9

 

CMYK 58 / 3 / 0 / 1

HEX #69F5FC

RGB 105 245 252

HSL 182.86, 0.96%, 0.7%

LAB 89.55, -35.67, -14.78

 

CMYK 44 / 58 / 0 / 1

HEX #8E69FC

RGB 142 105 252

HSL 255.1, 0.96%, 0.7%

LAB 54.95, 48.34, -68.6

 

CMYK 0 / 54 / 58 / 1

HEX #FC736A

RGB 252 115 106

HSL 3.7, 0.96%, 0.7%

LAB 64.96, 51.61, 30.6

 

CMYK 32 / 0 / 58 / 1

HEX #ABFC69

RGB 171 252 105

HSL 93.06, 0.96%, 0.7%

LAB 91.37, -48.29, 61.33

 

CMYK 58 / 3 / 0 / 1

HEX #69F5FC

RGB 105 245 252

HSL 182.86, 0.96%, 0.7%

LAB 89.55, -35.67, -14.78

 

CMYK 26 / 58 / 0 / 1

HEX #BA69FC

RGB 186 105 252

HSL 273.06, 0.96%, 0.7%

LAB 59.5, 58.03, -61.05

 

Description

Color code: HEX #FC736A | qconv.com Color code: HEX #FC736A | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 115 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 115 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 58 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 58% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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