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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC705ACE it is the complementary color #038FA5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC705ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC705ACE shade: #FF7055CE, #FF8268CE, #FF947BCE, #FFA68ECE and #FFB8A1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC705ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC705ACE shade: #FC705ACE, #EB5E47CE, #DA4C34CE, #C93A21CE and #B8280ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC705ACE shade: #FC705A and #FC5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC705ACE shade: #FC705A, #FC9C5A, #FCC75A, #FCF35A and #D9FC5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC705ACE shade matches the following richer shades: #FC705A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC705ACE shade: #FC705A, #EE7A68, #E08475, #D38E83 and #C59891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC705ACE shade: #FC5A9B, #FC5A70, #FC705A, #FC9B5A and #FCC65A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC705ACE shade: #FA2A09, #FB4D32, #FC705A, #FC9382 and #FDB6AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC705ACE shade: #FC705A, #C6FC5A and #5A85FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC705ACE shade: #FC705A, #5AFC70 and #705AFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC705ACE shade: #FC705A, #C6FC5A, #5AE6FC and #905AFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC705ACE shade: #FC705A, #95FC5A, #5AE6FC and #C05AFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 52 / 1

HEX #FC705ACE

RGBA 252 112 90 0.81

HSLA 8.15, 0.96%, 0.67%, 0.81

LABA 64.18, 51.98, 38.44, 0.81

 

Complementary color

CMYK 80 / 11 / 0 / 29

HEX #038FA5CE

RGBA 3 143 165 0.81

HSLA 188.15, 0.96%, 0.33%, 0.81

LABA 54.43, -23.8, -20.65, 0.81

 

CMYK 0 / 45 / 54 / 0

HEX #FF7055CE

RGBA 255 112 85 0.81

HSLA 9.53, 1%, 0.67%, 0.81

LABA 64.57, 52.75, 41.72, 0.81

 

CMYK 0 / 40 / 48 / 0

HEX #FF8268CE

RGBA 255 130 104 0.81

HSLA 10.33, 1%, 0.7%, 0.81

LABA 68.19, 45.34, 35.9, 0.81

 

CMYK 0 / 34 / 42 / 0

HEX #FF947BCE

RGBA 255 148 123 0.81

HSLA 11.36, 1%, 0.74%, 0.81

LABA 72.14, 37.76, 30.68, 0.81

 

CMYK 0 / 28 / 36 / 0

HEX #FFA68ECE

RGBA 255 166 142 0.81

HSLA 12.74, 1%, 0.78%, 0.81

LABA 76.37, 30.21, 26.02, 0.81

 

CMYK 0 / 23 / 30 / 0

HEX #FFB8A1CE

RGBA 255 184 161 0.81

HSLA 14.68, 1%, 0.82%, 0.81

LABA 80.8, 22.84, 21.87, 0.81

 

CMYK 0 / 45 / 52 / 1

HEX #FC705ACE

RGBA 252 112 90 0.81

HSLA 8.15, 0.96%, 0.67%, 0.81

LABA 64.18, 51.98, 38.44, 0.81

 

CMYK 0 / 49 / 57 / 6

HEX #EB5E47CE

RGBA 235 94 71 0.81

HSLA 8.41, 0.8%, 0.6%, 0.81

LABA 58.15, 53.19, 40.97, 0.81

 

CMYK 0 / 53 / 62 / 12

HEX #DA4C34CE

RGBA 218 76 52 0.81

HSLA 8.67, 0.69%, 0.53%, 0.81

LABA 52.2, 54.3, 43.75, 0.81

 

CMYK 0 / 58 / 68 / 17

HEX #C93A21CE

RGBA 201 58 33 0.81

HSLA 8.93, 0.72%, 0.46%, 0.81

LABA 46.38, 55.16, 46.64, 0.81

 

CMYK 0 / 63 / 75 / 23

HEX #B8280ECE

RGBA 184 40 14 0.81

HSLA 9.18, 0.86%, 0.39%, 0.81

LABA 40.8, 55.54, 48.99, 0.81

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 0 / 64 / 64 / 1

HEX #FC5A5A

RGB 252 90 90

HSL 0, 0.96%, 0.67%

LAB 60.56, 61.57, 33.98

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 0 / 38 / 64 / 1

HEX #FC9C5A

RGB 252 156 90

HSL 24.44, 0.96%, 0.67%

LAB 73.03, 30.05, 48.94

 

CMYK 0 / 21 / 64 / 1

HEX #FCC75A

RGB 252 199 90

HSL 40.37, 0.96%, 0.67%

LAB 83.06, 7.6, 60.21

 

CMYK 0 / 4 / 64 / 1

HEX #FCF35A

RGB 252 243 90

HSL 56.67, 0.96%, 0.67%

LAB 94.11, -14.57, 71.99

 

CMYK 14 / 0 / 64 / 1

HEX #D9FC5A

RGB 217 252 90

HSL 72.96, 0.96%, 0.67%

LAB 93.93, -32.71, 71.01

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 0 / 49 / 56 / 7

HEX #EE7A68

RGB 238 122 104

HSL 8.06, 0.8%, 0.67%

LAB 64.24, 43.03, 30.38

 

CMYK 0 / 41 / 48 / 12

HEX #E08475

RGB 224 132 117

HSL 8.41, 0.63%, 0.67%

LAB 64.67, 33.73, 23.36

 

CMYK 0 / 33 / 38 / 17

HEX #D38E83

RGB 211 142 131

HSL 8.25, 0.48%, 0.67%

LAB 65.62, 24.86, 16.56

 

CMYK 0 / 23 / 26 / 23

HEX #C59891

RGB 197 152 145

HSL 8.08, 0.31%, 0.67%

LAB 66.8, 15.79, 10.16

 

CMYK 0 / 64 / 38 / 1

HEX #FC5A9B

RGB 252 90 155

HSL 335.93, 0.96%, 0.67%

LAB 61.98, 66.76, -1.58

 

CMYK 0 / 64 / 56 / 1

HEX #FC5A70

RGB 252 90 112

HSL 351.85, 0.96%, 0.67%

LAB 60.94, 62.99, 21.88

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 0 / 38 / 64 / 1

HEX #FC9B5A

RGB 252 155 90

HSL 24.07, 0.96%, 0.67%

LAB 72.81, 30.57, 48.68

 

CMYK 0 / 21 / 64 / 1

HEX #FCC65A

RGB 252 198 90

HSL 40, 0.96%, 0.67%

LAB 82.82, 8.12, 59.95

 

CMYK 0 / 83 / 96 / 2

HEX #FA2A09

RGB 250 42 9

HSL 8.22, 0.96%, 0.51%

LAB 54.03, 73.79, 64.81

 

CMYK 0 / 69 / 80 / 2

HEX #FB4D32

RGB 251 77 50

HSL 8.06, 0.96%, 0.59%

LAB 58.08, 64.56, 52.57

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 0 / 42 / 48 / 1

HEX #FC9382

RGB 252 147 130

HSL 8.36, 0.95%, 0.75%

LAB 71.67, 37.76, 26.17

 

CMYK 0 / 28 / 32 / 1

HEX #FDB6AB

RGB 253 182 171

HSL 8.05, 0.95%, 0.83%

LAB 80.34, 24.34, 15.83

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 21 / 0 / 64 / 1

HEX #C6FC5A

RGB 198 252 90

HSL 80, 0.96%, 0.67%

LAB 92.74, -39.9, 69.39

 

CMYK 64 / 47 / 0 / 1

HEX #5A85FC

RGB 90 133 252

HSL 224.07, 0.96%, 0.67%

LAB 58.02, 22.06, -63.85

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 64 / 0 / 56 / 1

HEX #5AFC70

RGB 90 252 112

HSL 128.15, 0.96%, 0.67%

LAB 88.43, -69.44, 54.09

 

CMYK 56 / 64 / 0 / 1

HEX #705AFC

RGB 112 90 252

HSL 248.15, 0.96%, 0.67%

LAB 49.23, 51.15, -78

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 21 / 0 / 64 / 1

HEX #C6FC5A

RGB 198 252 90

HSL 80, 0.96%, 0.67%

LAB 92.74, -39.9, 69.39

 

CMYK 64 / 9 / 0 / 1

HEX #5AE6FC

RGB 90 230 252

HSL 188.15, 0.96%, 0.67%

LAB 84.89, -31.03, -21.84

 

CMYK 43 / 64 / 0 / 1

HEX #905AFC

RGB 144 90 252

HSL 260, 0.96%, 0.67%

LAB 52.14, 56.74, -73.14

 

CMYK 0 / 56 / 64 / 1

HEX #FC705A

RGB 252 112 90

HSL 8.15, 0.96%, 0.67%

LAB 64.18, 51.98, 38.44

 

CMYK 41 / 0 / 64 / 1

HEX #95FC5A

RGB 149 252 90

HSL 98.15, 0.96%, 0.67%

LAB 90.21, -56.73, 65.93

 

CMYK 64 / 9 / 0 / 1

HEX #5AE6FC

RGB 90 230 252

HSL 188.15, 0.96%, 0.67%

LAB 84.89, -31.03, -21.84

 

CMYK 24 / 64 / 0 / 1

HEX #C05AFC

RGB 192 90 252

HSL 277.78, 0.96%, 0.67%

LAB 57.6, 66.47, -64.05

 

Description

Color code: HEX #FC705ACE | qconv.com Color code: HEX #FC705ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 112 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 112 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 52 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 52% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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