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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC6C92 it is the complementary color #03936D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC6C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC6C92 shade: #FF6C8D, #FF7EA0, #FF90B3, #FFA2C6 and #FFB4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC6C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC6C92 shade: #FC6C92, #EB5A7F, #DA486C, #C93659 and #B82446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC6C92 shade: #FC6E94 and #FC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC6C92 shade: #FC6E94, #FC6EBA, #FC6EE0, #F26EFC and #CB6EFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC6C92 shade matches the following richer shades: #FC6E94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC6C92 shade: #FC6E94, #F07A99, #E4869F, #D892A4 and #CC9EAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC6C92 shade: #FC6EE0, #FC6EBA, #FC6E94, #FC6E6E and #FC946E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC6C92 shade: #FA1D58, #FB4676, #FC6E94, #FD96B2 and #FEBFCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC6C92 shade: #FC6C92, #FCF36E and #6ECDFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC6C92 shade: #FC6C92, #94FC6E and #6E94FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC6C92 shade: #FC6C92, #FCF36E, #6EFCD6 and #6E78FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC6C92 shade: #FC6C92, #DBFC6E, #6EFCD6 and #8F6EFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 42 / 1

HEX #FC6C92

RGB 252 108 146

HSL 344.17, 0.96%, 0.71%

LAB 64.56, 58.25, 7.34

 

Complementary color

CMYK 98 / 0 / 26 / 42

HEX #03936D

RGB 3 147 109

HSL 164.17, 0.96%, 0.29%

LAB 54.02, -42.66, 10.92

 

CMYK 0 / 58 / 45 / 0

HEX #FF6C8D

RGB 255 108 141

HSL 346.53, 1%, 0.71%

LAB 64.89, 58.72, 10.73

 

CMYK 0 / 51 / 37 / 0

HEX #FF7EA0

RGB 255 126 160

HSL 344.19, 1%, 0.75%

LAB 68.55, 52.34, 5.17

 

CMYK 0 / 44 / 30 / 0

HEX #FF90B3

RGB 255 144 179

HSL 341.08, 1%, 0.78%

LAB 72.54, 45.74, 0.33

 

CMYK 0 / 36 / 22 / 0

HEX #FFA2C6

RGB 255 162 198

HSL 336.77, 1%, 0.82%

LAB 76.79, 39.11, -3.91

 

CMYK 0 / 29 / 15 / 0

HEX #FFB4D9

RGB 255 180 217

HSL 330.4, 1%, 0.85%

LAB 81.24, 32.57, -7.64

 

CMYK 0 / 57 / 42 / 1

HEX #FC6C92

RGB 252 108 146

HSL 344.17, 0.96%, 0.71%

LAB 64.56, 58.25, 7.34

 

CMYK 0 / 62 / 46 / 8

HEX #EB5A7F

RGB 235 90 127

HSL 344.69, 0.78%, 0.64%

LAB 58.52, 58.89, 9.37

 

CMYK 0 / 67 / 50 / 15

HEX #DA486C

RGB 218 72 108

HSL 345.21, 0.66%, 0.57%

LAB 52.53, 59.31, 11.8

 

CMYK 0 / 73 / 56 / 21

HEX #C93659

RGB 201 54 89

HSL 345.71, 0.58%, 0.5%

LAB 46.68, 59.36, 14.75

 

CMYK 0 / 80 / 62 / 28

HEX #B82446

RGB 184 36 70

HSL 346.22, 0.67%, 0.43%

LAB 41.05, 58.77, 18.4

 

CMYK 0 / 56 / 41 / 1

HEX #FC6E94

RGB 252 110 148

HSL 343.94, 0.96%, 0.71%

LAB 64.95, 57.55, 6.76

 

CMYK 0 / 56 / 56 / 1

HEX #FC6E6E

RGB 252 110 110

HSL 0, 0.96%, 0.71%

LAB 64.14, 54.22, 27.28

 

CMYK 0 / 56 / 41 / 1

HEX #FC6E94

RGB 252 110 148

HSL 343.94, 0.96%, 0.71%

LAB 64.95, 57.55, 6.76

 

CMYK 0 / 56 / 26 / 1

HEX #FC6EBA

RGB 252 110 186

HSL 327.89, 0.96%, 0.71%

LAB 66.05, 61.93, -13.25

 

CMYK 0 / 56 / 11 / 1

HEX #FC6EE0

RGB 252 110 224

HSL 311.83, 0.96%, 0.71%

LAB 67.45, 67.25, -32.43

 

CMYK 4 / 56 / 0 / 1

HEX #F26EFC

RGB 242 110 252

HSL 295.77, 0.96%, 0.71%

LAB 67.32, 69.22, -48.19

 

CMYK 19 / 56 / 0 / 1

HEX #CB6EFC

RGB 203 110 252

HSL 279.3, 0.96%, 0.71%

LAB 62.4, 59.6, -56.29

 

CMYK 0 / 56 / 41 / 1

HEX #FC6E94

RGB 252 110 148

HSL 343.94, 0.96%, 0.71%

LAB 64.95, 57.55, 6.76

 

CMYK 0 / 56 / 41 / 1

HEX #FC6E94

RGB 252 110 148

HSL 343.94, 0.96%, 0.71%

LAB 64.95, 57.55, 6.76

 

CMYK 0 / 49 / 36 / 6

HEX #F07A99

RGB 240 122 153

HSL 344.24, 0.8%, 0.71%

LAB 65.55, 48.44, 4.54

 

CMYK 0 / 41 / 30 / 11

HEX #E4869F

RGB 228 134 159

HSL 344.04, 0.64%, 0.71%

LAB 66.56, 38.92, 2.41

 

CMYK 0 / 32 / 24 / 15

HEX #D892A4

RGB 216 146 164

HSL 344.57, 0.47%, 0.71%

LAB 67.9, 28.92, 1.37

 

CMYK 0 / 23 / 17 / 20

HEX #CC9EAA

RGB 204 158 170

HSL 344.35, 0.31%, 0.71%

LAB 69.61, 18.92, 0.35

 

CMYK 0 / 56 / 11 / 1

HEX #FC6EE0

RGB 252 110 224

HSL 311.83, 0.96%, 0.71%

LAB 67.45, 67.25, -32.43

 

CMYK 0 / 56 / 26 / 1

HEX #FC6EBA

RGB 252 110 186

HSL 327.89, 0.96%, 0.71%

LAB 66.05, 61.93, -13.25

 

CMYK 0 / 56 / 41 / 1

HEX #FC6E94

RGB 252 110 148

HSL 343.94, 0.96%, 0.71%

LAB 64.95, 57.55, 6.76

 

CMYK 0 / 56 / 56 / 1

HEX #FC6E6E

RGB 252 110 110

HSL 0, 0.96%, 0.71%

LAB 64.14, 54.22, 27.28

 

CMYK 0 / 41 / 56 / 1

HEX #FC946E

RGB 252 148 110

HSL 16.06, 0.96%, 0.71%

LAB 71.56, 35.57, 36.84

 

CMYK 0 / 88 / 65 / 2

HEX #FA1D58

RGB 250 29 88

HSL 343.98, 0.96%, 0.55%

LAB 53.93, 78.29, 26.67

 

CMYK 0 / 72 / 53 / 2

HEX #FB4676

RGB 251 70 118

HSL 344.09, 0.96%, 0.63%

LAB 58.22, 70.47, 14.64

 

CMYK 0 / 56 / 41 / 1

HEX #FC6E94

RGB 252 110 148

HSL 343.94, 0.96%, 0.71%

LAB 64.95, 57.55, 6.76

 

CMYK 0 / 41 / 30 / 1

HEX #FD96B2

RGB 253 150 178

HSL 343.69, 0.96%, 0.79%

LAB 73.49, 41.88, 2.23

 

CMYK 0 / 25 / 19 / 0

HEX #FEBFCF

RGB 254 191 207

HSL 344.76, 0.97%, 0.87%

LAB 83.36, 24.91, 0.83

 

CMYK 0 / 57 / 42 / 1

HEX #FC6C92

RGB 252 108 146

HSL 344.17, 0.96%, 0.71%

LAB 64.56, 58.25, 7.34

 

CMYK 0 / 4 / 56 / 1

HEX #FCF36E

RGB 252 243 110

HSL 56.2, 0.96%, 0.71%

LAB 94.28, -13.28, 63.89

 

CMYK 56 / 19 / 0 / 1

HEX #6ECDFC

RGB 110 205 252

HSL 199.86, 0.96%, 0.71%

LAB 78.47, -15.09, -31.6

 

CMYK 0 / 57 / 42 / 1

HEX #FC6C92

RGB 252 108 146

HSL 344.17, 0.96%, 0.71%

LAB 64.56, 58.25, 7.34

 

CMYK 41 / 0 / 56 / 1

HEX #94FC6E

RGB 148 252 110

HSL 103.94, 0.96%, 0.71%

LAB 90.34, -55.18, 57.7

 

CMYK 56 / 41 / 0 / 1

HEX #6E94FC

RGB 110 148 252

HSL 223.94, 0.96%, 0.71%

LAB 62.95, 16.69, -55.9

 

CMYK 0 / 57 / 42 / 1

HEX #FC6C92

RGB 252 108 146

HSL 344.17, 0.96%, 0.71%

LAB 64.56, 58.25, 7.34

 

CMYK 0 / 4 / 56 / 1

HEX #FCF36E

RGB 252 243 110

HSL 56.2, 0.96%, 0.71%

LAB 94.28, -13.28, 63.89

 

CMYK 56 / 0 / 15 / 1

HEX #6EFCD6

RGB 110 252 214

HSL 163.94, 0.96%, 0.71%

LAB 90.68, -47.33, 6.67

 

CMYK 56 / 52 / 0 / 1

HEX #6E78FC

RGB 110 120 252

HSL 235.77, 0.96%, 0.71%

LAB 55.86, 33.37, -67.25

 

CMYK 0 / 57 / 42 / 1

HEX #FC6C92

RGB 252 108 146

HSL 344.17, 0.96%, 0.71%

LAB 64.56, 58.25, 7.34

 

CMYK 13 / 0 / 56 / 1

HEX #DBFC6E

RGB 219 252 110

HSL 73.94, 0.96%, 0.71%

LAB 94.23, -30.5, 63.18

 

CMYK 56 / 0 / 15 / 1

HEX #6EFCD6

RGB 110 252 214

HSL 163.94, 0.96%, 0.71%

LAB 90.68, -47.33, 6.67

 

CMYK 43 / 56 / 0 / 1

HEX #8F6EFC

RGB 143 110 252

HSL 253.94, 0.96%, 0.71%

LAB 56.11, 45.77, -66.73

 

Description

Color code: HEX #FC6C92 | qconv.com Color code: HEX #FC6C92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 108 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 108 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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