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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC6BB6 it is the complementary color #039449. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC6BB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC6BB6 shade: #FF6BB1, #FF7DC4, #FF8FD7, #FFA1EA and #FFB3FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC6BB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC6BB6 shade: #FC6BB6, #EB59A3, #DA4790, #C9357D and #B8236A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC6BB6 shade: #FC69B5, #FC698D and #FC6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC6BB6 shade: #FC69B5, #FC69DD, #F469FC, #CC69FC and #A469FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC6BB6 shade matches the following richer shades: #FC69B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC6BB6 shade: #FC69B5, #F075B5, #E382B4, #D78EB4 and #CA9BB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC6BB6 shade: #F269FC, #FC69DF, #FC69B7, #FC6990 and #FC6969

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC6BB6 shade: #FA188D, #FB41A1, #FC69B5, #FD91C9 and #FEBADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC6BB6 shade: #FC6BB6, #FCCB69 and #69F2FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC6BB6 shade: #FC6BB6, #B7FC69 and #69B7FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC6BB6 shade: #FC6BB6, #FCCB69, #69FCAE and #699AFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC6BB6 shade: #FC6BB6, #FCF769, #69FCAE and #696EFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 28 / 1

HEX #FC6BB6

RGB 252 107 182

HSL 328.97, 0.96%, 0.7%

LAB 65.43, 62.74, -11.92

 

Complementary color

CMYK 98 / 0 / 51 / 42

HEX #039449

RGB 3 148 73

HSL 148.97, 0.96%, 0.3%

LAB 53.69, -50.73, 30.32

 

CMYK 0 / 58 / 31 / 0

HEX #FF6BB1

RGB 255 107 177

HSL 331.62, 1%, 0.71%

LAB 65.71, 63.02, -8.62

 

CMYK 0 / 51 / 23 / 0

HEX #FF7DC4

RGB 255 125 196

HSL 327.23, 1%, 0.75%

LAB 69.41, 57.27, -13.79

 

CMYK 0 / 44 / 16 / 0

HEX #FF8FD7

RGB 255 143 215

HSL 321.43, 1%, 0.78%

LAB 73.42, 51.26, -18.27

 

CMYK 0 / 37 / 8 / 0

HEX #FFA1EA

RGB 255 161 234

HSL 313.4, 1%, 0.82%

LAB 77.69, 45.17, -22.17

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FD

RGB 255 179 253

HSL 301.58, 1%, 0.85%

LAB 82.16, 39.12, -25.6

 

CMYK 0 / 58 / 28 / 1

HEX #FC6BB6

RGB 252 107 182

HSL 328.97, 0.96%, 0.7%

LAB 65.43, 62.74, -11.92

 

CMYK 0 / 62 / 31 / 8

HEX #EB59A3

RGB 235 89 163

HSL 329.59, 0.78%, 0.64%

LAB 59.39, 63.13, -10.34

 

CMYK 0 / 67 / 34 / 15

HEX #DA4790

RGB 218 71 144

HSL 330.2, 0.67%, 0.57%

LAB 53.41, 63.24, -8.43

 

CMYK 0 / 74 / 38 / 21

HEX #C9357D

RGB 201 53 125

HSL 330.81, 0.58%, 0.5%

LAB 47.55, 62.92, -6.06

 

CMYK 0 / 81 / 42 / 28

HEX #B8236A

RGB 184 35 106

HSL 331.41, 0.68%, 0.43%

LAB 41.9, 61.89, -3.07

 

CMYK 0 / 58 / 28 / 1

HEX #FC69B5

RGB 252 105 181

HSL 328.98, 0.96%, 0.7%

LAB 65.07, 63.49, -11.89

 

CMYK 0 / 58 / 44 / 1

HEX #FC698D

RGB 252 105 141

HSL 345.31, 0.96%, 0.7%

LAB 63.93, 59.09, 9.32

 

CMYK 0 / 58 / 58 / 1

HEX #FC6969

RGB 252 105 105

HSL 0, 0.96%, 0.7%

LAB 63.19, 56.12, 28.87

 

CMYK 0 / 58 / 28 / 1

HEX #FC69B5

RGB 252 105 181

HSL 328.98, 0.96%, 0.7%

LAB 65.07, 63.49, -11.89

 

CMYK 0 / 58 / 12 / 1

HEX #FC69DD

RGB 252 105 221

HSL 312.65, 0.96%, 0.7%

LAB 66.53, 68.95, -32.17

 

CMYK 3 / 58 / 0 / 1

HEX #F469FC

RGB 244 105 252

HSL 296.73, 0.96%, 0.7%

LAB 66.8, 71.87, -48.99

 

CMYK 19 / 58 / 0 / 1

HEX #CC69FC

RGB 204 105 252

HSL 280.41, 0.96%, 0.7%

LAB 61.63, 62.25, -57.52

 

CMYK 35 / 58 / 0 / 1

HEX #A469FC

RGB 164 105 252

HSL 264.08, 0.96%, 0.7%

LAB 57.1, 53.04, -65.03

 

CMYK 0 / 58 / 28 / 1

HEX #FC69B5

RGB 252 105 181

HSL 328.98, 0.96%, 0.7%

LAB 65.07, 63.49, -11.89

 

CMYK 0 / 58 / 28 / 1

HEX #FC69B5

RGB 252 105 181

HSL 328.98, 0.96%, 0.7%

LAB 65.07, 63.49, -11.89

 

CMYK 0 / 51 / 25 / 6

HEX #F075B5

RGB 240 117 181

HSL 328.78, 0.8%, 0.7%

LAB 65.42, 54.37, -11.54

 

CMYK 0 / 43 / 21 / 11

HEX #E382B4

RGB 227 130 180

HSL 329.07, 0.63%, 0.7%

LAB 66.21, 43.56, -9.98

 

CMYK 0 / 34 / 16 / 16

HEX #D78EB4

RGB 215 142 180

HSL 328.77, 0.48%, 0.7%

LAB 67.34, 33.14, -8.43

 

CMYK 0 / 23 / 11 / 21

HEX #CA9BB3

RGB 202 155 179

HSL 329.36, 0.31%, 0.7%

LAB 68.93, 21.32, -5.66

 

CMYK 4 / 58 / 0 / 1

HEX #F269FC

RGB 242 105 252

HSL 295.92, 0.96%, 0.7%

LAB 66.53, 71.38, -49.44

 

CMYK 0 / 58 / 12 / 1

HEX #FC69DF

RGB 252 105 223

HSL 311.84, 0.96%, 0.7%

LAB 66.62, 69.25, -33.16

 

CMYK 0 / 58 / 27 / 1

HEX #FC69B7

RGB 252 105 183

HSL 328.16, 0.96%, 0.7%

LAB 65.13, 63.74, -12.93

 

CMYK 0 / 58 / 43 / 1

HEX #FC6990

RGB 252 105 144

HSL 344.08, 0.96%, 0.7%

LAB 64.01, 59.38, 7.7

 

CMYK 0 / 58 / 58 / 1

HEX #FC6969

RGB 252 105 105

HSL 0, 0.96%, 0.7%

LAB 63.19, 56.12, 28.87

 

CMYK 0 / 90 / 44 / 2

HEX #FA188D

RGB 250 24 141

HSL 328.94, 0.96%, 0.54%

LAB 54.97, 82.52, -3.71

 

CMYK 0 / 74 / 36 / 2

HEX #FB41A1

RGB 251 65 161

HSL 329.03, 0.96%, 0.62%

LAB 58.85, 75.85, -9.72

 

CMYK 0 / 58 / 28 / 1

HEX #FC69B5

RGB 252 105 181

HSL 328.98, 0.96%, 0.7%

LAB 65.07, 63.49, -11.89

 

CMYK 0 / 43 / 21 / 1

HEX #FD91C9

RGB 253 145 201

HSL 328.89, 0.96%, 0.78%

LAB 73.12, 47.56, -11.02

 

CMYK 0 / 27 / 13 / 0

HEX #FEBADD

RGB 254 186 221

HSL 329.12, 0.97%, 0.86%

LAB 82.6, 29.71, -7.8

 

CMYK 0 / 58 / 28 / 1

HEX #FC6BB6

RGB 252 107 182

HSL 328.97, 0.96%, 0.7%

LAB 65.43, 62.74, -11.92

 

CMYK 0 / 19 / 58 / 1

HEX #FCCB69

RGB 252 203 105

HSL 40, 0.96%, 0.7%

LAB 84.19, 6.52, 54.63

 

CMYK 58 / 4 / 0 / 1

HEX #69F2FC

RGB 105 242 252

HSL 184.08, 0.96%, 0.7%

LAB 88.7, -34.27, -16.05

 

CMYK 0 / 58 / 28 / 1

HEX #FC6BB6

RGB 252 107 182

HSL 328.97, 0.96%, 0.7%

LAB 65.43, 62.74, -11.92

 

CMYK 27 / 0 / 58 / 1

HEX #B7FC69

RGB 183 252 105

HSL 88.16, 0.96%, 0.7%

LAB 92, -44.15, 62.22

 

CMYK 58 / 27 / 0 / 1

HEX #69B7FC

RGB 105 183 252

HSL 208.16, 0.96%, 0.7%

LAB 72.16, -4.28, -41.39

 

CMYK 0 / 58 / 28 / 1

HEX #FC6BB6

RGB 252 107 182

HSL 328.97, 0.96%, 0.7%

LAB 65.43, 62.74, -11.92

 

CMYK 0 / 19 / 58 / 1

HEX #FCCB69

RGB 252 203 105

HSL 40, 0.96%, 0.7%

LAB 84.19, 6.52, 54.63

 

CMYK 58 / 0 / 31 / 1

HEX #69FCAE

RGB 105 252 174

HSL 148.16, 0.96%, 0.7%

LAB 89.71, -56.71, 25.82

 

CMYK 58 / 39 / 0 / 1

HEX #699AFC

RGB 105 154 252

HSL 220, 0.96%, 0.7%

LAB 64.28, 12.2, -53.8

 

CMYK 0 / 58 / 28 / 1

HEX #FC6BB6

RGB 252 107 182

HSL 328.97, 0.96%, 0.7%

LAB 65.43, 62.74, -11.92

 

CMYK 0 / 2 / 58 / 1

HEX #FCF769

RGB 252 247 105

HSL 57.96, 0.96%, 0.7%

LAB 95.26, -15.58, 67.13

 

CMYK 58 / 0 / 31 / 1

HEX #69FCAE

RGB 105 252 174

HSL 148.16, 0.96%, 0.7%

LAB 89.71, -56.71, 25.82

 

CMYK 58 / 56 / 0 / 1

HEX #696EFC

RGB 105 110 252

HSL 237.96, 0.96%, 0.7%

LAB 53.15, 38.44, -71.66

 

Description

Color code: HEX #FC6BB6 | qconv.com Color code: HEX #FC6BB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 107 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 107 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 28% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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