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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC5E6C it is the complementary color #03A193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC5E6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC5E6C shade: #FF5E67, #FF707A, #FF828D, #FF94A0 and #FFA6B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC5E6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC5E6C shade: #FC5E6C, #EB4C59, #DA3A46, #C92833 and #B81620

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC5E6C shade: #FC5F6D and #FC5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC5E6C shade: #FC5F6D, #FC5F97, #FC5FC1, #FC5FEC and #E25FFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC5E6C shade matches the following richer shades: #FC5F6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC5E6C shade: #FC5F6D, #EF6C78, #E17983, #D4878E and #C79498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC5E6C shade: #FC5FC2, #FC5F99, #FC5F6F, #FC795F and #FCA35F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC5E6C shade: #FA0E23, #FB3748, #FC5F6D, #FD8792 and #FDB0B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC5E6C shade: #FC5E6C, #ECFC5F and #5FADFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC5E6C shade: #FC5E6C, #6FFC5F and #5F6FFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC5E6C shade: #FC5E6C, #ECFC5F, #5FFCEC and #6F5FFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC5E6C shade: #FC5E6C, #BDFC5F, #5FFCEC and #9E5FFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 57 / 1

HEX #FC5E6C

RGB 252 94 108

HSL 354.68, 0.96%, 0.68%

LAB 61.47, 61.07, 24.89

 

Complementary color

CMYK 98 / 0 / 9 / 37

HEX #03A193

RGB 3 161 147

HSL 174.68, 0.96%, 0.32%

LAB 59.54, -38.21, -2.71

 

CMYK 0 / 63 / 60 / 0

HEX #FF5E67

RGB 255 94 103

HSL 356.65, 1%, 0.68%

LAB 61.86, 61.69, 28.37

 

CMYK 0 / 56 / 52 / 0

HEX #FF707A

RGB 255 112 122

HSL 355.8, 1%, 0.72%

LAB 65.16, 55.25, 21.94

 

CMYK 0 / 49 / 45 / 0

HEX #FF828D

RGB 255 130 141

HSL 354.72, 1%, 0.75%

LAB 68.86, 48.42, 16.3

 

CMYK 0 / 42 / 37 / 0

HEX #FF94A0

RGB 255 148 160

HSL 353.27, 1%, 0.79%

LAB 72.88, 41.43, 11.36

 

CMYK 0 / 35 / 30 / 0

HEX #FFA6B3

RGB 255 166 179

HSL 351.24, 1%, 0.83%

LAB 77.15, 34.46, 7.01

 

CMYK 0 / 63 / 57 / 1

HEX #FC5E6C

RGB 252 94 108

HSL 354.68, 0.96%, 0.68%

LAB 61.47, 61.07, 24.89

 

CMYK 0 / 68 / 62 / 8

HEX #EB4C59

RGB 235 76 89

HSL 355.09, 0.8%, 0.61%

LAB 55.64, 61.65, 27.73

 

CMYK 0 / 73 / 68 / 15

HEX #DA3A46

RGB 218 58 70

HSL 355.5, 0.68%, 0.54%

LAB 49.95, 61.88, 31.07

 

CMYK 0 / 80 / 75 / 21

HEX #C92833

RGB 201 40 51

HSL 355.9, 0.67%, 0.47%

LAB 44.48, 61.55, 34.99

 

CMYK 0 / 88 / 83 / 28

HEX #B81620

RGB 184 22 32

HSL 356.3, 0.79%, 0.4%

LAB 39.36, 60.34, 39.42

 

CMYK 0 / 62 / 57 / 1

HEX #FC5F6D

RGB 252 95 109

HSL 354.65, 0.96%, 0.68%

LAB 61.64, 60.72, 24.55

 

CMYK 0 / 62 / 62 / 1

HEX #FC5F5F

RGB 252 95 95

HSL 0, 0.96%, 0.68%

LAB 61.4, 59.8, 32.22

 

CMYK 0 / 62 / 57 / 1

HEX #FC5F6D

RGB 252 95 109

HSL 354.65, 0.96%, 0.68%

LAB 61.64, 60.72, 24.55

 

CMYK 0 / 62 / 40 / 1

HEX #FC5F97

RGB 252 95 151

HSL 338.6, 0.96%, 0.68%

LAB 62.6, 64.34, 1.65

 

CMYK 0 / 62 / 23 / 1

HEX #FC5FC1

RGB 252 95 193

HSL 322.55, 0.96%, 0.68%

LAB 63.94, 69.19, -20.41

 

CMYK 0 / 62 / 6 / 1

HEX #FC5FEC

RGB 252 95 236

HSL 306.11, 0.96%, 0.68%

LAB 65.7, 75.28, -41.82

 

CMYK 10 / 62 / 0 / 1

HEX #E25FFC

RGB 226 95 252

HSL 290.06, 0.96%, 0.68%

LAB 62.83, 71.84, -55.44

 

CMYK 0 / 62 / 57 / 1

HEX #FC5F6D

RGB 252 95 109

HSL 354.65, 0.96%, 0.68%

LAB 61.64, 60.72, 24.55

 

CMYK 0 / 62 / 57 / 1

HEX #FC5F6D

RGB 252 95 109

HSL 354.65, 0.96%, 0.68%

LAB 61.64, 60.72, 24.55

 

CMYK 0 / 55 / 50 / 6

HEX #EF6C78

RGB 239 108 120

HSL 354.5, 0.8%, 0.68%

LAB 62.03, 51.5, 18.41

 

CMYK 0 / 46 / 42 / 12

HEX #E17983

RGB 225 121 131

HSL 354.23, 0.63%, 0.68%

LAB 62.78, 41.24, 12.86

 

CMYK 0 / 36 / 33 / 17

HEX #D4878E

RGB 212 135 142

HSL 354.55, 0.47%, 0.68%

LAB 64.39, 30.37, 8.64

 

CMYK 0 / 26 / 24 / 22

HEX #C79498

RGB 199 148 152

HSL 355.29, 0.31%, 0.68%

LAB 66.2, 19.77, 5.41

 

CMYK 0 / 62 / 23 / 1

HEX #FC5FC2

RGB 252 95 194

HSL 322.17, 0.96%, 0.68%

LAB 63.98, 69.32, -20.92

 

CMYK 0 / 62 / 39 / 1

HEX #FC5F99

RGB 252 95 153

HSL 337.83, 0.96%, 0.68%

LAB 62.66, 64.54, 0.57

 

CMYK 0 / 62 / 56 / 1

HEX #FC5F6F

RGB 252 95 111

HSL 353.89, 0.96%, 0.68%

LAB 61.68, 60.87, 23.45

 

CMYK 0 / 52 / 62 / 1

HEX #FC795F

RGB 252 121 95

HSL 9.94, 0.96%, 0.68%

LAB 65.9, 48.03, 37.84

 

CMYK 0 / 35 / 62 / 1

HEX #FCA35F

RGB 252 163 95

HSL 25.99, 0.96%, 0.68%

LAB 74.65, 26.72, 48.33

 

CMYK 0 / 94 / 86 / 2

HEX #FA0E23

RGB 250 14 35

HSL 354.66, 0.96%, 0.52%

LAB 52.69, 78.28, 54.86

 

CMYK 0 / 78 / 71 / 2

HEX #FB3748

RGB 251 55 72

HSL 354.8, 0.96%, 0.6%

LAB 55.8, 72.34, 38.39

 

CMYK 0 / 62 / 57 / 1

HEX #FC5F6D

RGB 252 95 109

HSL 354.65, 0.96%, 0.68%

LAB 61.64, 60.72, 24.55

 

CMYK 0 / 47 / 42 / 1

HEX #FD8792

RGB 253 135 146

HSL 354.41, 0.97%, 0.76%

LAB 69.67, 45.76, 14.59

 

CMYK 0 / 30 / 28 / 1

HEX #FDB0B7

RGB 253 176 183

HSL 354.55, 0.95%, 0.84%

LAB 79.24, 29.03, 7.8

 

CMYK 0 / 63 / 57 / 1

HEX #FC5E6C

RGB 252 94 108

HSL 354.68, 0.96%, 0.68%

LAB 61.47, 61.07, 24.89

 

CMYK 6 / 0 / 62 / 1

HEX #ECFC5F

RGB 236 252 95

HSL 66.11, 0.96%, 0.68%

LAB 95.28, -24.98, 70.88

 

CMYK 62 / 31 / 0 / 1

HEX #5FADFC

RGB 95 173 252

HSL 210.19, 0.96%, 0.68%

LAB 69, -0.54, -46.37

 

CMYK 0 / 63 / 57 / 1

HEX #FC5E6C

RGB 252 94 108

HSL 354.68, 0.96%, 0.68%

LAB 61.47, 61.07, 24.89

 

CMYK 56 / 0 / 62 / 1

HEX #6FFC5F

RGB 111 252 95

HSL 113.89, 0.96%, 0.68%

LAB 88.84, -66.78, 62.02

 

CMYK 62 / 56 / 0 / 1

HEX #5F6FFC

RGB 95 111 252

HSL 233.89, 0.96%, 0.68%

LAB 52.76, 36.2, -72.31

 

CMYK 0 / 63 / 57 / 1

HEX #FC5E6C

RGB 252 94 108

HSL 354.68, 0.96%, 0.68%

LAB 61.47, 61.07, 24.89

 

CMYK 6 / 0 / 62 / 1

HEX #ECFC5F

RGB 236 252 95

HSL 66.11, 0.96%, 0.68%

LAB 95.28, -24.98, 70.88

 

CMYK 62 / 0 / 6 / 1

HEX #5FFCEC

RGB 95 252 236

HSL 173.89, 0.96%, 0.68%

LAB 90.83, -44.65, -4.58

 

CMYK 56 / 62 / 0 / 1

HEX #6F5FFC

RGB 111 95 252

HSL 246.11, 0.96%, 0.68%

LAB 50.21, 48.18, -76.42

 

CMYK 0 / 63 / 57 / 1

HEX #FC5E6C

RGB 252 94 108

HSL 354.68, 0.96%, 0.68%

LAB 61.47, 61.07, 24.89

 

CMYK 25 / 0 / 62 / 1

HEX #BDFC5F

RGB 189 252 95

HSL 84.08, 0.96%, 0.68%

LAB 92.25, -42.83, 66.73

 

CMYK 62 / 0 / 6 / 1

HEX #5FFCEC

RGB 95 252 236

HSL 173.89, 0.96%, 0.68%

LAB 90.83, -44.65, -4.58

 

CMYK 37 / 62 / 0 / 1

HEX #9E5FFC

RGB 158 95 252

HSL 264.08, 0.96%, 0.68%

LAB 54.53, 56.94, -69.2

 

Description

Color code: HEX #FC5E6C | qconv.com Color code: HEX #FC5E6C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 94 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 94 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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