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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC5DEC it is the complementary color #03A213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC5DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC5DEC shade: #FF5DE7, #FF6FFA, #FF81FF, #FF93FF and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC5DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC5DEC shade: #FC5DEC, #EB4BD9, #DA39C6, #C927B3 and #B815A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC5DEC shade: #FC5FEC, #FC5FC2, #FC5F97, #FC5F6D and #FC5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC5DEC shade: #FC5FEC, #E15FFC, #B75FFC, #8D5FFC and #635FFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC5DEC shade matches the following richer shades: #FC5FEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC5DEC shade: #FC5FEC, #EF6CE1, #E179D7, #D487CC and #C794C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC5DEC shade: #B85FFC, #E25FFC, #FC5FEC, #FC5FC2 and #FC5F99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC5DEC shade: #FA0EE2, #FB37E7, #FC5FEC, #FD87F1 and #FDB0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC5DEC shade: #FC5DEC, #FC8E5F and #5FFCCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC5DEC shade: #FC5DEC, #ECFC5F and #5FECFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC5DEC shade: #FC5DEC, #FC8E5F, #5FFC6F and #5FCDFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC5DEC shade: #FC5DEC, #FCBD5F, #5FFC6F and #5F9EFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 6 / 1

HEX #FC5DEC

RGB 252 93 236

HSL 306.04, 0.96%, 0.68%

LAB 65.42, 76.05, -42.25

 

Complementary color

CMYK 98 / 0 / 88 / 36

HEX #03A213

RGB 3 162 19

HSL 126.04, 0.96%, 0.32%

LAB 57.95, -60.63, 56.23

 

CMYK 0 / 64 / 9 / 0

HEX #FF5DE7

RGB 255 93 231

HSL 308.89, 1%, 0.68%

LAB 65.64, 76.02, -39.1

 

CMYK 0 / 56 / 2 / 0

HEX #FF6FFA

RGB 255 111 250

HSL 302.08, 1%, 0.72%

LAB 69.13, 71.7, -44.12

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 63 / 6 / 1

HEX #FC5DEC

RGB 252 93 236

HSL 306.04, 0.96%, 0.68%

LAB 65.42, 76.05, -42.25

 

CMYK 0 / 68 / 8 / 8

HEX #EB4BD9

RGB 235 75 217

HSL 306.75, 0.8%, 0.61%

LAB 59.62, 75.79, -40.9

 

CMYK 0 / 74 / 9 / 15

HEX #DA39C6

RGB 218 57 198

HSL 307.45, 0.69%, 0.54%

LAB 53.93, 75.04, -39.21

 

CMYK 0 / 81 / 11 / 21

HEX #C927B3

RGB 201 39 179

HSL 308.15, 0.68%, 0.47%

LAB 48.41, 73.59, -37.05

 

CMYK 0 / 89 / 13 / 28

HEX #B815A0

RGB 184 21 160

HSL 308.83, 0.8%, 0.4%

LAB 43.16, 71.15, -34.25

 

CMYK 0 / 62 / 6 / 1

HEX #FC5FEC

RGB 252 95 236

HSL 306.11, 0.96%, 0.68%

LAB 65.7, 75.28, -41.82

 

CMYK 0 / 62 / 23 / 1

HEX #FC5FC2

RGB 252 95 194

HSL 322.17, 0.96%, 0.68%

LAB 63.98, 69.32, -20.92

 

CMYK 0 / 62 / 40 / 1

HEX #FC5F97

RGB 252 95 151

HSL 338.6, 0.96%, 0.68%

LAB 62.6, 64.34, 1.65

 

CMYK 0 / 62 / 57 / 1

HEX #FC5F6D

RGB 252 95 109

HSL 354.65, 0.96%, 0.68%

LAB 61.64, 60.72, 24.55

 

CMYK 0 / 62 / 62 / 1

HEX #FC5F5F

RGB 252 95 95

HSL 0, 0.96%, 0.68%

LAB 61.4, 59.8, 32.22

 

CMYK 0 / 62 / 6 / 1

HEX #FC5FEC

RGB 252 95 236

HSL 306.11, 0.96%, 0.68%

LAB 65.7, 75.28, -41.82

 

CMYK 11 / 62 / 0 / 1

HEX #E15FFC

RGB 225 95 252

HSL 289.68, 0.96%, 0.68%

LAB 62.69, 71.61, -55.66

 

CMYK 27 / 62 / 0 / 1

HEX #B75FFC

RGB 183 95 252

HSL 273.63, 0.96%, 0.68%

LAB 57.35, 62.23, -64.52

 

CMYK 44 / 62 / 0 / 1

HEX #8D5FFC

RGB 141 95 252

HSL 257.58, 0.96%, 0.68%

LAB 52.81, 53.56, -72.07

 

CMYK 61 / 62 / 0 / 1

HEX #635FFC

RGB 99 95 252

HSL 241.53, 0.96%, 0.68%

LAB 49.33, 46.3, -77.88

 

CMYK 0 / 62 / 6 / 1

HEX #FC5FEC

RGB 252 95 236

HSL 306.11, 0.96%, 0.68%

LAB 65.7, 75.28, -41.82

 

CMYK 0 / 62 / 6 / 1

HEX #FC5FEC

RGB 252 95 236

HSL 306.11, 0.96%, 0.68%

LAB 65.7, 75.28, -41.82

 

CMYK 0 / 55 / 6 / 6

HEX #EF6CE1

RGB 239 108 225

HSL 306.41, 0.8%, 0.68%

LAB 65.37, 64.8, -36.36

 

CMYK 0 / 46 / 4 / 12

HEX #E179D7

RGB 225 121 215

HSL 305.77, 0.63%, 0.68%

LAB 65.43, 53.06, -30.83

 

CMYK 0 / 36 / 4 / 17

HEX #D487CC

RGB 212 135 204

HSL 306.23, 0.47%, 0.68%

LAB 66.28, 39.94, -23.51

 

CMYK 0 / 26 / 3 / 22

HEX #C794C2

RGB 199 148 194

HSL 305.88, 0.31%, 0.68%

LAB 67.44, 26.79, -16.29

 

CMYK 27 / 62 / 0 / 1

HEX #B85FFC

RGB 184 95 252

HSL 274.01, 0.96%, 0.68%

LAB 57.47, 62.44, -64.32

 

CMYK 10 / 62 / 0 / 1

HEX #E25FFC

RGB 226 95 252

HSL 290.06, 0.96%, 0.68%

LAB 62.83, 71.84, -55.44

 

CMYK 0 / 62 / 6 / 1

HEX #FC5FEC

RGB 252 95 236

HSL 306.11, 0.96%, 0.68%

LAB 65.7, 75.28, -41.82

 

CMYK 0 / 62 / 23 / 1

HEX #FC5FC2

RGB 252 95 194

HSL 322.17, 0.96%, 0.68%

LAB 63.98, 69.32, -20.92

 

CMYK 0 / 62 / 39 / 1

HEX #FC5F99

RGB 252 95 153

HSL 337.83, 0.96%, 0.68%

LAB 62.66, 64.54, 0.57

 

CMYK 0 / 94 / 10 / 2

HEX #FA0EE2

RGB 250 14 226

HSL 306.1, 0.96%, 0.52%

LAB 58.16, 92.69, -48.13

 

CMYK 0 / 78 / 8 / 2

HEX #FB37E7

RGB 251 55 231

HSL 306.12, 0.96%, 0.6%

LAB 60.79, 87.1, -46.76

 

CMYK 0 / 62 / 6 / 1

HEX #FC5FEC

RGB 252 95 236

HSL 306.11, 0.96%, 0.68%

LAB 65.7, 75.28, -41.82

 

CMYK 0 / 47 / 5 / 1

HEX #FD87F1

RGB 253 135 241

HSL 306.1, 0.97%, 0.76%

LAB 72.6, 58.72, -33.81

 

CMYK 0 / 30 / 3 / 1

HEX #FDB0F6

RGB 253 176 246

HSL 305.45, 0.95%, 0.84%

LAB 81.06, 38.82, -23.54

 

CMYK 0 / 63 / 6 / 1

HEX #FC5DEC

RGB 252 93 236

HSL 306.04, 0.96%, 0.68%

LAB 65.42, 76.05, -42.25

 

CMYK 0 / 44 / 62 / 1

HEX #FC8E5F

RGB 252 142 95

HSL 17.96, 0.96%, 0.68%

LAB 70.08, 37.59, 42.92

 

CMYK 62 / 0 / 19 / 1

HEX #5FFCCD

RGB 95 252 205

HSL 162.04, 0.96%, 0.68%

LAB 90.07, -52.11, 10.39

 

CMYK 0 / 63 / 6 / 1

HEX #FC5DEC

RGB 252 93 236

HSL 306.04, 0.96%, 0.68%

LAB 65.42, 76.05, -42.25

 

CMYK 6 / 0 / 62 / 1

HEX #ECFC5F

RGB 236 252 95

HSL 66.11, 0.96%, 0.68%

LAB 95.28, -24.98, 70.88

 

CMYK 62 / 6 / 0 / 1

HEX #5FECFC

RGB 95 236 252

HSL 186.11, 0.96%, 0.68%

LAB 86.73, -33.1, -19.05

 

CMYK 0 / 63 / 6 / 1

HEX #FC5DEC

RGB 252 93 236

HSL 306.04, 0.96%, 0.68%

LAB 65.42, 76.05, -42.25

 

CMYK 0 / 44 / 62 / 1

HEX #FC8E5F

RGB 252 142 95

HSL 17.96, 0.96%, 0.68%

LAB 70.08, 37.59, 42.92

 

CMYK 62 / 0 / 56 / 1

HEX #5FFC6F

RGB 95 252 111

HSL 126.11, 0.96%, 0.68%

LAB 88.54, -68.58, 54.7

 

CMYK 62 / 19 / 0 / 1

HEX #5FCDFC

RGB 95 205 252

HSL 197.96, 0.96%, 0.68%

LAB 77.95, -17.8, -32.44

 

CMYK 0 / 63 / 6 / 1

HEX #FC5DEC

RGB 252 93 236

HSL 306.04, 0.96%, 0.68%

LAB 65.42, 76.05, -42.25

 

CMYK 0 / 25 / 62 / 1

HEX #FCBD5F

RGB 252 189 95

HSL 35.92, 0.96%, 0.68%

LAB 80.69, 13.11, 55.3

 

CMYK 62 / 0 / 56 / 1

HEX #5FFC6F

RGB 95 252 111

HSL 126.11, 0.96%, 0.68%

LAB 88.54, -68.58, 54.7

 

CMYK 62 / 37 / 0 / 1

HEX #5F9EFC

RGB 95 158 252

HSL 215.92, 0.96%, 0.68%

LAB 64.89, 8.04, -52.85

 

Description

Color code: HEX #FC5DEC | qconv.com Color code: HEX #FC5DEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 93 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 93 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 6 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 6% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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