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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC3C2B it is the complementary color #03C3D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC3C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC3C2B shade: #FF3C26, #FF4E39, #FF604C, #FF725F and #FF8472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC3C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC3C2B shade: #FC3C2B, #EB2A18, #DA1805, #C90600 and #B80000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC3C2B shade: #FC3D2C and #FC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC3C2B shade: #FC3D2C, #FC752C, #FCAD2C, #FCE52C and #DBFC2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC3C2B shade matches the following richer shades: #FC3D2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC3C2B shade: #FC3D2C, #EA4B3D, #D95A4F, #C86860 and #B67771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC3C2B shade: #FC2C8D, #FC2C56, #FC3A2C, #FC712C and #FCA92C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC3C2B shade: #D21403, #FB1804, #FC3D2C, #FC6255 and #FD887D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC3C2B shade: #FC3C2B, #C4FC2C and #2C71FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC3C2B shade: #FC3C2B, #2CFC3A and #3A2CFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC3C2B shade: #FC3C2B, #C4FC2C, #2CEEFC and #632CFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC3C2B shade: #FC3C2B, #86FC2C, #2CEEFC and #A22CFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 83 / 1

HEX #FC3C2B

RGB 252 60 43

HSL 4.88, 0.97%, 0.58%

LAB 56.19, 70.27, 54.24

 

Complementary color

CMYK 99 / 8 / 0 / 17

HEX #03C3D4

RGB 3 195 212

HSL 184.88, 0.97%, 0.42%

LAB 72.1, -33.95, -19.97

 

CMYK 0 / 76 / 85 / 0

HEX #FF3C26

RGB 255 60 38

HSL 6.08, 1%, 0.57%

LAB 56.71, 71.02, 57.2

 

CMYK 0 / 69 / 78 / 0

HEX #FF4E39

RGB 255 78 57

HSL 6.36, 1%, 0.61%

LAB 58.98, 65.66, 50.21

 

CMYK 0 / 62 / 70 / 0

HEX #FF604C

RGB 255 96 76

HSL 6.7, 1%, 0.65%

LAB 61.78, 59.36, 43.29

 

CMYK 0 / 55 / 63 / 0

HEX #FF725F

RGB 255 114 95

HSL 7.13, 1%, 0.69%

LAB 65.06, 52.41, 36.89

 

CMYK 0 / 48 / 55 / 0

HEX #FF8472

RGB 255 132 114

HSL 7.66, 1%, 0.72%

LAB 68.73, 45.08, 31.14

 

CMYK 0 / 76 / 83 / 1

HEX #FC3C2B

RGB 252 60 43

HSL 4.88, 0.97%, 0.58%

LAB 56.19, 70.27, 54.24

 

CMYK 0 / 82 / 90 / 8

HEX #EB2A18

RGB 235 42 24

HSL 5.12, 0.84%, 0.51%

LAB 51.13, 69.88, 57.09

 

CMYK 0 / 89 / 98 / 15

HEX #DA1805

RGB 218 24 5

HSL 5.35, 0.96%, 0.44%

LAB 46.4, 68.65, 58.54

 

CMYK 0 / 97 / 100 / 21

HEX #C90600

RGB 201 6 0

HSL 1.79, 1%, 0.39%

LAB 42.07, 66.38, 56.26

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 76 / 83 / 1

HEX #FC3D2C

RGB 252 61 44

HSL 4.9, 0.97%, 0.58%

LAB 56.3, 70, 53.87

 

CMYK 0 / 83 / 83 / 1

HEX #FC2C2C

RGB 252 44 44

HSL 0, 0.97%, 0.58%

LAB 54.74, 74.41, 52.45

 

CMYK 0 / 76 / 83 / 1

HEX #FC3D2C

RGB 252 61 44

HSL 4.9, 0.97%, 0.58%

LAB 56.3, 70, 53.87

 

CMYK 0 / 54 / 83 / 1

HEX #FC752C

RGB 252 117 44

HSL 21.06, 0.97%, 0.58%

LAB 64.64, 47.68, 61.31

 

CMYK 0 / 31 / 83 / 1

HEX #FCAD2C

RGB 252 173 44

HSL 37.21, 0.97%, 0.58%

LAB 76.54, 19.16, 71.61

 

CMYK 0 / 9 / 83 / 1

HEX #FCE52C

RGB 252 229 44

HSL 53.37, 0.97%, 0.58%

LAB 90.28, -9.57, 83.24

 

CMYK 13 / 0 / 83 / 1

HEX #DBFC2C

RGB 219 252 44

HSL 69.52, 0.97%, 0.58%

LAB 93.82, -34.04, 85.23

 

CMYK 0 / 76 / 83 / 1

HEX #FC3D2C

RGB 252 61 44

HSL 4.9, 0.97%, 0.58%

LAB 56.3, 70, 53.87

 

CMYK 0 / 76 / 83 / 1

HEX #FC3D2C

RGB 252 61 44

HSL 4.9, 0.97%, 0.58%

LAB 56.3, 70, 53.87

 

CMYK 0 / 68 / 74 / 8

HEX #EA4B3D

RGB 234 75 61

HSL 4.86, 0.8%, 0.58%

LAB 54.93, 60.3, 42.7

 

CMYK 0 / 59 / 64 / 15

HEX #D95A4F

RGB 217 90 79

HSL 4.78, 0.64%, 0.58%

LAB 54.69, 49.14, 31.67

 

CMYK 0 / 48 / 52 / 22

HEX #C86860

RGB 200 104 96

HSL 4.62, 0.49%, 0.58%

LAB 55.1, 37.28, 21.92

 

CMYK 0 / 35 / 38 / 29

HEX #B67771

RGB 182 119 113

HSL 5.22, 0.32%, 0.58%

LAB 56.42, 23.95, 13.49

 

CMYK 0 / 83 / 44 / 1

HEX #FC2C8D

RGB 252 44 141

HSL 332.02, 0.97%, 0.58%

LAB 56.51, 79.62, -1.41

 

CMYK 0 / 83 / 66 / 1

HEX #FC2C56

RGB 252 44 86

HSL 347.88, 0.97%, 0.58%

LAB 55.25, 75.92, 29.62

 

CMYK 0 / 77 / 83 / 1

HEX #FC3A2C

RGB 252 58 44

HSL 4.04, 0.97%, 0.58%

LAB 55.99, 70.87, 53.58

 

CMYK 0 / 55 / 83 / 1

HEX #FC712C

RGB 252 113 44

HSL 19.9, 0.97%, 0.58%

LAB 63.91, 49.57, 60.66

 

CMYK 0 / 33 / 83 / 1

HEX #FCA92C

RGB 252 169 44

HSL 36.06, 0.97%, 0.58%

LAB 75.61, 21.25, 70.82

 

CMYK 0 / 90 / 99 / 18

HEX #D21403

RGB 210 20 3

HSL 4.93, 0.97%, 0.42%

LAB 44.53, 67.15, 57.36

 

CMYK 0 / 90 / 98 / 2

HEX #FB1804

RGB 251 24 4

HSL 4.86, 0.97%, 0.5%

LAB 53.14, 77.1, 65.68

 

CMYK 0 / 76 / 83 / 1

HEX #FC3D2C

RGB 252 61 44

HSL 4.9, 0.97%, 0.58%

LAB 56.3, 70, 53.87

 

CMYK 0 / 61 / 66 / 1

HEX #FC6255

RGB 252 98 85

HSL 4.67, 0.97%, 0.66%

LAB 61.73, 57.96, 38.21

 

CMYK 0 / 46 / 51 / 1

HEX #FD887D

RGB 253 136 125

HSL 5.16, 0.97%, 0.74%

LAB 69.45, 43.26, 25.97

 

CMYK 0 / 76 / 83 / 1

HEX #FC3C2B

RGB 252 60 43

HSL 4.88, 0.97%, 0.58%

LAB 56.19, 70.27, 54.24

 

CMYK 22 / 0 / 83 / 1

HEX #C4FC2C

RGB 196 252 44

HSL 76.15, 0.97%, 0.58%

LAB 92.37, -42.94, 83.41

 

CMYK 83 / 55 / 0 / 1

HEX #2C71FC

RGB 44 113 252

HSL 220.1, 0.97%, 0.58%

LAB 51.12, 28.95, -75.08

 

CMYK 0 / 76 / 83 / 1

HEX #FC3C2B

RGB 252 60 43

HSL 4.88, 0.97%, 0.58%

LAB 56.19, 70.27, 54.24

 

CMYK 83 / 0 / 77 / 1

HEX #2CFC3A

RGB 44 252 58

HSL 124.04, 0.97%, 0.58%

LAB 87.22, -81.12, 73.15

 

CMYK 77 / 83 / 0 / 1

HEX #3A2CFC

RGB 58 44 252

HSL 244.04, 0.97%, 0.58%

LAB 37.35, 68.5, -97.71

 

CMYK 0 / 76 / 83 / 1

HEX #FC3C2B

RGB 252 60 43

HSL 4.88, 0.97%, 0.58%

LAB 56.19, 70.27, 54.24

 

CMYK 22 / 0 / 83 / 1

HEX #C4FC2C

RGB 196 252 44

HSL 76.15, 0.97%, 0.58%

LAB 92.37, -42.94, 83.41

 

CMYK 83 / 6 / 0 / 1

HEX #2CEEFC

RGB 44 238 252

HSL 184.04, 0.97%, 0.58%

LAB 86.36, -39.79, -19.7

 

CMYK 61 / 83 / 0 / 1

HEX #632CFC

RGB 99 44 252

HSL 255.87, 0.97%, 0.58%

LAB 40.38, 71.32, -92.6

 

CMYK 0 / 76 / 83 / 1

HEX #FC3C2B

RGB 252 60 43

HSL 4.88, 0.97%, 0.58%

LAB 56.19, 70.27, 54.24

 

CMYK 47 / 0 / 83 / 1

HEX #86FC2C

RGB 134 252 44

HSL 94.04, 0.97%, 0.58%

LAB 89.33, -64.04, 79.57

 

CMYK 83 / 6 / 0 / 1

HEX #2CEEFC

RGB 44 238 252

HSL 184.04, 0.97%, 0.58%

LAB 86.36, -39.79, -19.7

 

CMYK 36 / 83 / 0 / 1

HEX #A22CFC

RGB 162 44 252

HSL 274.04, 0.97%, 0.58%

LAB 47.64, 78.43, -80.39

 

Description

Color code: HEX #FC3C2B | qconv.com Color code: HEX #FC3C2B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 60 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 60 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from #RRGGBB to Pantone®-number (Pantone 0000)

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to RGB

convert from HKS®-number (HKS 00) to RGB red green blue

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HKS® to HEX

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to HKS®

convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)

Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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