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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC39BA it is the complementary color #03C645. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC39BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC39BA shade: #FF39B5, #FF4BC8, #FF5DDB, #FF6FEE and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC39BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC39BA shade: #FC39BA, #EB27A7, #DA1594, #C90381 and #B8006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC39BA shade: #FC3BBB, #FC3B87, #FC3B53 and #FC3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC39BA shade: #FC3BBB, #FC3BEF, #D53BFC, #A13BFC and #6D3BFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC39BA shade matches the following richer shades: #FC3BBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC39BA shade: #FC3BBB, #EC4BB6, #DC5BB0, #CC6BAB and #BC7BA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC39BA shade: #D53BFC, #FC3BEF, #FC3BBC, #FC3B88 and #FC3B55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC39BA shade: #E10396, #FB12AD, #FC3BBB, #FD64C9 and #FD8CD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC39BA shade: #FC39BA, #FCA23B and #3BFCEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC39BA shade: #FC39BA, #BCFC3B and #3BBCFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC39BA shade: #FC39BA, #FCA23B, #3BFC7B and #3B95FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC39BA shade: #FC39BA, #FCDC3B, #3BFC7B and #3B5BFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 26 / 1

HEX #FC39BA

RGB 252 57 186

HSL 320.31, 0.97%, 0.61%

LAB 59.13, 81.06, -23.77

 

Complementary color

CMYK 98 / 0 / 65 / 22

HEX #03C645

RGB 3 198 69

HSL 140.31, 0.97%, 0.39%

LAB 70.06, -67.22, 51.47

 

CMYK 0 / 78 / 29 / 0

HEX #FF39B5

RGB 255 57 181

HSL 322.42, 1%, 0.61%

LAB 59.45, 81.18, -20.34

 

CMYK 0 / 71 / 22 / 0

HEX #FF4BC8

RGB 255 75 200

HSL 318.33, 1%, 0.65%

LAB 62.05, 78.15, -27.24

 

CMYK 0 / 64 / 14 / 0

HEX #FF5DDB

RGB 255 93 219

HSL 313.33, 1%, 0.68%

LAB 65.12, 74.28, -33.21

 

CMYK 0 / 56 / 7 / 0

HEX #FF6FEE

RGB 255 111 238

HSL 307.08, 1%, 0.72%

LAB 68.61, 69.77, -38.35

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 77 / 26 / 1

HEX #FC39BA

RGB 252 57 186

HSL 320.31, 0.97%, 0.61%

LAB 59.13, 81.06, -23.77

 

CMYK 0 / 83 / 29 / 8

HEX #EB27A7

RGB 235 39 167

HSL 320.82, 0.83%, 0.54%

LAB 53.92, 79.32, -20.96

 

CMYK 0 / 90 / 32 / 15

HEX #DA1594

RGB 218 21 148

HSL 321.32, 0.82%, 0.47%

LAB 48.98, 76.66, -17.51

 

CMYK 0 / 99 / 36 / 21

HEX #C90381

RGB 201 3 129

HSL 321.82, 0.97%, 0.4%

LAB 44.33, 72.98, -13.35

 

CMYK 0 / 100 / 40 / 28

HEX #B8006E

RGB 184 0 110

HSL 324.13, 1%, 0.36%

LAB 40.11, 67.83, -8.24

 

CMYK 0 / 77 / 26 / 1

HEX #FC3BBB

RGB 252 59 187

HSL 320.21, 0.97%, 0.61%

LAB 59.35, 80.65, -24

 

CMYK 0 / 77 / 46 / 1

HEX #FC3B87

RGB 252 59 135

HSL 336.37, 0.97%, 0.61%

LAB 57.63, 75.43, 3.78

 

CMYK 0 / 77 / 67 / 1

HEX #FC3B53

RGB 252 59 83

HSL 352.54, 0.97%, 0.61%

LAB 56.53, 71.99, 32.99

 

CMYK 0 / 77 / 77 / 1

HEX #FC3B3B

RGB 252 59 59

HSL 0, 0.97%, 0.61%

LAB 56.23, 71.02, 46.14

 

CMYK 0 / 77 / 26 / 1

HEX #FC3BBB

RGB 252 59 187

HSL 320.21, 0.97%, 0.61%

LAB 59.35, 80.65, -24

 

CMYK 0 / 77 / 5 / 1

HEX #FC3BEF

RGB 252 59 239

HSL 304.04, 0.97%, 0.61%

LAB 61.7, 87.44, -49.78

 

CMYK 15 / 77 / 0 / 1

HEX #D53BFC

RGB 213 59 252

HSL 287.88, 0.97%, 0.61%

LAB 56.39, 82.17, -65.85

 

CMYK 36 / 77 / 0 / 1

HEX #A13BFC

RGB 161 59 252

HSL 271.71, 0.97%, 0.61%

LAB 49.17, 73.44, -77.89

 

CMYK 57 / 77 / 0 / 1

HEX #6D3BFC

RGB 109 59 252

HSL 255.54, 0.97%, 0.61%

LAB 43.37, 66.32, -87.63

 

CMYK 0 / 77 / 26 / 1

HEX #FC3BBB

RGB 252 59 187

HSL 320.21, 0.97%, 0.61%

LAB 59.35, 80.65, -24

 

CMYK 0 / 77 / 26 / 1

HEX #FC3BBB

RGB 252 59 187

HSL 320.21, 0.97%, 0.61%

LAB 59.35, 80.65, -24

 

CMYK 0 / 68 / 23 / 7

HEX #EC4BB6

RGB 236 75 182

HSL 320.12, 0.81%, 0.61%

LAB 58.27, 71.17, -23.02

 

CMYK 0 / 59 / 20 / 14

HEX #DC5BB0

RGB 220 91 176

HSL 320.47, 0.65%, 0.61%

LAB 57.88, 59.64, -20.37

 

CMYK 0 / 48 / 16 / 20

HEX #CC6BAB

RGB 204 107 171

HSL 320.41, 0.49%, 0.61%

LAB 58.31, 46.43, -17.03

 

CMYK 0 / 35 / 12 / 26

HEX #BC7BA6

RGB 188 123 166

HSL 320.31, 0.33%, 0.61%

LAB 59.54, 31.79, -12.5

 

CMYK 15 / 77 / 0 / 1

HEX #D53BFC

RGB 213 59 252

HSL 287.88, 0.97%, 0.61%

LAB 56.39, 82.17, -65.85

 

CMYK 0 / 77 / 5 / 1

HEX #FC3BEF

RGB 252 59 239

HSL 304.04, 0.97%, 0.61%

LAB 61.7, 87.44, -49.78

 

CMYK 0 / 77 / 25 / 1

HEX #FC3BBC

RGB 252 59 188

HSL 319.9, 0.97%, 0.61%

LAB 59.39, 80.76, -24.52

 

CMYK 0 / 77 / 46 / 1

HEX #FC3B88

RGB 252 59 136

HSL 336.06, 0.97%, 0.61%

LAB 57.66, 75.51, 3.23

 

CMYK 0 / 77 / 66 / 1

HEX #FC3B55

RGB 252 59 85

HSL 351.92, 0.97%, 0.61%

LAB 56.56, 72.09, 31.87

 

CMYK 0 / 99 / 33 / 12

HEX #E10396

RGB 225 3 150

HSL 320.27, 0.97%, 0.45%

LAB 49.83, 79.99, -17.3

 

CMYK 0 / 93 / 31 / 2

HEX #FB12AD

RGB 251 18 173

HSL 320.09, 0.97%, 0.53%

LAB 56.05, 86.36, -20.97

 

CMYK 0 / 77 / 26 / 1

HEX #FC3BBB

RGB 252 59 187

HSL 320.21, 0.97%, 0.61%

LAB 59.35, 80.65, -24

 

CMYK 0 / 60 / 21 / 1

HEX #FD64C9

RGB 253 100 201

HSL 320.39, 0.97%, 0.69%

LAB 65.13, 68.48, -23.11

 

CMYK 0 / 45 / 15 / 1

HEX #FD8CD7

RGB 253 140 215

HSL 320.18, 0.97%, 0.77%

LAB 72.59, 52.13, -19.55

 

CMYK 0 / 77 / 26 / 1

HEX #FC39BA

RGB 252 57 186

HSL 320.31, 0.97%, 0.61%

LAB 59.13, 81.06, -23.77

 

CMYK 0 / 36 / 77 / 1

HEX #FCA23B

RGB 252 162 59

HSL 32.02, 0.97%, 0.61%

LAB 74.09, 25.4, 64.08

 

CMYK 77 / 0 / 5 / 1

HEX #3BFCEF

RGB 59 252 239

HSL 175.96, 0.97%, 0.61%

LAB 90.22, -48.4, -7.12

 

CMYK 0 / 77 / 26 / 1

HEX #FC39BA

RGB 252 57 186

HSL 320.31, 0.97%, 0.61%

LAB 59.13, 81.06, -23.77

 

CMYK 25 / 0 / 77 / 1

HEX #BCFC3B

RGB 188 252 59

HSL 79.9, 0.97%, 0.61%

LAB 91.97, -45.36, 79.02

 

CMYK 77 / 25 / 0 / 1

HEX #3BBCFC

RGB 59 188 252

HSL 199.9, 0.97%, 0.61%

LAB 72.18, -13.82, -41.47

 

CMYK 0 / 77 / 26 / 1

HEX #FC39BA

RGB 252 57 186

HSL 320.31, 0.97%, 0.61%

LAB 59.13, 81.06, -23.77

 

CMYK 0 / 36 / 77 / 1

HEX #FCA23B

RGB 252 162 59

HSL 32.02, 0.97%, 0.61%

LAB 74.09, 25.4, 64.08

 

CMYK 77 / 0 / 51 / 1

HEX #3BFC7B

RGB 59 252 123

HSL 139.9, 0.97%, 0.61%

LAB 87.96, -72.82, 48.36

 

CMYK 77 / 41 / 0 / 1

HEX #3B95FC

RGB 59 149 252

HSL 212.02, 0.97%, 0.61%

LAB 61.18, 8.22, -58.84

 

CMYK 0 / 77 / 26 / 1

HEX #FC39BA

RGB 252 57 186

HSL 320.31, 0.97%, 0.61%

LAB 59.13, 81.06, -23.77

 

CMYK 0 / 13 / 77 / 1

HEX #FCDC3B

RGB 252 220 59

HSL 50.05, 0.97%, 0.61%

LAB 88.06, -4.61, 77.13

 

CMYK 77 / 0 / 51 / 1

HEX #3BFC7B

RGB 59 252 123

HSL 139.9, 0.97%, 0.61%

LAB 87.96, -72.82, 48.36

 

CMYK 77 / 64 / 0 / 1

HEX #3B5BFC

RGB 59 91 252

HSL 230.05, 0.97%, 0.61%

LAB 46.23, 43.86, -83.05

 

Description

Color code: HEX #FC39BA | qconv.com Color code: HEX #FC39BA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 57 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 57 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 26 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 26% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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