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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC3371 it is the complementary color #03CC8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC3371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC3371 shade: #FF336C, #FF457F, #FF5792, #FF69A5 and #FF7BB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC3371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC3371 shade: #FC3371, #EB215E, #DA0F4B, #C90038 and #B80025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC3371 shade: #FC3170, #FC3139 and #FC3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC3371 shade: #FC3170, #FC31A6, #FC31DD, #E431FC and #AD31FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC3371 shade matches the following richer shades: #FC3170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC3371 shade: #FC3170, #EB4276, #DA537D, #C96483 and #B8758A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC3371 shade: #FC31DD, #FC31A7, #FC3171, #FC313B and #FC5D31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC3371 shade: #D70345, #FB0853, #FC3170, #FC5A8C and #FD82A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC3371 shade: #FC3371, #FCE431 and #31C2FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC3371 shade: #FC3371, #71FC31 and #3171FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC3371 shade: #FC3371, #FCE431, #31FCBC and #3149FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC3371 shade: #FC3371, #D7FC31, #31FCBC and #5631FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 55 / 1

HEX #FC3371

RGB 252 51 113

HSL 341.49, 0.97%, 0.59%

LAB 56.34, 75.87, 15.03

 

Complementary color

CMYK 99 / 0 / 30 / 20

HEX #03CC8E

RGB 3 204 142

HSL 161.49, 0.97%, 0.41%

LAB 73, -56.91, 19.22

 

CMYK 0 / 80 / 58 / 0

HEX #FF336C

RGB 255 51 108

HSL 343.24, 1%, 0.6%

LAB 56.79, 76.32, 18.71

 

CMYK 0 / 73 / 50 / 0

HEX #FF457F

RGB 255 69 127

HSL 341.29, 1%, 0.64%

LAB 59.02, 72.59, 10.56

 

CMYK 0 / 66 / 43 / 0

HEX #FF5792

RGB 255 87 146

HSL 338.93, 1%, 0.67%

LAB 61.78, 67.91, 3.41

 

CMYK 0 / 59 / 35 / 0

HEX #FF69A5

RGB 255 105 165

HSL 336, 1%, 0.71%

LAB 65.03, 62.51, -2.79

 

CMYK 0 / 52 / 28 / 0

HEX #FF7BB8

RGB 255 123 184

HSL 332.27, 1%, 0.74%

LAB 68.67, 56.63, -8.17

 

CMYK 0 / 80 / 55 / 1

HEX #FC3371

RGB 252 51 113

HSL 341.49, 0.97%, 0.59%

LAB 56.34, 75.87, 15.03

 

CMYK 0 / 86 / 60 / 8

HEX #EB215E

RGB 235 33 94

HSL 341.88, 0.83%, 0.53%

LAB 51.33, 74.27, 19.09

 

CMYK 0 / 93 / 66 / 15

HEX #DA0F4B

RGB 218 15 75

HSL 342.27, 0.87%, 0.46%

LAB 46.65, 71.72, 23.91

 

CMYK 0 / 100 / 72 / 21

HEX #C90038

RGB 201 0 56

HSL 343.28, 1%, 0.39%

LAB 42.31, 68.16, 29.47

 

CMYK 0 / 100 / 80 / 28

HEX #B80025

RGB 184 0 37

HSL 347.93, 1%, 0.36%

LAB 38.42, 63.34, 35.62

 

CMYK 0 / 81 / 56 / 1

HEX #FC3170

RGB 252 49 112

HSL 341.38, 0.97%, 0.59%

LAB 56.15, 76.29, 15.36

 

CMYK 0 / 81 / 77 / 1

HEX #FC3139

RGB 252 49 57

HSL 357.64, 0.97%, 0.59%

LAB 55.26, 73.61, 46.2

 

CMYK 0 / 81 / 81 / 1

HEX #FC3131

RGB 252 49 49

HSL 0, 0.97%, 0.59%

LAB 55.19, 73.37, 50.35

 

CMYK 0 / 81 / 56 / 1

HEX #FC3170

RGB 252 49 112

HSL 341.38, 0.97%, 0.59%

LAB 56.15, 76.29, 15.36

 

CMYK 0 / 81 / 34 / 1

HEX #FC31A6

RGB 252 49 166

HSL 325.42, 0.97%, 0.59%

LAB 57.7, 80.85, -14.35

 

CMYK 0 / 81 / 12 / 1

HEX #FC31DD

RGB 252 49 221

HSL 309.16, 0.97%, 0.59%

LAB 59.99, 87.32, -42.39

 

CMYK 10 / 81 / 0 / 1

HEX #E431FC

RGB 228 49 252

HSL 292.91, 0.97%, 0.59%

LAB 57.77, 87.44, -63.51

 

CMYK 31 / 81 / 0 / 1

HEX #AD31FC

RGB 173 49 252

HSL 276.65, 0.97%, 0.59%

LAB 49.63, 78.56, -77.08

 

CMYK 0 / 81 / 56 / 1

HEX #FC3170

RGB 252 49 112

HSL 341.38, 0.97%, 0.59%

LAB 56.15, 76.29, 15.36

 

CMYK 0 / 81 / 56 / 1

HEX #FC3170

RGB 252 49 112

HSL 341.38, 0.97%, 0.59%

LAB 56.15, 76.29, 15.36

 

CMYK 0 / 72 / 50 / 8

HEX #EB4276

RGB 235 66 118

HSL 341.54, 0.81%, 0.59%

LAB 54.93, 67.31, 9.62

 

CMYK 0 / 62 / 43 / 15

HEX #DA537D

RGB 218 83 125

HSL 341.33, 0.65%, 0.59%

LAB 54.63, 56.35, 4.63

 

CMYK 0 / 50 / 35 / 21

HEX #C96483

RGB 201 100 131

HSL 341.58, 0.48%, 0.59%

LAB 55.25, 43.4, 1.66

 

CMYK 0 / 36 / 25 / 28

HEX #B8758A

RGB 184 117 138

HSL 341.19, 0.32%, 0.59%

LAB 56.83, 29.2, -0.4

 

CMYK 0 / 81 / 12 / 1

HEX #FC31DD

RGB 252 49 221

HSL 309.16, 0.97%, 0.59%

LAB 59.99, 87.32, -42.39

 

CMYK 0 / 81 / 34 / 1

HEX #FC31A7

RGB 252 49 167

HSL 325.12, 0.97%, 0.59%

LAB 57.73, 80.96, -14.88

 

CMYK 0 / 81 / 55 / 1

HEX #FC3171

RGB 252 49 113

HSL 341.08, 0.97%, 0.59%

LAB 56.17, 76.36, 14.79

 

CMYK 0 / 81 / 77 / 1

HEX #FC313B

RGB 252 49 59

HSL 357.04, 0.97%, 0.59%

LAB 55.29, 73.67, 45.14

 

CMYK 0 / 63 / 81 / 1

HEX #FC5D31

RGB 252 93 49

HSL 13, 0.97%, 0.59%

LAB 60.56, 58.59, 55.45

 

CMYK 0 / 99 / 68 / 16

HEX #D70345

RGB 215 3 69

HSL 341.32, 0.97%, 0.43%

LAB 45.55, 71.79, 26.09

 

CMYK 0 / 97 / 67 / 2

HEX #FB0853

RGB 251 8 83

HSL 341.48, 0.97%, 0.51%

LAB 53.28, 80.47, 28.88

 

CMYK 0 / 81 / 56 / 1

HEX #FC3170

RGB 252 49 112

HSL 341.38, 0.97%, 0.59%

LAB 56.15, 76.29, 15.36

 

CMYK 0 / 64 / 44 / 1

HEX #FC5A8C

RGB 252 90 140

HSL 341.48, 0.96%, 0.67%

LAB 61.57, 65.3, 6.52

 

CMYK 0 / 49 / 34 / 1

HEX #FD82A8

RGB 253 130 168

HSL 341.46, 0.97%, 0.75%

LAB 69.24, 50.66, 1.63

 

CMYK 0 / 80 / 55 / 1

HEX #FC3371

RGB 252 51 113

HSL 341.49, 0.97%, 0.59%

LAB 56.34, 75.87, 15.03

 

CMYK 0 / 10 / 81 / 1

HEX #FCE431

RGB 252 228 49

HSL 52.91, 0.97%, 0.59%

LAB 90.05, -8.94, 81.78

 

CMYK 81 / 23 / 0 / 1

HEX #31C2FC

RGB 49 194 252

HSL 197.14, 0.97%, 0.59%

LAB 73.72, -17.95, -39.08

 

CMYK 0 / 80 / 55 / 1

HEX #FC3371

RGB 252 51 113

HSL 341.49, 0.97%, 0.59%

LAB 56.34, 75.87, 15.03

 

CMYK 55 / 0 / 81 / 1

HEX #71FC31

RGB 113 252 49

HSL 101.08, 0.97%, 0.59%

LAB 88.62, -69.57, 77.44

 

CMYK 81 / 55 / 0 / 1

HEX #3171FC

RGB 49 113 252

HSL 221.08, 0.97%, 0.59%

LAB 51.26, 29.35, -74.85

 

CMYK 0 / 80 / 55 / 1

HEX #FC3371

RGB 252 51 113

HSL 341.49, 0.97%, 0.59%

LAB 56.34, 75.87, 15.03

 

CMYK 0 / 10 / 81 / 1

HEX #FCE431

RGB 252 228 49

HSL 52.91, 0.97%, 0.59%

LAB 90.05, -8.94, 81.78

 

CMYK 81 / 0 / 25 / 1

HEX #31FCBC

RGB 49 252 188

HSL 161.08, 0.97%, 0.59%

LAB 88.88, -61.92, 17.35

 

CMYK 81 / 71 / 0 / 1

HEX #3149FC

RGB 49 73 252

HSL 232.91, 0.97%, 0.59%

LAB 41.92, 53.68, -90.16

 

CMYK 0 / 80 / 55 / 1

HEX #FC3371

RGB 252 51 113

HSL 341.49, 0.97%, 0.59%

LAB 56.34, 75.87, 15.03

 

CMYK 15 / 0 / 81 / 1

HEX #D7FC31

RGB 215 252 49

HSL 70.94, 0.97%, 0.59%

LAB 93.58, -35.46, 83.75

 

CMYK 81 / 0 / 25 / 1

HEX #31FCBC

RGB 49 252 188

HSL 161.08, 0.97%, 0.59%

LAB 88.88, -61.92, 17.35

 

CMYK 66 / 81 / 0 / 1

HEX #5631FC

RGB 86 49 252

HSL 250.94, 0.97%, 0.59%

LAB 39.92, 68.3, -93.39

 

Description

Color code: HEX #FC3371 | qconv.com Color code: HEX #FC3371 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 51 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 51 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 55 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 55% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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