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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC2D3E it is the complementary color #03D2C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC2D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC2D3E shade: #FF2D39, #FF3F4C, #FF515F, #FF6372 and #FF7585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC2D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC2D3E shade: #FC2D3E, #EB1B2B, #DA0918, #C90005 and #B80000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC2D3E shade: #FC2C3D and #FC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC2D3E shade: #FC2C3D, #FC2C75, #FC2CAD, #FC2CE5 and #DA2CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC2D3E shade matches the following richer shades: #FC2C3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC2D3E shade: #FC2C3D, #EA3D4C, #D94F5A, #C86069 and #B67177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC2D3E shade: #FC2CAC, #FC2C75, #FC2C3D, #FC522C and #FC8A2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC2D3E shade: #D20314, #FB0418, #FC2C3D, #FC5562 and #FD7D88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC2D3E shade: #FC2D3E, #E4FC2C and #2C90FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC2D3E shade: #FC2D3E, #3DFC2C and #2C3DFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC2D3E shade: #FC2D3E, #E4FC2C, #2CFCEA and #442CFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC2D3E shade: #FC2D3E, #A5FC2C, #2CFCEA and #832CFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 75 / 1

HEX #FC2D3E

RGB 252 45 62

HSL 355.07, 0.97%, 0.58%

LAB 54.99, 74.7, 43.16

 

Complementary color

CMYK 99 / 0 / 8 / 18

HEX #03D2C1

RGB 3 210 193

HSL 175.07, 0.97%, 0.42%

LAB 76.05, -46.36, -3.77

 

CMYK 0 / 82 / 78 / 0

HEX #FF2D39

RGB 255 45 57

HSL 356.57, 1%, 0.59%

LAB 55.51, 75.34, 46.64

 

CMYK 0 / 75 / 70 / 0

HEX #FF3F4C

RGB 255 63 76

HSL 355.94, 1%, 0.62%

LAB 57.4, 71.34, 38.19

 

CMYK 0 / 68 / 63 / 0

HEX #FF515F

RGB 255 81 95

HSL 355.17, 1%, 0.66%

LAB 59.86, 66.27, 30.36

 

CMYK 0 / 61 / 55 / 0

HEX #FF6372

RGB 255 99 114

HSL 354.23, 1%, 0.69%

LAB 62.84, 60.37, 23.37

 

CMYK 0 / 54 / 48 / 0

HEX #FF7585

RGB 255 117 133

HSL 353.04, 1%, 0.73%

LAB 66.27, 53.89, 17.22

 

CMYK 0 / 82 / 75 / 1

HEX #FC2D3E

RGB 252 45 62

HSL 355.07, 0.97%, 0.58%

LAB 54.99, 74.7, 43.16

 

CMYK 0 / 89 / 82 / 8

HEX #EB1B2B

RGB 235 27 43

HSL 355.38, 0.84%, 0.51%

LAB 50.24, 73.17, 47.55

 

CMYK 0 / 96 / 89 / 15

HEX #DA0918

RGB 218 9 24

HSL 355.69, 0.92%, 0.45%

LAB 45.86, 70.64, 51.74

 

CMYK 0 / 100 / 98 / 21

HEX #C90005

RGB 201 0 5

HSL 358.51, 1%, 0.39%

LAB 41.89, 67.01, 54.43

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 83 / 76 / 1

HEX #FC2C3D

RGB 252 44 61

HSL 355.1, 0.97%, 0.58%

LAB 54.9, 74.89, 43.62

 

CMYK 0 / 83 / 83 / 1

HEX #FC2C2C

RGB 252 44 44

HSL 0, 0.97%, 0.58%

LAB 54.74, 74.41, 52.45

 

CMYK 0 / 83 / 76 / 1

HEX #FC2C3D

RGB 252 44 61

HSL 355.1, 0.97%, 0.58%

LAB 54.9, 74.89, 43.62

 

CMYK 0 / 83 / 54 / 1

HEX #FC2C75

RGB 252 44 117

HSL 338.94, 0.97%, 0.58%

LAB 55.87, 77.76, 11.98

 

CMYK 0 / 83 / 31 / 1

HEX #FC2CAD

RGB 252 44 173

HSL 322.79, 0.97%, 0.58%

LAB 57.57, 82.67, -18.62

 

CMYK 0 / 83 / 9 / 1

HEX #FC2CE5

RGB 252 44 229

HSL 306.63, 0.97%, 0.58%

LAB 60.03, 89.43, -46.84

 

CMYK 13 / 83 / 0 / 1

HEX #DA2CFC

RGB 218 44 252

HSL 290.19, 0.97%, 0.58%

LAB 55.82, 86.89, -66.73

 

CMYK 0 / 83 / 76 / 1

HEX #FC2C3D

RGB 252 44 61

HSL 355.1, 0.97%, 0.58%

LAB 54.9, 74.89, 43.62

 

CMYK 0 / 83 / 76 / 1

HEX #FC2C3D

RGB 252 44 61

HSL 355.1, 0.97%, 0.58%

LAB 54.9, 74.89, 43.62

 

CMYK 0 / 74 / 68 / 8

HEX #EA3D4C

RGB 234 61 76

HSL 354.8, 0.8%, 0.58%

LAB 53.33, 65.92, 32.37

 

CMYK 0 / 64 / 59 / 15

HEX #D94F5A

RGB 217 79 90

HSL 355.22, 0.64%, 0.58%

LAB 53.04, 54.75, 23.17

 

CMYK 0 / 52 / 48 / 22

HEX #C86069

RGB 200 96 105

HSL 354.81, 0.49%, 0.58%

LAB 53.67, 42.21, 14.72

 

CMYK 0 / 38 / 35 / 29

HEX #B67177

RGB 182 113 119

HSL 354.78, 0.32%, 0.58%

LAB 55.16, 28.03, 8.24

 

CMYK 0 / 83 / 32 / 1

HEX #FC2CAC

RGB 252 44 172

HSL 323.08, 0.97%, 0.58%

LAB 57.54, 82.56, -18.1

 

CMYK 0 / 83 / 54 / 1

HEX #FC2C75

RGB 252 44 117

HSL 338.94, 0.97%, 0.58%

LAB 55.87, 77.76, 11.98

 

CMYK 0 / 83 / 76 / 1

HEX #FC2C3D

RGB 252 44 61

HSL 355.1, 0.97%, 0.58%

LAB 54.9, 74.89, 43.62

 

CMYK 0 / 67 / 83 / 1

HEX #FC522C

RGB 252 82 44

HSL 10.96, 0.97%, 0.58%

LAB 58.89, 62.85, 56.2

 

CMYK 0 / 45 / 83 / 1

HEX #FC8A2C

RGB 252 138 44

HSL 27.12, 0.97%, 0.58%

LAB 68.79, 37.31, 64.93

 

CMYK 0 / 99 / 90 / 18

HEX #D20314

RGB 210 3 20

HSL 355.07, 0.97%, 0.42%

LAB 43.97, 69.12, 51.34

 

CMYK 0 / 98 / 90 / 2

HEX #FB0418

RGB 251 4 24

HSL 355.14, 0.97%, 0.5%

LAB 52.58, 79.08, 59.6

 

CMYK 0 / 83 / 76 / 1

HEX #FC2C3D

RGB 252 44 61

HSL 355.1, 0.97%, 0.58%

LAB 54.9, 74.89, 43.62

 

CMYK 0 / 66 / 61 / 1

HEX #FC5562

RGB 252 85 98

HSL 355.33, 0.97%, 0.66%

LAB 59.96, 64.02, 28.66

 

CMYK 0 / 51 / 46 / 1

HEX #FD7D88

RGB 253 125 136

HSL 354.84, 0.97%, 0.74%

LAB 67.52, 49.68, 17.21

 

CMYK 0 / 82 / 75 / 1

HEX #FC2D3E

RGB 252 45 62

HSL 355.07, 0.97%, 0.58%

LAB 54.99, 74.7, 43.16

 

CMYK 10 / 0 / 83 / 1

HEX #E4FC2C

RGB 228 252 44

HSL 66.92, 0.97%, 0.58%

LAB 94.44, -30.47, 85.99

 

CMYK 83 / 43 / 0 / 1

HEX #2C90FC

RGB 44 144 252

HSL 211.15, 0.97%, 0.58%

LAB 59.44, 9.8, -61.64

 

CMYK 0 / 82 / 75 / 1

HEX #FC2D3E

RGB 252 45 62

HSL 355.07, 0.97%, 0.58%

LAB 54.99, 74.7, 43.16

 

CMYK 76 / 0 / 83 / 1

HEX #3DFC2C

RGB 61 252 44

HSL 115.1, 0.97%, 0.58%

LAB 87.39, -79.92, 77.1

 

CMYK 83 / 76 / 0 / 1

HEX #2C3DFC

RGB 44 61 252

HSL 235.1, 0.97%, 0.58%

LAB 39.41, 59.92, -94.31

 

CMYK 0 / 82 / 75 / 1

HEX #FC2D3E

RGB 252 45 62

HSL 355.07, 0.97%, 0.58%

LAB 54.99, 74.7, 43.16

 

CMYK 10 / 0 / 83 / 1

HEX #E4FC2C

RGB 228 252 44

HSL 66.92, 0.97%, 0.58%

LAB 94.44, -30.47, 85.99

 

CMYK 83 / 0 / 7 / 1

HEX #2CFCEA

RGB 44 252 234

HSL 174.81, 0.97%, 0.58%

LAB 89.9, -50.98, -5

 

CMYK 73 / 83 / 0 / 1

HEX #442CFC

RGB 68 44 252

HSL 246.92, 0.97%, 0.58%

LAB 37.95, 69.04, -96.7

 

CMYK 0 / 82 / 75 / 1

HEX #FC2D3E

RGB 252 45 62

HSL 355.07, 0.97%, 0.58%

LAB 54.99, 74.7, 43.16

 

CMYK 35 / 0 / 83 / 1

HEX #A5FC2C

RGB 165 252 44

HSL 85.1, 0.97%, 0.58%

LAB 90.69, -54.15, 81.29

 

CMYK 83 / 0 / 7 / 1

HEX #2CFCEA

RGB 44 252 234

HSL 174.81, 0.97%, 0.58%

LAB 89.9, -50.98, -5

 

CMYK 48 / 83 / 0 / 1

HEX #832CFC

RGB 131 44 252

HSL 265.1, 0.97%, 0.58%

LAB 43.73, 74.55, -86.95

 

Description

Color code: HEX #FC2D3E | qconv.com Color code: HEX #FC2D3E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 45 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 45 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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