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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC0DEC it is the complementary color #03F213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC0DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC0DEC shade: #FF0DE7, #FF1FFA, #FF31FF, #FF43FF and #FF55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC0DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC0DEC shade: #FC0DEC, #EB00D9, #DA00C6, #C900B3 and #B800A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC0DEC shade: #FD0DEC, #FD0DAC, #FD0D6B, #FD0D2A and #FD0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC0DEC shade: #FD0DEC, #CC0DFD, #8B0DFD, #4B0DFD and #0D0DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC0DEC shade matches the following richer shades: #FD0DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC0DEC shade: #FD0DEC, #E920DB, #D534CA, #C148B9 and #AD5CA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC0DEC shade: #8D0DFD, #CD0DFD, #FD0DED, #FD0DAD and #FD0D6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC0DEC shade: #B502A9, #DE02CF, #FD0DEC, #FD35F0 and #FD5EF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC0DEC shade: #FC0DEC, #FD4D0D and #0DFDAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC0DEC shade: #FC0DEC, #EDFD0D and #0DEDFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC0DEC shade: #FC0DEC, #FD4D0D, #0DFD1D and #0DBDFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC0DEC shade: #FC0DEC, #FD950D, #0DFD1D and #0D75FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 6 / 1

HEX #FC0DEC

RGB 252 13 236

HSL 304.02, 0.98%, 0.52%

LAB 59.01, 94.41, -52.38

 

Complementary color

CMYK 99 / 0 / 92 / 5

HEX #03F213

RGB 3 242 19

HSL 124.02, 0.98%, 0.48%

LAB 83.74, -82.42, 78.25

 

CMYK 0 / 95 / 9 / 0

HEX #FF0DE7

RGB 255 13 231

HSL 305.95, 1%, 0.53%

LAB 59.27, 94.26, -49.13

 

CMYK 0 / 88 / 2 / 0

HEX #FF1FFA

RGB 255 31 250

HSL 301.34, 1%, 0.56%

LAB 60.91, 94.99, -57.13

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 95 / 6 / 1

HEX #FC0DEC

RGB 252 13 236

HSL 304.02, 0.98%, 0.52%

LAB 59.01, 94.41, -52.38

 

CMYK 0 / 100 / 8 / 8

HEX #EB00D9

RGB 235 0 217

HSL 304.6, 1%, 0.46%

LAB 54.73, 89.9, -48.63

 

CMYK 0 / 100 / 9 / 15

HEX #DA00C6

RGB 218 0 198

HSL 305.5, 1%, 0.43%

LAB 50.67, 84.53, -44.37

 

CMYK 0 / 100 / 11 / 21

HEX #C900B3

RGB 201 0 179

HSL 306.57, 1%, 0.39%

LAB 46.54, 79.07, -40

 

CMYK 0 / 100 / 13 / 28

HEX #B800A0

RGB 184 0 160

HSL 307.83, 1%, 0.36%

LAB 42.35, 73.53, -35.53

 

CMYK 0 / 95 / 7 / 1

HEX #FD0DEC

RGB 253 13 236

HSL 304.25, 0.98%, 0.52%

LAB 59.18, 94.58, -52.09

 

CMYK 0 / 95 / 32 / 1

HEX #FD0DAC

RGB 253 13 172

HSL 320.25, 0.98%, 0.52%

LAB 56.24, 87.08, -20.06

 

CMYK 0 / 95 / 58 / 1

HEX #FD0D6B

RGB 253 13 107

HSL 336.5, 0.98%, 0.52%

LAB 54.27, 81.85, 15.8

 

CMYK 0 / 95 / 83 / 1

HEX #FD0D2A

RGB 253 13 42

HSL 352.75, 0.98%, 0.52%

LAB 53.32, 79.23, 52.24

 

CMYK 0 / 95 / 95 / 1

HEX #FD0D0D

RGB 253 13 13

HSL 0, 0.98%, 0.52%

LAB 53.17, 78.81, 63.76

 

CMYK 0 / 95 / 7 / 1

HEX #FD0DEC

RGB 253 13 236

HSL 304.25, 0.98%, 0.52%

LAB 59.18, 94.58, -52.09

 

CMYK 19 / 95 / 0 / 1

HEX #CC0DFD

RGB 204 13 253

HSL 287.75, 0.98%, 0.52%

LAB 52.08, 89.71, -73.44

 

CMYK 45 / 95 / 0 / 1

HEX #8B0DFD

RGB 139 13 253

HSL 271.5, 0.98%, 0.52%

LAB 42.56, 82.31, -89.4

 

CMYK 70 / 95 / 0 / 1

HEX #4B0DFD

RGB 75 13 253

HSL 255.5, 0.98%, 0.52%

LAB 35.74, 78.16, -100.92

 

CMYK 95 / 95 / 0 / 1

HEX #0D0DFD

RGB 13 13 253

HSL 240, 0.98%, 0.52%

LAB 32.84, 76.81, -105.83

 

CMYK 0 / 95 / 7 / 1

HEX #FD0DEC

RGB 253 13 236

HSL 304.25, 0.98%, 0.52%

LAB 59.18, 94.58, -52.09

 

CMYK 0 / 95 / 7 / 1

HEX #FD0DEC

RGB 253 13 236

HSL 304.25, 0.98%, 0.52%

LAB 59.18, 94.58, -52.09

 

CMYK 0 / 86 / 6 / 9

HEX #E920DB

RGB 233 32 219

HSL 304.18, 0.82%, 0.52%

LAB 55.55, 86.7, -48.48

 

CMYK 0 / 76 / 5 / 16

HEX #D534CA

RGB 213 52 202

HSL 304.1, 0.66%, 0.52%

LAB 52.8, 76.02, -43.34

 

CMYK 0 / 63 / 4 / 24

HEX #C148B9

RGB 193 72 185

HSL 303.97, 0.49%, 0.52%

LAB 51.24, 61.84, -36.2

 

CMYK 0 / 47 / 3 / 32

HEX #AD5CA8

RGB 173 92 168

HSL 303.7, 0.33%, 0.52%

LAB 51.11, 43.92, -26.69

 

CMYK 44 / 95 / 0 / 1

HEX #8D0DFD

RGB 141 13 253

HSL 272, 0.98%, 0.52%

LAB 42.83, 82.49, -88.96

 

CMYK 19 / 95 / 0 / 1

HEX #CD0DFD

RGB 205 13 253

HSL 288, 0.98%, 0.52%

LAB 52.24, 89.85, -73.18

 

CMYK 0 / 95 / 6 / 1

HEX #FD0DED

RGB 253 13 237

HSL 304, 0.98%, 0.52%

LAB 59.24, 94.71, -52.57

 

CMYK 0 / 95 / 32 / 1

HEX #FD0DAD

RGB 253 13 173

HSL 320, 0.98%, 0.52%

LAB 56.28, 87.18, -20.59

 

CMYK 0 / 95 / 57 / 1

HEX #FD0D6D

RGB 253 13 109

HSL 336, 0.98%, 0.52%

LAB 54.32, 81.97, 14.65

 

CMYK 0 / 99 / 7 / 29

HEX #B502A9

RGB 181 2 169

HSL 304.02, 0.98%, 0.36%

LAB 42.36, 74.03, -40.95

 

CMYK 0 / 99 / 7 / 13

HEX #DE02CF

RGB 222 2 207

HSL 304.09, 0.98%, 0.44%

LAB 51.93, 86.26, -47.51

 

CMYK 0 / 95 / 7 / 1

HEX #FD0DEC

RGB 253 13 236

HSL 304.25, 0.98%, 0.52%

LAB 59.18, 94.58, -52.09

 

CMYK 0 / 79 / 5 / 1

HEX #FD35F0

RGB 253 53 240

HSL 303.9, 0.98%, 0.6%

LAB 61.41, 89.23, -50.79

 

CMYK 0 / 63 / 4 / 1

HEX #FD5EF3

RGB 253 94 243

HSL 303.77, 0.98%, 0.68%

LAB 66.03, 76.99, -45.17

 

CMYK 0 / 95 / 6 / 1

HEX #FC0DEC

RGB 252 13 236

HSL 304.02, 0.98%, 0.52%

LAB 59.01, 94.41, -52.38

 

CMYK 0 / 70 / 95 / 1

HEX #FD4D0D

RGB 253 77 13

HSL 16, 0.98%, 0.52%

LAB 58.24, 64.51, 66.53

 

CMYK 95 / 0 / 32 / 1

HEX #0DFDAD

RGB 13 253 173

HSL 160, 0.98%, 0.52%

LAB 88.62, -67.59, 24.61

 

CMYK 0 / 95 / 6 / 1

HEX #FC0DEC

RGB 252 13 236

HSL 304.02, 0.98%, 0.52%

LAB 59.01, 94.41, -52.38

 

CMYK 6 / 0 / 95 / 1

HEX #EDFD0D

RGB 237 253 13

HSL 64, 0.98%, 0.52%

LAB 95.28, -27.86, 91.58

 

CMYK 95 / 6 / 0 / 1

HEX #0DEDFD

RGB 13 237 253

HSL 184, 0.98%, 0.52%

LAB 85.88, -40.47, -20.97

 

CMYK 0 / 95 / 6 / 1

HEX #FC0DEC

RGB 252 13 236

HSL 304.02, 0.98%, 0.52%

LAB 59.01, 94.41, -52.38

 

CMYK 0 / 70 / 95 / 1

HEX #FD4D0D

RGB 253 77 13

HSL 16, 0.98%, 0.52%

LAB 58.24, 64.51, 66.53

 

CMYK 95 / 0 / 89 / 1

HEX #0DFD1D

RGB 13 253 29

HSL 124, 0.98%, 0.52%

LAB 87.2, -84.72, 79.75

 

CMYK 95 / 25 / 0 / 1

HEX #0DBDFD

RGB 13 189 253

HSL 196, 0.98%, 0.52%

LAB 71.94, -16.98, -42.42

 

CMYK 0 / 95 / 6 / 1

HEX #FC0DEC

RGB 252 13 236

HSL 304.02, 0.98%, 0.52%

LAB 59.01, 94.41, -52.38

 

CMYK 0 / 41 / 95 / 1

HEX #FD950D

RGB 253 149 13

HSL 34, 0.98%, 0.52%

LAB 71.15, 31.52, 74.75

 

CMYK 95 / 0 / 89 / 1

HEX #0DFD1D

RGB 13 253 29

HSL 124, 0.98%, 0.52%

LAB 87.2, -84.72, 79.75

 

CMYK 95 / 54 / 0 / 1

HEX #0D75FD

RGB 13 117 253

HSL 214, 0.98%, 0.52%

LAB 51.72, 25.24, -74.67

 

Description

Color code: HEX #FC0DEC | qconv.com Color code: HEX #FC0DEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 13 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 13 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 6 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 6% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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