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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBFF3E it is the complementary color #0400C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBFF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBFF3E shade: #FFFF39, #FFFF4C, #FFFF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBFF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBFF3E shade: #FBFF3E, #EAED2B, #D9DB18, #C8C905 and #B7B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBFF3E shade: #FBFF3D, #FFCF3D, #FF9A3D, #FF663D and #FF3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBFF3E shade: #FBFF3D, #C7FF3D, #92FF3D, #5EFF3D and #3DFF50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBFF3E shade matches the following richer shades: #FBFF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBFF3E shade: #FBFF3D, #ECEF4D, #DDE05D, #CED06C and #BFC07C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBFF3E shade: #FF9B3D, #FFCF3D, #FCFF3D, #C8FF3D and #94FF3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBFF3E shade: #E5EA00, #FAFF14, #FBFF3D, #FCFF66 and #FDFF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBFF3E shade: #FBFF3E, #3DFF67 and #B53DFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBFF3E shade: #FBFF3E, #3DFCFF and #FF3DFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBFF3E shade: #FBFF3E, #3DFF67, #403DFF and #FF3DD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBFF3E shade: #FBFF3E, #3DFFA1, #403DFF and #FF3D9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 76 / 0

HEX #FBFF3E

RGB 251 255 62

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.04, 84.29

 

Complementary color

CMYK 98 / 100 / 0 / 24

HEX #0400C1

RGB 4 0 193

HSL 241.24, 1%, 0.38%

LAB 23.26, 64.25, -87.32

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3E

RGB 251 255 62

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.04, 84.29

 

CMYK 1 / 0 / 82 / 7

HEX #EAED2B

RGB 234 237 43

HSL 60.93, 0.84%, 0.55%

LAB 90.89, -20.99, 83.39

 

CMYK 1 / 0 / 89 / 14

HEX #D9DB18

RGB 217 219 24

HSL 60.62, 0.8%, 0.48%

LAB 84.73, -19.78, 81.52

 

CMYK 0 / 0 / 98 / 21

HEX #C8C905

RGB 200 201 5

HSL 60.31, 0.95%, 0.4%

LAB 78.5, -18.4, 78.4

 

CMYK 0 / 0 / 100 / 28

HEX #B7B700

RGB 183 183 0

HSL 60, 1%, 0.36%

LAB 72.18, -16.8, 73.64

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3D

RGB 251 255 61

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.07, 84.57

 

CMYK 0 / 19 / 76 / 0

HEX #FFCF3D

RGB 255 207 61

HSL 45.15, 1%, 0.62%

LAB 85.11, 3.33, 73.86

 

CMYK 0 / 40 / 76 / 0

HEX #FF9A3D

RGB 255 154 61

HSL 28.76, 1%, 0.62%

LAB 72.7, 30.86, 62.05

 

CMYK 0 / 60 / 76 / 0

HEX #FF663D

RGB 255 102 61

HSL 12.68, 1%, 0.62%

LAB 62.59, 56.16, 51.91

 

CMYK 0 / 76 / 76 / 0

HEX #FF3D3D

RGB 255 61 61

HSL 0, 1%, 0.62%

LAB 57.01, 71.35, 46.06

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3D

RGB 251 255 61

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.07, 84.57

 

CMYK 22 / 0 / 76 / 0

HEX #C7FF3D

RGB 199 255 61

HSL 77.32, 1%, 0.62%

LAB 93.45, -42.48, 80.05

 

CMYK 43 / 0 / 76 / 0

HEX #92FF3D

RGB 146 255 61

HSL 93.71, 1%, 0.62%

LAB 90.77, -60.76, 76.57

 

CMYK 63 / 0 / 76 / 0

HEX #5EFF3D

RGB 94 255 61

HSL 109.79, 1%, 0.62%

LAB 89.03, -74.27, 74.31

 

CMYK 76 / 0 / 69 / 0

HEX #3DFF50

RGB 61 255 80

HSL 125.88, 1%, 0.62%

LAB 88.49, -78.43, 67.16

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3D

RGB 251 255 61

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.07, 84.57

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3D

RGB 251 255 61

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.07, 84.57

 

CMYK 1 / 0 / 68 / 6

HEX #ECEF4D

RGB 236 239 77

HSL 61.11, 0.84%, 0.62%

LAB 91.73, -19.81, 74.06

 

CMYK 1 / 0 / 58 / 12

HEX #DDE05D

RGB 221 224 93

HSL 61.37, 0.68%, 0.62%

LAB 86.74, -17.64, 62.16

 

CMYK 1 / 0 / 48 / 18

HEX #CED06C

RGB 206 208 108

HSL 61.2, 0.52%, 0.62%

LAB 81.47, -14.56, 49

 

CMYK 1 / 0 / 35 / 25

HEX #BFC07C

RGB 191 192 124

HSL 60.88, 0.35%, 0.62%

LAB 76.21, -10.75, 34.2

 

CMYK 0 / 39 / 76 / 0

HEX #FF9B3D

RGB 255 155 61

HSL 29.07, 1%, 0.62%

LAB 72.92, 30.35, 62.26

 

CMYK 0 / 19 / 76 / 0

HEX #FFCF3D

RGB 255 207 61

HSL 45.15, 1%, 0.62%

LAB 85.11, 3.33, 73.86

 

CMYK 1 / 0 / 76 / 0

HEX #FCFF3D

RGB 252 255 61

HSL 60.93, 1%, 0.62%

LAB 97.05, -21.67, 84.67

 

CMYK 22 / 0 / 76 / 0

HEX #C8FF3D

RGB 200 255 61

HSL 77.01, 1%, 0.62%

LAB 93.51, -42.1, 80.13

 

CMYK 42 / 0 / 76 / 0

HEX #94FF3D

RGB 148 255 61

HSL 93.09, 1%, 0.62%

LAB 90.85, -60.15, 76.68

 

CMYK 2 / 0 / 100 / 8

HEX #E5EA00

RGB 229 234 0

HSL 61.28, 1%, 0.46%

LAB 89.63, -22.28, 88.08

 

CMYK 2 / 0 / 92 / 0

HEX #FAFF14

RGB 250 255 20

HSL 61.28, 1%, 0.54%

LAB 96.78, -23.43, 92.48

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3D

RGB 251 255 61

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.07, 84.57

 

CMYK 1 / 0 / 60 / 0

HEX #FCFF66

RGB 252 255 102

HSL 61.18, 1%, 0.7%

LAB 97.3, -19.63, 70.59

 

CMYK 1 / 0 / 44 / 0

HEX #FDFF90

RGB 253 255 144

HSL 61.08, 1%, 0.78%

LAB 97.8, -15.88, 52.58

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3E

RGB 251 255 62

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.04, 84.29

 

CMYK 76 / 0 / 60 / 0

HEX #3DFF67

RGB 61 255 103

HSL 132.99, 1%, 0.62%

LAB 88.68, -76.11, 58.18

 

CMYK 29 / 76 / 0 / 0

HEX #B53DFF

RGB 181 61 255

HSL 277.11, 1%, 0.62%

LAB 52.27, 76.58, -74.41

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3E

RGB 251 255 62

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.04, 84.29

 

CMYK 76 / 1 / 0 / 0

HEX #3DFCFF

RGB 61 252 255

HSL 180.93, 1%, 0.62%

LAB 90.7, -43.82, -14.71

 

CMYK 0 / 76 / 1 / 0

HEX #FF3DFC

RGB 255 61 252

HSL 300.93, 1%, 0.62%

LAB 63.03, 89.4, -54.86

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3E

RGB 251 255 62

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.04, 84.29

 

CMYK 76 / 0 / 60 / 0

HEX #3DFF67

RGB 61 255 103

HSL 132.99, 1%, 0.62%

LAB 88.68, -76.11, 58.18

 

CMYK 75 / 76 / 0 / 0

HEX #403DFF

RGB 64 61 255

HSL 240.93, 1%, 0.62%

LAB 40.65, 62.03, -93.91

 

CMYK 0 / 76 / 16 / 0

HEX #FF3DD5

RGB 255 61 213

HSL 312.99, 1%, 0.62%

LAB 61.13, 83.98, -36.04

 

CMYK 2 / 0 / 76 / 0

HEX #FBFF3E

RGB 251 255 62

HSL 61.24, 1%, 0.62%

LAB 96.97, -22.04, 84.29

 

CMYK 76 / 0 / 37 / 0

HEX #3DFFA1

RGB 61 255 161

HSL 150.93, 1%, 0.62%

LAB 89.43, -67.32, 31.83

 

CMYK 75 / 76 / 0 / 0

HEX #403DFF

RGB 64 61 255

HSL 240.93, 1%, 0.62%

LAB 40.65, 62.03, -93.91

 

CMYK 0 / 76 / 39 / 0

HEX #FF3D9B

RGB 255 61 155

HSL 330.93, 1%, 0.62%

LAB 58.94, 77.42, -6

 

Description

Color code: HEX #FBFF3E | qconv.com Color code: HEX #FBFF3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 255 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 255 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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