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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBF95D it is the complementary color #0406A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBF95D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBF95D shade: #FFF958, #FFFF6B, #FFFF7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBF95D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBF95D shade: #FBF95D, #EAE74A, #D9D537, #C8C324 and #B7B111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBF95D shade: #FBF95B, #FBCE5B, #FBA35B, #FB775B and #FB5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBF95D shade: #FBF95B, #D2FB5B, #A7FB5B, #7BFB5B and #5BFB65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBF95D shade matches the following richer shades: #FBF95B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBF95D shade: #FBF95B, #EDEB69, #E0DE76, #D2D184 and #C4C491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBF95D shade: #FBA35B, #FBCD5B, #FBF85B, #D3FB5B and #A8FB5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBF95D shade: #F9F60A, #FAF733, #FBF95B, #FCFA83 and #FDFCAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBF95D shade: #FBF95D, #5BFB78 and #B85BFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBF95D shade: #FBF95D, #5BFBF8 and #F85BFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBF95D shade: #FBF95D, #5BFB78, #5B5EFB and #FB5BDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBF95D shade: #FBF95D, #5BFBA8, #5B5EFB and #FB5BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 63 / 2

HEX #FBF95D

RGB 251 249 93

HSL 59.24, 0.95%, 0.67%

LAB 95.6, -17.7, 72.35

 

Complementary color

CMYK 98 / 96 / 0 / 36

HEX #0406A2

RGB 4 6 162

HSL 239.24, 0.95%, 0.33%

LAB 19.08, 54.71, -75.7

 

CMYK 0 / 2 / 65 / 0

HEX #FFF958

RGB 255 249 88

HSL 57.84, 1%, 0.67%

LAB 95.88, -16.38, 74.66

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 1 / 63 / 2

HEX #FBF95D

RGB 251 249 93

HSL 59.24, 0.95%, 0.67%

LAB 95.6, -17.7, 72.35

 

CMYK 0 / 1 / 68 / 8

HEX #EAE74A

RGB 234 231 74

HSL 58.88, 0.79%, 0.6%

LAB 89.46, -16.9, 72.83

 

CMYK 0 / 2 / 75 / 15

HEX #D9D537

RGB 217 213 55

HSL 58.52, 0.68%, 0.53%

LAB 83.24, -15.96, 72.87

 

CMYK 0 / 3 / 82 / 22

HEX #C8C324

RGB 200 195 36

HSL 58.17, 0.69%, 0.46%

LAB 76.94, -14.85, 72.18

 

CMYK 0 / 3 / 91 / 28

HEX #B7B111

RGB 183 177 17

HSL 57.83, 0.83%, 0.39%

LAB 70.56, -13.53, 70.33

 

CMYK 0 / 1 / 64 / 2

HEX #FBF95B

RGB 251 249 91

HSL 59.25, 0.95%, 0.67%

LAB 95.59, -17.82, 73.11

 

CMYK 0 / 18 / 64 / 2

HEX #FBCE5B

RGB 251 206 91

HSL 43.13, 0.95%, 0.67%

LAB 84.69, 3.64, 61.53

 

CMYK 0 / 35 / 64 / 2

HEX #FBA35B

RGB 251 163 91

HSL 27, 0.95%, 0.67%

LAB 74.48, 26.06, 50.09

 

CMYK 0 / 53 / 64 / 2

HEX #FB775B

RGB 251 119 91

HSL 10.5, 0.95%, 0.67%

LAB 65.32, 48.38, 39.26

 

CMYK 0 / 64 / 64 / 2

HEX #FB5B5B

RGB 251 91 91

HSL 0, 0.95%, 0.67%

LAB 60.56, 60.9, 33.38

 

CMYK 0 / 1 / 64 / 2

HEX #FBF95B

RGB 251 249 91

HSL 59.25, 0.95%, 0.67%

LAB 95.59, -17.82, 73.11

 

CMYK 16 / 0 / 64 / 2

HEX #D2FB5B

RGB 210 251 91

HSL 75.38, 0.95%, 0.67%

LAB 93.21, -34.87, 69.73

 

CMYK 33 / 0 / 64 / 2

HEX #A7FB5B

RGB 167 251 91

HSL 91.5, 0.95%, 0.67%

LAB 90.76, -50.41, 66.38

 

CMYK 51 / 0 / 64 / 2

HEX #7BFB5B

RGB 123 251 91

HSL 108, 0.95%, 0.67%

LAB 88.9, -63.77, 63.82

 

CMYK 64 / 0 / 60 / 2

HEX #5BFB65

RGB 91 251 101

HSL 123.75, 0.95%, 0.67%

LAB 88.04, -70.18, 58.46

 

CMYK 0 / 1 / 64 / 2

HEX #FBF95B

RGB 251 249 91

HSL 59.25, 0.95%, 0.67%

LAB 95.59, -17.82, 73.11

 

CMYK 0 / 1 / 64 / 2

HEX #FBF95B

RGB 251 249 91

HSL 59.25, 0.95%, 0.67%

LAB 95.59, -17.82, 73.11

 

CMYK 0 / 1 / 56 / 7

HEX #EDEB69

RGB 237 235 105

HSL 59.09, 0.79%, 0.67%

LAB 90.98, -15.73, 62.04

 

CMYK 0 / 1 / 47 / 12

HEX #E0DE76

RGB 224 222 118

HSL 58.87, 0.63%, 0.67%

LAB 86.7, -13.44, 50.86

 

CMYK 0 / 0 / 37 / 18

HEX #D2D184

RGB 210 209 132

HSL 59.23, 0.46%, 0.67%

LAB 82.36, -11.03, 38.34

 

CMYK 0 / 0 / 26 / 23

HEX #C4C491

RGB 196 196 145

HSL 60, 0.3%, 0.67%

LAB 78.03, -8.19, 25.69

 

CMYK 0 / 35 / 64 / 2

HEX #FBA35B

RGB 251 163 91

HSL 27, 0.95%, 0.67%

LAB 74.48, 26.06, 50.09

 

CMYK 0 / 18 / 64 / 2

HEX #FBCD5B

RGB 251 205 91

HSL 42.75, 0.95%, 0.67%

LAB 84.45, 4.15, 61.26

 

CMYK 0 / 1 / 64 / 2

HEX #FBF85B

RGB 251 248 91

HSL 58.88, 0.95%, 0.67%

LAB 95.33, -17.34, 72.84

 

CMYK 16 / 0 / 64 / 2

HEX #D3FB5B

RGB 211 251 91

HSL 75, 0.95%, 0.67%

LAB 93.28, -34.49, 69.82

 

CMYK 33 / 0 / 64 / 2

HEX #A8FB5B

RGB 168 251 91

HSL 91.13, 0.95%, 0.67%

LAB 90.81, -50.07, 66.45

 

CMYK 0 / 1 / 96 / 2

HEX #F9F60A

RGB 249 246 10

HSL 59.25, 0.95%, 0.51%

LAB 94.34, -19.66, 91.51

 

CMYK 0 / 1 / 80 / 2

HEX #FAF733

RGB 250 247 51

HSL 59.1, 0.95%, 0.59%

LAB 94.77, -18.99, 85.28

 

CMYK 0 / 1 / 64 / 2

HEX #FBF95B

RGB 251 249 91

HSL 59.25, 0.95%, 0.67%

LAB 95.59, -17.82, 73.11

 

CMYK 0 / 1 / 48 / 1

HEX #FCFA83

RGB 252 250 131

HSL 59.01, 0.95%, 0.75%

LAB 96.29, -15.03, 56.8

 

CMYK 0 / 0 / 32 / 1

HEX #FDFCAB

RGB 253 252 171

HSL 59.27, 0.95%, 0.83%

LAB 97.41, -11.55, 38.99

 

CMYK 0 / 1 / 63 / 2

HEX #FBF95D

RGB 251 249 93

HSL 59.24, 0.95%, 0.67%

LAB 95.6, -17.7, 72.35

 

CMYK 64 / 0 / 52 / 2

HEX #5BFB78

RGB 91 251 120

HSL 130.88, 0.95%, 0.67%

LAB 88.24, -67.88, 50.24

 

CMYK 27 / 64 / 0 / 2

HEX #B85BFB

RGB 184 91 251

HSL 274.88, 0.95%, 0.67%

LAB 56.72, 64.1, -64.97

 

CMYK 0 / 1 / 63 / 2

HEX #FBF95D

RGB 251 249 93

HSL 59.24, 0.95%, 0.67%

LAB 95.6, -17.7, 72.35

 

CMYK 64 / 0 / 1 / 2

HEX #5BFBF8

RGB 91 251 248

HSL 178.88, 0.95%, 0.67%

LAB 90.78, -41.7, -10.9

 

CMYK 1 / 64 / 0 / 2

HEX #F85BFB

RGB 248 91 251

HSL 298.88, 0.95%, 0.67%

LAB 65.28, 78.24, -50.8

 

CMYK 0 / 1 / 63 / 2

HEX #FBF95D

RGB 251 249 93

HSL 59.24, 0.95%, 0.67%

LAB 95.6, -17.7, 72.35

 

CMYK 64 / 0 / 52 / 2

HEX #5BFB78

RGB 91 251 120

HSL 130.88, 0.95%, 0.67%

LAB 88.24, -67.88, 50.24

 

CMYK 64 / 63 / 0 / 2

HEX #5B5EFB

RGB 91 94 251

HSL 238.88, 0.95%, 0.67%

LAB 48.5, 45.41, -78.7

 

CMYK 0 / 64 / 12 / 2

HEX #FB5BDD

RGB 251 91 221

HSL 311.25, 0.95%, 0.67%

LAB 64.33, 74.34, -35.61

 

CMYK 0 / 1 / 63 / 2

HEX #FBF95D

RGB 251 249 93

HSL 59.24, 0.95%, 0.67%

LAB 95.6, -17.7, 72.35

 

CMYK 64 / 0 / 33 / 2

HEX #5BFBA8

RGB 91 251 168

HSL 148.88, 0.95%, 0.67%

LAB 88.94, -60.12, 27.76

 

CMYK 64 / 63 / 0 / 2

HEX #5B5EFB

RGB 91 94 251

HSL 238.88, 0.95%, 0.67%

LAB 48.5, 45.41, -78.7

 

CMYK 0 / 64 / 31 / 2

HEX #FB5BAE

RGB 251 91 174

HSL 328.88, 0.95%, 0.67%

LAB 62.55, 68.17, -11.69

 

Description

Color code: HEX #FBF95D | qconv.com Color code: HEX #FBF95D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 249 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 249 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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