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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBF0F5 it is the complementary color #040F0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBF0F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBF0F5 shade: #FFF0F0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBF0F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBF0F5 shade: #FBF0F5, #EADEE2, #D9CCCF, #C8BABC and #B7A8A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBF0F5 shade: #FBEFF4, #FBEFF1 and #FBEFEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBF0F5 shade: #FBEFF4, #FBEFF7, #FBEFFB, #F8EFFB and #F4EFFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBF0F5 shade matches the following richer shades: #FBEFF4, #FCEDF4 and #FEECF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBF0F5 shade: #FBEFF4, #F9F1F4, #F7F2F5, #F6F4F5 and #F4F5F5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBF0F5 shade: #FBEFFB, #FBEFF8, #FBEFF4, #FBEFF1 and #FBF0EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBF0F5 shade: #E9AEC9, #F2CEDF, #FBEFF4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBF0F5 shade: #FBF0F5, #FBF8EF and #EFF9FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBF0F5 shade: #FBF0F5, #F4FBEF and #EFF4FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBF0F5 shade: #FBF0F5, #FBF8EF, #EFFBF5 and #EFF2FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBF0F5 shade: #FBF0F5, #FAFBEF, #EFFBF5 and #EFEFFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 2 / 2

HEX #FBF0F5

RGB 251 240 245

HSL 332.73, 0.58%, 0.96%

LAB 95.76, 4.55, -1.1

 

Complementary color

CMYK 73 / 0 / 33 / 94

HEX #040F0A

RGB 4 15 10

HSL 152.73, 0.58%, 0.04%

LAB 3.52, -3.87, 1.09

 

CMYK 0 / 6 / 6 / 0

HEX #FFF0F0

RGB 255 240 240

HSL 0, 1%, 0.97%

LAB 95.94, 5.05, 1.8

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 4 / 2 / 2

HEX #FBF0F5

RGB 251 240 245

HSL 332.73, 0.58%, 0.96%

LAB 95.76, 4.55, -1.1

 

CMYK 0 / 5 / 3 / 8

HEX #EADEE2

RGB 234 222 226

HSL 340, 0.22%, 0.89%

LAB 89.5, 4.78, -0.5

 

CMYK 0 / 6 / 5 / 15

HEX #D9CCCF

RGB 217 204 207

HSL 346.15, 0.15%, 0.83%

LAB 83.15, 5.03, 0.12

 

CMYK 0 / 7 / 6 / 22

HEX #C8BABC

RGB 200 186 188

HSL 351.43, 0.11%, 0.76%

LAB 76.7, 5.3, 0.76

 

CMYK 0 / 8 / 8 / 28

HEX #B7A8A9

RGB 183 168 169

HSL 356, 0.09%, 0.69%

LAB 70.13, 5.59, 1.44

 

CMYK 0 / 5 / 3 / 2

HEX #FBEFF4

RGB 251 239 244

HSL 335, 0.6%, 0.96%

LAB 95.49, 4.89, -0.98

 

CMYK 0 / 5 / 4 / 2

HEX #FBEFF1

RGB 251 239 241

HSL 350, 0.6%, 0.96%

LAB 95.41, 4.37, 0.47

 

CMYK 0 / 5 / 5 / 2

HEX #FBEFEF

RGB 251 239 239

HSL 0, 0.6%, 0.96%

LAB 95.36, 4.03, 1.43

 

CMYK 0 / 5 / 3 / 2

HEX #FBEFF4

RGB 251 239 244

HSL 335, 0.6%, 0.96%

LAB 95.49, 4.89, -0.98

 

CMYK 0 / 5 / 2 / 2

HEX #FBEFF7

RGB 251 239 247

HSL 320, 0.6%, 0.96%

LAB 95.56, 5.41, -2.42

 

CMYK 0 / 5 / 0 / 2

HEX #FBEFFB

RGB 251 239 251

HSL 300, 0.6%, 0.96%

LAB 95.67, 6.12, -4.34

 

CMYK 1 / 5 / 0 / 2

HEX #F8EFFB

RGB 248 239 251

HSL 285, 0.6%, 0.96%

LAB 95.44, 5.13, -4.7

 

CMYK 3 / 5 / 0 / 2

HEX #F4EFFB

RGB 244 239 251

HSL 265, 0.6%, 0.96%

LAB 95.13, 3.81, -5.19

 

CMYK 0 / 5 / 3 / 2

HEX #FBEFF4

RGB 251 239 244

HSL 335, 0.6%, 0.96%

LAB 95.49, 4.89, -0.98

 

CMYK 0 / 6 / 3 / 1

HEX #FCEDF4

RGB 252 237 244

HSL 332, 0.71%, 0.96%

LAB 95.07, 6.25, -1.57

 

CMYK 0 / 7 / 4 / 0

HEX #FEECF4

RGB 254 236 244

HSL 333.33, 0.9%, 0.96%

LAB 94.99, 7.44, -1.67

 

CMYK 0 / 5 / 3 / 2

HEX #FBEFF4

RGB 251 239 244

HSL 335, 0.6%, 0.96%

LAB 95.49, 4.89, -0.98

 

CMYK 0 / 3 / 2 / 2

HEX #F9F1F4

RGB 249 241 244

HSL 337.5, 0.4%, 0.96%

LAB 95.82, 3.2, -0.5

 

CMYK 0 / 2 / 1 / 3

HEX #F7F2F5

RGB 247 242 245

HSL 324, 0.24%, 0.96%

LAB 95.94, 2.2, -0.86

 

CMYK 0 / 1 / 0 / 4

HEX #F6F4F5

RGB 246 244 245

HSL 330, 0.1%, 0.96%

LAB 96.36, 0.85, -0.26

 

CMYK 0 / 0 / 0 / 4

HEX #F4F5F5

RGB 244 245 245

HSL 180, 0.05%, 0.96%

LAB 96.46, -0.33, -0.13

 

CMYK 0 / 5 / 0 / 2

HEX #FBEFFB

RGB 251 239 251

HSL 300, 0.6%, 0.96%

LAB 95.67, 6.12, -4.34

 

CMYK 0 / 5 / 1 / 2

HEX #FBEFF8

RGB 251 239 248

HSL 315, 0.6%, 0.96%

LAB 95.59, 5.59, -2.9

 

CMYK 0 / 5 / 3 / 2

HEX #FBEFF4

RGB 251 239 244

HSL 335, 0.6%, 0.96%

LAB 95.49, 4.89, -0.98

 

CMYK 0 / 5 / 4 / 2

HEX #FBEFF1

RGB 251 239 241

HSL 350, 0.6%, 0.96%

LAB 95.41, 4.37, 0.47

 

CMYK 0 / 4 / 5 / 2

HEX #FBF0EF

RGB 251 240 239

HSL 5, 0.6%, 0.96%

LAB 95.61, 3.52, 1.79

 

CMYK 0 / 25 / 14 / 9

HEX #E9AEC9

RGB 233 174 201

HSL 332.54, 0.57%, 0.8%

LAB 77.17, 25.61, -5.25

 

CMYK 0 / 15 / 8 / 5

HEX #F2CEDF

RGB 242 206 223

HSL 331.67, 0.58%, 0.88%

LAB 86.18, 15.38, -3.7

 

CMYK 0 / 5 / 3 / 2

HEX #FBEFF4

RGB 251 239 244

HSL 335, 0.6%, 0.96%

LAB 95.49, 4.89, -0.98

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 4 / 2 / 2

HEX #FBF0F5

RGB 251 240 245

HSL 332.73, 0.58%, 0.96%

LAB 95.76, 4.55, -1.1

 

CMYK 0 / 1 / 5 / 2

HEX #FBF8EF

RGB 251 248 239

HSL 45, 0.6%, 0.96%

LAB 97.58, -0.54, 4.66

 

CMYK 5 / 1 / 0 / 2

HEX #EFF9FB

RGB 239 249 251

HSL 190, 0.6%, 0.96%

LAB 97.25, -2.91, -2.11

 

CMYK 0 / 4 / 2 / 2

HEX #FBF0F5

RGB 251 240 245

HSL 332.73, 0.58%, 0.96%

LAB 95.76, 4.55, -1.1

 

CMYK 3 / 0 / 5 / 2

HEX #F4FBEF

RGB 244 251 239

HSL 95, 0.6%, 0.96%

LAB 97.82, -4.4, 4.93

 

CMYK 5 / 3 / 0 / 2

HEX #EFF4FB

RGB 239 244 251

HSL 215, 0.6%, 0.96%

LAB 96, -0.37, -3.94

 

CMYK 0 / 4 / 2 / 2

HEX #FBF0F5

RGB 251 240 245

HSL 332.73, 0.58%, 0.96%

LAB 95.76, 4.55, -1.1

 

CMYK 0 / 1 / 5 / 2

HEX #FBF8EF

RGB 251 248 239

HSL 45, 0.6%, 0.96%

LAB 97.58, -0.54, 4.66

 

CMYK 5 / 0 / 2 / 2

HEX #EFFBF5

RGB 239 251 245

HSL 150, 0.6%, 0.96%

LAB 97.61, -5, 1.5

 

CMYK 5 / 4 / 0 / 2

HEX #EFF2FB

RGB 239 242 251

HSL 225, 0.6%, 0.96%

LAB 95.51, 0.65, -4.68

 

CMYK 0 / 4 / 2 / 2

HEX #FBF0F5

RGB 251 240 245

HSL 332.73, 0.58%, 0.96%

LAB 95.76, 4.55, -1.1

 

CMYK 0 / 0 / 5 / 2

HEX #FAFBEF

RGB 250 251 239

HSL 65, 0.6%, 0.96%

LAB 98.25, -2.39, 5.62

 

CMYK 5 / 0 / 2 / 2

HEX #EFFBF5

RGB 239 251 245

HSL 150, 0.6%, 0.96%

LAB 97.61, -5, 1.5

 

CMYK 5 / 5 / 0 / 2

HEX #EFEFFB

RGB 239 239 251

HSL 240, 0.6%, 0.96%

LAB 94.76, 2.18, -5.78

 

Description

Color code: HEX #FBF0F5 | qconv.com Color code: HEX #FBF0F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 240 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 240 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 2 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 2% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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