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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBEFD74C it is the complementary color #0410284C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBEFD74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBEFD74C shade: #FFEFD24C, #FFFFE54C, #FFFFF84C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBEFD74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBEFD74C shade: #FBEFD74C, #EADDC44C, #D9CBB14C, #C8B99E4C and #B7A78B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBEFD74C shade: #FBEED5, #FBE4D5, #FBDAD5 and #FBD5D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBEFD74C shade: #FBEED5, #FBF8D5, #F3FBD5, #E9FBD5 and #DFFBD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBEFD74C shade matches the following richer shades: #FBEED5 and #FFF0D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBEFD74C shade: #FBEED5, #F7EDD9, #F3ECDD, #F0EBE0 and #ECE9E4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBEFD74C shade: #FBDAD5, #FBE4D5, #FBEED5, #FBF8D5 and #F3FBD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBEFD74C shade: #F3D08A, #F7DFB0, #FBEED5, #FFFDFB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBEFD74C shade: #FBEFD7, #DAFBD5 and #DFD5FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBEFD74C shade: #FBEFD7, #D5FBEE and #EED5FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBEFD74C shade: #FBEFD7, #DAFBD5, #D5E2FB and #F6D5FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBEFD74C shade: #FBEFD7, #D5FBDC, #D5E2FB and #FBD5F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 4 / 0

HEX #FBEFD74C

RGBA 251 239 215 0.3

HSLA 40, 0.82%, 0.91%, 0.3

LABA 94.8, 0.16, 13.05, 0.3

 

Complementary color

CMYK 27 / 18 / 0 / 25

HEX #0410284C

RGBA 4 16 40 0.3

HSLA 220, 0.82%, 0.09%, 0.3

LABA 4.96, 3.93, -17.33, 0.3

 

CMYK 0 / 2 / 5 / 0

HEX #FFEFD24C

RGBA 255 239 210 0.3

HSLA 38.67, 1%, 0.91%, 0.3

LABA 95.01, 0.83, 15.97, 0.3

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFE54C

RGBA 255 255 229 0.3

HSLA 60, 1%, 0.95%, 0.3

LABA 99.39, -4.32, 12.43, 0.3

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFF84C

RGBA 255 255 248 0.3

HSLA 60, 1%, 0.99%, 0.3

LABA 99.83, -1.2, 3.33, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 0 / 1 / 4 / 0

HEX #FBEFD74C

RGBA 251 239 215 0.3

HSLA 40, 0.82%, 0.91%, 0.3

LABA 94.8, 0.16, 13.05, 0.3

 

CMYK 0 / 2 / 5 / 2

HEX #EADDC44C

RGBA 234 221 196 0.3

HSLA 39.47, 0.48%, 0.84%, 0.3

LABA 88.54, 0.4, 13.87, 0.3

 

CMYK 0 / 2 / 6 / 4

HEX #D9CBB14C

RGBA 217 203 177 0.3

HSLA 39, 0.34%, 0.77%, 0.3

LABA 82.18, 0.67, 14.73, 0.3

 

CMYK 0 / 2 / 6 / 6

HEX #C8B99E4C

RGBA 200 185 158 0.3

HSLA 38.57, 0.28%, 0.7%, 0.3

LABA 75.73, 0.96, 15.64, 0.3

 

CMYK 0 / 3 / 7 / 8

HEX #B7A78B4C

RGBA 183 167 139 0.3

HSLA 38.18, 0.23%, 0.63%, 0.3

LABA 69.16, 1.29, 16.6, 0.3

 

CMYK 0 / 5 / 15 / 2

HEX #FBEED5

RGB 251 238 213

HSL 39.47, 0.83%, 0.91%

LAB 94.51, 0.36, 13.67

 

CMYK 0 / 9 / 15 / 2

HEX #FBE4D5

RGB 251 228 213

HSL 23.68, 0.83%, 0.91%

LAB 92.04, 5.47, 10.16

 

CMYK 0 / 13 / 15 / 2

HEX #FBDAD5

RGB 251 218 213

HSL 7.89, 0.83%, 0.91%

LAB 89.61, 10.64, 6.66

 

CMYK 0 / 15 / 15 / 2

HEX #FBD5D5

RGB 251 213 213

HSL 0, 0.83%, 0.91%

LAB 88.4, 13.24, 4.93

 

CMYK 0 / 5 / 15 / 2

HEX #FBEED5

RGB 251 238 213

HSL 39.47, 0.83%, 0.91%

LAB 94.51, 0.36, 13.67

 

CMYK 0 / 1 / 15 / 2

HEX #FBF8D5

RGB 251 248 213

HSL 55.26, 0.83%, 0.91%

LAB 97, -4.68, 17.19

 

CMYK 3 / 0 / 15 / 2

HEX #F3FBD5

RGB 243 251 213

HSL 72.63, 0.83%, 0.91%

LAB 97.17, -8.98, 17.34

 

CMYK 7 / 0 / 15 / 2

HEX #E9FBD5

RGB 233 251 213

HSL 88.42, 0.83%, 0.91%

LAB 96.46, -12.44, 16.24

 

CMYK 11 / 0 / 15 / 2

HEX #DFFBD5

RGB 223 251 213

HSL 104.21, 0.83%, 0.91%

LAB 95.78, -15.84, 15.19

 

CMYK 0 / 5 / 15 / 2

HEX #FBEED5

RGB 251 238 213

HSL 39.47, 0.83%, 0.91%

LAB 94.51, 0.36, 13.67

 

CMYK 0 / 6 / 18 / 0

HEX #FFF0D2

RGB 255 240 210

HSL 40, 1%, 0.91%

LAB 95.26, 0.32, 16.32

 

CMYK 0 / 5 / 15 / 2

HEX #FBEED5

RGB 251 238 213

HSL 39.47, 0.83%, 0.91%

LAB 94.51, 0.36, 13.67

 

CMYK 0 / 4 / 12 / 3

HEX #F7EDD9

RGB 247 237 217

HSL 40, 0.65%, 0.91%

LAB 94.03, 0.08, 10.88

 

CMYK 0 / 3 / 9 / 5

HEX #F3ECDD

RGB 243 236 221

HSL 40.91, 0.48%, 0.91%

LAB 93.57, -0.16, 8.09

 

CMYK 0 / 2 / 7 / 6

HEX #F0EBE0

RGB 240 235 224

HSL 41.25, 0.35%, 0.91%

LAB 93.16, -0.2, 5.92

HEX #F0EBE0

CMYK 0 / 1 / 3 / 7

HEX #ECE9E4

RGB 236 233 228

HSL 37.5, 0.17%, 0.91%

LAB 92.45, 0.14, 2.77

HEX #ECE9E4

CMYK 0 / 13 / 15 / 2

HEX #FBDAD5

RGB 251 218 213

HSL 7.89, 0.83%, 0.91%

LAB 89.61, 10.64, 6.66

 

CMYK 0 / 9 / 15 / 2

HEX #FBE4D5

RGB 251 228 213

HSL 23.68, 0.83%, 0.91%

LAB 92.04, 5.47, 10.16

 

CMYK 0 / 5 / 15 / 2

HEX #FBEED5

RGB 251 238 213

HSL 39.47, 0.83%, 0.91%

LAB 94.51, 0.36, 13.67

 

CMYK 0 / 1 / 15 / 2

HEX #FBF8D5

RGB 251 248 213

HSL 55.26, 0.83%, 0.91%

LAB 97, -4.68, 17.19

 

CMYK 3 / 0 / 15 / 2

HEX #F3FBD5

RGB 243 251 213

HSL 72.63, 0.83%, 0.91%

LAB 97.17, -8.98, 17.34

 

CMYK 0 / 14 / 43 / 5

HEX #F3D08A

RGB 243 208 138

HSL 40, 0.81%, 0.75%

LAB 85, 3.15, 39.24

 

CMYK 0 / 10 / 29 / 3

HEX #F7DFB0

RGB 247 223 176

HSL 39.72, 0.82%, 0.83%

LAB 89.71, 1.36, 26.08

 

CMYK 0 / 5 / 15 / 2

HEX #FBEED5

RGB 251 238 213

HSL 39.47, 0.83%, 0.91%

LAB 94.51, 0.36, 13.67

 

CMYK 0 / 1 / 2 / 0

HEX #FFFDFB

RGB 255 253 251

HSL 30, 1%, 0.99%

LAB 99.41, 0.32, 1.18

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 5 / 14 / 2

HEX #FBEFD7

RGB 251 239 215

HSL 40, 0.82%, 0.91%

LAB 94.8, 0.16, 13.05

 

CMYK 13 / 0 / 15 / 2

HEX #DAFBD5

RGB 218 251 213

HSL 112.11, 0.83%, 0.91%

LAB 95.46, -17.52, 14.68

 

CMYK 11 / 15 / 0 / 2

HEX #DFD5FB

RGB 223 213 251

HSL 255.79, 0.83%, 0.91%

LAB 87.12, 10.57, -17.3

 

CMYK 0 / 5 / 14 / 2

HEX #FBEFD7

RGB 251 239 215

HSL 40, 0.82%, 0.91%

LAB 94.8, 0.16, 13.05

 

CMYK 15 / 0 / 5 / 2

HEX #D5FBEE

RGB 213 251 238

HSL 159.47, 0.83%, 0.91%

LAB 95.71, -14.66, 2.13

 

CMYK 5 / 15 / 0 / 2

HEX #EED5FB

RGB 238 213 251

HSL 279.47, 0.83%, 0.91%

LAB 88.32, 15.38, -15.37

 

CMYK 0 / 5 / 14 / 2

HEX #FBEFD7

RGB 251 239 215

HSL 40, 0.82%, 0.91%

LAB 94.8, 0.16, 13.05

 

CMYK 13 / 0 / 15 / 2

HEX #DAFBD5

RGB 218 251 213

HSL 112.11, 0.83%, 0.91%

LAB 95.46, -17.52, 14.68

 

CMYK 15 / 10 / 0 / 2

HEX #D5E2FB

RGB 213 226 251

HSL 219.47, 0.83%, 0.91%

LAB 89.63, 0.6, -13.6

 

CMYK 2 / 15 / 0 / 2

HEX #F6D5FB

RGB 246 213 251

HSL 292.11, 0.83%, 0.91%

LAB 88.99, 17.98, -14.29

 

CMYK 0 / 5 / 14 / 2

HEX #FBEFD7

RGB 251 239 215

HSL 40, 0.82%, 0.91%

LAB 94.8, 0.16, 13.05

 

CMYK 15 / 0 / 12 / 2

HEX #D5FBDC

RGB 213 251 220

HSL 131.05, 0.83%, 0.91%

LAB 95.29, -17.96, 10.8

 

CMYK 15 / 10 / 0 / 2

HEX #D5E2FB

RGB 213 226 251

HSL 219.47, 0.83%, 0.91%

LAB 89.63, 0.6, -13.6

 

CMYK 0 / 15 / 2 / 2

HEX #FBD5F5

RGB 251 213 245

HSL 309.47, 0.83%, 0.91%

LAB 89.25, 18.55, -10.7

 

Description

Color code: HEX #FBEFD74C | qconv.com Color code: HEX #FBEFD74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 239 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 239 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 4 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 4% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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