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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBE6B7 it is the complementary color #041948. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBE6B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBE6B7 shade: #FFE6B2, #FFF8C5, #FFFFD8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBE6B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBE6B7 shade: #FBE6B7, #EAD4A4, #D9C291, #C8B07E and #B79E6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBE6B7 shade: #FBE6B7, #FBD3B7, #FBC1B7 and #FBB7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBE6B7 shade: #FBE6B7, #FBF8B7, #EBFBB7, #D9FBB7 and #C6FBB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBE6B7 shade matches the following richer shades: #FBE6B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBE6B7 shade: #FBE6B7, #F5E3BD, #EEE1C3, #E8DFC9 and #E2DCCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBE6B7 shade: #FBC1B7, #FBD3B7, #FBE5B7, #FBF7B7 and #ECFBB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBE6B7 shade: #F6CB69, #F9D890, #FBE6B7, #FDF3DE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBE6B7 shade: #FBE6B7, #BFFBB7 and #CAB7FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBE6B7 shade: #FBE6B7, #B7FBE5 and #E5B7FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBE6B7 shade: #FBE6B7, #BFFBB7, #B7CCFB and #F3B7FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBE6B7 shade: #FBE6B7, #B7FBC3, #B7CCFB and #FBB7EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

Complementary color

CMYK 94 / 65 / 0 / 72

HEX #041948

RGB 4 25 72

HSL 221.47, 0.89%, 0.15%

LAB 10.48, 13.15, -31.62

 

CMYK 0 / 10 / 30 / 0

HEX #FFE6B2

RGB 255 230 178

HSL 40.52, 1%, 0.85%

LAB 92.16, 1.05, 28.49

 

CMYK 0 / 3 / 23 / 0

HEX #FFF8C5

RGB 255 248 197

HSL 52.76, 1%, 0.89%

LAB 96.99, -5.54, 25.39

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 0 / 9 / 30 / 8

HEX #EAD4A4

RGB 234 212 164

HSL 41.14, 0.63%, 0.78%

LAB 85.63, 0.56, 26.56

 

CMYK 0 / 11 / 33 / 15

HEX #D9C291

RGB 217 194 145

HSL 40.83, 0.49%, 0.71%

LAB 79.26, 0.99, 27.65

 

CMYK 0 / 12 / 37 / 22

HEX #C8B07E

RGB 200 176 126

HSL 40.54, 0.4%, 0.64%

LAB 72.78, 1.48, 28.8

 

CMYK 0 / 14 / 42 / 28

HEX #B79E6B

RGB 183 158 107

HSL 40.26, 0.35%, 0.57%

LAB 66.2, 2.05, 30.03

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 0 / 16 / 27 / 2

HEX #FBD3B7

RGB 251 211 183

HSL 24.71, 0.89%, 0.85%

LAB 87.25, 9.96, 19.09

 

CMYK 0 / 23 / 27 / 2

HEX #FBC1B7

RGB 251 193 183

HSL 8.82, 0.89%, 0.85%

LAB 82.95, 19.37, 13.05

 

CMYK 0 / 27 / 27 / 2

HEX #FBB7B7

RGB 251 183 183

HSL 0, 0.89%, 0.85%

LAB 80.62, 24.63, 9.75

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 0 / 1 / 27 / 2

HEX #FBF8B7

RGB 251 248 183

HSL 57.35, 0.89%, 0.85%

LAB 96.44, -8.85, 31.67

 

CMYK 6 / 0 / 27 / 2

HEX #EBFBB7

RGB 235 251 183

HSL 74.12, 0.89%, 0.85%

LAB 96.03, -16.16, 30.92

 

CMYK 14 / 0 / 27 / 2

HEX #D9FBB7

RGB 217 251 183

HSL 90, 0.89%, 0.85%

LAB 94.81, -22.55, 29.06

 

CMYK 21 / 0 / 27 / 2

HEX #C6FBB7

RGB 198 251 183

HSL 106.76, 0.89%, 0.85%

LAB 93.63, -29.05, 27.27

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 0 / 7 / 23 / 4

HEX #F5E3BD

RGB 245 227 189

HSL 40.71, 0.74%, 0.85%

LAB 90.79, 0.31, 20.81

 

CMYK 0 / 5 / 18 / 7

HEX #EEE1C3

RGB 238 225 195

HSL 41.86, 0.56%, 0.85%

LAB 89.84, -0.36, 16.28

 

CMYK 0 / 4 / 13 / 9

HEX #E8DFC9

RGB 232 223 201

HSL 42.58, 0.4%, 0.85%

LAB 88.99, -0.57, 11.87

 

CMYK 0 / 3 / 8 / 11

HEX #E2DCCF

RGB 226 220 207

HSL 41.05, 0.25%, 0.85%

LAB 87.9, -0.18, 7.1

 

CMYK 0 / 23 / 27 / 2

HEX #FBC1B7

RGB 251 193 183

HSL 8.82, 0.89%, 0.85%

LAB 82.95, 19.37, 13.05

 

CMYK 0 / 16 / 27 / 2

HEX #FBD3B7

RGB 251 211 183

HSL 24.71, 0.89%, 0.85%

LAB 87.25, 9.96, 19.09

 

CMYK 0 / 9 / 27 / 2

HEX #FBE5B7

RGB 251 229 183

HSL 40.59, 0.89%, 0.85%

LAB 91.67, 0.7, 25.2

 

CMYK 0 / 2 / 27 / 2

HEX #FBF7B7

RGB 251 247 183

HSL 56.47, 0.89%, 0.85%

LAB 96.18, -8.35, 31.33

 

CMYK 6 / 0 / 27 / 2

HEX #ECFBB7

RGB 236 251 183

HSL 73.24, 0.89%, 0.85%

LAB 96.1, -15.79, 31.03

 

CMYK 0 / 17 / 57 / 4

HEX #F6CB69

RGB 246 203 105

HSL 41.7, 0.89%, 0.69%

LAB 83.61, 4.06, 53.81

 

CMYK 0 / 13 / 42 / 2

HEX #F9D890

RGB 249 216 144

HSL 41.14, 0.9%, 0.77%

LAB 87.61, 2.02, 39.68

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 0 / 4 / 12 / 1

HEX #FDF3DE

RGB 253 243 222

HSL 40.65, 0.89%, 0.93%

LAB 96.1, -0.08, 11.31

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 24 / 0 / 27 / 2

HEX #BFFBB7

RGB 191 251 183

HSL 112.94, 0.89%, 0.85%

LAB 93.23, -31.36, 26.65

 

CMYK 20 / 27 / 0 / 2

HEX #CAB7FB

RGB 202 183 251

HSL 256.76, 0.89%, 0.85%

LAB 78.1, 20.19, -31.17

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 27 / 0 / 9 / 2

HEX #B7FBE5

RGB 183 251 229

HSL 160.59, 0.89%, 0.85%

LAB 93.76, -25.55, 3.74

 

CMYK 9 / 27 / 0 / 2

HEX #E5B7FB

RGB 229 183 251

HSL 280.59, 0.89%, 0.85%

LAB 80.45, 28.48, -27.36

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 24 / 0 / 27 / 2

HEX #BFFBB7

RGB 191 251 183

HSL 112.94, 0.89%, 0.85%

LAB 93.23, -31.36, 26.65

 

CMYK 27 / 19 / 0 / 2

HEX #B7CCFB

RGB 183 204 251

HSL 221.47, 0.89%, 0.85%

LAB 81.96, 3.17, -25.39

 

CMYK 3 / 27 / 0 / 2

HEX #F3B7FB

RGB 243 183 251

HSL 292.94, 0.89%, 0.85%

LAB 81.78, 32.88, -25.22

 

CMYK 0 / 8 / 27 / 2

HEX #FBE6B7

RGB 251 230 183

HSL 41.47, 0.89%, 0.85%

LAB 91.92, 0.19, 25.54

 

CMYK 27 / 0 / 22 / 2

HEX #B7FBC3

RGB 183 251 195

HSL 130.59, 0.89%, 0.85%

LAB 93.02, -31.93, 20.18

 

CMYK 27 / 19 / 0 / 2

HEX #B7CCFB

RGB 183 204 251

HSL 221.47, 0.89%, 0.85%

LAB 81.96, 3.17, -25.39

 

CMYK 0 / 27 / 5 / 2

HEX #FBB7EE

RGB 251 183 238

HSL 311.47, 0.89%, 0.85%

LAB 82.14, 33.11, -17.64

 

Description

Color code: HEX #FBE6B7 | qconv.com Color code: HEX #FBE6B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 230 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 230 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 27 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 27% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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