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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBDBB3CE it is the complementary color #04244CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBDBB3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBDBB3CE shade: #FFDBAECE, #FFEDC1CE, #FFFFD4CE, #FFFFE7CE and #FFFFFACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBDBB3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBDBB3CE shade: #FBDBB3CE, #EAC9A0CE, #D9B78DCE, #C8A57ACE and #B79367CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBDBB3CE shade: #FBDAB1, #FBC6B1, #FBB3B1 and #FBB1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBDBB3CE shade: #FBDAB1, #FBEEB1, #F4FBB1, #E0FBB1 and #CCFBB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBDBB3CE shade matches the following richer shades: #FBDAB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBDBB3CE shade: #FBDAB1, #F4DAB8, #EED9BF, #E7D8C5 and #E1D7CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBDBB3CE shade: #FBB3B1, #FBC6B1, #FBDAB1, #FBEDB1 and #F5FBB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBDBB3CE shade: #F7B563, #F9C88A, #FBDAB1, #FDEDD9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBDBB3CE shade: #FBDBB3, #C4FBB1 and #BCB1FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBDBB3CE shade: #FBDBB3, #B1FBDA and #DAB1FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBDBB3CE shade: #FBDBB3, #C4FBB1, #B1D3FB and #E9B1FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBDBB3CE shade: #FBDBB3, #B1FBB5, #B1D3FB and #FBB1F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 23 / 1

HEX #FBDBB3CE

RGBA 251 219 179 0.81

HSLA 33.33, 0.9%, 0.84%, 0.81

LABA 89.12, 5.3, 23.77, 0.81

 

Complementary color

CMYK 77 / 43 / 0 / 57

HEX #04244CCE

RGBA 4 36 76 0.81

HSLA 213.33, 0.9%, 0.16%, 0.81

LABA 14.45, 6.44, -27.93, 0.81

 

CMYK 0 / 11 / 26 / 0

HEX #FFDBAECE

RGBA 255 219 174 0.81

HSLA 33.33, 1%, 0.84%, 0.81

LABA 89.38, 6.18, 26.77, 0.81

 

CMYK 0 / 6 / 20 / 0

HEX #FFEDC1CE

RGBA 255 237 193 0.81

HSLA 42.58, 1%, 0.88%, 0.81

LABA 94.17, -0.55, 23.55, 0.81

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFD4CE

RGBA 255 255 212 0.81

HSLA 60, 1%, 0.92%, 0.81

LABA 99.04, -6.9, 20.6, 0.81

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFE7CE

RGBA 255 255 231 0.81

HSLA 60, 1%, 0.95%, 0.81

LABA 99.44, -4.01, 11.47, 0.81

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFACE

RGBA 255 255 250 0.81

HSLA 60, 1%, 0.99%, 0.81

LABA 99.88, -0.86, 2.37, 0.81

 

CMYK 0 / 10 / 23 / 1

HEX #FBDBB3CE

RGBA 251 219 179 0.81

HSLA 33.33, 0.9%, 0.84%, 0.81

LABA 89.12, 5.3, 23.77, 0.81

 

CMYK 0 / 11 / 26 / 7

HEX #EAC9A0CE

RGBA 234 201 160 0.81

HSLA 33.24, 0.64%, 0.77%, 0.81

LABA 82.81, 5.77, 24.81, 0.81

 

CMYK 0 / 13 / 28 / 12

HEX #D9B78DCE

RGBA 217 183 141 0.81

HSLA 33.16, 0.5%, 0.7%, 0.81

LABA 76.4, 6.31, 25.92, 0.81

 

CMYK 0 / 14 / 32 / 17

HEX #C8A57ACE

RGBA 200 165 122 0.81

HSLA 33.08, 0.41%, 0.63%, 0.81

LABA 69.89, 6.92, 27.11, 0.81

 

CMYK 0 / 16 / 35 / 23

HEX #B79367CE

RGBA 183 147 103 0.81

HSLA 33, 0.36%, 0.56%, 0.81

LABA 63.27, 7.63, 28.39, 0.81

 

CMYK 0 / 13 / 29 / 2

HEX #FBDAB1

RGB 251 218 177

HSL 33.24, 0.9%, 0.84%

LAB 88.84, 5.56, 24.42

 

CMYK 0 / 21 / 29 / 2

HEX #FBC6B1

RGB 251 198 177

HSL 17.03, 0.9%, 0.84%

LAB 84, 15.95, 17.73

 

CMYK 0 / 29 / 29 / 2

HEX #FBB3B1

RGB 251 179 177

HSL 1.62, 0.9%, 0.84%

LAB 79.57, 25.94, 11.49

 

CMYK 0 / 29 / 29 / 2

HEX #FBB1B1

RGB 251 177 177

HSL 0, 0.9%, 0.84%

LAB 79.11, 26.99, 10.84

 

CMYK 0 / 13 / 29 / 2

HEX #FBDAB1

RGB 251 218 177

HSL 33.24, 0.9%, 0.84%

LAB 88.84, 5.56, 24.42

 

CMYK 0 / 5 / 29 / 2

HEX #FBEEB1

RGB 251 238 177

HSL 49.46, 0.9%, 0.84%

LAB 93.81, -4.62, 31.17

 

CMYK 3 / 0 / 29 / 2

HEX #F4FBB1

RGB 244 251 177

HSL 65.68, 0.9%, 0.84%

LAB 96.58, -13.66, 34.78

 

CMYK 11 / 0 / 29 / 2

HEX #E0FBB1

RGB 224 251 177

HSL 81.89, 0.9%, 0.84%

LAB 95.17, -20.91, 32.65

 

CMYK 19 / 0 / 29 / 2

HEX #CCFBB1

RGB 204 251 177

HSL 98.11, 0.9%, 0.84%

LAB 93.89, -27.92, 30.71

 

CMYK 0 / 13 / 29 / 2

HEX #FBDAB1

RGB 251 218 177

HSL 33.24, 0.9%, 0.84%

LAB 88.84, 5.56, 24.42

 

CMYK 0 / 13 / 29 / 2

HEX #FBDAB1

RGB 251 218 177

HSL 33.24, 0.9%, 0.84%

LAB 88.84, 5.56, 24.42

 

CMYK 0 / 11 / 25 / 4

HEX #F4DAB8

RGB 244 218 184

HSL 34, 0.73%, 0.84%

LAB 88.37, 3.87, 20.03

 

CMYK 0 / 9 / 20 / 7

HEX #EED9BF

RGB 238 217 191

HSL 33.19, 0.58%, 0.84%

LAB 87.76, 3.17, 15.44

 

CMYK 0 / 6 / 15 / 9

HEX #E7D8C5

RGB 231 216 197

HSL 33.53, 0.41%, 0.84%

LAB 87.06, 2.06, 11.21

 

CMYK 0 / 4 / 9 / 12

HEX #E1D7CC

RGB 225 215 204

HSL 31.43, 0.26%, 0.84%

LAB 86.49, 1.56, 6.64

 

CMYK 0 / 29 / 29 / 2

HEX #FBB3B1

RGB 251 179 177

HSL 1.62, 0.9%, 0.84%

LAB 79.57, 25.94, 11.49

 

CMYK 0 / 21 / 29 / 2

HEX #FBC6B1

RGB 251 198 177

HSL 17.03, 0.9%, 0.84%

LAB 84, 15.95, 17.73

 

CMYK 0 / 13 / 29 / 2

HEX #FBDAB1

RGB 251 218 177

HSL 33.24, 0.9%, 0.84%

LAB 88.84, 5.56, 24.42

 

CMYK 0 / 6 / 29 / 2

HEX #FBEDB1

RGB 251 237 177

HSL 48.65, 0.9%, 0.84%

LAB 93.56, -4.12, 30.84

 

CMYK 2 / 0 / 29 / 2

HEX #F5FBB1

RGB 245 251 177

HSL 64.86, 0.9%, 0.84%

LAB 96.65, -13.29, 34.89

 

CMYK 0 / 27 / 60 / 3

HEX #F7B563

RGB 247 181 99

HSL 33.24, 0.9%, 0.68%

LAB 78.3, 15.51, 50.51

 

CMYK 0 / 20 / 45 / 2

HEX #F9C88A

RGB 249 200 138

HSL 33.51, 0.9%, 0.76%

LAB 83.59, 9.68, 37.54

 

CMYK 0 / 13 / 29 / 2

HEX #FBDAB1

RGB 251 218 177

HSL 33.24, 0.9%, 0.84%

LAB 88.84, 5.56, 24.42

 

CMYK 0 / 6 / 14 / 1

HEX #FDEDD9

RGB 253 237 217

HSL 33.33, 0.9%, 0.92%

LAB 94.51, 2.19, 11.62

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 13 / 29 / 2

HEX #FBDBB3

RGB 251 219 179

HSL 33.33, 0.9%, 0.84%

LAB 89.12, 5.3, 23.77

 

CMYK 22 / 0 / 29 / 2

HEX #C4FBB1

RGB 196 251 177

HSL 104.59, 0.9%, 0.84%

LAB 93.41, -30.63, 29.98

 

CMYK 25 / 29 / 0 / 2

HEX #BCB1FB

RGB 188 177 251

HSL 248.92, 0.9%, 0.84%

LAB 75.51, 19.34, -35.26

 

CMYK 0 / 13 / 29 / 2

HEX #FBDBB3

RGB 251 219 179

HSL 33.33, 0.9%, 0.84%

LAB 89.12, 5.3, 23.77

 

CMYK 29 / 0 / 13 / 2

HEX #B1FBDA

RGB 177 251 218

HSL 153.24, 0.9%, 0.84%

LAB 93.19, -29.49, 8.55

 

CMYK 13 / 29 / 0 / 2

HEX #DAB1FB

RGB 218 177 251

HSL 273.24, 0.9%, 0.84%

LAB 78.06, 28.31, -31.12

 

CMYK 0 / 13 / 29 / 2

HEX #FBDBB3

RGB 251 219 179

HSL 33.33, 0.9%, 0.84%

LAB 89.12, 5.3, 23.77

 

CMYK 22 / 0 / 29 / 2

HEX #C4FBB1

RGB 196 251 177

HSL 104.59, 0.9%, 0.84%

LAB 93.41, -30.63, 29.98

 

CMYK 29 / 16 / 0 / 2

HEX #B1D3FB

RGB 177 211 251

HSL 212.43, 0.9%, 0.84%

LAB 83.39, -2.27, -23.24

 

CMYK 7 / 29 / 0 / 2

HEX #E9B1FB

RGB 233 177 251

HSL 285.41, 0.9%, 0.84%

LAB 79.46, 32.94, -28.84

 

CMYK 0 / 13 / 29 / 2

HEX #FBDBB3

RGB 251 219 179

HSL 33.33, 0.9%, 0.84%

LAB 89.12, 5.3, 23.77

 

CMYK 29 / 0 / 28 / 2

HEX #B1FBB5

RGB 177 251 181

HSL 123.24, 0.9%, 0.84%

LAB 92.43, -36.17, 26.46

 

CMYK 29 / 16 / 0 / 2

HEX #B1D3FB

RGB 177 211 251

HSL 212.43, 0.9%, 0.84%

LAB 83.39, -2.27, -23.24

 

CMYK 0 / 29 / 2 / 2

HEX #FBB1F7

RGB 251 177 247

HSL 303.24, 0.9%, 0.84%

LAB 81.11, 37.84, -24.02

 

Description

Color code: HEX #FBDBB3CE | qconv.com Color code: HEX #FBDBB3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 219 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 219 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 23 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 23% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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