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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBDB30CE it is the complementary color #0424CFCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBDB30CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBDB30CE shade: #FFDB2BCE, #FFED3ECE, #FFFF51CE, #FFFF64CE and #FFFF77CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBDB30CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBDB30CE shade: #FBDB30CE, #EAC91DCE, #D9B70ACE, #C8A500CE and #B79300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBDB30CE shade: #FBDB32, #FBA532, #FB6F32, #FB3932 and #FB3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBDB30CE shade: #FBDB32, #E4FB32, #AEFB32, #78FB32 and #42FB32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBDB30CE shade matches the following richer shades: #FBDB32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBDB30CE shade: #FBDB32, #EAD043, #D9C454, #C8B865 and #B7AD76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBDB30CE shade: #FB6E32, #FBA432, #FBD932, #E7FB32 and #B1FB32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBDB30CE shade: #D6B504, #FAD40A, #FBDB32, #FCE25B and #FCE983

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBDB30CE shade: #FBDB30, #32FB39 and #8932FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBDB30CE shade: #FBDB30, #32FBD9 and #D932FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBDB30CE shade: #FBDB30, #32FB39, #3254FB and #FB32F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBDB30CE shade: #FBDB30, #32FB75, #3254FB and #FB32B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 66 / 1

HEX #FBDB30CE

RGBA 251 219 48 0.81

HSLA 50.54, 0.96%, 0.59%, 0.81

LABA 87.67, -4.89, 79.97, 0.81

 

Complementary color

CMYK 79 / 67 / 0 / 15

HEX #0424CFCE

RGBA 4 36 207 0.81

HSLA 230.54, 0.96%, 0.41%, 0.81

LABA 28.88, 56.98, -86.15, 0.81

 

CMYK 0 / 11 / 67 / 0

HEX #FFDB2BCE

RGBA 255 219 43 0.81

HSLA 49.81, 1%, 0.58%, 0.81

LABA 88.02, -3.34, 81.7, 0.81

 

CMYK 0 / 6 / 61 / 0

HEX #FFED3ECE

RGBA 255 237 62 0.81

HSLA 54.4, 1%, 0.62%, 0.81

LABA 92.65, -11.71, 80.48, 0.81

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF51CE

RGBA 255 255 81 0.81

HSLA 60, 1%, 0.66%, 0.81

LABA 97.38, -19.62, 78.71, 0.81

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF64CE

RGBA 255 255 100 0.81

HSLA 60, 1%, 0.7%, 0.81

LABA 97.51, -18.57, 71.69, 0.81

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF77CE

RGBA 255 255 119 0.81

HSLA 60, 1%, 0.73%, 0.81

LABA 97.68, -17.25, 63.88, 0.81

 

CMYK 0 / 10 / 66 / 1

HEX #FBDB30CE

RGBA 251 219 48 0.81

HSLA 50.54, 0.96%, 0.59%, 0.81

LABA 87.67, -4.89, 79.97, 0.81

 

CMYK 0 / 11 / 71 / 7

HEX #EAC91DCE

RGBA 234 201 29 0.81

HSLA 50.34, 0.83%, 0.52%, 0.81

LABA 81.49, -3.44, 78.7, 0.81

 

CMYK 0 / 13 / 77 / 12

HEX #D9B70ACE

RGBA 217 183 10 0.81

HSLA 50.14, 0.91%, 0.45%, 0.81

LABA 75.23, -1.79, 76.14, 0.81

 

CMYK 0 / 14 / 81 / 17

HEX #C8A500CE

RGBA 200 165 0 0.81

HSLA 49.5, 1%, 0.39%, 0.81

LABA 68.89, 0.09, 71.98, 0.81

 

CMYK 0 / 16 / 81 / 23

HEX #B79300CE

RGBA 183 147 0 0.81

HSLA 48.2, 1%, 0.36%, 0.81

LABA 62.45, 2.13, 66.67, 0.81

 

CMYK 0 / 13 / 80 / 2

HEX #FBDB32

RGB 251 219 50

HSL 50.45, 0.96%, 0.59%

LAB 87.68, -4.83, 79.43

 

CMYK 0 / 34 / 80 / 2

HEX #FBA532

RGB 251 165 50

HSL 34.33, 0.96%, 0.59%

LAB 74.6, 23.11, 67.89

 

CMYK 0 / 56 / 80 / 2

HEX #FB6F32

RGB 251 111 50

HSL 18.21, 0.96%, 0.59%

LAB 63.43, 50.31, 57.65

 

CMYK 0 / 77 / 80 / 2

HEX #FB3932

RGB 251 57 50

HSL 2.09, 0.96%, 0.59%

LAB 55.75, 71.03, 50.31

 

CMYK 0 / 80 / 80 / 2

HEX #FB3232

RGB 251 50 50

HSL 0, 0.96%, 0.59%

LAB 55.09, 72.88, 49.67

 

CMYK 0 / 13 / 80 / 2

HEX #FBDB32

RGB 251 219 50

HSL 50.45, 0.96%, 0.59%

LAB 87.68, -4.83, 79.43

 

CMYK 9 / 0 / 80 / 2

HEX #E4FB32

RGB 228 251 50

HSL 66.87, 0.96%, 0.59%

LAB 94.19, -29.83, 84.38

 

CMYK 31 / 0 / 80 / 2

HEX #AEFB32

RGB 174 251 50

HSL 82.99, 0.96%, 0.59%

LAB 90.88, -50.38, 80.19

 

CMYK 52 / 0 / 80 / 2

HEX #78FB32

RGB 120 251 50

HSL 99.1, 0.96%, 0.59%

LAB 88.55, -67.36, 77.21

 

CMYK 74 / 0 / 80 / 2

HEX #42FB32

RGB 66 251 50

HSL 115.22, 0.96%, 0.59%

LAB 87.18, -78.63, 75.45

 

CMYK 0 / 13 / 80 / 2

HEX #FBDB32

RGB 251 219 50

HSL 50.45, 0.96%, 0.59%

LAB 87.68, -4.83, 79.43

 

CMYK 0 / 13 / 80 / 2

HEX #FBDB32

RGB 251 219 50

HSL 50.45, 0.96%, 0.59%

LAB 87.68, -4.83, 79.43

 

CMYK 0 / 11 / 71 / 8

HEX #EAD043

RGB 234 208 67

HSL 50.66, 0.8%, 0.59%

LAB 83.45, -5.77, 69.47

 

CMYK 0 / 10 / 61 / 15

HEX #D9C454

RGB 217 196 84

HSL 50.53, 0.64%, 0.59%

LAB 78.97, -5.83, 57.44

 

CMYK 0 / 8 / 50 / 22

HEX #C8B865

RGB 200 184 101

HSL 50.3, 0.47%, 0.59%

LAB 74.51, -5.37, 43.9

 

CMYK 0 / 5 / 36 / 28

HEX #B7AD76

RGB 183 173 118

HSL 50.77, 0.31%, 0.59%

LAB 70.36, -4.73, 29.59

 

CMYK 0 / 56 / 80 / 2

HEX #FB6E32

RGB 251 110 50

HSL 17.91, 0.96%, 0.59%

LAB 63.25, 50.77, 57.48

 

CMYK 0 / 35 / 80 / 2

HEX #FBA432

RGB 251 164 50

HSL 34.03, 0.96%, 0.59%

LAB 74.38, 23.63, 67.68

 

CMYK 0 / 14 / 80 / 2

HEX #FBD932

RGB 251 217 50

HSL 49.85, 0.96%, 0.59%

LAB 87.18, -3.82, 78.99

 

CMYK 8 / 0 / 80 / 2

HEX #E7FB32

RGB 231 251 50

HSL 65.97, 0.96%, 0.59%

LAB 94.4, -28.62, 84.65

 

CMYK 29 / 0 / 80 / 2

HEX #B1FB32

RGB 177 251 50

HSL 82.09, 0.96%, 0.59%

LAB 91.04, -49.31, 80.39

 

CMYK 0 / 15 / 98 / 16

HEX #D6B504

RGB 214 181 4

HSL 50.57, 0.96%, 0.43%

LAB 74.41, -2.12, 76.07

 

CMYK 0 / 15 / 96 / 2

HEX #FAD40A

RGB 250 212 10

HSL 50.5, 0.96%, 0.51%

LAB 85.72, -2.45, 85.2

 

CMYK 0 / 13 / 80 / 2

HEX #FBDB32

RGB 251 219 50

HSL 50.45, 0.96%, 0.59%

LAB 87.68, -4.83, 79.43

 

CMYK 0 / 10 / 64 / 1

HEX #FCE25B

RGB 252 226 91

HSL 50.31, 0.96%, 0.67%

LAB 89.79, -6.11, 67.04

 

CMYK 0 / 8 / 48 / 1

HEX #FCE983

RGB 252 233 131

HSL 50.58, 0.95%, 0.75%

LAB 91.96, -6.65, 51.57

 

CMYK 0 / 13 / 81 / 2

HEX #FBDB30

RGB 251 219 48

HSL 50.54, 0.96%, 0.59%

LAB 87.67, -4.89, 79.97

 

CMYK 80 / 0 / 77 / 2

HEX #32FB39

RGB 50 251 57

HSL 122.09, 0.96%, 0.59%

LAB 86.98, -80.28, 73.24

 

CMYK 45 / 80 / 0 / 2

HEX #8932FB

RGB 137 50 251

HSL 265.97, 0.96%, 0.59%

LAB 45.03, 73.03, -84.23

 

CMYK 0 / 13 / 81 / 2

HEX #FBDB30

RGB 251 219 48

HSL 50.54, 0.96%, 0.59%

LAB 87.67, -4.89, 79.97

 

CMYK 80 / 0 / 14 / 2

HEX #32FBD9

RGB 50 251 217

HSL 169.85, 0.96%, 0.59%

LAB 89.24, -54.54, 2.87

 

CMYK 14 / 80 / 0 / 2

HEX #D932FB

RGB 217 50 251

HSL 289.85, 0.96%, 0.59%

LAB 56.09, 85.15, -65.75

 

CMYK 0 / 13 / 81 / 2

HEX #FBDB30

RGB 251 219 48

HSL 50.54, 0.96%, 0.59%

LAB 87.67, -4.89, 79.97

 

CMYK 80 / 0 / 77 / 2

HEX #32FB39

RGB 50 251 57

HSL 122.09, 0.96%, 0.59%

LAB 86.98, -80.28, 73.24

 

CMYK 80 / 67 / 0 / 2

HEX #3254FB

RGB 50 84 251

HSL 229.85, 0.96%, 0.59%

LAB 44.21, 47, -85.82

 

CMYK 0 / 80 / 3 / 2

HEX #FB32F4

RGB 251 50 244

HSL 302.09, 0.96%, 0.59%

LAB 61.06, 90.09, -53.59

 

CMYK 0 / 13 / 81 / 2

HEX #FBDB30

RGB 251 219 48

HSL 50.54, 0.96%, 0.59%

LAB 87.67, -4.89, 79.97

 

CMYK 80 / 0 / 53 / 2

HEX #32FB75

RGB 50 251 117

HSL 140, 0.96%, 0.59%

LAB 87.46, -74.35, 50.5

 

CMYK 80 / 67 / 0 / 2

HEX #3254FB

RGB 50 84 251

HSL 229.85, 0.96%, 0.59%

LAB 44.21, 47, -85.82

 

CMYK 0 / 80 / 27 / 2

HEX #FB32B8

RGB 251 50 184

HSL 320, 0.96%, 0.59%

LAB 58.27, 82.33, -23.94

 

Description

Color code: HEX #FBDB30CE | qconv.com Color code: HEX #FBDB30CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 219 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 219 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 66 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 66% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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