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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBD56B it is the complementary color #042A94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBD56B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBD56B shade: #FFD566, #FFE779, #FFF98C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBD56B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBD56B shade: #FBD56B, #EAC358, #D9B145, #C89F32 and #B78D1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBD56B shade: #FBD56A, #FBAE6A, #FB866A and #FB6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBD56B shade: #FBD56A, #FAFB6A, #D3FB6A, #ACFB6A and #85FB6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBD56B shade matches the following richer shades: #FBD56A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBD56B shade: #FBD56A, #EFCF76, #E2C983, #D6C38F and #CABD9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBD56B shade: #FB876A, #FBAE6A, #FBD46A, #FBFB6A and #D4FB6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBD56B shade: #F9BE19, #FAC942, #FBD56A, #FCE092 and #FDECBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBD56B shade: #FBD56B, #74FB6A and #9A6AFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBD56B shade: #FBD56B, #6AFBD4 and #D46AFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBD56B shade: #FBD56B, #74FB6A, #6A91FB and #F16AFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBD56B shade: #FBD56B, #6AFB8C, #6A91FB and #FB6AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 57 / 2

HEX #FBD56B

RGB 251 213 107

HSL 44.17, 0.95%, 0.7%

LAB 86.58, 1.11, 56.44

 

Complementary color

CMYK 97 / 72 / 0 / 42

HEX #042A94

RGB 4 42 148

HSL 224.17, 0.95%, 0.3%

LAB 23.07, 33.14, -60.47

 

CMYK 0 / 16 / 60 / 0

HEX #FFD566

RGB 255 213 102

HSL 43.53, 1%, 0.7%

LAB 86.9, 2.4, 59.19

 

CMYK 0 / 9 / 53 / 0

HEX #FFE779

RGB 255 231 121

HSL 49.25, 1%, 0.74%

LAB 91.59, -5.31, 55.9

 

CMYK 0 / 2 / 45 / 0

HEX #FFF98C

RGB 255 249 140

HSL 56.87, 1%, 0.77%

LAB 96.37, -12.57, 52.75

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 15 / 57 / 2

HEX #FBD56B

RGB 251 213 107

HSL 44.17, 0.95%, 0.7%

LAB 86.58, 1.11, 56.44

 

CMYK 0 / 17 / 62 / 8

HEX #EAC358

RGB 234 195 88

HSL 43.97, 0.78%, 0.63%

LAB 80.31, 2.06, 57.58

 

CMYK 0 / 18 / 68 / 15

HEX #D9B145

RGB 217 177 69

HSL 43.78, 0.66%, 0.56%

LAB 73.95, 3.17, 58.57

 

CMYK 0 / 21 / 75 / 22

HEX #C89F32

RGB 200 159 50

HSL 43.6, 0.6%, 0.49%

LAB 67.51, 4.46, 59.25

 

CMYK 0 / 23 / 83 / 28

HEX #B78D1F

RGB 183 141 31

HSL 43.42, 0.71%, 0.42%

LAB 60.97, 5.99, 59.27

 

CMYK 0 / 15 / 58 / 2

HEX #FBD56A

RGB 251 213 106

HSL 44.28, 0.95%, 0.7%

LAB 86.57, 1.04, 56.89

 

CMYK 0 / 31 / 58 / 2

HEX #FBAE6A

RGB 251 174 106

HSL 28.14, 0.95%, 0.7%

LAB 77.17, 21.32, 45.82

 

CMYK 0 / 47 / 58 / 2

HEX #FB866A

RGB 251 134 106

HSL 11.59, 0.95%, 0.7%

LAB 68.46, 42.01, 35.04

 

CMYK 0 / 58 / 58 / 2

HEX #FB6A6A

RGB 251 106 106

HSL 0, 0.95%, 0.7%

LAB 63.23, 55.41, 28.31

 

CMYK 0 / 15 / 58 / 2

HEX #FBD56A

RGB 251 213 106

HSL 44.28, 0.95%, 0.7%

LAB 86.57, 1.04, 56.89

 

CMYK 0 / 0 / 58 / 2

HEX #FAFB6A

RGB 250 251 106

HSL 60.41, 0.95%, 0.7%

LAB 96.15, -18.24, 67.64

 

CMYK 16 / 0 / 58 / 2

HEX #D3FB6A

RGB 211 251 106

HSL 76.55, 0.95%, 0.7%

LAB 93.4, -33.39, 63.82

 

CMYK 31 / 0 / 58 / 2

HEX #ACFB6A

RGB 172 251 106

HSL 92.69, 0.95%, 0.7%

LAB 91.15, -47.44, 60.66

 

CMYK 47 / 0 / 58 / 2

HEX #85FB6A

RGB 133 251 106

HSL 108.83, 0.95%, 0.7%

LAB 89.4, -59.58, 58.21

 

CMYK 0 / 15 / 58 / 2

HEX #FBD56A

RGB 251 213 106

HSL 44.28, 0.95%, 0.7%

LAB 86.57, 1.04, 56.89

 

CMYK 0 / 15 / 58 / 2

HEX #FBD56A

RGB 251 213 106

HSL 44.28, 0.95%, 0.7%

LAB 86.57, 1.04, 56.89

 

CMYK 0 / 13 / 51 / 6

HEX #EFCF76

RGB 239 207 118

HSL 44.13, 0.79%, 0.7%

LAB 84.11, 0.19, 48.02

 

CMYK 0 / 11 / 42 / 11

HEX #E2C983

RGB 226 201 131

HSL 44.21, 0.62%, 0.7%

LAB 81.61, -0.7, 38.15

 

CMYK 0 / 9 / 33 / 16

HEX #D6C38F

RGB 214 195 143

HSL 43.94, 0.46%, 0.7%

LAB 79.22, -0.95, 28.6

 

CMYK 0 / 6 / 23 / 21

HEX #CABD9B

RGB 202 189 155

HSL 43.4, 0.31%, 0.7%

LAB 76.87, -0.84, 18.87

 

CMYK 0 / 46 / 58 / 2

HEX #FB876A

RGB 251 135 106

HSL 12, 0.95%, 0.7%

LAB 68.66, 41.51, 35.3

 

CMYK 0 / 31 / 58 / 2

HEX #FBAE6A

RGB 251 174 106

HSL 28.14, 0.95%, 0.7%

LAB 77.17, 21.32, 45.82

 

CMYK 0 / 16 / 58 / 2

HEX #FBD46A

RGB 251 212 106

HSL 43.86, 0.95%, 0.7%

LAB 86.32, 1.55, 56.61

 

CMYK 0 / 0 / 58 / 2

HEX #FBFB6A

RGB 251 251 106

HSL 60, 0.95%, 0.7%

LAB 96.22, -17.84, 67.74

 

CMYK 16 / 0 / 58 / 2

HEX #D4FB6A

RGB 212 251 106

HSL 76.14, 0.95%, 0.7%

LAB 93.46, -33.01, 63.91

 

CMYK 0 / 24 / 90 / 2

HEX #F9BE19

RGB 249 190 25

HSL 44.2, 0.95%, 0.54%

LAB 80.2, 8.6, 79.1

 

CMYK 0 / 20 / 74 / 2

HEX #FAC942

RGB 250 201 66

HSL 44.02, 0.95%, 0.62%

LAB 83.17, 4.51, 70.08

 

CMYK 0 / 15 / 58 / 2

HEX #FBD56A

RGB 251 213 106

HSL 44.28, 0.95%, 0.7%

LAB 86.57, 1.04, 56.89

 

CMYK 0 / 11 / 42 / 1

HEX #FCE092

RGB 252 224 146

HSL 44.15, 0.95%, 0.78%

LAB 89.9, -0.68, 41.67

 

CMYK 0 / 7 / 26 / 1

HEX #FDECBA

RGB 253 236 186

HSL 44.78, 0.94%, 0.86%

LAB 93.63, -1.72, 26.37

 

CMYK 0 / 15 / 57 / 2

HEX #FBD56B

RGB 251 213 107

HSL 44.17, 0.95%, 0.7%

LAB 86.58, 1.11, 56.44

 

CMYK 54 / 0 / 58 / 2

HEX #74FB6A

RGB 116 251 106

HSL 115.86, 0.95%, 0.7%

LAB 88.8, -64.07, 57.36

 

CMYK 39 / 58 / 0 / 2

HEX #9A6AFB

RGB 154 106 251

HSL 259.86, 0.95%, 0.7%

LAB 56.23, 50.07, -65.93

 

CMYK 0 / 15 / 57 / 2

HEX #FBD56B

RGB 251 213 107

HSL 44.17, 0.95%, 0.7%

LAB 86.58, 1.11, 56.44

 

CMYK 58 / 0 / 16 / 2

HEX #6AFBD4

RGB 106 251 212

HSL 163.86, 0.95%, 0.7%

LAB 90.24, -48.12, 7.04

 

CMYK 16 / 58 / 0 / 2

HEX #D46AFB

RGB 212 106 251

HSL 283.86, 0.95%, 0.7%

LAB 62.74, 63.49, -55.15

 

CMYK 0 / 15 / 57 / 2

HEX #FBD56B

RGB 251 213 107

HSL 44.17, 0.95%, 0.7%

LAB 86.58, 1.11, 56.44

 

CMYK 54 / 0 / 58 / 2

HEX #74FB6A

RGB 116 251 106

HSL 115.86, 0.95%, 0.7%

LAB 88.8, -64.07, 57.36

 

CMYK 58 / 42 / 0 / 2

HEX #6A91FB

RGB 106 145 251

HSL 223.86, 0.95%, 0.7%

LAB 61.9, 17.37, -57.04

 

CMYK 4 / 58 / 0 / 2

HEX #F16AFB

RGB 241 106 251

HSL 295.86, 0.95%, 0.7%

LAB 66.5, 70.54, -48.94

 

CMYK 0 / 15 / 57 / 2

HEX #FBD56B

RGB 251 213 107

HSL 44.17, 0.95%, 0.7%

LAB 86.58, 1.11, 56.44

 

CMYK 58 / 0 / 44 / 2

HEX #6AFB8C

RGB 106 251 140

HSL 134.07, 0.95%, 0.7%

LAB 88.9, -61.95, 41.67

 

CMYK 58 / 42 / 0 / 2

HEX #6A91FB

RGB 106 145 251

HSL 223.86, 0.95%, 0.7%

LAB 61.9, 17.37, -57.04

 

CMYK 0 / 58 / 14 / 2

HEX #FB6AD9

RGB 251 106 217

HSL 314.07, 0.95%, 0.7%

LAB 66.39, 67.66, -30.18

 

Description

Color code: HEX #FBD56B | qconv.com Color code: HEX #FBD56B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 213 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 213 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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