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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBCC92 it is the complementary color #04336D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBCC92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBCC92 shade: #FFCC8D, #FFDEA0, #FFF0B3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBCC92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBCC92 shade: #FBCC92, #EABA7F, #D9A86C, #C89659 and #B78446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBCC92 shade: #FBCC93, #FBB093, #FB9493 and #FB9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBCC92 shade: #FBCC93, #FBE893, #F2FB93, #D5FB93 and #B9FB93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBCC92 shade matches the following richer shades: #FBCC93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBCC92 shade: #FBCC93, #F2CB9C, #E9CAA5, #E0CAAE and #D7C9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBCC92 shade: #FB9493, #FBB093, #FBCC93, #FBE893 and #F2FB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBCC92 shade: #F8A743, #FABA6B, #FBCC93, #FDDFBB and #FEF2E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBCC92 shade: #FBCC92, #ADFB93 and #A293FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBCC92 shade: #FBCC92, #93FBCC and #CC93FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBCC92 shade: #FBCC92, #ADFB93, #93C2FB and #E193FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBCC92 shade: #FBCC92, #93FB98, #93C2FB and #FB93F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 42 / 2

HEX #FBCC92

RGB 251 204 146

HSL 33.14, 0.93%, 0.78%

LAB 84.88, 9.2, 35.15

 

Complementary color

CMYK 96 / 53 / 0 / 57

HEX #04336D

RGB 4 51 109

HSL 213.14, 0.93%, 0.22%

LAB 21.94, 10.32, -37.73

 

CMYK 0 / 20 / 45 / 0

HEX #FFCC8D

RGB 255 204 141

HSL 33.16, 1%, 0.78%

LAB 85.18, 10.26, 38.18

 

CMYK 0 / 13 / 37 / 0

HEX #FFDEA0

RGB 255 222 160

HSL 39.16, 1%, 0.81%

LAB 89.88, 2.99, 34.63

 

CMYK 0 / 6 / 30 / 0

HEX #FFF0B3

RGB 255 240 179

HSL 48.16, 1%, 0.85%

LAB 94.67, -3.88, 31.37

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 19 / 42 / 2

HEX #FBCC92

RGB 251 204 146

HSL 33.14, 0.93%, 0.78%

LAB 84.88, 9.2, 35.15

 

CMYK 0 / 21 / 46 / 8

HEX #EABA7F

RGB 234 186 127

HSL 33.08, 0.72%, 0.71%

LAB 78.54, 9.95, 36.41

 

CMYK 0 / 23 / 50 / 15

HEX #D9A86C

RGB 217 168 108

HSL 33.03, 0.59%, 0.64%

LAB 72.12, 10.8, 37.75

 

CMYK 0 / 25 / 56 / 22

HEX #C89659

RGB 200 150 89

HSL 32.97, 0.5%, 0.57%

LAB 65.6, 11.79, 39.16

 

CMYK 0 / 28 / 62 / 28

HEX #B78446

RGB 183 132 70

HSL 32.92, 0.45%, 0.5%

LAB 58.99, 12.95, 40.62

 

CMYK 0 / 19 / 41 / 2

HEX #FBCC93

RGB 251 204 147

HSL 32.88, 0.93%, 0.78%

LAB 84.9, 9.3, 34.65

 

CMYK 0 / 30 / 41 / 2

HEX #FBB093

RGB 251 176 147

HSL 16.73, 0.93%, 0.78%

LAB 78.27, 23.96, 25.83

 

CMYK 0 / 41 / 41 / 2

HEX #FB9493

RGB 251 148 147

HSL 0.58, 0.93%, 0.78%

LAB 72.09, 38.56, 17.37

 

CMYK 0 / 41 / 41 / 2

HEX #FB9393

RGB 251 147 147

HSL 0, 0.93%, 0.78%

LAB 71.88, 39.07, 17.08

 

CMYK 0 / 19 / 41 / 2

HEX #FBCC93

RGB 251 204 147

HSL 32.88, 0.93%, 0.78%

LAB 84.9, 9.3, 34.65

 

CMYK 0 / 8 / 41 / 2

HEX #FBE893

RGB 251 232 147

HSL 49.04, 0.93%, 0.78%

LAB 91.83, -5.01, 43.62

 

CMYK 4 / 0 / 41 / 2

HEX #F2FB93

RGB 242 251 147

HSL 65.19, 0.93%, 0.78%

LAB 95.99, -17.85, 48.72

 

CMYK 15 / 0 / 41 / 2

HEX #D5FB93

RGB 213 251 147

HSL 81.92, 0.93%, 0.78%

LAB 93.99, -28.65, 45.78

 

CMYK 26 / 0 / 41 / 2

HEX #B9FB93

RGB 185 251 147

HSL 98.08, 0.93%, 0.78%

LAB 92.32, -38.51, 43.31

 

CMYK 0 / 19 / 41 / 2

HEX #FBCC93

RGB 251 204 147

HSL 32.88, 0.93%, 0.78%

LAB 84.9, 9.3, 34.65

 

CMYK 0 / 19 / 41 / 2

HEX #FBCC93

RGB 251 204 147

HSL 32.88, 0.93%, 0.78%

LAB 84.9, 9.3, 34.65

 

CMYK 0 / 16 / 36 / 5

HEX #F2CB9C

RGB 242 203 156

HSL 32.79, 0.77%, 0.78%

LAB 83.96, 7.32, 28.59

 

CMYK 0 / 13 / 29 / 9

HEX #E9CAA5

RGB 233 202 165

HSL 32.65, 0.61%, 0.78%

LAB 83.06, 5.51, 22.51

 

CMYK 0 / 10 / 22 / 12

HEX #E0CAAE

RGB 224 202 174

HSL 33.6, 0.45%, 0.78%

LAB 82.46, 3.35, 16.79

 

CMYK 0 / 7 / 15 / 16

HEX #D7C9B7

RGB 215 201 183

HSL 33.75, 0.29%, 0.78%

LAB 81.64, 1.9, 10.74

 

CMYK 0 / 41 / 41 / 2

HEX #FB9493

RGB 251 148 147

HSL 0.58, 0.93%, 0.78%

LAB 72.09, 38.56, 17.37

 

CMYK 0 / 30 / 41 / 2

HEX #FBB093

RGB 251 176 147

HSL 16.73, 0.93%, 0.78%

LAB 78.27, 23.96, 25.83

 

CMYK 0 / 19 / 41 / 2

HEX #FBCC93

RGB 251 204 147

HSL 32.88, 0.93%, 0.78%

LAB 84.9, 9.3, 34.65

 

CMYK 0 / 8 / 41 / 2

HEX #FBE893

RGB 251 232 147

HSL 49.04, 0.93%, 0.78%

LAB 91.83, -5.01, 43.62

 

CMYK 4 / 0 / 41 / 2

HEX #F2FB93

RGB 242 251 147

HSL 65.19, 0.93%, 0.78%

LAB 95.99, -17.85, 48.72

 

CMYK 0 / 33 / 73 / 3

HEX #F8A743

RGB 248 167 67

HSL 33.15, 0.93%, 0.62%

LAB 74.82, 21.46, 61.37

 

CMYK 0 / 26 / 57 / 2

HEX #FABA6B

RGB 250 186 107

HSL 33.15, 0.93%, 0.7%

LAB 79.9, 14.69, 48.57

 

CMYK 0 / 19 / 41 / 2

HEX #FBCC93

RGB 251 204 147

HSL 32.88, 0.93%, 0.78%

LAB 84.9, 9.3, 34.65

 

CMYK 0 / 12 / 26 / 1

HEX #FDDFBB

RGB 253 223 187

HSL 32.73, 0.94%, 0.86%

LAB 90.43, 5.04, 21.45

 

CMYK 0 / 5 / 11 / 0

HEX #FEF2E2

RGB 254 242 226

HSL 34.29, 0.93%, 0.94%

LAB 96.02, 1.4, 9.15

 

CMYK 0 / 19 / 42 / 2

HEX #FBCC92

RGB 251 204 146

HSL 33.14, 0.93%, 0.78%

LAB 84.88, 9.2, 35.15

 

CMYK 31 / 0 / 41 / 2

HEX #ADFB93

RGB 173 251 147

HSL 105, 0.93%, 0.78%

LAB 91.68, -42.49, 42.37

 

CMYK 35 / 41 / 0 / 2

HEX #A293FB

RGB 162 147 251

HSL 248.65, 0.93%, 0.78%

LAB 66.15, 29, -50.06

 

CMYK 0 / 19 / 42 / 2

HEX #FBCC92

RGB 251 204 146

HSL 33.14, 0.93%, 0.78%

LAB 84.88, 9.2, 35.15

 

CMYK 41 / 0 / 19 / 2

HEX #93FBCC

RGB 147 251 204

HSL 152.88, 0.93%, 0.78%

LAB 91.49, -40.6, 13.15

 

CMYK 19 / 41 / 0 / 2

HEX #CC93FB

RGB 204 147 251

HSL 272.88, 0.93%, 0.78%

LAB 69.94, 40.44, -43.82

 

CMYK 0 / 19 / 42 / 2

HEX #FBCC92

RGB 251 204 146

HSL 33.14, 0.93%, 0.78%

LAB 84.88, 9.2, 35.15

 

CMYK 31 / 0 / 41 / 2

HEX #ADFB93

RGB 173 251 147

HSL 105, 0.93%, 0.78%

LAB 91.68, -42.49, 42.37

 

CMYK 41 / 23 / 0 / 2

HEX #93C2FB

RGB 147 194 251

HSL 212.88, 0.93%, 0.78%

LAB 77.13, -1.23, -32.98

 

CMYK 10 / 41 / 0 / 2

HEX #E193FB

RGB 225 147 251

HSL 285, 0.93%, 0.78%

LAB 72.12, 46.44, -40.26

 

CMYK 0 / 19 / 42 / 2

HEX #FBCC92

RGB 251 204 146

HSL 33.14, 0.93%, 0.78%

LAB 84.88, 9.2, 35.15

 

CMYK 41 / 0 / 39 / 2

HEX #93FB98

RGB 147 251 152

HSL 122.88, 0.93%, 0.78%

LAB 90.53, -49.75, 38.2

 

CMYK 41 / 23 / 0 / 2

HEX #93C2FB

RGB 147 194 251

HSL 212.88, 0.93%, 0.78%

LAB 77.13, -1.23, -32.98

 

CMYK 0 / 41 / 2 / 2

HEX #FB93F6

RGB 251 147 246

HSL 302.88, 0.93%, 0.78%

LAB 74.84, 53.09, -33.09

 

Description

Color code: HEX #FBCC92 | qconv.com Color code: HEX #FBCC92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 204 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 204 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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