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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBC77F it is the complementary color #043880. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBC77F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBC77F shade: #FFC77A, #FFD98D, #FFEBA0, #FFFDB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBC77F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBC77F shade: #FBC77F, #EAB56C, #D9A359, #C89146 and #B77F33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBC77F shade: #FBC77E, #FBA57E, #FB847E and #FB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBC77F shade: #FBC77E, #FBE87E, #ECFB7E, #CAFB7E and #A9FB7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBC77F shade matches the following richer shades: #FBC77E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBC77F shade: #FBC77E, #F0C589, #E6C394, #DBC29F and #D0C0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBC77F shade: #FB837E, #FBA47E, #FBC57E, #FBE67E and #EFFB7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBC77F shade: #F9A42E, #FAB556, #FBC77E, #FCD8A6 and #FDEACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBC77F shade: #FBC77F, #9BFB7E and #937EFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBC77F shade: #FBC77F, #7EFBC5 and #C57EFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBC77F shade: #FBC77F, #9BFB7E, #7EB4FB and #DE7EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBC77F shade: #FBC77F, #7EFB87, #7EB4FB and #FB7EF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 49 / 2

HEX #FBC77F

RGB 251 199 127

HSL 34.84, 0.94%, 0.74%

LAB 83.38, 9.95, 42.91

 

Complementary color

CMYK 97 / 56 / 0 / 50

HEX #043880

RGB 4 56 128

HSL 214.84, 0.94%, 0.26%

LAB 24.99, 15.06, -44.86

 

CMYK 0 / 22 / 52 / 0

HEX #FFC77A

RGB 255 199 122

HSL 34.74, 1%, 0.74%

LAB 83.71, 11.12, 45.9

 

CMYK 0 / 15 / 45 / 0

HEX #FFD98D

RGB 255 217 141

HSL 40, 1%, 0.78%

LAB 88.36, 3.56, 42.25

 

CMYK 0 / 8 / 37 / 0

HEX #FFEBA0

RGB 255 235 160

HSL 47.37, 1%, 0.81%

LAB 93.11, -3.59, 38.87

 

CMYK 0 / 1 / 30 / 0

HEX #FFFDB3

RGB 255 253 179

HSL 58.42, 1%, 0.85%

LAB 97.94, -10.34, 35.74

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 21 / 49 / 2

HEX #FBC77F

RGB 251 199 127

HSL 34.84, 0.94%, 0.74%

LAB 83.38, 9.95, 42.91

 

CMYK 0 / 23 / 54 / 8

HEX #EAB56C

RGB 234 181 108

HSL 34.76, 0.75%, 0.67%

LAB 77.05, 10.87, 44.25

 

CMYK 0 / 25 / 59 / 15

HEX #D9A359

RGB 217 163 89

HSL 34.69, 0.63%, 0.6%

LAB 70.64, 11.91, 45.63

 

CMYK 0 / 28 / 65 / 22

HEX #C89146

RGB 200 145 70

HSL 34.62, 0.54%, 0.53%

LAB 64.14, 13.13, 47.01

 

CMYK 0 / 31 / 72 / 28

HEX #B77F33

RGB 183 127 51

HSL 34.55, 0.56%, 0.46%

LAB 57.54, 14.56, 48.28

 

CMYK 0 / 21 / 50 / 2

HEX #FBC77E

RGB 251 199 126

HSL 35.04, 0.94%, 0.74%

LAB 83.37, 9.86, 43.39

 

CMYK 0 / 34 / 50 / 2

HEX #FBA57E

RGB 251 165 126

HSL 18.72, 0.94%, 0.74%

LAB 75.41, 27.67, 33.23

 

CMYK 0 / 47 / 50 / 2

HEX #FB847E

RGB 251 132 126

HSL 2.88, 0.94%, 0.74%

LAB 68.4, 44.62, 23.97

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 0 / 21 / 50 / 2

HEX #FBC77E

RGB 251 199 126

HSL 35.04, 0.94%, 0.74%

LAB 83.37, 9.86, 43.39

 

CMYK 0 / 8 / 50 / 2

HEX #FBE87E

RGB 251 232 126

HSL 50.88, 0.94%, 0.74%

LAB 91.56, -6.98, 53.44

 

CMYK 6 / 0 / 50 / 2

HEX #ECFB7E

RGB 236 251 126

HSL 67.2, 0.94%, 0.74%

LAB 95.3, -22.16, 57.63

 

CMYK 20 / 0 / 50 / 2

HEX #CAFB7E

RGB 202 251 126

HSL 83.52, 0.94%, 0.74%

LAB 93.04, -34.93, 54.38

 

CMYK 33 / 0 / 50 / 2

HEX #A9FB7E

RGB 169 251 126

HSL 99.36, 0.94%, 0.74%

LAB 91.21, -46.38, 51.73

 

CMYK 0 / 21 / 50 / 2

HEX #FBC77E

RGB 251 199 126

HSL 35.04, 0.94%, 0.74%

LAB 83.37, 9.86, 43.39

 

CMYK 0 / 21 / 50 / 2

HEX #FBC77E

RGB 251 199 126

HSL 35.04, 0.94%, 0.74%

LAB 83.37, 9.86, 43.39

 

CMYK 0 / 18 / 43 / 6

HEX #F0C589

RGB 240 197 137

HSL 34.95, 0.77%, 0.74%

LAB 81.98, 7.58, 35.8

 

CMYK 0 / 15 / 36 / 10

HEX #E6C394

RGB 230 195 148

HSL 34.39, 0.62%, 0.74%

LAB 80.73, 5.9, 28.26

 

CMYK 0 / 11 / 27 / 14

HEX #DBC29F

RGB 219 194 159

HSL 35, 0.45%, 0.74%

LAB 79.7, 3.57, 20.86

 

CMYK 0 / 8 / 19 / 18

HEX #D0C0A9

RGB 208 192 169

HSL 35.38, 0.29%, 0.74%

LAB 78.45, 1.9, 13.63

 

CMYK 0 / 48 / 50 / 2

HEX #FB837E

RGB 251 131 126

HSL 2.4, 0.94%, 0.74%

LAB 68.2, 45.12, 23.7

 

CMYK 0 / 35 / 50 / 2

HEX #FBA47E

RGB 251 164 126

HSL 18.24, 0.94%, 0.74%

LAB 75.18, 28.19, 32.94

 

CMYK 0 / 22 / 50 / 2

HEX #FBC57E

RGB 251 197 126

HSL 34.08, 0.94%, 0.74%

LAB 82.89, 10.91, 42.78

 

CMYK 0 / 8 / 50 / 2

HEX #FBE67E

RGB 251 230 126

HSL 49.92, 0.94%, 0.74%

LAB 91.06, -5.98, 52.83

 

CMYK 5 / 0 / 50 / 2

HEX #EFFB7E

RGB 239 251 126

HSL 65.76, 0.94%, 0.74%

LAB 95.52, -21, 57.94

 

CMYK 0 / 34 / 82 / 2

HEX #F9A42E

RGB 249 164 46

HSL 34.88, 0.94%, 0.58%

LAB 74.12, 22.68, 68.74

 

CMYK 0 / 28 / 66 / 2

HEX #FAB556

RGB 250 181 86

HSL 34.76, 0.94%, 0.66%

LAB 78.49, 15.92, 56.93

 

CMYK 0 / 21 / 50 / 2

HEX #FBC77E

RGB 251 199 126

HSL 35.04, 0.94%, 0.74%

LAB 83.37, 9.86, 43.39

 

CMYK 0 / 14 / 34 / 1

HEX #FCD8A6

RGB 252 216 166

HSL 34.88, 0.93%, 0.82%

LAB 88.24, 5.61, 29.31

 

CMYK 0 / 8 / 19 / 1

HEX #FDEACE

RGB 253 234 206

HSL 35.74, 0.92%, 0.9%

LAB 93.53, 2.07, 15.93

 

CMYK 0 / 21 / 49 / 2

HEX #FBC77F

RGB 251 199 127

HSL 34.84, 0.94%, 0.74%

LAB 83.38, 9.95, 42.91

 

CMYK 38 / 0 / 50 / 2

HEX #9BFB7E

RGB 155 251 126

HSL 106.08, 0.94%, 0.74%

LAB 90.54, -50.85, 50.76

 

CMYK 41 / 50 / 0 / 2

HEX #937EFB

RGB 147 126 251

HSL 250.08, 0.94%, 0.74%

LAB 59.97, 37.32, -59.96

 

CMYK 0 / 21 / 49 / 2

HEX #FBC77F

RGB 251 199 127

HSL 34.84, 0.94%, 0.74%

LAB 83.38, 9.95, 42.91

 

CMYK 50 / 0 / 22 / 2

HEX #7EFBC5

RGB 126 251 197

HSL 154.08, 0.94%, 0.74%

LAB 90.53, -47.19, 15.3

 

CMYK 22 / 50 / 0 / 2

HEX #C57EFB

RGB 197 126 251

HSL 274.08, 0.94%, 0.74%

LAB 64.77, 49.75, -52.03

 

CMYK 0 / 21 / 49 / 2

HEX #FBC77F

RGB 251 199 127

HSL 34.84, 0.94%, 0.74%

LAB 83.38, 9.95, 42.91

 

CMYK 38 / 0 / 50 / 2

HEX #9BFB7E

RGB 155 251 126

HSL 106.08, 0.94%, 0.74%

LAB 90.54, -50.85, 50.76

 

CMYK 50 / 28 / 0 / 2

HEX #7EB4FB

RGB 126 180 251

HSL 214.08, 0.94%, 0.74%

LAB 72.26, 1.44, -40.63

 

CMYK 12 / 50 / 0 / 2

HEX #DE7EFB

RGB 222 126 251

HSL 286.08, 0.94%, 0.74%

LAB 67.59, 56.36, -47.39

 

CMYK 0 / 21 / 49 / 2

HEX #FBC77F

RGB 251 199 127

HSL 34.84, 0.94%, 0.74%

LAB 83.38, 9.95, 42.91

 

CMYK 50 / 0 / 46 / 2

HEX #7EFB87

RGB 126 251 135

HSL 124.32, 0.94%, 0.74%

LAB 89.48, -57.93, 44.94

 

CMYK 50 / 28 / 0 / 2

HEX #7EB4FB

RGB 126 180 251

HSL 214.08, 0.94%, 0.74%

LAB 72.26, 1.44, -40.63

 

CMYK 0 / 50 / 3 / 2

HEX #FB7EF3

RGB 251 126 243

HSL 303.84, 0.94%, 0.74%

LAB 70.8, 62.77, -37.72

 

Description

Color code: HEX #FBC77F | qconv.com Color code: HEX #FBC77F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 199 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 199 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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