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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBC57ACE it is the complementary color #043A85CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBC57ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBC57ACE shade: #FFC575CE, #FFD788CE, #FFE99BCE, #FFFBAECE and #FFFFC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBC57ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBC57ACE shade: #FBC57ACE, #EAB367CE, #D9A154CE, #C88F41CE and #B77D2ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBC57ACE shade: #FBC579, #FBA279, #FB7F79 and #FB7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBC57ACE shade: #FBC579, #FBE879, #EBFB79, #C8FB79 and #A5FB79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBC57ACE shade matches the following richer shades: #FBC579

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBC57ACE shade: #FBC579, #F0C385, #E5C190, #D9BF9B and #CEBDA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBC57ACE shade: #FB7E79, #FBA079, #FBC379, #FBE579 and #EEFB79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBC57ACE shade: #F8A229, #FAB351, #FBC579, #FCD6A1 and #FDE8C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBC57ACE shade: #FBC57A, #98FB79 and #8F79FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBC57ACE shade: #FBC57A, #79FBC3 and #C379FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBC57ACE shade: #FBC57A, #98FB79, #79B2FB and #DD79FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBC57ACE shade: #FBC57A, #79FB82, #79B2FB and #FB79F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 42 / 1

HEX #FBC57ACE

RGBA 251 197 122 0.81

HSLA 34.88, 0.94%, 0.73%, 0.81

LABA 82.83, 10.56, 44.72, 0.81

 

Complementary color

CMYK 79 / 46 / 0 / 39

HEX #043A85CE

RGBA 4 58 133 0.81

HSLA 214.88, 0.94%, 0.27%, 0.81

LABA 26, 15.79, -46.36, 0.81

 

CMYK 0 / 18 / 44 / 0

HEX #FFC575CE

RGBA 255 197 117 0.81

HSLA 34.78, 1%, 0.73%, 0.81

LABA 83.17, 11.75, 47.71, 0.81

 

CMYK 0 / 13 / 38 / 0

HEX #FFD788CE

RGBA 255 215 136 0.81

HSLA 39.83, 1%, 0.77%, 0.81

LABA 87.79, 4.11, 44.03, 0.81

 

CMYK 0 / 7 / 32 / 0

HEX #FFE99BCE

RGBA 255 233 155 0.81

HSLA 46.8, 1%, 0.8%, 0.81

LABA 92.53, -3.13, 40.62, 0.81

 

CMYK 0 / 1 / 26 / 0

HEX #FFFBAECE

RGBA 255 251 174 0.81

HSLA 57.04, 1%, 0.84%, 0.81

LABA 97.35, -9.96, 37.46, 0.81

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFC1CE

RGBA 255 255 193 0.81

HSLA 60, 1%, 0.88%, 0.81

LABA 98.68, -9.55, 29.73, 0.81

 

CMYK 0 / 17 / 42 / 1

HEX #FBC57ACE

RGBA 251 197 122 0.81

HSLA 34.88, 0.94%, 0.73%, 0.81

LABA 82.83, 10.56, 44.72, 0.81

 

CMYK 0 / 19 / 45 / 7

HEX #EAB367CE

RGBA 234 179 103 0.81

HSLA 34.81, 0.76%, 0.66%, 0.81

LABA 76.5, 11.52, 46.08, 0.81

 

CMYK 0 / 21 / 50 / 12

HEX #D9A154CE

RGBA 217 161 84 0.81

HSLA 34.74, 0.64%, 0.59%, 0.81

LABA 70.09, 12.63, 47.46, 0.81

 

CMYK 0 / 23 / 55 / 17

HEX #C88F41CE

RGBA 200 143 65 0.81

HSLA 34.67, 0.55%, 0.52%, 0.81

LABA 63.59, 13.92, 48.8, 0.81

 

CMYK 0 / 26 / 61 / 23

HEX #B77D2ECE

RGBA 183 125 46 0.81

HSLA 34.6, 0.6%, 0.45%, 0.81

LABA 57.01, 15.43, 49.96, 0.81

 

CMYK 0 / 22 / 52 / 2

HEX #FBC579

RGB 251 197 121

HSL 35.08, 0.94%, 0.73%

LAB 82.82, 10.47, 45.21

 

CMYK 0 / 35 / 52 / 2

HEX #FBA279

RGB 251 162 121

HSL 18.92, 0.94%, 0.73%

LAB 74.65, 28.8, 34.92

 

CMYK 0 / 49 / 52 / 2

HEX #FB7F79

RGB 251 127 121

HSL 2.77, 0.94%, 0.73%

LAB 67.33, 46.66, 25.31

 

CMYK 0 / 52 / 52 / 2

HEX #FB7979

RGB 251 121 121

HSL 0, 0.94%, 0.73%

LAB 66.19, 49.57, 23.78

 

CMYK 0 / 22 / 52 / 2

HEX #FBC579

RGB 251 197 121

HSL 35.08, 0.94%, 0.73%

LAB 82.82, 10.47, 45.21

 

CMYK 0 / 8 / 52 / 2

HEX #FBE879

RGB 251 232 121

HSL 51.23, 0.94%, 0.73%

LAB 91.51, -7.4, 55.72

 

CMYK 6 / 0 / 52 / 2

HEX #EBFB79

RGB 235 251 121

HSL 67.38, 0.94%, 0.73%

LAB 95.18, -22.97, 59.72

 

CMYK 20 / 0 / 52 / 2

HEX #C8FB79

RGB 200 251 121

HSL 83.54, 0.94%, 0.73%

LAB 92.86, -36.15, 56.42

 

CMYK 34 / 0 / 52 / 2

HEX #A5FB79

RGB 165 251 121

HSL 99.69, 0.94%, 0.73%

LAB 90.95, -48.25, 53.68

 

CMYK 0 / 22 / 52 / 2

HEX #FBC579

RGB 251 197 121

HSL 35.08, 0.94%, 0.73%

LAB 82.82, 10.47, 45.21

 

CMYK 0 / 22 / 52 / 2

HEX #FBC579

RGB 251 197 121

HSL 35.08, 0.94%, 0.73%

LAB 82.82, 10.47, 45.21

 

CMYK 0 / 19 / 45 / 6

HEX #F0C385

RGB 240 195 133

HSL 34.77, 0.78%, 0.73%

LAB 81.43, 8.21, 37.15

 

CMYK 0 / 16 / 37 / 10

HEX #E5C190

RGB 229 193 144

HSL 34.59, 0.62%, 0.73%

LAB 80.07, 6.09, 29.46

 

CMYK 0 / 12 / 29 / 15

HEX #D9BF9B

RGB 217 191 155

HSL 34.84, 0.45%, 0.73%

LAB 78.68, 3.85, 21.57

 

CMYK 0 / 8 / 19 / 19

HEX #CEBDA6

RGB 206 189 166

HSL 34.5, 0.29%, 0.73%

LAB 77.44, 2.29, 13.8

 

CMYK 0 / 50 / 52 / 2

HEX #FB7E79

RGB 251 126 121

HSL 2.31, 0.94%, 0.73%

LAB 67.14, 47.15, 25.06

 

CMYK 0 / 36 / 52 / 2

HEX #FBA079

RGB 251 160 121

HSL 18, 0.94%, 0.73%

LAB 74.21, 29.85, 34.34

 

CMYK 0 / 22 / 52 / 2

HEX #FBC379

RGB 251 195 121

HSL 34.15, 0.94%, 0.73%

LAB 82.34, 11.51, 44.61

 

CMYK 0 / 9 / 52 / 2

HEX #FBE579

RGB 251 229 121

HSL 49.85, 0.94%, 0.73%

LAB 90.75, -5.9, 54.81

 

CMYK 5 / 0 / 52 / 2

HEX #EEFB79

RGB 238 251 121

HSL 66, 0.94%, 0.73%

LAB 95.39, -21.81, 60.03

 

CMYK 0 / 35 / 83 / 3

HEX #F8A229

RGB 248 162 41

HSL 35.07, 0.94%, 0.57%

LAB 73.52, 23.17, 69.79

 

CMYK 0 / 28 / 68 / 2

HEX #FAB351

RGB 250 179 81

HSL 34.79, 0.94%, 0.65%

LAB 77.97, 16.68, 58.63

 

CMYK 0 / 22 / 52 / 2

HEX #FBC579

RGB 251 197 121

HSL 35.08, 0.94%, 0.73%

LAB 82.82, 10.47, 45.21

 

CMYK 0 / 15 / 36 / 1

HEX #FCD6A1

RGB 252 214 161

HSL 34.95, 0.94%, 0.81%

LAB 87.66, 6.06, 31.12

 

CMYK 0 / 8 / 21 / 1

HEX #FDE8C9

RGB 253 232 201

HSL 35.77, 0.93%, 0.89%

LAB 92.93, 2.37, 17.68

 

CMYK 0 / 22 / 51 / 2

HEX #FBC57A

RGB 251 197 122

HSL 34.88, 0.94%, 0.73%

LAB 82.83, 10.56, 44.72

 

CMYK 39 / 0 / 52 / 2

HEX #98FB79

RGB 152 251 121

HSL 105.69, 0.94%, 0.73%

LAB 90.34, -52.36, 52.81

 

CMYK 43 / 52 / 0 / 2

HEX #8F79FB

RGB 143 121 251

HSL 250.15, 0.94%, 0.73%

LAB 58.49, 39.27, -62.35

 

CMYK 0 / 22 / 51 / 2

HEX #FBC57A

RGB 251 197 122

HSL 34.88, 0.94%, 0.73%

LAB 82.83, 10.56, 44.72

 

CMYK 52 / 0 / 22 / 2

HEX #79FBC3

RGB 121 251 195

HSL 154.15, 0.94%, 0.73%

LAB 90.32, -48.73, 16.01

 

CMYK 22 / 52 / 0 / 2

HEX #C379FB

RGB 195 121 251

HSL 274.15, 0.94%, 0.73%

LAB 63.54, 51.85, -53.99

 

CMYK 0 / 22 / 51 / 2

HEX #FBC57A

RGB 251 197 122

HSL 34.88, 0.94%, 0.73%

LAB 82.83, 10.56, 44.72

 

CMYK 39 / 0 / 52 / 2

HEX #98FB79

RGB 152 251 121

HSL 105.69, 0.94%, 0.73%

LAB 90.34, -52.36, 52.81

 

CMYK 52 / 29 / 0 / 2

HEX #79B2FB

RGB 121 178 251

HSL 213.69, 0.94%, 0.73%

LAB 71.47, 1.45, -41.88

 

CMYK 12 / 52 / 0 / 2

HEX #DD79FB

RGB 221 121 251

HSL 286.15, 0.94%, 0.73%

LAB 66.53, 58.56, -49.07

 

CMYK 0 / 22 / 51 / 2

HEX #FBC57A

RGB 251 197 122

HSL 34.88, 0.94%, 0.73%

LAB 82.83, 10.56, 44.72

 

CMYK 52 / 0 / 48 / 2

HEX #79FB82

RGB 121 251 130

HSL 124.15, 0.94%, 0.73%

LAB 89.24, -59.88, 46.99

 

CMYK 52 / 29 / 0 / 2

HEX #79B2FB

RGB 121 178 251

HSL 213.69, 0.94%, 0.73%

LAB 71.47, 1.45, -41.88

 

CMYK 0 / 52 / 4 / 2

HEX #FB79F2

RGB 251 121 242

HSL 304.15, 0.94%, 0.73%

LAB 69.89, 64.92, -38.59

 

Description

Color code: HEX #FBC57ACE | qconv.com Color code: HEX #FBC57ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 197 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 197 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 42 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 42% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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