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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB9984C it is the complementary color #0446674C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB9984C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBB9984C shade: #FFB9934C, #FFCBA64C, #FFDDB94C, #FFEFCC4C and #FFFFDF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB9984C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBB9984C shade: #FBB9984C, #EAA7854C, #D995724C, #C8835F4C and #B7714C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBB9984C shade: #FBB998, #FB9E98 and #FB9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBB9984C shade: #FBB998, #FBD498, #FBEF98, #EDFB98 and #D2FB98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBB9984C shade matches the following richer shades: #FBB998

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBB9984C shade: #FBB998, #F3BCA0, #EABFA9, #E1C2B2 and #D9C4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBB9984C shade: #FB98AC, #FB9E98, #FBB998, #FBD398 and #FBEE98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBB9984C shade: #F88348, #FA9E70, #FBB998, #FDD4BF and #FEEFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBB9984C shade: #FBB998, #C6FB98 and #989EFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBB9984C shade: #FBB998, #98FBB9 and #B998FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBB9984C shade: #FBB998, #C6FB98, #98DAFB and #CD98FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBB9984C shade: #FBB998, #A8FB98, #98DAFB and #EB98FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 12 / 0

HEX #FBB9984C

RGBA 251 185 152 0.3

HSLA 20, 0.93%, 0.79%, 0.3

LABA 80.45, 19.78, 26.11, 0.3

 

Complementary color

CMYK 29 / 10 / 0 / 18

HEX #0446674C

RGBA 4 70 103 0.3

HSLA 200, 0.93%, 0.21%, 0.3

LABA 27.81, -5.45, -24.51, 0.3

 

CMYK 0 / 8 / 13 / 0

HEX #FFB9934C

RGBA 255 185 147 0.3

HSLA 21.11, 1%, 0.79%, 0.3

LABA 80.77, 20.78, 29.27, 0.3

 

CMYK 0 / 6 / 10 / 0

HEX #FFCBA64C

RGBA 255 203 166 0.3

HSLA 24.94, 1%, 0.83%, 0.3

LABA 85.36, 13.49, 25.47, 0.3

 

CMYK 0 / 4 / 8 / 0

HEX #FFDDB94C

RGBA 255 221 185 0.3

HSLA 30.86, 1%, 0.86%, 0.3

LABA 90.08, 6.54, 22.03, 0.3

 

CMYK 0 / 2 / 6 / 0

HEX #FFEFCC4C

RGBA 255 239 204 0.3

HSLA 41.18, 1%, 0.9%, 0.3

LABA 94.89, -0.04, 18.89, 0.3

HEX #FFEFCC4C

CMYK 0 / 0 / 4 / 0

HEX #FFFFDF4C

RGBA 255 255 223 0.3

HSLA 60, 1%, 0.94%, 0.3

LABA 99.26, -5.26, 15.31, 0.3

HEX #FFFFDF4C

CMYK 0 / 8 / 12 / 0

HEX #FBB9984C

RGBA 251 185 152 0.3

HSLA 20, 0.93%, 0.79%, 0.3

LABA 80.45, 19.78, 26.11, 0.3

 

CMYK 0 / 9 / 13 / 2

HEX #EAA7854C

RGBA 234 167 133 0.3

HSLA 20.2, 0.71%, 0.72%, 0.3

LABA 74.08, 20.64, 27.39, 0.3

 

CMYK 0 / 9 / 14 / 4

HEX #D995724C

RGBA 217 149 114 0.3

HSLA 20.39, 0.58%, 0.65%, 0.3

LABA 67.62, 21.6, 28.78, 0.3

 

CMYK 0 / 10 / 16 / 6

HEX #C8835F4C

RGBA 200 131 95 0.3

HSLA 20.57, 0.49%, 0.58%, 0.3

LABA 61.08, 22.7, 30.3, 0.3

 

CMYK 0 / 11 / 18 / 8

HEX #B7714C4C

RGBA 183 113 76 0.3

HSLA 20.75, 0.43%, 0.51%, 0.3

LABA 54.45, 23.96, 31.98, 0.3

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 0 / 37 / 39 / 2

HEX #FB9E98

RGB 251 158 152

HSL 3.64, 0.93%, 0.79%

LAB 74.34, 33.93, 17.74

 

CMYK 0 / 39 / 39 / 2

HEX #FB9898

RGB 251 152 152

HSL 0, 0.93%, 0.79%

LAB 73.04, 37.04, 15.94

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 0 / 16 / 39 / 2

HEX #FBD498

RGB 251 212 152

HSL 36.36, 0.93%, 0.79%

LAB 86.93, 5.7, 34.76

 

CMYK 0 / 5 / 39 / 2

HEX #FBEF98

RGB 251 239 152

HSL 52.73, 0.93%, 0.79%

LAB 93.67, -7.99, 43.51

 

CMYK 6 / 0 / 39 / 2

HEX #EDFB98

RGB 237 251 152

HSL 68.48, 0.93%, 0.79%

LAB 95.69, -19.21, 45.86

 

CMYK 16 / 0 / 39 / 2

HEX #D2FB98

RGB 210 251 152

HSL 84.85, 0.93%, 0.79%

LAB 93.87, -29.15, 43.16

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 0 / 23 / 34 / 5

HEX #F3BCA0

RGB 243 188 160

HSL 20.24, 0.78%, 0.79%

LAB 80.49, 16.05, 21.78

 

CMYK 0 / 18 / 28 / 8

HEX #EABFA9

RGB 234 191 169

HSL 20.31, 0.61%, 0.79%

LAB 80.53, 12.2, 16.89

 

CMYK 0 / 14 / 21 / 12

HEX #E1C2B2

RGB 225 194 178

HSL 20.43, 0.44%, 0.79%

LAB 80.63, 8.51, 12.1

 

CMYK 0 / 10 / 14 / 15

HEX #D9C4BA

RGB 217 196 186

HSL 19.35, 0.29%, 0.79%

LAB 80.61, 5.74, 7.69

 

CMYK 0 / 39 / 31 / 2

HEX #FB98AC

RGB 251 152 172

HSL 347.88, 0.93%, 0.79%

LAB 73.51, 39.4, 5.55

 

CMYK 0 / 37 / 39 / 2

HEX #FB9E98

RGB 251 158 152

HSL 3.64, 0.93%, 0.79%

LAB 74.34, 33.93, 17.74

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 0 / 16 / 39 / 2

HEX #FBD398

RGB 251 211 152

HSL 35.76, 0.93%, 0.79%

LAB 86.68, 6.21, 34.44

 

CMYK 0 / 5 / 39 / 2

HEX #FBEE98

RGB 251 238 152

HSL 52.12, 0.93%, 0.79%

LAB 93.42, -7.49, 43.18

 

CMYK 0 / 47 / 71 / 3

HEX #F88348

RGB 248 131 72

HSL 20.11, 0.93%, 0.63%

LAB 67.02, 40.33, 50.91

 

CMYK 0 / 37 / 55 / 2

HEX #FA9E70

RGB 250 158 112

HSL 20, 0.93%, 0.71%

LAB 73.51, 29.76, 38.19

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 0 / 16 / 25 / 1

HEX #FDD4BF

RGB 253 212 191

HSL 20.32, 0.94%, 0.87%

LAB 87.84, 11.26, 15.74

 

CMYK 0 / 6 / 9 / 0

HEX #FEEFE7

RGB 254 239 231

HSL 20.87, 0.92%, 0.95%

LAB 95.4, 3.73, 5.67

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 21 / 0 / 39 / 2

HEX #C6FB98

RGB 198 251 152

HSL 92.12, 0.93%, 0.79%

LAB 93.13, -33.4, 42.07

 

CMYK 39 / 37 / 0 / 2

HEX #989EFB

RGB 152 158 251

HSL 236.36, 0.93%, 0.79%

LAB 68.09, 20.15, -47.05

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 39 / 0 / 26 / 2

HEX #98FBB9

RGB 152 251 185

HSL 140, 0.93%, 0.79%

LAB 91.31, -42.88, 22.69

 

CMYK 26 / 39 / 0 / 2

HEX #B998FB

RGB 185 152 251

HSL 260, 0.93%, 0.79%

LAB 69.28, 32.37, -44.99

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 21 / 0 / 39 / 2

HEX #C6FB98

RGB 198 251 152

HSL 92.12, 0.93%, 0.79%

LAB 93.13, -33.4, 42.07

 

CMYK 39 / 13 / 0 / 2

HEX #98DAFB

RGB 152 218 251

HSL 200, 0.93%, 0.79%

LAB 83.85, -12.65, -22.67

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FB

RGB 205 152 251

HSL 272.12, 0.93%, 0.79%

LAB 71.15, 38.02, -41.93

 

CMYK 0 / 26 / 39 / 2

HEX #FBB998

RGB 251 185 152

HSL 20, 0.93%, 0.79%

LAB 80.45, 19.78, 26.11

 

CMYK 33 / 0 / 39 / 2

HEX #A8FB98

RGB 168 251 152

HSL 110.3, 0.93%, 0.79%

LAB 91.5, -43.41, 39.64

 

CMYK 39 / 13 / 0 / 2

HEX #98DAFB

RGB 152 218 251

HSL 200, 0.93%, 0.79%

LAB 83.85, -12.65, -22.67

 

CMYK 6 / 39 / 0 / 2

HEX #EB98FB

RGB 235 152 251

HSL 290.3, 0.93%, 0.79%

LAB 74.24, 46.74, -36.88

 

Description

Color code: HEX #FBB9984C | qconv.com Color code: HEX #FBB9984C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 185 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 185 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 12 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 12% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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