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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB88F it is the complementary color #044770. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB88F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBB88F shade: #FFB88A, #FFCA9D, #FFDCB0, #FFEEC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB88F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBB88F shade: #FBB88F, #EAA67C, #D99469, #C88256 and #B77043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBB88F shade: #FBB78E, #FB9A8E and #FB8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBB88F shade: #FBB78E, #FBD58E, #FBF28E, #E6FB8E and #C9FB8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBB88F shade matches the following richer shades: #FBB78E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBB88F shade: #FBB78E, #F1BA97, #E8BCA1, #DEBEAA and #D5C0B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBB88F shade: #FB8EA0, #FB998E, #FBB68E, #FBD38E and #FBF08E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBB88F shade: #F8853E, #F99E66, #FBB78E, #FCD0B6 and #FEEADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBB88F shade: #FBB88F, #BDFB8E and #8E91FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBB88F shade: #FBB88F, #8EFBB6 and #B68EFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBB88F shade: #FBB88F, #BDFB8E, #8ED3FB and #CC8EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBB88F shade: #FBB88F, #9CFB8E, #8ED3FB and #EC8EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 43 / 2

HEX #FBB88F

RGB 251 184 143

HSL 22.78, 0.93%, 0.77%

LAB 80.05, 19.34, 30.34

 

Complementary color

CMYK 96 / 37 / 0 / 56

HEX #044770

RGB 4 71 112

HSL 202.78, 0.93%, 0.23%

LAB 28.65, -2.3, -28.9

 

CMYK 0 / 28 / 46 / 0

HEX #FFB88A

RGB 255 184 138

HSL 23.59, 1%, 0.77%

LAB 80.39, 20.4, 33.5

 

CMYK 0 / 21 / 38 / 0

HEX #FFCA9D

RGB 255 202 157

HSL 27.55, 1%, 0.81%

LAB 84.96, 12.98, 29.63

 

CMYK 0 / 14 / 31 / 0

HEX #FFDCB0

RGB 255 220 176

HSL 33.42, 1%, 0.85%

LAB 89.66, 5.91, 26.12

 

CMYK 0 / 7 / 24 / 0

HEX #FFEEC3

RGB 255 238 195

HSL 43, 1%, 0.88%

LAB 94.46, -0.79, 22.92

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 27 / 43 / 2

HEX #FBB88F

RGB 251 184 143

HSL 22.78, 0.93%, 0.77%

LAB 80.05, 19.34, 30.34

 

CMYK 0 / 29 / 47 / 8

HEX #EAA67C

RGB 234 166 124

HSL 22.91, 0.72%, 0.7%

LAB 73.69, 20.26, 31.69

 

CMYK 0 / 32 / 52 / 15

HEX #D99469

RGB 217 148 105

HSL 23.04, 0.6%, 0.63%

LAB 67.24, 21.3, 33.15

 

CMYK 0 / 35 / 57 / 22

HEX #C88256

RGB 200 130 86

HSL 23.16, 0.51%, 0.56%

LAB 60.71, 22.49, 34.74

 

CMYK 0 / 39 / 63 / 28

HEX #B77043

RGB 183 112 67

HSL 23.28, 0.46%, 0.49%

LAB 54.09, 23.85, 36.46

 

CMYK 0 / 27 / 43 / 2

HEX #FBB78E

RGB 251 183 142

HSL 22.57, 0.93%, 0.77%

LAB 79.8, 19.76, 30.54

 

CMYK 0 / 39 / 43 / 2

HEX #FB9A8E

RGB 251 154 142

HSL 6.61, 0.93%, 0.77%

LAB 73.27, 34.94, 21.74

 

CMYK 0 / 43 / 43 / 2

HEX #FB8E8E

RGB 251 142 142

HSL 0, 0.93%, 0.77%

LAB 70.74, 41.11, 18.26

 

CMYK 0 / 27 / 43 / 2

HEX #FBB78E

RGB 251 183 142

HSL 22.57, 0.93%, 0.77%

LAB 79.8, 19.76, 30.54

 

CMYK 0 / 15 / 43 / 2

HEX #FBD58E

RGB 251 213 142

HSL 39.08, 0.93%, 0.77%

LAB 87.02, 4.14, 39.97

 

CMYK 0 / 4 / 43 / 2

HEX #FBF28E

RGB 251 242 142

HSL 55.05, 0.93%, 0.77%

LAB 94.3, -10.49, 49.16

 

CMYK 8 / 0 / 43 / 2

HEX #E6FB8E

RGB 230 251 142

HSL 71.56, 0.93%, 0.77%

LAB 95.06, -22.9, 49.77

 

CMYK 20 / 0 / 43 / 2

HEX #C9FB8E

RGB 201 251 142

HSL 87.52, 0.93%, 0.77%

LAB 93.17, -33.55, 47

 

CMYK 0 / 27 / 43 / 2

HEX #FBB78E

RGB 251 183 142

HSL 22.57, 0.93%, 0.77%

LAB 79.8, 19.76, 30.54

 

CMYK 0 / 27 / 43 / 2

HEX #FBB78E

RGB 251 183 142

HSL 22.57, 0.93%, 0.77%

LAB 79.8, 19.76, 30.54

 

CMYK 0 / 23 / 37 / 5

HEX #F1BA97

RGB 241 186 151

HSL 23.33, 0.76%, 0.77%

LAB 79.64, 15.27, 25.38

 

CMYK 0 / 19 / 31 / 9

HEX #E8BCA1

RGB 232 188 161

HSL 22.82, 0.61%, 0.77%

LAB 79.44, 11.97, 19.63

 

CMYK 0 / 14 / 23 / 13

HEX #DEBEAA

RGB 222 190 170

HSL 23.08, 0.44%, 0.77%

LAB 79.19, 8.35, 14.32

 

CMYK 0 / 10 / 15 / 16

HEX #D5C0B4

RGB 213 192 180

HSL 21.82, 0.28%, 0.77%

LAB 79.12, 5.45, 8.73

 

CMYK 0 / 43 / 36 / 2

HEX #FB8EA0

RGB 251 142 160

HSL 350.09, 0.93%, 0.77%

LAB 71.14, 43.06, 8.82

 

CMYK 0 / 39 / 43 / 2

HEX #FB998E

RGB 251 153 142

HSL 6.06, 0.93%, 0.77%

LAB 73.05, 35.46, 21.45

 

CMYK 0 / 27 / 43 / 2

HEX #FBB68E

RGB 251 182 142

HSL 22.02, 0.93%, 0.77%

LAB 79.57, 20.29, 30.23

 

CMYK 0 / 16 / 43 / 2

HEX #FBD38E

RGB 251 211 142

HSL 37.98, 0.93%, 0.77%

LAB 86.53, 5.17, 39.33

 

CMYK 0 / 4 / 43 / 2

HEX #FBF08E

RGB 251 240 142

HSL 53.94, 0.93%, 0.77%

LAB 93.79, -9.5, 48.53

 

CMYK 0 / 46 / 75 / 3

HEX #F8853E

RGB 248 133 62

HSL 22.9, 0.93%, 0.61%

LAB 67.34, 38.88, 55.97

 

CMYK 0 / 37 / 59 / 2

HEX #F99E66

RGB 249 158 102

HSL 22.86, 0.92%, 0.69%

LAB 73.25, 28.61, 43.05

 

CMYK 0 / 27 / 43 / 2

HEX #FBB78E

RGB 251 183 142

HSL 22.57, 0.93%, 0.77%

LAB 79.8, 19.76, 30.54

 

CMYK 0 / 17 / 28 / 1

HEX #FCD0B6

RGB 252 208 182

HSL 22.29, 0.92%, 0.85%

LAB 86.6, 11.76, 18.72

 

CMYK 0 / 8 / 13 / 0

HEX #FEEADD

RGB 254 234 221

HSL 23.64, 0.94%, 0.93%

LAB 93.94, 4.69, 8.75

 

CMYK 0 / 27 / 43 / 2

HEX #FBB88F

RGB 251 184 143

HSL 22.78, 0.93%, 0.77%

LAB 80.05, 19.34, 30.34

 

CMYK 25 / 0 / 43 / 2

HEX #BDFB8E

RGB 189 251 142

HSL 94.13, 0.93%, 0.77%

LAB 92.47, -37.76, 45.97

 

CMYK 43 / 42 / 0 / 2

HEX #8E91FB

RGB 142 145 251

HSL 238.35, 0.93%, 0.77%

LAB 64.13, 25.16, -53.34

 

CMYK 0 / 27 / 43 / 2

HEX #FBB88F

RGB 251 184 143

HSL 22.78, 0.93%, 0.77%

LAB 80.05, 19.34, 30.34

 

CMYK 43 / 0 / 27 / 2

HEX #8EFBB6

RGB 142 251 182

HSL 142.02, 0.93%, 0.77%

LAB 90.84, -46.14, 23.5

 

CMYK 27 / 43 / 0 / 2

HEX #B68EFB

RGB 182 142 251

HSL 262.02, 0.93%, 0.77%

LAB 66.72, 37.1, -49.05

 

CMYK 0 / 27 / 43 / 2

HEX #FBB88F

RGB 251 184 143

HSL 22.78, 0.93%, 0.77%

LAB 80.05, 19.34, 30.34

 

CMYK 25 / 0 / 43 / 2

HEX #BDFB8E

RGB 189 251 142

HSL 94.13, 0.93%, 0.77%

LAB 92.47, -37.76, 45.97

 

CMYK 43 / 16 / 0 / 2

HEX #8ED3FB

RGB 142 211 251

HSL 202.02, 0.93%, 0.77%

LAB 81.46, -11.5, -26.36

 

CMYK 19 / 43 / 0 / 2

HEX #CC8EFB

RGB 204 142 251

HSL 274.13, 0.93%, 0.77%

LAB 68.86, 43.14, -45.53

 

CMYK 0 / 27 / 43 / 2

HEX #FBB88F

RGB 251 184 143

HSL 22.78, 0.93%, 0.77%

LAB 80.05, 19.34, 30.34

 

CMYK 38 / 0 / 43 / 2

HEX #9CFB8E

RGB 156 251 142

HSL 112.29, 0.93%, 0.77%

LAB 90.79, -48.51, 43.49

 

CMYK 43 / 16 / 0 / 2

HEX #8ED3FB

RGB 142 211 251

HSL 202.02, 0.93%, 0.77%

LAB 81.46, -11.5, -26.36

 

CMYK 6 / 43 / 0 / 2

HEX #EC8EFB

RGB 236 142 251

HSL 291.74, 0.93%, 0.77%

LAB 72.32, 52.17, -39.85

 

Description

Color code: HEX #FBB88F | qconv.com Color code: HEX #FBB88F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 184 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 184 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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