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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB85ACE it is the complementary color #0447A5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB85ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBB85ACE shade: #FFB855CE, #FFCA68CE, #FFDC7BCE, #FFEE8ECE and #FFFFA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB85ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBB85ACE shade: #FBB85ACE, #EAA647CE, #D99434CE, #C88221CE and #B7700ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBB85ACE shade: #FBB85B, #FB8D5B, #FB625B and #FB5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBB85ACE shade: #FBB85B, #FBE35B, #E7FB5B, #BCFB5B and #91FB5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBB85ACE shade matches the following richer shades: #FBB85B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBB85ACE shade: #FBB85B, #EDB669, #E0B476, #D2B184 and #C4AF91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBB85ACE shade: #FB635B, #FB8E5B, #FBB85B, #FBE35B and #E8FB5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBB85ACE shade: #F9960A, #FAA733, #FBB85B, #FCCA83 and #FDDBAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBB85ACE shade: #FBB85A, #7EFB5B and #785BFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBB85ACE shade: #FBB85A, #5BFBB8 and #B85BFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBB85ACE shade: #FBB85A, #7EFB5B, #5B9EFB and #D85BFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBB85ACE shade: #FBB85A, #5BFB68, #5B9EFB and #FB5BED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 52 / 1

HEX #FBB85ACE

RGBA 251 184 90 0.81

HSLA 35.03, 0.95%, 0.67%, 0.81

LABA 79.34, 15, 56.08, 0.81

 

Complementary color

CMYK 79 / 46 / 0 / 29

HEX #0447A5CE

RGBA 4 71 165 0.81

HSLA 215.03, 0.95%, 0.33%, 0.81

LABA 32.37, 20.22, -55.56, 0.81

 

CMYK 0 / 23 / 54 / 0

HEX #FFB855CE

RGBA 255 184 85 0.81

HSLA 34.94, 1%, 0.67%, 0.81

LABA 79.73, 16.36, 58.9, 0.81

 

CMYK 0 / 17 / 48 / 0

HEX #FFCA68CE

RGBA 255 202 104 0.81

HSLA 38.94, 1%, 0.7%, 0.81

LABA 84.23, 8.19, 55.22, 0.81

 

CMYK 0 / 11 / 42 / 0

HEX #FFDC7BCE

RGBA 255 220 123 0.81

HSLA 44.09, 1%, 0.74%, 0.81

LABA 88.86, 0.41, 51.7, 0.81

 

CMYK 0 / 5 / 36 / 0

HEX #FFEE8ECE

RGBA 255 238 142 0.81

HSLA 50.97, 1%, 0.78%, 0.81

LABA 93.61, -6.95, 48.37, 0.81

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFA1CE

RGBA 255 255 161 0.81

HSLA 60, 1%, 0.82%, 0.81

LABA 98.17, -13.39, 44.93, 0.81

 

CMYK 0 / 22 / 52 / 1

HEX #FBB85ACE

RGBA 251 184 90 0.81

HSLA 35.03, 0.95%, 0.67%, 0.81

LABA 79.34, 15, 56.08, 0.81

 

CMYK 0 / 24 / 56 / 7

HEX #EAA647CE

RGBA 234 166 71 0.81

HSLA 34.97, 0.8%, 0.6%, 0.81

LABA 73.04, 16.34, 57.3, 0.81

 

CMYK 0 / 26 / 62 / 12

HEX #D99434CE

RGBA 217 148 52 0.81

HSLA 34.91, 0.68%, 0.53%, 0.81

LABA 66.66, 17.87, 58.28, 0.81

 

CMYK 0 / 28 / 68 / 17

HEX #C88221CE

RGBA 200 130 33 0.81

HSLA 34.85, 0.72%, 0.46%, 0.81

LABA 60.21, 19.63, 58.73, 0.81

 

CMYK 0 / 31 / 75 / 23

HEX #B7700ECE

RGBA 183 112 14 0.81

HSLA 34.79, 0.86%, 0.39%, 0.81

LABA 53.69, 21.66, 58.04, 0.81

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85B

RGB 251 184 91

HSL 34.88, 0.95%, 0.67%

LAB 79.35, 15.06, 55.62

 

CMYK 0 / 44 / 64 / 2

HEX #FB8D5B

RGB 251 141 91

HSL 18.75, 0.95%, 0.67%

LAB 69.69, 37.46, 44.5

 

CMYK 0 / 61 / 64 / 2

HEX #FB625B

RGB 251 98 91

HSL 2.63, 0.95%, 0.67%

LAB 61.65, 57.96, 34.75

 

CMYK 0 / 64 / 64 / 2

HEX #FB5B5B

RGB 251 91 91

HSL 0, 0.95%, 0.67%

LAB 60.56, 60.9, 33.38

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85B

RGB 251 184 91

HSL 34.88, 0.95%, 0.67%

LAB 79.35, 15.06, 55.62

 

CMYK 0 / 10 / 64 / 2

HEX #FBE35B

RGB 251 227 91

HSL 51, 0.95%, 0.67%

LAB 89.95, -7.02, 67.19

 

CMYK 8 / 0 / 64 / 2

HEX #E7FB5B

RGB 231 251 91

HSL 67.5, 0.95%, 0.67%

LAB 94.63, -26.73, 71.65

 

CMYK 25 / 0 / 64 / 2

HEX #BCFB5B

RGB 188 251 91

HSL 83.63, 0.95%, 0.67%

LAB 91.88, -43.06, 67.91

 

CMYK 42 / 0 / 64 / 2

HEX #91FB5B

RGB 145 251 91

HSL 99.75, 0.95%, 0.67%

LAB 89.75, -57.48, 64.99

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85B

RGB 251 184 91

HSL 34.88, 0.95%, 0.67%

LAB 79.35, 15.06, 55.62

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85B

RGB 251 184 91

HSL 34.88, 0.95%, 0.67%

LAB 79.35, 15.06, 55.62

 

CMYK 0 / 23 / 56 / 7

HEX #EDB669

RGB 237 182 105

HSL 35, 0.79%, 0.67%

LAB 77.57, 11.33, 46.44

 

CMYK 0 / 20 / 47 / 12

HEX #E0B476

RGB 224 180 118

HSL 35.09, 0.63%, 0.67%

LAB 75.94, 8.2, 37.55

 

CMYK 0 / 16 / 37 / 18

HEX #D2B184

RGB 210 177 132

HSL 34.62, 0.46%, 0.67%

LAB 74.07, 5.65, 27.48

 

CMYK 0 / 11 / 26 / 23

HEX #C4AF91

RGB 196 175 145

HSL 35.29, 0.3%, 0.67%

LAB 72.52, 2.89, 18.16

 

CMYK 0 / 61 / 64 / 2

HEX #FB635B

RGB 251 99 91

HSL 3, 0.95%, 0.67%

LAB 61.82, 57.53, 34.95

 

CMYK 0 / 43 / 64 / 2

HEX #FB8E5B

RGB 251 142 91

HSL 19.13, 0.95%, 0.67%

LAB 69.9, 36.95, 44.74

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85B

RGB 251 184 91

HSL 34.88, 0.95%, 0.67%

LAB 79.35, 15.06, 55.62

 

CMYK 0 / 10 / 64 / 2

HEX #FBE35B

RGB 251 227 91

HSL 51, 0.95%, 0.67%

LAB 89.95, -7.02, 67.19

 

CMYK 8 / 0 / 64 / 2

HEX #E8FB5B

RGB 232 251 91

HSL 67.13, 0.95%, 0.67%

LAB 94.7, -26.34, 71.75

 

CMYK 0 / 40 / 96 / 2

HEX #F9960A

RGB 249 150 10

HSL 35.15, 0.95%, 0.51%

LAB 70.85, 29.34, 74.7

 

CMYK 0 / 33 / 80 / 2

HEX #FAA733

RGB 250 167 51

HSL 34.97, 0.95%, 0.59%

LAB 74.95, 21.68, 67.8

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85B

RGB 251 184 91

HSL 34.88, 0.95%, 0.67%

LAB 79.35, 15.06, 55.62

 

CMYK 0 / 20 / 48 / 1

HEX #FCCA83

RGB 252 202 131

HSL 35.21, 0.95%, 0.75%

LAB 84.26, 9.16, 42.02

 

CMYK 0 / 13 / 32 / 1

HEX #FDDBAB

RGB 253 219 171

HSL 35.12, 0.95%, 0.83%

LAB 89.15, 5.05, 27.98

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85A

RGB 251 184 90

HSL 35.03, 0.95%, 0.67%

LAB 79.34, 15, 56.08

 

CMYK 50 / 0 / 64 / 2

HEX #7EFB5B

RGB 126 251 91

HSL 106.88, 0.95%, 0.67%

LAB 89.01, -62.96, 63.97

 

CMYK 52 / 64 / 0 / 2

HEX #785BFB

RGB 120 91 251

HSL 250.88, 0.95%, 0.67%

LAB 50.03, 51.62, -76.13

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85A

RGB 251 184 90

HSL 35.03, 0.95%, 0.67%

LAB 79.34, 15, 56.08

 

CMYK 64 / 0 / 27 / 2

HEX #5BFBB8

RGB 91 251 184

HSL 154.88, 0.95%, 0.67%

LAB 89.24, -56.95, 20.02

 

CMYK 27 / 64 / 0 / 2

HEX #B85BFB

RGB 184 91 251

HSL 274.88, 0.95%, 0.67%

LAB 56.72, 64.1, -64.97

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85A

RGB 251 184 90

HSL 35.03, 0.95%, 0.67%

LAB 79.34, 15, 56.08

 

CMYK 50 / 0 / 64 / 2

HEX #7EFB5B

RGB 126 251 91

HSL 106.88, 0.95%, 0.67%

LAB 89.01, -62.96, 63.97

 

CMYK 64 / 37 / 0 / 2

HEX #5B9EFB

RGB 91 158 251

HSL 214.88, 0.95%, 0.67%

LAB 64.68, 7.02, -52.66

 

CMYK 14 / 64 / 0 / 2

HEX #D85BFB

RGB 216 91 251

HSL 286.88, 0.95%, 0.67%

LAB 60.82, 71.07, -58.16

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85A

RGB 251 184 90

HSL 35.03, 0.95%, 0.67%

LAB 79.34, 15, 56.08

 

CMYK 64 / 0 / 59 / 2

HEX #5BFB68

RGB 91 251 104

HSL 124.88, 0.95%, 0.67%

LAB 88.07, -69.85, 57.2

 

CMYK 64 / 37 / 0 / 2

HEX #5B9EFB

RGB 91 158 251

HSL 214.88, 0.95%, 0.67%

LAB 64.68, 7.02, -52.66

 

CMYK 0 / 64 / 6 / 2

HEX #FB5BED

RGB 251 91 237

HSL 305.25, 0.95%, 0.67%

LAB 65.05, 76.73, -43.41

 

Description

Color code: HEX #FBB85ACE | qconv.com Color code: HEX #FBB85ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 184 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 184 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 52 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 52% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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