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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB4A8 it is the complementary color #044B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBB4A8 shade: #FFB4A3, #FFC6B6, #FFD8C9, #FFEADC and #FFFCEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBB4A8 shade: #FBB4A8, #EAA295, #D99082, #C87E6F and #B76C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBB4A8 shade: #FBB3A7 and #FBA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBB4A8 shade: #FBB3A7, #FBCAA7, #FBE0A7, #FBF7A7 and #E8FBA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBB4A8 shade matches the following richer shades: #FBB3A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBB4A8 shade: #FBB3A7, #F3B9AF, #ECBEB6, #E5C3BE and #DDC9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBB4A8 shade: #FBA7C9, #FBA7B2, #FBB2A7, #FBC9A7 and #FBDFA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBB4A8 shade: #F76F59, #F99180, #FBB3A7, #FDD5CF and #FFF7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBB4A8 shade: #FBB4A8, #DFFBA7 and #A7BEFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBB4A8 shade: #FBB4A8, #A7FBB2 and #B2A7FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBB4A8 shade: #FBB4A8, #DFFBA7, #A7F0FB and #C3A7FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBB4A8 shade: #FBB4A8, #C6FBA7, #A7F0FB and #DCA7FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 33 / 2

HEX #FBB4A8

RGB 251 180 168

HSL 8.67, 0.91%, 0.82%

LAB 79.6, 24.27, 16.39

 

Complementary color

CMYK 95 / 14 / 0 / 66

HEX #044B57

RGB 4 75 87

HSL 188.67, 0.91%, 0.18%

LAB 28.76, -14.97, -12.76

 

CMYK 0 / 29 / 36 / 0

HEX #FFB4A3

RGB 255 180 163

HSL 11.09, 1%, 0.82%

LAB 79.92, 25.17, 19.59

 

CMYK 0 / 22 / 29 / 0

HEX #FFC6B6

RGB 255 198 182

HSL 13.15, 1%, 0.86%

LAB 84.5, 18.09, 15.82

 

CMYK 0 / 15 / 21 / 0

HEX #FFD8C9

RGB 255 216 201

HSL 16.67, 1%, 0.89%

LAB 89.2, 11.32, 12.43

 

CMYK 0 / 8 / 14 / 0

HEX #FFEADC

RGB 255 234 220

HSL 24, 1%, 0.93%

LAB 94, 4.89, 9.36

 

CMYK 0 / 1 / 6 / 0

HEX #FFFCEF

RGB 255 252 239

HSL 48.75, 1%, 0.97%

LAB 98.87, -1.21, 6.56

 

CMYK 0 / 28 / 33 / 2

HEX #FBB4A8

RGB 251 180 168

HSL 8.67, 0.91%, 0.82%

LAB 79.6, 24.27, 16.39

 

CMYK 0 / 31 / 36 / 8

HEX #EAA295

RGB 234 162 149

HSL 9.18, 0.67%, 0.75%

LAB 73.22, 25.09, 17.53

 

CMYK 0 / 34 / 40 / 15

HEX #D99082

RGB 217 144 130

HSL 9.66, 0.53%, 0.68%

LAB 66.76, 25.99, 18.79

 

CMYK 0 / 37 / 45 / 22

HEX #C87E6F

RGB 200 126 111

HSL 10.11, 0.45%, 0.61%

LAB 60.2, 27, 20.19

 

CMYK 0 / 41 / 50 / 28

HEX #B76C5C

RGB 183 108 92

HSL 10.55, 0.39%, 0.54%

LAB 53.56, 28.12, 21.77

 

CMYK 0 / 29 / 33 / 2

HEX #FBB3A7

RGB 251 179 167

HSL 8.57, 0.91%, 0.82%

LAB 79.35, 24.68, 16.57

 

CMYK 0 / 33 / 33 / 2

HEX #FBA7A7

RGB 251 167 167

HSL 0, 0.91%, 0.82%

LAB 76.64, 30.98, 12.77

 

CMYK 0 / 29 / 33 / 2

HEX #FBB3A7

RGB 251 179 167

HSL 8.57, 0.91%, 0.82%

LAB 79.35, 24.68, 16.57

 

CMYK 0 / 20 / 33 / 2

HEX #FBCAA7

RGB 251 202 167

HSL 25, 0.91%, 0.82%

LAB 84.76, 12.61, 24.06

 

CMYK 0 / 11 / 33 / 2

HEX #FBE0A7

RGB 251 224 167

HSL 40.71, 0.91%, 0.82%

LAB 90.14, 1.25, 31.34

 

CMYK 0 / 2 / 33 / 2

HEX #FBF7A7

RGB 251 247 167

HSL 57.14, 0.91%, 0.82%

LAB 95.92, -10.3, 39

 

CMYK 8 / 0 / 33 / 2

HEX #E8FBA7

RGB 232 251 167

HSL 73.57, 0.91%, 0.82%

LAB 95.56, -19.32, 38.26

 

CMYK 0 / 29 / 33 / 2

HEX #FBB3A7

RGB 251 179 167

HSL 8.57, 0.91%, 0.82%

LAB 79.35, 24.68, 16.57

 

CMYK 0 / 29 / 33 / 2

HEX #FBB3A7

RGB 251 179 167

HSL 8.57, 0.91%, 0.82%

LAB 79.35, 24.68, 16.57

 

CMYK 0 / 24 / 28 / 5

HEX #F3B9AF

RGB 243 185 175

HSL 8.82, 0.74%, 0.82%

LAB 80.09, 19.55, 13.19

 

CMYK 0 / 19 / 23 / 7

HEX #ECBEB6

RGB 236 190 182

HSL 8.89, 0.59%, 0.82%

LAB 80.76, 15.28, 10.28

 

CMYK 0 / 15 / 17 / 10

HEX #E5C3BE

RGB 229 195 190

HSL 7.69, 0.43%, 0.82%

LAB 81.51, 11.26, 6.98

 

CMYK 0 / 9 / 11 / 13

HEX #DDC9C5

RGB 221 201 197

HSL 10, 0.26%, 0.82%

LAB 82.47, 6.32, 4.52

 

CMYK 0 / 33 / 20 / 2

HEX #FBA7C9

RGB 251 167 201

HSL 335.71, 0.91%, 0.82%

LAB 77.5, 35.57, -4.55

 

CMYK 0 / 33 / 29 / 2

HEX #FBA7B2

RGB 251 167 178

HSL 352.14, 0.91%, 0.82%

LAB 76.9, 32.37, 7.13

 

CMYK 0 / 29 / 33 / 2

HEX #FBB2A7

RGB 251 178 167

HSL 7.86, 0.91%, 0.82%

LAB 79.12, 25.2, 16.25

 

CMYK 0 / 20 / 33 / 2

HEX #FBC9A7

RGB 251 201 167

HSL 24.29, 0.91%, 0.82%

LAB 84.52, 13.13, 23.73

 

CMYK 0 / 11 / 33 / 2

HEX #FBDFA7

RGB 251 223 167

HSL 40, 0.91%, 0.82%

LAB 89.89, 1.76, 31.01

 

CMYK 0 / 55 / 64 / 3

HEX #F76F59

RGB 247 111 89

HSL 8.35, 0.91%, 0.66%

LAB 63.23, 50.61, 37.66

 

CMYK 0 / 42 / 49 / 2

HEX #F99180

RGB 249 145 128

HSL 8.43, 0.91%, 0.74%

LAB 70.84, 37.48, 26.08

 

CMYK 0 / 29 / 33 / 2

HEX #FBB3A7

RGB 251 179 167

HSL 8.57, 0.91%, 0.82%

LAB 79.35, 24.68, 16.57

 

CMYK 0 / 16 / 18 / 1

HEX #FDD5CF

RGB 253 213 207

HSL 7.83, 0.92%, 0.9%

LAB 88.44, 13.04, 8.16

 

CMYK 0 / 3 / 4 / 0

HEX #FFF7F6

RGB 255 247 246

HSL 6.67, 1%, 0.98%

LAB 97.81, 2.5, 1.42

 

CMYK 0 / 28 / 33 / 2

HEX #FBB4A8

RGB 251 180 168

HSL 8.67, 0.91%, 0.82%

LAB 79.6, 24.27, 16.39

 

CMYK 11 / 0 / 33 / 2

HEX #DFFBA7

RGB 223 251 167

HSL 80, 0.91%, 0.82%

LAB 94.94, -22.59, 37.33

 

CMYK 33 / 24 / 0 / 2

HEX #A7BEFB

RGB 167 190 251

HSL 223.57, 0.91%, 0.82%

LAB 77.29, 6.22, -32.64

 

CMYK 0 / 28 / 33 / 2

HEX #FBB4A8

RGB 251 180 168

HSL 8.67, 0.91%, 0.82%

LAB 79.6, 24.27, 16.39

 

CMYK 33 / 0 / 29 / 2

HEX #A7FBB2

RGB 167 251 178

HSL 127.86, 0.91%, 0.82%

LAB 91.87, -39.74, 27.13

 

CMYK 29 / 33 / 0 / 2

HEX #B2A7FB

RGB 178 167 251

HSL 247.86, 0.91%, 0.82%

LAB 72.27, 22.04, -40.35

 

CMYK 0 / 28 / 33 / 2

HEX #FBB4A8

RGB 251 180 168

HSL 8.67, 0.91%, 0.82%

LAB 79.6, 24.27, 16.39

 

CMYK 11 / 0 / 33 / 2

HEX #DFFBA7

RGB 223 251 167

HSL 80, 0.91%, 0.82%

LAB 94.94, -22.59, 37.33

 

CMYK 33 / 4 / 0 / 2

HEX #A7F0FB

RGB 167 240 251

HSL 187.86, 0.91%, 0.82%

LAB 90.55, -19.87, -12.51

 

CMYK 22 / 33 / 0 / 2

HEX #C3A7FB

RGB 195 167 251

HSL 260, 0.91%, 0.82%

LAB 73.68, 26.9, -38.06

 

CMYK 0 / 28 / 33 / 2

HEX #FBB4A8

RGB 251 180 168

HSL 8.67, 0.91%, 0.82%

LAB 79.6, 24.27, 16.39

 

CMYK 21 / 0 / 33 / 2

HEX #C6FBA7

RGB 198 251 167

HSL 97.86, 0.91%, 0.82%

LAB 93.36, -31.4, 34.95

 

CMYK 33 / 4 / 0 / 2

HEX #A7F0FB

RGB 167 240 251

HSL 187.86, 0.91%, 0.82%

LAB 90.55, -19.87, -12.51

 

CMYK 12 / 33 / 0 / 2

HEX #DCA7FB

RGB 220 167 251

HSL 277.86, 0.91%, 0.82%

LAB 75.96, 34.32, -34.34

 

Description

Color code: HEX #FBB4A8 | qconv.com Color code: HEX #FBB4A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 180 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 180 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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