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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB05F it is the complementary color #044FA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB05F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBB05F shade: #FFB05A, #FFC26D, #FFD480, #FFE693 and #FFF8A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB05F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBB05F shade: #FBB05F, #EA9E4C, #D98C39, #C87A26 and #B76813

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBB05F shade: #FBB060, #FB8760 and #FB6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBB05F shade: #FBB060, #FBDA60, #F2FB60, #C8FB60 and #9EFB60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBB05F shade matches the following richer shades: #FBB060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBB05F shade: #FBB060, #EEB06D, #E1AF7A, #D3AF87 and #C6AE95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBB05F shade: #FB6062, #FB8760, #FBB060, #FBD960 and #F3FB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBB05F shade: #F9890F, #FA9C38, #FBB060, #FCC488 and #FDD8B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBB05F shade: #FBB05F, #8CFB60 and #7260FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBB05F shade: #FBB05F, #60FBB0 and #B060FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBB05F shade: #FBB05F, #8CFB60, #60ABFB and #CF60FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBB05F shade: #FBB05F, #60FB62, #60ABFB and #FB60F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 62 / 2

HEX #FBB05F

RGB 251 176 95

HSL 31.15, 0.95%, 0.68%

LAB 77.51, 19.5, 51.64

 

Complementary color

CMYK 98 / 51 / 0 / 37

HEX #044FA0

RGB 4 79 160

HSL 211.15, 0.95%, 0.32%

LAB 34.31, 12.67, -49.41

 

CMYK 0 / 31 / 65 / 0

HEX #FFB05A

RGB 255 176 90

HSL 31.27, 1%, 0.68%

LAB 77.9, 20.82, 54.58

 

CMYK 0 / 24 / 57 / 0

HEX #FFC26D

RGB 255 194 109

HSL 34.93, 1%, 0.71%

LAB 82.35, 12.7, 50.64

 

CMYK 0 / 17 / 50 / 0

HEX #FFD480

RGB 255 212 128

HSL 39.69, 1%, 0.75%

LAB 86.95, 4.92, 46.93

 

CMYK 0 / 10 / 42 / 0

HEX #FFE693

RGB 255 230 147

HSL 46.11, 1%, 0.79%

LAB 91.67, -2.45, 43.48

 

CMYK 0 / 3 / 35 / 0

HEX #FFF8A6

RGB 255 248 166

HSL 55.28, 1%, 0.83%

LAB 96.47, -9.4, 40.27

 

CMYK 0 / 30 / 62 / 2

HEX #FBB05F

RGB 251 176 95

HSL 31.15, 0.95%, 0.68%

LAB 77.51, 19.5, 51.64

 

CMYK 0 / 32 / 68 / 8

HEX #EA9E4C

RGB 234 158 76

HSL 31.14, 0.79%, 0.61%

LAB 71.19, 20.85, 53.04

 

CMYK 0 / 35 / 74 / 15

HEX #D98C39

RGB 217 140 57

HSL 31.13, 0.68%, 0.54%

LAB 64.81, 22.39, 54.34

 

CMYK 0 / 39 / 81 / 22

HEX #C87A26

RGB 200 122 38

HSL 31.11, 0.68%, 0.47%

LAB 58.36, 24.15, 55.28

 

CMYK 0 / 43 / 90 / 28

HEX #B76813

RGB 183 104 19

HSL 31.1, 0.81%, 0.4%

LAB 51.85, 26.15, 55.38

 

CMYK 0 / 30 / 62 / 2

HEX #FBB060

RGB 251 176 96

HSL 30.97, 0.95%, 0.68%

LAB 77.52, 19.57, 51.16

 

CMYK 0 / 46 / 62 / 2

HEX #FB8760

RGB 251 135 96

HSL 15.1, 0.95%, 0.68%

LAB 68.52, 40.82, 40.48

 

CMYK 0 / 62 / 62 / 2

HEX #FB6060

RGB 251 96 96

HSL 0, 0.95%, 0.68%

LAB 61.41, 59.11, 31.63

 

CMYK 0 / 30 / 62 / 2

HEX #FBB060

RGB 251 176 96

HSL 30.97, 0.95%, 0.68%

LAB 77.52, 19.57, 51.16

 

CMYK 0 / 13 / 62 / 2

HEX #FBDA60

RGB 251 218 96

HSL 47.23, 0.95%, 0.68%

LAB 87.73, -2.18, 62.67

 

CMYK 4 / 0 / 62 / 2

HEX #F2FB60

RGB 242 251 96

HSL 63.48, 0.95%, 0.68%

LAB 95.46, -22.07, 70.81

 

CMYK 20 / 0 / 62 / 2

HEX #C8FB60

RGB 200 251 96

HSL 79.74, 0.95%, 0.68%

LAB 92.63, -38.28, 66.93

 

CMYK 37 / 0 / 62 / 2

HEX #9EFB60

RGB 158 251 96

HSL 96, 0.95%, 0.68%

LAB 90.37, -52.97, 63.81

 

CMYK 0 / 30 / 62 / 2

HEX #FBB060

RGB 251 176 96

HSL 30.97, 0.95%, 0.68%

LAB 77.52, 19.57, 51.16

 

CMYK 0 / 30 / 62 / 2

HEX #FBB060

RGB 251 176 96

HSL 30.97, 0.95%, 0.68%

LAB 77.52, 19.57, 51.16

 

CMYK 0 / 26 / 54 / 7

HEX #EEB06D

RGB 238 176 109

HSL 31.16, 0.79%, 0.68%

LAB 76.27, 15.22, 42.88

 

CMYK 0 / 22 / 46 / 12

HEX #E1AF7A

RGB 225 175 122

HSL 30.87, 0.63%, 0.68%

LAB 74.87, 11.66, 34.1

 

CMYK 0 / 17 / 36 / 17

HEX #D3AF87

RGB 211 175 135

HSL 31.58, 0.46%, 0.68%

LAB 73.71, 7.48, 25.41

 

CMYK 0 / 12 / 25 / 22

HEX #C6AE95

RGB 198 174 149

HSL 30.61, 0.3%, 0.68%

LAB 72.53, 4.77, 16.02

 

CMYK 0 / 62 / 61 / 2

HEX #FB6062

RGB 251 96 98

HSL 359.23, 0.95%, 0.68%

LAB 61.44, 59.24, 30.54

 

CMYK 0 / 46 / 62 / 2

HEX #FB8760

RGB 251 135 96

HSL 15.1, 0.95%, 0.68%

LAB 68.52, 40.82, 40.48

 

CMYK 0 / 30 / 62 / 2

HEX #FBB060

RGB 251 176 96

HSL 30.97, 0.95%, 0.68%

LAB 77.52, 19.57, 51.16

 

CMYK 0 / 14 / 62 / 2

HEX #FBD960

RGB 251 217 96

HSL 46.84, 0.95%, 0.68%

LAB 87.48, -1.67, 62.39

 

CMYK 3 / 0 / 62 / 2

HEX #F3FB60

RGB 243 251 96

HSL 63.1, 0.95%, 0.68%

LAB 95.54, -21.67, 70.91

 

CMYK 0 / 45 / 94 / 2

HEX #F9890F

RGB 249 137 15

HSL 31.28, 0.95%, 0.52%

LAB 68.07, 36.08, 72.09

 

CMYK 0 / 38 / 78 / 2

HEX #FA9C38

RGB 250 156 56

HSL 30.93, 0.95%, 0.6%

LAB 72.49, 27.6, 63.65

 

CMYK 0 / 30 / 62 / 2

HEX #FBB060

RGB 251 176 96

HSL 30.97, 0.95%, 0.68%

LAB 77.52, 19.57, 51.16

 

CMYK 0 / 22 / 46 / 1

HEX #FCC488

RGB 252 196 136

HSL 31.03, 0.95%, 0.76%

LAB 82.89, 12.75, 37.72

 

CMYK 0 / 15 / 30 / 1

HEX #FDD8B0

RGB 253 216 176

HSL 31.17, 0.95%, 0.84%

LAB 88.51, 7.21, 24.51

 

CMYK 0 / 30 / 62 / 2

HEX #FBB05F

RGB 251 176 95

HSL 31.15, 0.95%, 0.68%

LAB 77.51, 19.5, 51.64

 

CMYK 44 / 0 / 62 / 2

HEX #8CFB60

RGB 140 251 96

HSL 102.97, 0.95%, 0.68%

LAB 89.59, -58.54, 62.72

 

CMYK 55 / 62 / 0 / 2

HEX #7260FB

RGB 114 96 251

HSL 246.97, 0.95%, 0.68%

LAB 50.58, 47.82, -75.25

 

CMYK 0 / 30 / 62 / 2

HEX #FBB05F

RGB 251 176 95

HSL 31.15, 0.95%, 0.68%

LAB 77.51, 19.5, 51.64

 

CMYK 62 / 0 / 30 / 2

HEX #60FBB0

RGB 96 251 176

HSL 150.97, 0.95%, 0.68%

LAB 89.21, -57.67, 24.08

 

CMYK 30 / 62 / 0 / 2

HEX #B060FB

RGB 176 96 251

HSL 270.97, 0.95%, 0.68%

LAB 56.65, 60, -65.14

 

CMYK 0 / 30 / 62 / 2

HEX #FBB05F

RGB 251 176 95

HSL 31.15, 0.95%, 0.68%

LAB 77.51, 19.5, 51.64

 

CMYK 44 / 0 / 62 / 2

HEX #8CFB60

RGB 140 251 96

HSL 102.97, 0.95%, 0.68%

LAB 89.59, -58.54, 62.72

 

CMYK 62 / 32 / 0 / 2

HEX #60ABFB

RGB 96 171 251

HSL 210.97, 0.95%, 0.68%

LAB 68.44, 0.44, -46.7

 

CMYK 18 / 62 / 0 / 2

HEX #CF60FB

RGB 207 96 251

HSL 282.97, 0.95%, 0.68%

LAB 60.42, 66.89, -58.87

 

CMYK 0 / 30 / 62 / 2

HEX #FBB05F

RGB 251 176 95

HSL 31.15, 0.95%, 0.68%

LAB 77.51, 19.5, 51.64

 

CMYK 62 / 0 / 61 / 2

HEX #60FB62

RGB 96 251 98

HSL 120.77, 0.95%, 0.68%

LAB 88.14, -69.49, 59.87

 

CMYK 62 / 32 / 0 / 2

HEX #60ABFB

RGB 96 171 251

HSL 210.97, 0.95%, 0.68%

LAB 68.44, 0.44, -46.7

 

CMYK 0 / 62 / 1 / 2

HEX #FB60F8

RGB 251 96 248

HSL 301.16, 0.95%, 0.68%

LAB 66.25, 76.53, -47.59

 

Description

Color code: HEX #FBB05F | qconv.com Color code: HEX #FBB05F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 176 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 176 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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