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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBAF72 it is the complementary color #04508D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBAF72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBAF72 shade: #FFAF6D, #FFC180, #FFD393, #FFE5A6 and #FFF7B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBAF72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBAF72 shade: #FBAF72, #EA9D5F, #D98B4C, #C87939 and #B76726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBAF72 shade: #FBB074, #FB8C74 and #FB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBAF72 shade: #FBB074, #FBD474, #FBF974, #D9FB74 and #B4FB74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBAF72 shade matches the following richer shades: #FBB074

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBAF72 shade: #FBB074, #EFB280, #E4B38C, #D8B497 and #CDB5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBAF72 shade: #FB7482, #FB8B74, #FBAF74, #FBD274 and #FBF674

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBAF72 shade: #F88324, #F99A4C, #FBB074, #FCC79D and #FDDEC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBAF72 shade: #FBAF72, #A6FB74 and #7974FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBAF72 shade: #FBAF72, #74FBAF and #AF74FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBAF72 shade: #FBAF72, #A6FB74, #74C1FB and #C974FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBAF72 shade: #FBAF72, #7DFB74, #74C1FB and #F274FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 55 / 2

HEX #FBAF72

RGB 251 175 114

HSL 26.72, 0.94%, 0.72%

LAB 77.51, 21.41, 42.17

 

Complementary color

CMYK 97 / 43 / 0 / 45

HEX #04508D

RGB 4 80 141

HSL 206.72, 0.94%, 0.28%

LAB 33.32, 4.01, -39.48

 

CMYK 0 / 31 / 57 / 0

HEX #FFAF6D

RGB 255 175 109

HSL 27.12, 1%, 0.71%

LAB 77.89, 22.62, 45.28

 

CMYK 0 / 24 / 50 / 0

HEX #FFC180

RGB 255 193 128

HSL 30.71, 1%, 0.75%

LAB 82.36, 14.77, 41.19

 

CMYK 0 / 17 / 42 / 0

HEX #FFD393

RGB 255 211 147

HSL 35.56, 1%, 0.79%

LAB 86.97, 7.25, 37.44

 

CMYK 0 / 10 / 35 / 0

HEX #FFE5A6

RGB 255 229 166

HSL 42.47, 1%, 0.83%

LAB 91.71, 0.11, 34

 

CMYK 0 / 3 / 27 / 0

HEX #FFF7B9

RGB 255 247 185

HSL 53.14, 1%, 0.86%

LAB 96.53, -6.62, 30.84

 

CMYK 0 / 30 / 55 / 2

HEX #FBAF72

RGB 251 175 114

HSL 26.72, 0.94%, 0.72%

LAB 77.51, 21.41, 42.17

 

CMYK 0 / 33 / 59 / 8

HEX #EA9D5F

RGB 234 157 95

HSL 26.76, 0.77%, 0.65%

LAB 71.17, 22.6, 43.7

 

CMYK 0 / 36 / 65 / 15

HEX #D98B4C

RGB 217 139 76

HSL 26.81, 0.65%, 0.57%

LAB 64.75, 23.95, 45.28

 

CMYK 0 / 40 / 72 / 22

HEX #C87939

RGB 200 121 57

HSL 26.85, 0.57%, 0.5%

LAB 58.27, 25.49, 46.87

 

CMYK 0 / 44 / 79 / 28

HEX #B76726

RGB 183 103 38

HSL 26.9, 0.66%, 0.43%

LAB 51.73, 27.24, 48.29

 

CMYK 0 / 30 / 54 / 2

HEX #FBB074

RGB 251 176 116

HSL 26.67, 0.94%, 0.72%

LAB 77.77, 21.04, 41.47

 

CMYK 0 / 44 / 54 / 2

HEX #FB8C74

RGB 251 140 116

HSL 10.67, 0.94%, 0.72%

LAB 69.84, 39.75, 31.38

 

CMYK 0 / 54 / 54 / 2

HEX #FB7474

RGB 251 116 116

HSL 0, 0.94%, 0.72%

LAB 65.17, 51.55, 25.24

 

CMYK 0 / 30 / 54 / 2

HEX #FBB074

RGB 251 176 116

HSL 26.67, 0.94%, 0.72%

LAB 77.77, 21.04, 41.47

 

CMYK 0 / 16 / 54 / 2

HEX #FBD474

RGB 251 212 116

HSL 42.67, 0.94%, 0.72%

LAB 86.43, 2.31, 52.04

 

CMYK 0 / 1 / 54 / 2

HEX #FBF974

RGB 251 249 116

HSL 59.11, 0.94%, 0.72%

LAB 95.8, -16.16, 62.97

 

CMYK 14 / 0 / 54 / 2

HEX #D9FB74

RGB 217 251 116

HSL 75.11, 0.94%, 0.72%

LAB 93.89, -30.29, 60.13

 

CMYK 28 / 0 / 54 / 2

HEX #B4FB74

RGB 180 251 116

HSL 91.56, 0.94%, 0.72%

LAB 91.67, -43.74, 56.98

 

CMYK 0 / 30 / 54 / 2

HEX #FBB074

RGB 251 176 116

HSL 26.67, 0.94%, 0.72%

LAB 77.77, 21.04, 41.47

 

CMYK 0 / 30 / 54 / 2

HEX #FBB074

RGB 251 176 116

HSL 26.67, 0.94%, 0.72%

LAB 77.77, 21.04, 41.47

 

CMYK 0 / 26 / 46 / 6

HEX #EFB280

RGB 239 178 128

HSL 27.03, 0.78%, 0.72%

LAB 77.13, 16.27, 34.16

 

CMYK 0 / 21 / 39 / 11

HEX #E4B38C

RGB 228 179 140

HSL 26.59, 0.62%, 0.72%

LAB 76.45, 12.65, 26.71

 

CMYK 0 / 17 / 30 / 15

HEX #D8B497

RGB 216 180 151

HSL 26.77, 0.45%, 0.72%

LAB 75.75, 8.78, 19.66

 

CMYK 0 / 12 / 20 / 20

HEX #CDB5A3

RGB 205 181 163

HSL 25.71, 0.3%, 0.72%

LAB 75.25, 5.73, 12.31

 

CMYK 0 / 54 / 48 / 2

HEX #FB7482

RGB 251 116 130

HSL 353.78, 0.94%, 0.72%

LAB 65.45, 52.73, 17.69

 

CMYK 0 / 45 / 54 / 2

HEX #FB8B74

RGB 251 139 116

HSL 10.22, 0.94%, 0.72%

LAB 69.64, 40.26, 31.11

 

CMYK 0 / 30 / 54 / 2

HEX #FBAF74

RGB 251 175 116

HSL 26.22, 0.94%, 0.72%

LAB 77.54, 21.57, 41.18

 

CMYK 0 / 16 / 54 / 2

HEX #FBD274

RGB 251 210 116

HSL 41.78, 0.94%, 0.72%

LAB 85.94, 3.34, 51.45

 

CMYK 0 / 2 / 54 / 2

HEX #FBF674

RGB 251 246 116

HSL 57.78, 0.94%, 0.72%

LAB 95.03, -14.7, 62.09

 

CMYK 0 / 47 / 85 / 3

HEX #F88324

RGB 248 131 36

HSL 26.89, 0.94%, 0.56%

LAB 66.76, 39.07, 65.77

 

CMYK 0 / 38 / 69 / 2

HEX #F99A4C

RGB 249 154 76

HSL 27.05, 0.94%, 0.64%

LAB 72.08, 29.11, 54.52

 

CMYK 0 / 30 / 54 / 2

HEX #FBB074

RGB 251 176 116

HSL 26.67, 0.94%, 0.72%

LAB 77.77, 21.04, 41.47

 

CMYK 0 / 21 / 38 / 1

HEX #FCC79D

RGB 252 199 157

HSL 26.53, 0.94%, 0.8%

LAB 83.95, 13.39, 28.22

 

CMYK 0 / 12 / 22 / 1

HEX #FDDEC5

RGB 253 222 197

HSL 26.79, 0.93%, 0.88%

LAB 90.39, 6.92, 16.19

 

CMYK 0 / 30 / 55 / 2

HEX #FBAF72

RGB 251 175 114

HSL 26.72, 0.94%, 0.72%

LAB 77.51, 21.41, 42.17

 

CMYK 34 / 0 / 54 / 2

HEX #A6FB74

RGB 166 251 116

HSL 97.78, 0.94%, 0.72%

LAB 90.94, -48.46, 55.95

 

CMYK 52 / 54 / 0 / 2

HEX #7974FB

RGB 121 116 251

HSL 242.22, 0.94%, 0.72%

LAB 55.6, 37.53, -67.08

 

CMYK 0 / 30 / 55 / 2

HEX #FBAF72

RGB 251 175 114

HSL 26.72, 0.94%, 0.72%

LAB 77.51, 21.41, 42.17

 

CMYK 54 / 0 / 30 / 2

HEX #74FBAF

RGB 116 251 175

HSL 146.22, 0.94%, 0.72%

LAB 89.77, -53.79, 25.44

 

CMYK 30 / 54 / 0 / 2

HEX #AF74FB

RGB 175 116 251

HSL 266.22, 0.94%, 0.72%

LAB 60.4, 49.51, -59.12

 

CMYK 0 / 30 / 55 / 2

HEX #FBAF72

RGB 251 175 114

HSL 26.72, 0.94%, 0.72%

LAB 77.51, 21.41, 42.17

 

CMYK 34 / 0 / 54 / 2

HEX #A6FB74

RGB 166 251 116

HSL 97.78, 0.94%, 0.72%

LAB 90.94, -48.46, 55.95

 

CMYK 54 / 23 / 0 / 2

HEX #74C1FB

RGB 116 193 251

HSL 205.78, 0.94%, 0.72%

LAB 75.34, -7.83, -35.88

 

CMYK 20 / 54 / 0 / 2

HEX #C974FB

RGB 201 116 251

HSL 277.78, 0.94%, 0.72%

LAB 63.24, 55.92, -54.43

 

CMYK 0 / 30 / 55 / 2

HEX #FBAF72

RGB 251 175 114

HSL 26.72, 0.94%, 0.72%

LAB 77.51, 21.41, 42.17

 

CMYK 50 / 0 / 54 / 2

HEX #7DFB74

RGB 125 251 116

HSL 116, 0.94%, 0.72%

LAB 89.21, -60.63, 53.47

 

CMYK 54 / 23 / 0 / 2

HEX #74C1FB

RGB 116 193 251

HSL 205.78, 0.94%, 0.72%

LAB 75.34, -7.83, -35.88

 

CMYK 4 / 54 / 0 / 2

HEX #F274FB

RGB 242 116 251

HSL 296, 0.94%, 0.72%

LAB 68.27, 66.36, -46.15

 

Description

Color code: HEX #FBAF72 | qconv.com Color code: HEX #FBAF72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 175 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 175 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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