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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBAED03F it is the complementary color #04512F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBAED03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBAED03F shade: #FFAECB3F, #FFC0DE3F, #FFD2F13F, #FFE4FF3F and #FFF6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBAED03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBAED03F shade: #FBAED03F, #EA9CBD3F, #D98AAA3F, #C878973F and #B766843F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBAED03F shade: #FBACCF, #FBACBA and #FBACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBAED03F shade: #FBACCF, #FBACE4, #FBACFA, #E7ACFB and #D2ACFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBAED03F shade matches the following richer shades: #FBACCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBAED03F shade: #FBACCF, #F4B3D0, #EDBAD1, #E6C1D1 and #DFC8D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBAED03F shade: #FBACFA, #FBACE5, #FBACD0, #FBACBB and #FBB3AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBAED03F shade: #F75DA1, #F985B8, #FBACCF, #FDD4E6 and #FFFBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBAED03F shade: #FBAED0, #FBE7AC and #ACEFFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBAED03F shade: #FBAED0, #D0FBAC and #ACD0FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBAED03F shade: #FBAED0, #FBE7AC, #ACFBD8 and #ACC0FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBAED03F shade: #FBAED0, #F7FBAC, #ACFBD8 and #B0ACFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 4 / 0

HEX #FBAED03F

RGBA 251 174 208 0.25

HSLA 333.51, 0.91%, 0.83%, 0.25

LABA 79.23, 32.95, -5.8, 0.25

 

Complementary color

CMYK 24 / 0 / 10 / 17

HEX #04512F3F

RGBA 4 81 47 0.25

HSLA 153.51, 0.91%, 0.17%, 0.25

LABA 29.7, -30.56, 14.11, 0.25

 

CMYK 0 / 8 / 5 / 0

HEX #FFAECB3F

RGBA 255 174 203 0.25

HSLA 338.52, 1%, 0.84%, 0.25

LABA 79.52, 33.59, -2.61, 0.25

 

CMYK 0 / 6 / 3 / 0

HEX #FFC0DE3F

RGBA 255 192 222 0.25

HSLA 331.43, 1%, 0.88%, 0.25

LABA 84.09, 27.06, -6.12, 0.25

 

CMYK 0 / 4 / 1 / 0

HEX #FFD2F13F

RGBA 255 210 241 0.25

HSLA 318.67, 1%, 0.91%, 0.25

LABA 88.78, 20.76, -9.25, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF6FF3F

RGBA 255 246 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.79, 4.57, -3.25, 0.25

 

CMYK 0 / 8 / 4 / 0

HEX #FBAED03F

RGBA 251 174 208 0.25

HSLA 333.51, 0.91%, 0.83%, 0.25

LABA 79.23, 32.95, -5.8, 0.25

 

CMYK 0 / 8 / 5 / 2

HEX #EA9CBD3F

RGBA 234 156 189 0.25

HSLA 334.62, 0.65%, 0.76%, 0.25

LABA 72.85, 33.68, -5.03, 0.25

 

CMYK 0 / 9 / 5 / 4

HEX #D98AAA3F

RGBA 217 138 170 0.25

HSLA 335.7, 0.51%, 0.7%, 0.25

LABA 66.39, 34.45, -4.2, 0.25

 

CMYK 0 / 10 / 6 / 5

HEX #C878973F

RGBA 200 120 151 0.25

HSLA 336.75, 0.42%, 0.63%, 0.25

LABA 59.84, 35.27, -3.27, 0.25

 

CMYK 0 / 11 / 7 / 7

HEX #B766843F

RGBA 183 102 132 0.25

HSLA 337.78, 0.36%, 0.56%, 0.25

LABA 53.21, 36.14, -2.21, 0.25

 

CMYK 0 / 31 / 18 / 2

HEX #FBACCF

RGB 251 172 207

HSL 333.42, 0.91%, 0.83%

LAB 78.76, 33.85, -5.95

 

CMYK 0 / 31 / 26 / 2

HEX #FBACBA

RGB 251 172 186

HSL 349.37, 0.91%, 0.83%

LAB 78.2, 30.82, 4.65

 

CMYK 0 / 31 / 31 / 2

HEX #FBACAC

RGB 251 172 172

HSL 0, 0.91%, 0.83%

LAB 77.87, 28.98, 11.78

 

CMYK 0 / 31 / 18 / 2

HEX #FBACCF

RGB 251 172 207

HSL 333.42, 0.91%, 0.83%

LAB 78.76, 33.85, -5.95

 

CMYK 0 / 31 / 9 / 2

HEX #FBACE4

RGB 251 172 228

HSL 317.47, 0.91%, 0.83%

LAB 79.39, 37.19, -16.39

 

CMYK 0 / 31 / 0 / 2

HEX #FBACFA

RGB 251 172 250

HSL 300.76, 0.91%, 0.83%

LAB 80.13, 40.99, -27.12

 

CMYK 8 / 31 / 0 / 2

HEX #E7ACFB

RGB 231 172 251

HSL 284.81, 0.91%, 0.83%

LAB 78.15, 34.99, -30.88

 

CMYK 16 / 31 / 0 / 2

HEX #D2ACFB

RGB 210 172 251

HSL 268.86, 0.91%, 0.83%

LAB 76.17, 28.6, -34.08

 

CMYK 0 / 31 / 18 / 2

HEX #FBACCF

RGB 251 172 207

HSL 333.42, 0.91%, 0.83%

LAB 78.76, 33.85, -5.95

 

CMYK 0 / 31 / 18 / 2

HEX #FBACCF

RGB 251 172 207

HSL 333.42, 0.91%, 0.83%

LAB 78.76, 33.85, -5.95

 

CMYK 0 / 27 / 15 / 4

HEX #F4B3D0

RGB 244 179 208

HSL 333.23, 0.75%, 0.83%

LAB 79.63, 27.9, -5.3

 

CMYK 0 / 22 / 12 / 7

HEX #EDBAD1

RGB 237 186 209

HSL 332.94, 0.59%, 0.83%

LAB 80.59, 21.91, -4.5

 

CMYK 0 / 16 / 9 / 10

HEX #E6C1D1

RGB 230 193 209

HSL 334.05, 0.43%, 0.83%

LAB 81.6, 15.74, -3.08

 

CMYK 0 / 10 / 6 / 13

HEX #DFC8D2

RGB 223 200 210

HSL 333.91, 0.26%, 0.83%

LAB 82.73, 9.75, -2.04

 

CMYK 0 / 31 / 0 / 2

HEX #FBACFA

RGB 251 172 250

HSL 300.76, 0.91%, 0.83%

LAB 80.13, 40.99, -27.12

 

CMYK 0 / 31 / 9 / 2

HEX #FBACE5

RGB 251 172 229

HSL 316.71, 0.91%, 0.83%

LAB 79.43, 37.35, -16.88

 

CMYK 0 / 31 / 17 / 2

HEX #FBACD0

RGB 251 172 208

HSL 332.66, 0.91%, 0.83%

LAB 78.79, 34, -6.45

 

CMYK 0 / 31 / 25 / 2

HEX #FBACBB

RGB 251 172 187

HSL 348.61, 0.91%, 0.83%

LAB 78.23, 30.95, 4.14

 

CMYK 0 / 29 / 31 / 2

HEX #FBB3AC

RGB 251 179 172

HSL 5.32, 0.91%, 0.83%

LAB 79.46, 25.3, 14.03

 

CMYK 0 / 62 / 35 / 3

HEX #F75DA1

RGB 247 93 161

HSL 333.51, 0.91%, 0.67%

LAB 61.81, 64.74, -5.39

 

CMYK 0 / 47 / 26 / 2

HEX #F985B8

RGB 249 133 184

HSL 333.62, 0.91%, 0.75%

LAB 69.74, 49.88, -6.67

 

CMYK 0 / 31 / 18 / 2

HEX #FBACCF

RGB 251 172 207

HSL 333.42, 0.91%, 0.83%

LAB 78.76, 33.85, -5.95

 

CMYK 0 / 16 / 9 / 1

HEX #FDD4E6

RGB 253 212 230

HSL 333.66, 0.91%, 0.91%

LAB 88.77, 17.18, -3.48

 

CMYK 0 / 2 / 1 / 0

HEX #FFFBFD

RGB 255 251 253

HSL 330, 1%, 0.99%

LAB 98.96, 1.68, -0.5

 

CMYK 0 / 31 / 17 / 2

HEX #FBAED0

RGB 251 174 208

HSL 333.51, 0.91%, 0.83%

LAB 79.23, 32.95, -5.8

 

CMYK 0 / 8 / 31 / 2

HEX #FBE7AC

RGB 251 231 172

HSL 44.81, 0.91%, 0.83%

LAB 91.97, -1.71, 31.24

 

CMYK 31 / 5 / 0 / 2

HEX #ACEFFB

RGB 172 239 251

HSL 189.11, 0.91%, 0.83%

LAB 90.54, -18.04, -12.51

 

CMYK 0 / 31 / 17 / 2

HEX #FBAED0

RGB 251 174 208

HSL 333.51, 0.91%, 0.83%

LAB 79.23, 32.95, -5.8

 

CMYK 17 / 0 / 31 / 2

HEX #D0FBAC

RGB 208 251 172

HSL 92.66, 0.91%, 0.83%

LAB 94.05, -27.25, 33.48

 

CMYK 31 / 17 / 0 / 2

HEX #ACD0FB

RGB 172 208 251

HSL 212.66, 0.91%, 0.83%

LAB 82.3, -2.09, -24.93

 

CMYK 0 / 31 / 17 / 2

HEX #FBAED0

RGB 251 174 208

HSL 333.51, 0.91%, 0.83%

LAB 79.23, 32.95, -5.8

 

CMYK 0 / 8 / 31 / 2

HEX #FBE7AC

RGB 251 231 172

HSL 44.81, 0.91%, 0.83%

LAB 91.97, -1.71, 31.24

 

CMYK 31 / 0 / 14 / 2

HEX #ACFBD8

RGB 172 251 216

HSL 153.42, 0.91%, 0.83%

LAB 92.89, -31.34, 9.13

 

CMYK 31 / 24 / 0 / 2

HEX #ACC0FB

RGB 172 192 251

HSL 224.81, 0.91%, 0.83%

LAB 78.13, 6.52, -31.31

 

CMYK 0 / 31 / 17 / 2

HEX #FBAED0

RGB 251 174 208

HSL 333.51, 0.91%, 0.83%

LAB 79.23, 32.95, -5.8

 

CMYK 2 / 0 / 31 / 2

HEX #F7FBAC

RGB 247 251 172

HSL 63.04, 0.91%, 0.83%

LAB 96.72, -13.17, 37.5

 

CMYK 31 / 0 / 14 / 2

HEX #ACFBD8

RGB 172 251 216

HSL 153.42, 0.91%, 0.83%

LAB 92.89, -31.34, 9.13

 

CMYK 30 / 31 / 0 / 2

HEX #B0ACFB

RGB 176 172 251

HSL 243.04, 0.91%, 0.83%

LAB 73.35, 18.68, -38.69

 

Description

Color code: HEX #FBAED03F | qconv.com Color code: HEX #FBAED03F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 174 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 174 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 4 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 4% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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