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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA89A it is the complementary color #045765. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA89A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA89A shade: #FFA895, #FFBAA8, #FFCCBB, #FFDECE and #FFF0E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA89A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA89A shade: #FBA89A, #EA9687, #D98474, #C87261 and #B7604E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA89A shade: #FBA698 and #FB9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA89A shade: #FBA698, #FBC198, #FBDC98, #FBF698 and #E5FB98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA89A shade matches the following richer shades: #FBA698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA89A shade: #FBA698, #F2ADA1, #E9B3AA, #E1B9B2 and #D8BFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA89A shade: #FB98C0, #FB98A5, #FBA598, #FBC098 and #FBDA98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA89A shade: #F76249, #F98471, #FBA698, #FCC9C0 and #FEEBE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA89A shade: #FBA89A, #DAFB98 and #98B2FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA89A shade: #FBA89A, #98FBA5 and #A598FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA89A shade: #FBA89A, #DAFB98, #98EEFB and #B998FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA89A shade: #FBA89A, #BCFB98, #98EEFB and #D798FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 39 / 2

HEX #FBA89A

RGB 251 168 154

HSL 8.66, 0.92%, 0.79%

LAB 76.59, 28.93, 19.76

 

Complementary color

CMYK 96 / 14 / 0 / 60

HEX #045765

RGB 4 87 101

HSL 188.66, 0.92%, 0.21%

LAB 33.52, -16.54, -14.36

 

CMYK 0 / 34 / 42 / 0

HEX #FFA895

RGB 255 168 149

HSL 10.75, 1%, 0.79%

LAB 76.94, 29.89, 23.03

 

CMYK 0 / 27 / 34 / 0

HEX #FFBAA8

RGB 255 186 168

HSL 12.41, 1%, 0.83%

LAB 81.4, 22.62, 18.96

 

CMYK 0 / 20 / 27 / 0

HEX #FFCCBB

RGB 255 204 187

HSL 15, 1%, 0.87%

LAB 86.02, 15.62, 15.32

 

CMYK 0 / 13 / 19 / 0

HEX #FFDECE

RGB 255 222 206

HSL 19.59, 1%, 0.9%

LAB 90.76, 8.94, 12.03

 

CMYK 0 / 6 / 12 / 0

HEX #FFF0E1

RGB 255 240 225

HSL 30, 1%, 0.94%

LAB 95.59, 2.61, 9.05

 

CMYK 0 / 33 / 39 / 2

HEX #FBA89A

RGB 251 168 154

HSL 8.66, 0.92%, 0.79%

LAB 76.59, 28.93, 19.76

 

CMYK 0 / 36 / 42 / 8

HEX #EA9687

RGB 234 150 135

HSL 9.09, 0.7%, 0.72%

LAB 70.21, 29.88, 21.08

 

CMYK 0 / 39 / 47 / 15

HEX #D98474

RGB 217 132 116

HSL 9.5, 0.57%, 0.65%

LAB 63.77, 30.93, 22.55

 

CMYK 0 / 43 / 52 / 22

HEX #C87261

RGB 200 114 97

HSL 9.9, 0.48%, 0.58%

LAB 57.25, 32.09, 24.2

 

CMYK 0 / 48 / 57 / 28

HEX #B7604E

RGB 183 96 78

HSL 10.29, 0.42%, 0.51%

LAB 50.67, 33.37, 26.08

 

CMYK 0 / 34 / 39 / 2

HEX #FBA698

RGB 251 166 152

HSL 8.48, 0.93%, 0.79%

LAB 76.1, 29.75, 20.17

 

CMYK 0 / 39 / 39 / 2

HEX #FB9898

RGB 251 152 152

HSL 0, 0.93%, 0.79%

LAB 73.04, 37.04, 15.94

 

CMYK 0 / 34 / 39 / 2

HEX #FBA698

RGB 251 166 152

HSL 8.48, 0.93%, 0.79%

LAB 76.1, 29.75, 20.17

 

CMYK 0 / 23 / 39 / 2

HEX #FBC198

RGB 251 193 152

HSL 24.85, 0.93%, 0.79%

LAB 82.33, 15.58, 28.65

 

CMYK 0 / 12 / 39 / 2

HEX #FBDC98

RGB 251 220 152

HSL 41.21, 0.93%, 0.79%

LAB 88.9, 1.59, 37.35

 

CMYK 0 / 2 / 39 / 2

HEX #FBF698

RGB 251 246 152

HSL 56.97, 0.93%, 0.79%

LAB 95.45, -11.46, 45.77

 

CMYK 9 / 0 / 39 / 2

HEX #E5FB98

RGB 229 251 152

HSL 73.33, 0.93%, 0.79%

LAB 95.13, -22.2, 45.03

 

CMYK 0 / 34 / 39 / 2

HEX #FBA698

RGB 251 166 152

HSL 8.48, 0.93%, 0.79%

LAB 76.1, 29.75, 20.17

 

CMYK 0 / 34 / 39 / 2

HEX #FBA698

RGB 251 166 152

HSL 8.48, 0.93%, 0.79%

LAB 76.1, 29.75, 20.17

 

CMYK 0 / 29 / 33 / 5

HEX #F2ADA1

RGB 242 173 161

HSL 8.89, 0.76%, 0.79%

LAB 76.88, 23.73, 16.23

 

CMYK 0 / 23 / 27 / 9

HEX #E9B3AA

RGB 233 179 170

HSL 8.57, 0.59%, 0.79%

LAB 77.56, 18.33, 12.16

 

CMYK 0 / 18 / 21 / 12

HEX #E1B9B2

RGB 225 185 178

HSL 8.94, 0.44%, 0.79%

LAB 78.41, 13.29, 8.95

 

CMYK 0 / 12 / 13 / 15

HEX #D8BFBB

RGB 216 191 187

HSL 8.28, 0.27%, 0.79%

LAB 79.3, 8.19, 5.25

 

CMYK 0 / 39 / 24 / 2

HEX #FB98C0

RGB 251 152 192

HSL 335.76, 0.93%, 0.79%

LAB 74.04, 42.05, -4.71

 

CMYK 0 / 39 / 34 / 2

HEX #FB98A5

RGB 251 152 165

HSL 352.12, 0.93%, 0.79%

LAB 73.34, 38.54, 9.18

 

CMYK 0 / 34 / 39 / 2

HEX #FBA598

RGB 251 165 152

HSL 7.88, 0.93%, 0.79%

LAB 75.88, 30.28, 19.87

 

CMYK 0 / 24 / 39 / 2

HEX #FBC098

RGB 251 192 152

HSL 24.24, 0.93%, 0.79%

LAB 82.1, 16.1, 28.33

 

CMYK 0 / 13 / 39 / 2

HEX #FBDA98

RGB 251 218 152

HSL 40, 0.93%, 0.79%

LAB 88.41, 2.62, 36.7

 

CMYK 0 / 60 / 70 / 3

HEX #F76249

RGB 247 98 73

HSL 8.62, 0.92%, 0.63%

LAB 60.77, 55.66, 43.4

 

CMYK 0 / 47 / 55 / 2

HEX #F98471

RGB 249 132 113

HSL 8.38, 0.92%, 0.71%

LAB 67.9, 42.8, 30.45

 

CMYK 0 / 34 / 39 / 2

HEX #FBA698

RGB 251 166 152

HSL 8.48, 0.93%, 0.79%

LAB 76.1, 29.75, 20.17

 

CMYK 0 / 20 / 24 / 1

HEX #FCC9C0

RGB 252 201 192

HSL 9, 0.91%, 0.87%

LAB 85.14, 16.77, 11.37

 

CMYK 0 / 7 / 9 / 0

HEX #FEEBE7

RGB 254 235 231

HSL 10.43, 0.92%, 0.95%

LAB 94.42, 5.77, 4.25

 

CMYK 0 / 33 / 39 / 2

HEX #FBA89A

RGB 251 168 154

HSL 8.66, 0.92%, 0.79%

LAB 76.59, 28.93, 19.76

 

CMYK 13 / 0 / 39 / 2

HEX #DAFB98

RGB 218 251 152

HSL 80, 0.93%, 0.79%

LAB 94.38, -26.25, 43.93

 

CMYK 39 / 29 / 0 / 2

HEX #98B2FB

RGB 152 178 251

HSL 224.24, 0.93%, 0.79%

LAB 73.21, 8.85, -39.04

 

CMYK 0 / 33 / 39 / 2

HEX #FBA89A

RGB 251 168 154

HSL 8.66, 0.92%, 0.79%

LAB 76.59, 28.93, 19.76

 

CMYK 39 / 0 / 34 / 2

HEX #98FBA5

RGB 152 251 165

HSL 127.88, 0.93%, 0.79%

LAB 90.96, -46.29, 32.33

 

CMYK 34 / 39 / 0 / 2

HEX #A598FB

RGB 165 152 251

HSL 247.88, 0.93%, 0.79%

LAB 67.59, 26.94, -47.76

 

CMYK 0 / 33 / 39 / 2

HEX #FBA89A

RGB 251 168 154

HSL 8.66, 0.92%, 0.79%

LAB 76.59, 28.93, 19.76

 

CMYK 13 / 0 / 39 / 2

HEX #DAFB98

RGB 218 251 152

HSL 80, 0.93%, 0.79%

LAB 94.38, -26.25, 43.93

 

CMYK 39 / 5 / 0 / 2

HEX #98EEFB

RGB 152 238 251

HSL 187.88, 0.93%, 0.79%

LAB 89.29, -22.72, -14.47

 

CMYK 26 / 39 / 0 / 2

HEX #B998FB

RGB 185 152 251

HSL 260, 0.93%, 0.79%

LAB 69.28, 32.37, -44.99

 

CMYK 0 / 33 / 39 / 2

HEX #FBA89A

RGB 251 168 154

HSL 8.66, 0.92%, 0.79%

LAB 76.59, 28.93, 19.76

 

CMYK 25 / 0 / 39 / 2

HEX #BCFB98

RGB 188 251 152

HSL 98.18, 0.93%, 0.79%

LAB 92.55, -36.84, 41.21

 

CMYK 39 / 5 / 0 / 2

HEX #98EEFB

RGB 152 238 251

HSL 187.88, 0.93%, 0.79%

LAB 89.29, -22.72, -14.47

 

CMYK 14 / 39 / 0 / 2

HEX #D798FB

RGB 215 152 251

HSL 278.18, 0.93%, 0.79%

LAB 72.14, 40.9, -40.31

 

Description

Color code: HEX #FBA89A | qconv.com Color code: HEX #FBA89A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 168 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 168 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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