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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA80B it is the complementary color #0457F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA80B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA80B shade: #FFA806, #FFBA19, #FFCC2C, #FFDE3F and #FFF052

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA80B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA80B shade: #FBA80B, #EA9600, #D98400, #C87200 and #B76000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA80B shade: #FBA709, #FB6609, #FB2509 and #FB0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA80B shade: #FBA709, #FBE909, #CCFB09, #8BFB09 and #4AFB09

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA80B shade matches the following richer shades: #FBA709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA80B shade: #FBA709, #E7A11D, #D39B31, #BF9545 and #AA8E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA80B shade: #FB2509, #FB6609, #FBA609, #FBE709 and #CFFB09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA80B shade: #AF7303, #D88E03, #FBA709, #FCB631 and #FCC45A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA80B shade: #FBA80B, #2DFB09 and #4509FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA80B shade: #FBA80B, #09FBA6 and #A609FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA80B shade: #FBA80B, #2DFB09, #095EFB and #D709FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA80B shade: #FBA80B, #09FB2D, #095EFB and #FB09D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 96 / 2

HEX #FBA80B

RGB 251 168 11

HSL 39.25, 0.97%, 0.51%

LAB 75.16, 20.78, 77.64

 

Complementary color

CMYK 98 / 64 / 0 / 4

HEX #0457F4

RGB 4 87 244

HSL 219.25, 0.97%, 0.49%

LAB 43.32, 40.64, -83.4

 

CMYK 0 / 34 / 98 / 0

HEX #FFA806

RGB 255 168 6

HSL 39.04, 1%, 0.51%

LAB 75.62, 22.42, 78.74

 

CMYK 0 / 27 / 90 / 0

HEX #FFBA19

RGB 255 186 25

HSL 42, 1%, 0.55%

LAB 79.87, 13.24, 79.12

 

CMYK 0 / 20 / 83 / 0

HEX #FFCC2C

RGB 255 204 44

HSL 45.5, 1%, 0.59%

LAB 84.29, 4.32, 78.32

 

CMYK 0 / 13 / 75 / 0

HEX #FFDE3F

RGB 255 222 63

HSL 49.69, 1%, 0.62%

LAB 88.86, -4.21, 76.67

 

CMYK 0 / 6 / 68 / 0

HEX #FFF052

RGB 255 240 82

HSL 54.8, 1%, 0.66%

LAB 93.53, -12.31, 74.53

 

CMYK 0 / 33 / 96 / 2

HEX #FBA80B

RGB 251 168 11

HSL 39.25, 0.97%, 0.51%

LAB 75.16, 20.78, 77.64

 

CMYK 0 / 36 / 100 / 8

HEX #EA9600

RGB 234 150 0

HSL 38.46, 1%, 0.46%

LAB 68.97, 22.97, 73.83

 

CMYK 0 / 39 / 100 / 15

HEX #D98400

RGB 217 132 0

HSL 36.5, 1%, 0.43%

LAB 62.72, 25.33, 68.75

 

CMYK 0 / 43 / 100 / 22

HEX #C87200

RGB 200 114 0

HSL 34.2, 1%, 0.39%

LAB 56.4, 27.74, 63.62

 

CMYK 0 / 48 / 100 / 28

HEX #B76000

RGB 183 96 0

HSL 31.48, 1%, 0.36%

LAB 50.02, 30.2, 58.47

 

CMYK 0 / 33 / 96 / 2

HEX #FBA709

RGB 251 167 9

HSL 39.17, 0.97%, 0.51%

LAB 74.93, 21.28, 77.71

 

CMYK 0 / 59 / 96 / 2

HEX #FB6609

RGB 251 102 9

HSL 23.06, 0.97%, 0.51%

LAB 61.68, 53.66, 69.12

 

CMYK 0 / 85 / 96 / 2

HEX #FB2509

RGB 251 37 9

HSL 6.94, 0.97%, 0.51%

LAB 53.87, 75.07, 64.84

 

CMYK 0 / 96 / 96 / 2

HEX #FB0909

RGB 251 9 9

HSL 0, 0.97%, 0.51%

LAB 52.65, 78.59, 64.26

 

CMYK 0 / 33 / 96 / 2

HEX #FBA709

RGB 251 167 9

HSL 39.17, 0.97%, 0.51%

LAB 74.93, 21.28, 77.71

 

CMYK 0 / 7 / 96 / 2

HEX #FBE909

RGB 251 233 9

HSL 55.54, 0.97%, 0.51%

LAB 91.15, -12.53, 89.29

 

CMYK 19 / 0 / 96 / 2

HEX #CCFB09

RGB 204 251 9

HSL 71.65, 0.97%, 0.51%

LAB 92.51, -40.11, 88.79

 

CMYK 45 / 0 / 96 / 2

HEX #8BFB09

RGB 139 251 9

HSL 87.77, 0.97%, 0.51%

LAB 89.16, -63.02, 84.74

 

CMYK 71 / 0 / 96 / 2

HEX #4AFB09

RGB 74 251 9

HSL 103.88, 0.97%, 0.51%

LAB 87.23, -78.65, 82.38

 

CMYK 0 / 33 / 96 / 2

HEX #FBA709

RGB 251 167 9

HSL 39.17, 0.97%, 0.51%

LAB 74.93, 21.28, 77.71

 

CMYK 0 / 33 / 96 / 2

HEX #FBA709

RGB 251 167 9

HSL 39.17, 0.97%, 0.51%

LAB 74.93, 21.28, 77.71

 

CMYK 0 / 30 / 87 / 9

HEX #E7A11D

RGB 231 161 29

HSL 39.21, 0.81%, 0.51%

LAB 71.26, 16.22, 70.49

 

CMYK 0 / 27 / 77 / 17

HEX #D39B31

RGB 211 155 49

HSL 39.26, 0.65%, 0.51%

LAB 67.66, 11.38, 60.18

 

CMYK 0 / 22 / 64 / 25

HEX #BF9545

RGB 191 149 69

HSL 39.34, 0.49%, 0.51%

LAB 64.16, 6.99, 47.24

 

CMYK 0 / 16 / 47 / 33

HEX #AA8E5A

RGB 170 142 90

HSL 39, 0.32%, 0.51%

LAB 60.45, 3.53, 31.55

 

CMYK 0 / 85 / 96 / 2

HEX #FB2509

RGB 251 37 9

HSL 6.94, 0.97%, 0.51%

LAB 53.87, 75.07, 64.84

 

CMYK 0 / 59 / 96 / 2

HEX #FB6609

RGB 251 102 9

HSL 23.06, 0.97%, 0.51%

LAB 61.68, 53.66, 69.12

 

CMYK 0 / 34 / 96 / 2

HEX #FBA609

RGB 251 166 9

HSL 38.93, 0.97%, 0.51%

LAB 74.7, 21.81, 77.55

 

CMYK 0 / 8 / 96 / 2

HEX #FBE709

RGB 251 231 9

HSL 55.04, 0.97%, 0.51%

LAB 90.63, -11.54, 88.91

 

CMYK 18 / 0 / 96 / 2

HEX #CFFB09

RGB 207 251 9

HSL 70.91, 0.97%, 0.51%

LAB 92.7, -38.95, 89.02

 

CMYK 0 / 34 / 98 / 31

HEX #AF7303

RGB 175 115 3

HSL 39.07, 0.97%, 0.35%

LAB 53.37, 16.28, 59.48

 

CMYK 0 / 34 / 99 / 15

HEX #D88E03

RGB 216 142 3

HSL 39.15, 0.97%, 0.43%

LAB 64.92, 19.56, 69.69

 

CMYK 0 / 33 / 96 / 2

HEX #FBA709

RGB 251 167 9

HSL 39.17, 0.97%, 0.51%

LAB 74.93, 21.28, 77.71

 

CMYK 0 / 28 / 81 / 1

HEX #FCB631

RGB 252 182 49

HSL 39.31, 0.97%, 0.59%

LAB 78.68, 14.6, 71.89

 

CMYK 0 / 22 / 64 / 1

HEX #FCC45A

RGB 252 196 90

HSL 39.26, 0.96%, 0.67%

LAB 82.33, 9.16, 59.41

 

CMYK 0 / 33 / 96 / 2

HEX #FBA80B

RGB 251 168 11

HSL 39.25, 0.97%, 0.51%

LAB 75.16, 20.78, 77.64

 

CMYK 82 / 0 / 96 / 2

HEX #2DFB09

RGB 45 251 9

HSL 111.07, 0.97%, 0.51%

LAB 86.79, -82.53, 81.84

 

CMYK 73 / 96 / 0 / 2

HEX #4509FB

RGB 69 9 251

HSL 254.88, 0.97%, 0.51%

LAB 34.85, 78.02, -101.29

 

CMYK 0 / 33 / 96 / 2

HEX #FBA80B

RGB 251 168 11

HSL 39.25, 0.97%, 0.51%

LAB 75.16, 20.78, 77.64

 

CMYK 96 / 0 / 34 / 2

HEX #09FBA6

RGB 9 251 166

HSL 158.93, 0.97%, 0.51%

LAB 87.87, -68.44, 27.15

 

CMYK 34 / 96 / 0 / 2

HEX #A609FB

RGB 166 9 251

HSL 278.93, 0.97%, 0.51%

LAB 46, 85.02, -82.5

 

CMYK 0 / 33 / 96 / 2

HEX #FBA80B

RGB 251 168 11

HSL 39.25, 0.97%, 0.51%

LAB 75.16, 20.78, 77.64

 

CMYK 82 / 0 / 96 / 2

HEX #2DFB09

RGB 45 251 9

HSL 111.07, 0.97%, 0.51%

LAB 86.79, -82.53, 81.84

 

CMYK 96 / 63 / 0 / 2

HEX #095EFB

RGB 9 94 251

HSL 218.93, 0.97%, 0.51%

LAB 45.67, 38.95, -83.45

 

CMYK 14 / 96 / 0 / 2

HEX #D709FB

RGB 215 9 251

HSL 291.07, 0.97%, 0.51%

LAB 53.61, 91.2, -69.77

 

CMYK 0 / 33 / 96 / 2

HEX #FBA80B

RGB 251 168 11

HSL 39.25, 0.97%, 0.51%

LAB 75.16, 20.78, 77.64

 

CMYK 96 / 0 / 82 / 2

HEX #09FB2D

RGB 9 251 45

HSL 128.93, 0.97%, 0.51%

LAB 86.62, -83.68, 76

 

CMYK 96 / 63 / 0 / 2

HEX #095EFB

RGB 9 94 251

HSL 218.93, 0.97%, 0.51%

LAB 45.67, 38.95, -83.45

 

CMYK 0 / 96 / 14 / 2

HEX #FB09D7

RGB 251 9 215

HSL 308.93, 0.97%, 0.51%

LAB 57.67, 91.8, -42.66

 

Description

Color code: HEX #FBA80B | qconv.com Color code: HEX #FBA80B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 168 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 168 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 96 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 96% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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