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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA805 it is the complementary color #0457FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA805. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA805 shade: #FFA800, #FFBA13, #FFCC26, #FFDE39 and #FFF04C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA805. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA805 shade: #FBA805, #EA9600, #D98400, #C87200 and #B76000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA805 shade: #FBA804, #FB6504, #FB2204 and #FB0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA805 shade: #FBA804, #FBEA04, #C9FB04, #87FB04 and #44FB04

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA805 shade matches the following richer shades: #FBA804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA805 shade: #FBA804, #E7A118, #D29A2D, #BD9442 and #A98D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA805 shade: #FB2104, #FB6304, #FBA504, #FBE704 and #CEFB04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA805 shade: #AA7103, #D38D03, #FBA804, #FCB62C and #FCC455

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA805 shade: #FBA805, #29FB04 and #4204FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA805 shade: #FBA805, #04FBA5 and #A504FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA805 shade: #FBA805, #29FB04, #045AFB and #D604FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA805 shade: #FBA805, #04FB29, #045AFB and #FB04D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 98 / 2

HEX #FBA805

RGB 251 168 5

HSL 39.76, 0.97%, 0.5%

LAB 75.16, 20.73, 78.31

 

Complementary color

CMYK 98 / 65 / 0 / 2

HEX #0457FA

RGB 4 87 250

HSL 219.76, 0.97%, 0.5%

LAB 43.86, 42.86, -85.87

 

CMYK 0 / 34 / 100 / 0

HEX #FFA800

RGB 255 168 0

HSL 39.53, 1%, 0.5%

LAB 75.62, 22.37, 79.4

 

CMYK 0 / 27 / 93 / 0

HEX #FFBA13

RGB 255 186 19

HSL 42.46, 1%, 0.54%

LAB 79.85, 13.15, 80.12

 

CMYK 0 / 20 / 85 / 0

HEX #FFCC26

RGB 255 204 38

HSL 45.9, 1%, 0.57%

LAB 84.27, 4.17, 79.82

 

CMYK 0 / 13 / 78 / 0

HEX #FFDE39

RGB 255 222 57

HSL 50, 1%, 0.61%

LAB 88.83, -4.43, 78.54

 

CMYK 0 / 6 / 70 / 0

HEX #FFF04C

RGB 255 240 76

HSL 54.97, 1%, 0.65%

LAB 93.49, -12.6, 76.66

 

CMYK 0 / 33 / 98 / 2

HEX #FBA805

RGB 251 168 5

HSL 39.76, 0.97%, 0.5%

LAB 75.16, 20.73, 78.31

 

CMYK 0 / 36 / 100 / 8

HEX #EA9600

RGB 234 150 0

HSL 38.46, 1%, 0.46%

LAB 68.97, 22.97, 73.83

 

CMYK 0 / 39 / 100 / 15

HEX #D98400

RGB 217 132 0

HSL 36.5, 1%, 0.43%

LAB 62.72, 25.33, 68.75

 

CMYK 0 / 43 / 100 / 22

HEX #C87200

RGB 200 114 0

HSL 34.2, 1%, 0.39%

LAB 56.4, 27.74, 63.62

 

CMYK 0 / 48 / 100 / 28

HEX #B76000

RGB 183 96 0

HSL 31.48, 1%, 0.36%

LAB 50.02, 30.2, 58.47

 

CMYK 0 / 33 / 98 / 2

HEX #FBA804

RGB 251 168 4

HSL 39.84, 0.97%, 0.5%

LAB 75.15, 20.72, 78.42

 

CMYK 0 / 60 / 98 / 2

HEX #FB6504

RGB 251 101 4

HSL 23.56, 0.97%, 0.5%

LAB 61.5, 54.06, 69.86

 

CMYK 0 / 86 / 98 / 2

HEX #FB2204

RGB 251 34 4

HSL 7.29, 0.97%, 0.5%

LAB 53.67, 75.58, 65.91

 

CMYK 0 / 98 / 98 / 2

HEX #FB0404

RGB 251 4 4

HSL 0, 0.97%, 0.5%

LAB 52.51, 78.9, 65.43

 

CMYK 0 / 33 / 98 / 2

HEX #FBA804

RGB 251 168 4

HSL 39.84, 0.97%, 0.5%

LAB 75.15, 20.72, 78.42

 

CMYK 0 / 7 / 98 / 2

HEX #FBEA04

RGB 251 234 4

HSL 55.87, 0.97%, 0.5%

LAB 91.4, -13.06, 89.86

 

CMYK 20 / 0 / 98 / 2

HEX #C9FB04

RGB 201 251 4

HSL 72.15, 0.97%, 0.5%

LAB 92.32, -41.32, 88.93

 

CMYK 46 / 0 / 98 / 2

HEX #87FB04

RGB 135 251 4

HSL 88.18, 0.97%, 0.5%

LAB 89, -64.29, 84.92

 

CMYK 73 / 0 / 98 / 2

HEX #44FB04

RGB 68 251 4

HSL 104.45, 0.97%, 0.5%

LAB 87.11, -79.68, 82.62

 

CMYK 0 / 33 / 98 / 2

HEX #FBA804

RGB 251 168 4

HSL 39.84, 0.97%, 0.5%

LAB 75.15, 20.72, 78.42

 

CMYK 0 / 33 / 98 / 2

HEX #FBA804

RGB 251 168 4

HSL 39.84, 0.97%, 0.5%

LAB 75.15, 20.72, 78.42

 

CMYK 0 / 30 / 90 / 9

HEX #E7A118

RGB 231 161 24

HSL 39.71, 0.81%, 0.5%

LAB 71.24, 16.12, 71.63

 

CMYK 0 / 27 / 79 / 18

HEX #D29A2D

RGB 210 154 45

HSL 39.64, 0.65%, 0.5%

LAB 67.28, 11.34, 61.27

 

CMYK 0 / 22 / 65 / 26

HEX #BD9442

RGB 189 148 66

HSL 40, 0.48%, 0.5%

LAB 63.67, 6.47, 48.06

 

CMYK 0 / 17 / 49 / 34

HEX #A98D56

RGB 169 141 86

HSL 39.76, 0.33%, 0.5%

LAB 60.03, 3.25, 33.15

 

CMYK 0 / 87 / 98 / 2

HEX #FB2104

RGB 251 33 4

HSL 7.04, 0.97%, 0.5%

LAB 53.61, 75.76, 65.88

 

CMYK 0 / 61 / 98 / 2

HEX #FB6304

RGB 251 99 4

HSL 23.08, 0.97%, 0.5%

LAB 61.17, 54.94, 69.67

 

CMYK 0 / 34 / 98 / 2

HEX #FBA504

RGB 251 165 4

HSL 39.11, 0.97%, 0.5%

LAB 74.46, 22.29, 77.96

 

CMYK 0 / 8 / 98 / 2

HEX #FBE704

RGB 251 231 4

HSL 55.14, 0.97%, 0.5%

LAB 90.63, -11.58, 89.3

 

CMYK 18 / 0 / 98 / 2

HEX #CEFB04

RGB 206 251 4

HSL 70.93, 0.97%, 0.5%

LAB 92.63, -39.38, 89.3

 

CMYK 0 / 34 / 98 / 33

HEX #AA7103

RGB 170 113 3

HSL 39.52, 0.97%, 0.34%

LAB 52.25, 15.14, 58.42

 

CMYK 0 / 33 / 99 / 17

HEX #D38D03

RGB 211 141 3

HSL 39.81, 0.97%, 0.42%

LAB 64.08, 17.93, 68.83

 

CMYK 0 / 33 / 98 / 2

HEX #FBA804

RGB 251 168 4

HSL 39.84, 0.97%, 0.5%

LAB 75.15, 20.72, 78.42

 

CMYK 0 / 28 / 83 / 1

HEX #FCB62C

RGB 252 182 44

HSL 39.81, 0.97%, 0.58%

LAB 78.66, 14.45, 73.42

 

CMYK 0 / 22 / 66 / 1

HEX #FCC455

RGB 252 196 85

HSL 39.88, 0.97%, 0.66%

LAB 82.29, 8.87, 61.57

 

CMYK 0 / 33 / 98 / 2

HEX #FBA805

RGB 251 168 5

HSL 39.76, 0.97%, 0.5%

LAB 75.16, 20.73, 78.31

 

CMYK 84 / 0 / 98 / 2

HEX #29FB04

RGB 41 251 4

HSL 111.01, 0.97%, 0.5%

LAB 86.74, -82.98, 82.17

 

CMYK 74 / 98 / 0 / 2

HEX #4204FB

RGB 66 4 251

HSL 255.06, 0.97%, 0.5%

LAB 34.42, 78.6, -102.02

 

CMYK 0 / 33 / 98 / 2

HEX #FBA805

RGB 251 168 5

HSL 39.76, 0.97%, 0.5%

LAB 75.16, 20.73, 78.31

 

CMYK 98 / 0 / 34 / 2

HEX #04FBA5

RGB 4 251 165

HSL 159.11, 0.97%, 0.5%

LAB 87.84, -68.76, 27.6

 

CMYK 34 / 98 / 0 / 2

HEX #A504FB

RGB 165 4 251

HSL 279.11, 0.97%, 0.5%

LAB 45.7, 85.36, -82.99

 

CMYK 0 / 33 / 98 / 2

HEX #FBA805

RGB 251 168 5

HSL 39.76, 0.97%, 0.5%

LAB 75.16, 20.73, 78.31

 

CMYK 84 / 0 / 98 / 2

HEX #29FB04

RGB 41 251 4

HSL 111.01, 0.97%, 0.5%

LAB 86.74, -82.98, 82.17

 

CMYK 98 / 64 / 0 / 2

HEX #045AFB

RGB 4 90 251

HSL 219.11, 0.97%, 0.5%

LAB 44.66, 41.35, -85.11

 

CMYK 15 / 98 / 0 / 2

HEX #D604FB

RGB 214 4 251

HSL 291.01, 0.97%, 0.5%

LAB 53.33, 91.41, -70.23

 

CMYK 0 / 33 / 98 / 2

HEX #FBA805

RGB 251 168 5

HSL 39.76, 0.97%, 0.5%

LAB 75.16, 20.73, 78.31

 

CMYK 98 / 0 / 84 / 2

HEX #04FB29

RGB 4 251 41

HSL 128.99, 0.97%, 0.5%

LAB 86.59, -84.01, 76.89

 

CMYK 98 / 64 / 0 / 2

HEX #045AFB

RGB 4 90 251

HSL 219.11, 0.97%, 0.5%

LAB 44.66, 41.35, -85.11

 

CMYK 0 / 98 / 15 / 2

HEX #FB04D6

RGB 251 4 214

HSL 308.99, 0.97%, 0.5%

LAB 57.51, 91.98, -42.34

 

Description

Color code: HEX #FBA805 | qconv.com Color code: HEX #FBA805 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 168 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 168 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 98 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 98% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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