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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA6DACE it is the complementary color #045925CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA6DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA6DACE shade: #FFA6D5CE, #FFB8E8CE, #FFCAFBCE, #FFDCFFCE and #FFEEFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA6DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA6DACE shade: #FBA6DACE, #EA94C7CE, #D982B4CE, #C870A1CE and #B75E8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA6DACE shade: #FBA7DA, #FBA7C4, #FBA7AD and #FBA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA6DACE shade: #FBA7DA, #FBA7F1, #EEA7FB, #D8A7FB and #C1A7FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA6DACE shade matches the following richer shades: #FBA7DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA6DACE shade: #FBA7DA, #F3AFD9, #ECB6D7, #E5BED5 and #DDC5D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA6DACE shade: #EEA7FB, #FBA7F1, #FBA7DB, #FBA7C5 and #FBA7AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA6DACE shade: #F759BA, #F980CA, #FBA7DA, #FDCFEB and #FFF6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA6DACE shade: #FBA6DA, #FBD8A7 and #A7FBF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA6DACE shade: #FBA6DA, #DBFBA7 and #A7DBFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA6DACE shade: #FBA6DA, #FBD8A7, #A7FBC7 and #A7CAFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA6DACE shade: #FBA6DA, #FBF1A7, #A7FBC7 and #A7B1FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 11 / 1

HEX #FBA6DACE

RGBA 251 166 218 0.81

HSLA 323.29, 0.91%, 0.82%, 0.81

LABA 77.78, 38.7, -13.39, 0.81

 

Complementary color

CMYK 77 / 0 / 47 / 53

HEX #045925CE

RGBA 4 89 37 0.81

HSLA 143.29, 0.91%, 0.18%, 0.81

LABA 32.49, -35.72, 23.52, 0.81

 

CMYK 0 / 28 / 13 / 0

HEX #FFA6D5CE

RGBA 255 166 213 0.81

HSLA 328.31, 1%, 0.83%, 0.81

LABA 78.07, 39.25, -10.19, 0.81

 

CMYK 0 / 23 / 7 / 0

HEX #FFB8E8CE

RGBA 255 184 232 0.81

HSLA 319.44, 1%, 0.86%, 0.81

LABA 82.58, 32.89, -13.72, 0.81

 

CMYK 0 / 17 / 1 / 0

HEX #FFCAFBCE

RGBA 255 202 251 0.81

HSLA 304.53, 1%, 0.9%, 0.81

LABA 87.22, 26.7, -16.86, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDCFFCE

RGBA 255 220 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.53, 17.99, -12.51, 0.81

 

CMYK 0 / 5 / 0 / 0

HEX #FFEEFFCE

RGBA 255 238 255 0.81

HSLA 300, 1%, 0.97%, 0.81

LABA 95.84, 8.66, -6.11, 0.81

 

CMYK 0 / 27 / 11 / 1

HEX #FBA6DACE

RGBA 251 166 218 0.81

HSLA 323.29, 0.91%, 0.82%, 0.81

LABA 77.78, 38.7, -13.39, 0.81

 

CMYK 0 / 30 / 12 / 7

HEX #EA94C7CE

RGBA 234 148 199 0.81

HSLA 324.42, 0.67%, 0.75%, 0.81

LABA 71.42, 39.43, -12.71, 0.81

 

CMYK 0 / 32 / 14 / 12

HEX #D982B4CE

RGBA 217 130 180 0.81

HSLA 325.52, 0.53%, 0.68%, 0.81

LABA 64.97, 40.21, -11.95, 0.81

 

CMYK 0 / 36 / 16 / 17

HEX #C870A1CE

RGBA 200 112 161 0.81

HSLA 326.59, 0.44%, 0.61%, 0.81

LABA 58.45, 41, -11.1, 0.81

 

CMYK 0 / 39 / 18 / 23

HEX #B75E8ECE

RGBA 183 94 142 0.81

HSLA 327.64, 0.38%, 0.54%, 0.81

LABA 51.87, 41.8, -10.11, 0.81

 

CMYK 0 / 33 / 13 / 2

HEX #FBA7DA

RGB 251 167 218

HSL 323.57, 0.91%, 0.82%

LAB 78, 38.17, -13.07

 

CMYK 0 / 33 / 22 / 2

HEX #FBA7C4

RGB 251 167 196

HSL 339.29, 0.91%, 0.82%

LAB 77.36, 34.84, -2.03

 

CMYK 0 / 33 / 31 / 2

HEX #FBA7AD

RGB 251 167 173

HSL 355.71, 0.91%, 0.82%

LAB 76.78, 31.72, 9.69

 

CMYK 0 / 33 / 33 / 2

HEX #FBA7A7

RGB 251 167 167

HSL 0, 0.91%, 0.82%

LAB 76.64, 30.98, 12.77

 

CMYK 0 / 33 / 13 / 2

HEX #FBA7DA

RGB 251 167 218

HSL 323.57, 0.91%, 0.82%

LAB 78, 38.17, -13.07

 

CMYK 0 / 33 / 4 / 2

HEX #FBA7F1

RGB 251 167 241

HSL 307.14, 0.91%, 0.82%

LAB 78.75, 42, -24.39

 

CMYK 5 / 33 / 0 / 2

HEX #EEA7FB

RGB 238 167 251

HSL 290.71, 0.91%, 0.82%

LAB 77.74, 39.79, -31.44

 

CMYK 14 / 33 / 0 / 2

HEX #D8A7FB

RGB 216 167 251

HSL 275, 0.91%, 0.82%

LAB 75.58, 33.12, -34.96

 

CMYK 23 / 33 / 0 / 2

HEX #C1A7FB

RGB 193 167 251

HSL 258.57, 0.91%, 0.82%

LAB 73.51, 26.32, -38.34

 

CMYK 0 / 33 / 13 / 2

HEX #FBA7DA

RGB 251 167 218

HSL 323.57, 0.91%, 0.82%

LAB 78, 38.17, -13.07

 

CMYK 0 / 33 / 13 / 2

HEX #FBA7DA

RGB 251 167 218

HSL 323.57, 0.91%, 0.82%

LAB 78, 38.17, -13.07

 

CMYK 0 / 28 / 11 / 5

HEX #F3AFD9

RGB 243 175 217

HSL 322.94, 0.74%, 0.82%

LAB 78.88, 31.13, -11.29

 

CMYK 0 / 23 / 9 / 7

HEX #ECB6D7

RGB 236 182 215

HSL 323.33, 0.59%, 0.82%

LAB 79.72, 24.69, -9.03

 

CMYK 0 / 17 / 7 / 10

HEX #E5BED5

RGB 229 190 213

HSL 324.62, 0.43%, 0.82%

LAB 80.9, 17.67, -6.28

 

CMYK 0 / 11 / 4 / 13

HEX #DDC5D4

RGB 221 197 212

HSL 322.5, 0.26%, 0.82%

LAB 81.87, 11.01, -4.39

 

CMYK 5 / 33 / 0 / 2

HEX #EEA7FB

RGB 238 167 251

HSL 290.71, 0.91%, 0.82%

LAB 77.74, 39.79, -31.44

 

CMYK 0 / 33 / 4 / 2

HEX #FBA7F1

RGB 251 167 241

HSL 307.14, 0.91%, 0.82%

LAB 78.75, 42, -24.39

 

CMYK 0 / 33 / 13 / 2

HEX #FBA7DB

RGB 251 167 219

HSL 322.86, 0.91%, 0.82%

LAB 78.03, 38.33, -13.56

 

CMYK 0 / 33 / 22 / 2

HEX #FBA7C5

RGB 251 167 197

HSL 338.57, 0.91%, 0.82%

LAB 77.39, 34.98, -2.53

 

CMYK 0 / 33 / 31 / 2

HEX #FBA7AE

RGB 251 167 174

HSL 355, 0.91%, 0.82%

LAB 76.8, 31.85, 9.18

 

CMYK 0 / 64 / 25 / 3

HEX #F759BA

RGB 247 89 186

HSL 323.16, 0.91%, 0.66%

LAB 62.05, 69.32, -19.37

 

CMYK 0 / 49 / 19 / 2

HEX #F980CA

RGB 249 128 202

HSL 323.31, 0.91%, 0.74%

LAB 69.36, 54.83, -17.29

 

CMYK 0 / 33 / 13 / 2

HEX #FBA7DA

RGB 251 167 218

HSL 323.57, 0.91%, 0.82%

LAB 78, 38.17, -13.07

 

CMYK 0 / 18 / 7 / 1

HEX #FDCFEB

RGB 253 207 235

HSL 323.48, 0.92%, 0.9%

LAB 87.73, 20.64, -7.66

 

CMYK 0 / 4 / 2 / 0

HEX #FFF6FB

RGB 255 246 251

HSL 326.67, 1%, 0.98%

LAB 97.69, 3.87, -1.34

 

CMYK 0 / 34 / 13 / 2

HEX #FBA6DA

RGB 251 166 218

HSL 323.29, 0.91%, 0.82%

LAB 77.78, 38.7, -13.39

 

CMYK 0 / 14 / 33 / 2

HEX #FBD8A7

RGB 251 216 167

HSL 35, 0.91%, 0.82%

LAB 88.17, 5.35, 28.69

 

CMYK 33 / 0 / 1 / 2

HEX #A7FBF9

RGB 167 251 249

HSL 178.57, 0.91%, 0.82%

LAB 93.47, -25.7, -7.13

 

CMYK 0 / 34 / 13 / 2

HEX #FBA6DA

RGB 251 166 218

HSL 323.29, 0.91%, 0.82%

LAB 77.78, 38.7, -13.39

 

CMYK 13 / 0 / 33 / 2

HEX #DBFBA7

RGB 219 251 167

HSL 82.86, 0.91%, 0.82%

LAB 94.67, -24.03, 36.93

 

CMYK 33 / 13 / 0 / 2

HEX #A7DBFB

RGB 167 219 251

HSL 202.86, 0.91%, 0.82%

LAB 84.92, -9.23, -20.98

 

CMYK 0 / 34 / 13 / 2

HEX #FBA6DA

RGB 251 166 218

HSL 323.29, 0.91%, 0.82%

LAB 77.78, 38.7, -13.39

 

CMYK 0 / 14 / 33 / 2

HEX #FBD8A7

RGB 251 216 167

HSL 35, 0.91%, 0.82%

LAB 88.17, 5.35, 28.69

 

CMYK 33 / 0 / 21 / 2

HEX #A7FBC7

RGB 167 251 199

HSL 142.86, 0.91%, 0.82%

LAB 92.28, -36.04, 16.98

 

CMYK 33 / 20 / 0 / 2

HEX #A7CAFB

RGB 167 202 251

HSL 215, 0.91%, 0.82%

LAB 80.42, -0.27, -27.83

 

CMYK 0 / 34 / 13 / 2

HEX #FBA6DA

RGB 251 166 218

HSL 323.29, 0.91%, 0.82%

LAB 77.78, 38.7, -13.39

 

CMYK 0 / 4 / 33 / 2

HEX #FBF1A7

RGB 251 241 167

HSL 52.86, 0.91%, 0.82%

LAB 94.4, -7.32, 37

 

CMYK 33 / 0 / 21 / 2

HEX #A7FBC7

RGB 167 251 199

HSL 142.86, 0.91%, 0.82%

LAB 92.28, -36.04, 16.98

 

CMYK 33 / 29 / 0 / 2

HEX #A7B1FB

RGB 167 177 251

HSL 232.86, 0.91%, 0.82%

LAB 73.95, 13.4, -37.81

 

Description

Color code: HEX #FBA6DACE | qconv.com Color code: HEX #FBA6DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 166 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 166 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 11 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 11% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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