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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA424 it is the complementary color #045BDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA424. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA424 shade: #FFA41F, #FFB632, #FFC845, #FFDA58 and #FFEC6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA424. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA424 shade: #FBA424, #EA9211, #D98000, #C86E00 and #B75C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA424 shade: #FBA323, #FB6923, #FB2F23 and #FB2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA424 shade: #FBA323, #FBDD23, #DEFB23, #A3FB23 and #69FB23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA424 shade matches the following richer shades: #FBA323

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA424 shade: #FBA323, #E8A035, #D69C47, #C4995A and #B2956C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA424 shade: #FB2E23, #FB6723, #FBA123, #FBDA23 and #E1FB23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA424 shade: #C77804, #EF9105, #FBA323, #FBB44C and #FCC574

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA424 shade: #FBA424, #52FB23 and #4B23FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA424 shade: #FBA424, #23FBA1 and #A123FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA424 shade: #FBA424, #52FB23, #237DFB and #CC23FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA424 shade: #FBA424, #23FB35, #237DFB and #FB23E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 86 / 2

HEX #FBA424

RGB 251 164 36

HSL 35.72, 0.96%, 0.56%

LAB 74.31, 23.25, 72.07

 

Complementary color

CMYK 98 / 58 / 0 / 14

HEX #045BDB

RGB 4 91 219

HSL 215.72, 0.96%, 0.44%

LAB 42.19, 28.54, -71.11

 

CMYK 0 / 36 / 88 / 0

HEX #FFA41F

RGB 255 164 31

HSL 35.63, 1%, 0.56%

LAB 74.77, 24.82, 73.94

 

CMYK 0 / 29 / 80 / 0

HEX #FFB632

RGB 255 182 50

HSL 38.63, 1%, 0.6%

LAB 79.01, 15.89, 71.99

 

CMYK 0 / 22 / 73 / 0

HEX #FFC845

RGB 255 200 69

HSL 42.26, 1%, 0.64%

LAB 83.44, 7.25, 69.39

HEX #FFC845

CMYK 0 / 15 / 65 / 0

HEX #FFDA58

RGB 255 218 88

HSL 46.71, 1%, 0.67%

LAB 88.02, -1.01, 66.49

HEX #FFDA58

CMYK 0 / 7 / 58 / 0

HEX #FFEC6B

RGB 255 236 107

HSL 52.3, 1%, 0.71%

LAB 92.71, -8.84, 63.51

HEX #FFEC6B

CMYK 0 / 35 / 86 / 2

HEX #FBA424

RGB 251 164 36

HSL 35.72, 0.96%, 0.56%

LAB 74.31, 23.25, 72.07

 

CMYK 0 / 38 / 93 / 8

HEX #EA9211

RGB 234 146 17

HSL 35.67, 0.86%, 0.49%

LAB 68.09, 25.26, 70.84

 

CMYK 0 / 41 / 100 / 15

HEX #D98000

RGB 217 128 0

HSL 35.39, 1%, 0.43%

LAB 61.82, 27.46, 68.17

 

CMYK 0 / 45 / 100 / 22

HEX #C86E00

RGB 200 110 0

HSL 33, 1%, 0.39%

LAB 55.51, 29.88, 63.07

 

CMYK 0 / 50 / 100 / 28

HEX #B75C00

RGB 183 92 0

HSL 30.16, 1%, 0.36%

LAB 49.16, 32.33, 57.95

 

CMYK 0 / 35 / 86 / 2

HEX #FBA323

RGB 251 163 35

HSL 35.56, 0.96%, 0.56%

LAB 74.08, 23.75, 72.15

 

CMYK 0 / 58 / 86 / 2

HEX #FB6923

RGB 251 105 35

HSL 19.44, 0.96%, 0.56%

LAB 62.28, 52.67, 62.67

 

CMYK 0 / 81 / 86 / 2

HEX #FB2F23

RGB 251 47 35

HSL 3.33, 0.96%, 0.56%

LAB 54.72, 73.26, 56.59

 

CMYK 0 / 86 / 86 / 2

HEX #FB2323

RGB 251 35 35

HSL 0, 0.96%, 0.56%

LAB 53.85, 75.76, 55.88

 

CMYK 0 / 35 / 86 / 2

HEX #FBA323

RGB 251 163 35

HSL 35.56, 0.96%, 0.56%

LAB 74.08, 23.75, 72.15

 

CMYK 0 / 12 / 86 / 2

HEX #FBDD23

RGB 251 221 35

HSL 51.67, 0.96%, 0.56%

LAB 88.13, -6.21, 83.44

 

CMYK 12 / 0 / 86 / 2

HEX #DEFB23

RGB 222 251 35

HSL 68.06, 0.96%, 0.56%

LAB 93.73, -32.63, 87.04

 

CMYK 35 / 0 / 86 / 2

HEX #A3FB23

RGB 163 251 35

HSL 84.44, 0.96%, 0.56%

LAB 90.28, -54.72, 82.76

 

CMYK 58 / 0 / 86 / 2

HEX #69FB23

RGB 105 251 35

HSL 100.56, 0.96%, 0.56%

LAB 88.03, -71.75, 79.95

 

CMYK 0 / 35 / 86 / 2

HEX #FBA323

RGB 251 163 35

HSL 35.56, 0.96%, 0.56%

LAB 74.08, 23.75, 72.15

 

CMYK 0 / 35 / 86 / 2

HEX #FBA323

RGB 251 163 35

HSL 35.56, 0.96%, 0.56%

LAB 74.08, 23.75, 72.15

 

CMYK 0 / 31 / 77 / 9

HEX #E8A035

RGB 232 160 53

HSL 35.87, 0.8%, 0.56%

LAB 71.25, 17.87, 62.89

 

CMYK 0 / 27 / 67 / 16

HEX #D69C47

RGB 214 156 71

HSL 35.66, 0.64%, 0.56%

LAB 68.41, 13.22, 51.68

 

CMYK 0 / 22 / 54 / 23

HEX #C4995A

RGB 196 153 90

HSL 35.66, 0.47%, 0.56%

LAB 65.95, 8.55, 38.97

 

CMYK 0 / 16 / 39 / 30

HEX #B2956C

RGB 178 149 108

HSL 35.14, 0.31%, 0.56%

LAB 63.38, 5.01, 25.7

 

CMYK 0 / 82 / 86 / 2

HEX #FB2E23

RGB 251 46 35

HSL 3.06, 0.96%, 0.56%

LAB 54.64, 73.5, 56.52

 

CMYK 0 / 59 / 86 / 2

HEX #FB6723

RGB 251 103 35

HSL 18.89, 0.96%, 0.56%

LAB 61.94, 53.57, 62.4

 

CMYK 0 / 36 / 86 / 2

HEX #FBA123

RGB 251 161 35

HSL 35, 0.96%, 0.56%

LAB 73.62, 24.8, 71.79

 

CMYK 0 / 13 / 86 / 2

HEX #FBDA23

RGB 251 218 35

HSL 50.83, 0.96%, 0.56%

LAB 87.37, -4.71, 82.83

 

CMYK 10 / 0 / 86 / 2

HEX #E1FB23

RGB 225 251 35

HSL 67.22, 0.96%, 0.56%

LAB 93.94, -31.43, 87.3

 

CMYK 0 / 40 / 98 / 22

HEX #C77804

RGB 199 120 4

HSL 35.69, 0.96%, 0.4%

LAB 57.64, 24.12, 63.64

 

CMYK 0 / 39 / 98 / 6

HEX #EF9105

RGB 239 145 5

HSL 35.9, 0.96%, 0.48%

LAB 68.47, 27.76, 73.14

 

CMYK 0 / 35 / 86 / 2

HEX #FBA323

RGB 251 163 35

HSL 35.56, 0.96%, 0.56%

LAB 74.08, 23.75, 72.15

 

CMYK 0 / 28 / 70 / 2

HEX #FBB44C

RGB 251 180 76

HSL 35.66, 0.96%, 0.64%

LAB 78.27, 16.31, 61.18

 

CMYK 0 / 22 / 54 / 1

HEX #FCC574

RGB 252 197 116

HSL 35.74, 0.96%, 0.72%

LAB 82.85, 10.46, 47.75

 

CMYK 0 / 35 / 86 / 2

HEX #FBA424

RGB 251 164 36

HSL 35.72, 0.96%, 0.56%

LAB 74.31, 23.25, 72.07

 

CMYK 67 / 0 / 86 / 2

HEX #52FB23

RGB 82 251 35

HSL 106.94, 0.96%, 0.56%

LAB 87.44, -76.62, 79.21

 

CMYK 70 / 86 / 0 / 2

HEX #4B23FB

RGB 75 35 251

HSL 251.11, 0.96%, 0.56%

LAB 37.23, 72.42, -97.32

 

CMYK 0 / 35 / 86 / 2

HEX #FBA424

RGB 251 164 36

HSL 35.72, 0.96%, 0.56%

LAB 74.31, 23.25, 72.07

 

CMYK 86 / 0 / 36 / 2

HEX #23FBA1

RGB 35 251 161

HSL 155, 0.96%, 0.56%

LAB 87.93, -68.29, 29.77

 

CMYK 36 / 86 / 0 / 2

HEX #A123FB

RGB 161 35 251

HSL 275, 0.96%, 0.56%

LAB 46.64, 80.41, -81.48

 

CMYK 0 / 35 / 86 / 2

HEX #FBA424

RGB 251 164 36

HSL 35.72, 0.96%, 0.56%

LAB 74.31, 23.25, 72.07

 

CMYK 67 / 0 / 86 / 2

HEX #52FB23

RGB 82 251 35

HSL 106.94, 0.96%, 0.56%

LAB 87.44, -76.62, 79.21

 

CMYK 86 / 50 / 0 / 2

HEX #237DFB

RGB 35 125 251

HSL 215, 0.96%, 0.56%

LAB 54.02, 20.43, -69.84

 

CMYK 19 / 86 / 0 / 2

HEX #CC23FB

RGB 204 35 251

HSL 286.94, 0.96%, 0.56%

LAB 52.95, 86.37, -70.91

 

CMYK 0 / 35 / 86 / 2

HEX #FBA424

RGB 251 164 36

HSL 35.72, 0.96%, 0.56%

LAB 74.31, 23.25, 72.07

 

CMYK 86 / 0 / 79 / 2

HEX #23FB35

RGB 35 251 53

HSL 125, 0.96%, 0.56%

LAB 86.8, -81.92, 74.15

 

CMYK 86 / 50 / 0 / 2

HEX #237DFB

RGB 35 125 251

HSL 215, 0.96%, 0.56%

LAB 54.02, 20.43, -69.84

 

CMYK 0 / 86 / 7 / 2

HEX #FB23E9

RGB 251 35 233

HSL 305, 0.96%, 0.56%

LAB 59.52, 91.37, -49.9

 

Description

Color code: HEX #FBA424 | qconv.com Color code: HEX #FBA424 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 164 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 164 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 86 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 86% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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