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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA330 it is the complementary color #045CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA330 shade: #FFA32B, #FFB53E, #FFC751, #FFD964 and #FFEB77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA330 shade: #FBA330, #EA911D, #D97F0A, #C86D00 and #B75B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA330 shade: #FBA432, #FB6E32, #FB3832 and #FB3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA330 shade: #FBA432, #FBDA32, #E6FB32, #AFFB32 and #79FB32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA330 shade matches the following richer shades: #FBA432

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA330 shade: #FBA432, #EAA243, #D99F54, #C89D65 and #B79B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA330 shade: #FB3532, #FB6B32, #FBA032, #FBD632 and #EAFB32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA330 shade: #D67B04, #FA920A, #FBA432, #FCB65B and #FCC883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA330 shade: #FBA330, #64FB32 and #5032FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA330 shade: #FBA330, #32FBA0 and #A032FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA330 shade: #FBA330, #64FB32, #328CFB and #C932FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA330 shade: #FBA330, #32FB3C, #328CFB and #FB32F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 81 / 2

HEX #FBA330

RGB 251 163 48

HSL 33.99, 0.96%, 0.59%

LAB 74.14, 24.09, 68.17

 

Complementary color

CMYK 98 / 56 / 0 / 19

HEX #045CCF

RGB 4 92 207

HSL 213.99, 0.96%, 0.41%

LAB 41.51, 23.15, -65.35

 

CMYK 0 / 36 / 83 / 0

HEX #FFA32B

RGB 255 163 43

HSL 33.96, 1%, 0.58%

LAB 74.59, 25.61, 70.41

 

CMYK 0 / 29 / 76 / 0

HEX #FFB53E

RGB 255 181 62

HSL 36.99, 1%, 0.62%

LAB 78.84, 16.83, 67.59

 

CMYK 0 / 22 / 68 / 0

HEX #FFC751

RGB 255 199 81

HSL 40.69, 1%, 0.66%

LAB 83.28, 8.34, 64.43

 

CMYK 0 / 15 / 61 / 0

HEX #FFD964

RGB 255 217 100

HSL 45.29, 1%, 0.7%

LAB 87.88, 0.23, 61.18

 

CMYK 0 / 8 / 53 / 0

HEX #FFEB77

RGB 255 235 119

HSL 51.18, 1%, 0.73%

LAB 92.58, -7.46, 57.98

 

CMYK 0 / 35 / 81 / 2

HEX #FBA330

RGB 251 163 48

HSL 33.99, 0.96%, 0.59%

LAB 74.14, 24.09, 68.17

 

CMYK 0 / 38 / 88 / 8

HEX #EA911D

RGB 234 145 29

HSL 33.95, 0.83%, 0.52%

LAB 67.9, 25.98, 67.99

 

CMYK 0 / 41 / 95 / 15

HEX #D97F0A

RGB 217 127 10

HSL 33.91, 0.91%, 0.45%

LAB 61.61, 28.09, 66.47

 

CMYK 0 / 46 / 100 / 22

HEX #C86D00

RGB 200 109 0

HSL 32.7, 1%, 0.39%

LAB 55.29, 30.41, 62.94

 

CMYK 0 / 50 / 100 / 28

HEX #B75B00

RGB 183 91 0

HSL 29.84, 1%, 0.36%

LAB 48.95, 32.85, 57.83

 

CMYK 0 / 35 / 80 / 2

HEX #FBA432

RGB 251 164 50

HSL 34.03, 0.96%, 0.59%

LAB 74.38, 23.63, 67.68

 

CMYK 0 / 56 / 80 / 2

HEX #FB6E32

RGB 251 110 50

HSL 17.91, 0.96%, 0.59%

LAB 63.25, 50.77, 57.48

 

CMYK 0 / 78 / 80 / 2

HEX #FB3832

RGB 251 56 50

HSL 1.79, 0.96%, 0.59%

LAB 55.65, 71.31, 50.22

 

CMYK 0 / 80 / 80 / 2

HEX #FB3232

RGB 251 50 50

HSL 0, 0.96%, 0.59%

LAB 55.09, 72.88, 49.67

 

CMYK 0 / 35 / 80 / 2

HEX #FBA432

RGB 251 164 50

HSL 34.03, 0.96%, 0.59%

LAB 74.38, 23.63, 67.68

 

CMYK 0 / 13 / 80 / 2

HEX #FBDA32

RGB 251 218 50

HSL 50.15, 0.96%, 0.59%

LAB 87.43, -4.32, 79.21

 

CMYK 8 / 0 / 80 / 2

HEX #E6FB32

RGB 230 251 50

HSL 66.27, 0.96%, 0.59%

LAB 94.33, -29.03, 84.56

 

CMYK 30 / 0 / 80 / 2

HEX #AFFB32

RGB 175 251 50

HSL 82.69, 0.96%, 0.59%

LAB 90.93, -50.02, 80.26

 

CMYK 52 / 0 / 80 / 2

HEX #79FB32

RGB 121 251 50

HSL 98.81, 0.96%, 0.59%

LAB 88.59, -67.09, 77.26

 

CMYK 0 / 35 / 80 / 2

HEX #FBA432

RGB 251 164 50

HSL 34.03, 0.96%, 0.59%

LAB 74.38, 23.63, 67.68

 

CMYK 0 / 35 / 80 / 2

HEX #FBA432

RGB 251 164 50

HSL 34.03, 0.96%, 0.59%

LAB 74.38, 23.63, 67.68

 

CMYK 0 / 31 / 71 / 8

HEX #EAA243

RGB 234 162 67

HSL 34.13, 0.8%, 0.59%

LAB 72.05, 18.26, 58.02

 

CMYK 0 / 27 / 61 / 15

HEX #D99F54

RGB 217 159 84

HSL 33.83, 0.64%, 0.59%

LAB 69.6, 13.7, 46.89

 

CMYK 0 / 22 / 50 / 22

HEX #C89D65

RGB 200 157 101

HSL 33.94, 0.47%, 0.59%

LAB 67.53, 9.04, 35.26

 

CMYK 0 / 15 / 36 / 28

HEX #B79B76

RGB 183 155 118

HSL 34.15, 0.31%, 0.59%

LAB 65.61, 4.98, 23.27

 

CMYK 0 / 79 / 80 / 2

HEX #FB3532

RGB 251 53 50

HSL 0.9, 0.96%, 0.59%

LAB 55.37, 72.11, 49.94

 

CMYK 0 / 57 / 80 / 2

HEX #FB6B32

RGB 251 107 50

HSL 17.01, 0.96%, 0.59%

LAB 62.72, 52.15, 56.98

 

CMYK 0 / 36 / 80 / 2

HEX #FBA032

RGB 251 160 50

HSL 32.84, 0.96%, 0.59%

LAB 73.47, 25.72, 66.86

 

CMYK 0 / 15 / 80 / 2

HEX #FBD632

RGB 251 214 50

HSL 48.96, 0.96%, 0.59%

LAB 86.42, -2.3, 78.34

 

CMYK 7 / 0 / 80 / 2

HEX #EAFB32

RGB 234 251 50

HSL 65.07, 0.96%, 0.59%

LAB 94.62, -27.42, 84.92

 

CMYK 0 / 43 / 98 / 16

HEX #D67B04

RGB 214 123 4

HSL 34, 0.96%, 0.43%

LAB 60.31, 28.89, 66.36

 

CMYK 0 / 42 / 96 / 2

HEX #FA920A

RGB 250 146 10

HSL 34, 0.96%, 0.51%

LAB 70.11, 31.82, 74.26

 

CMYK 0 / 35 / 80 / 2

HEX #FBA432

RGB 251 164 50

HSL 34.03, 0.96%, 0.59%

LAB 74.38, 23.63, 67.68

 

CMYK 0 / 28 / 64 / 1

HEX #FCB65B

RGB 252 182 91

HSL 33.91, 0.96%, 0.67%

LAB 78.99, 16.52, 55.24

 

CMYK 0 / 21 / 48 / 1

HEX #FCC883

RGB 252 200 131

HSL 34.21, 0.95%, 0.75%

LAB 83.78, 10.2, 41.41

 

CMYK 0 / 35 / 81 / 2

HEX #FBA330

RGB 251 163 48

HSL 33.99, 0.96%, 0.59%

LAB 74.14, 24.09, 68.17

 

CMYK 60 / 0 / 80 / 2

HEX #64FB32

RGB 100 251 50

HSL 105.07, 0.96%, 0.59%

LAB 87.94, -72.29, 76.42

 

CMYK 68 / 80 / 0 / 2

HEX #5032FB

RGB 80 50 251

HSL 248.96, 0.96%, 0.59%

LAB 39.5, 67.13, -93.55

 

CMYK 0 / 35 / 81 / 2

HEX #FBA330

RGB 251 163 48

HSL 33.99, 0.96%, 0.59%

LAB 74.14, 24.09, 68.17

 

CMYK 80 / 0 / 36 / 2

HEX #32FBA0

RGB 50 251 160

HSL 152.84, 0.96%, 0.59%

LAB 88.07, -67.26, 30.48

 

CMYK 36 / 80 / 0 / 2

HEX #A032FB

RGB 160 50 251

HSL 272.84, 0.96%, 0.59%

LAB 47.91, 76.15, -79.41

 

CMYK 0 / 35 / 81 / 2

HEX #FBA330

RGB 251 163 48

HSL 33.99, 0.96%, 0.59%

LAB 74.14, 24.09, 68.17

 

CMYK 60 / 0 / 80 / 2

HEX #64FB32

RGB 100 251 50

HSL 105.07, 0.96%, 0.59%

LAB 87.94, -72.29, 76.42

 

CMYK 80 / 44 / 0 / 2

HEX #328CFB

RGB 50 140 251

HSL 213.13, 0.96%, 0.59%

LAB 58.41, 12.36, -62.73

 

CMYK 20 / 80 / 0 / 2

HEX #C932FB

RGB 201 50 251

HSL 285.07, 0.96%, 0.59%

LAB 53.67, 82.47, -69.78

 

CMYK 0 / 35 / 81 / 2

HEX #FBA330

RGB 251 163 48

HSL 33.99, 0.96%, 0.59%

LAB 74.14, 24.09, 68.17

 

CMYK 80 / 0 / 76 / 2

HEX #32FB3C

RGB 50 251 60

HSL 122.99, 0.96%, 0.59%

LAB 87, -80.09, 72.36

 

CMYK 80 / 44 / 0 / 2

HEX #328CFB

RGB 50 140 251

HSL 213.13, 0.96%, 0.59%

LAB 58.41, 12.36, -62.73

 

CMYK 0 / 80 / 4 / 2

HEX #FB32F1

RGB 251 50 241

HSL 302.99, 0.96%, 0.59%

LAB 60.91, 89.66, -52.17

 

Description

Color code: HEX #FBA330 | qconv.com Color code: HEX #FBA330 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 163 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 163 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 81 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 81% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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