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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB9575 it is the complementary color #046A8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB9575. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB9575 shade: #FF9570, #FFA783, #FFB996, #FFCBA9 and #FFDDBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB9575. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB9575 shade: #FB9575, #EA8362, #D9714F, #C85F3C and #B74D29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB9575 shade: #FB9574 and #FB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB9575 shade: #FB9574, #FBB974, #FBDD74, #F4FB74 and #D0FB74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB9575 shade matches the following richer shades: #FB9574

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB9575 shade: #FB9574, #EF9B80, #E4A18C, #D8A797 and #CDADA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB9575 shade: #FB749D, #FB7479, #FB9474, #FBB874 and #FBDB74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB9575 shade: #F85724, #F9764C, #FB9574, #FCB39D and #FDD2C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB9575 shade: #FB9575, #C1FB74 and #748BFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB9575 shade: #FB9575, #74FB94 and #9474FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB9575 shade: #FB9575, #C1FB74, #74DBFB and #AF74FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB9575 shade: #FB9575, #98FB74, #74DBFB and #D774FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 53 / 2

HEX #FB9575

RGB 251 149 117

HSL 14.33, 0.94%, 0.72%

LAB 71.75, 35.22, 33.31

 

Complementary color

CMYK 97 / 23 / 0 / 46

HEX #046A8A

RGB 4 106 138

HSL 194.33, 0.94%, 0.28%

LAB 41.48, -13.38, -24.78

 

CMYK 0 / 42 / 56 / 0

HEX #FF9570

RGB 255 149 112

HSL 15.52, 1%, 0.72%

LAB 72.18, 36.36, 36.64

 

CMYK 0 / 35 / 49 / 0

HEX #FFA783

RGB 255 167 131

HSL 17.42, 1%, 0.76%

LAB 76.4, 28.63, 31.96

 

CMYK 0 / 27 / 41 / 0

HEX #FFB996

RGB 255 185 150

HSL 20, 1%, 0.79%

LAB 80.83, 21.1, 27.75

 

CMYK 0 / 20 / 34 / 0

HEX #FFCBA9

RGB 255 203 169

HSL 23.72, 1%, 0.83%

LAB 85.42, 13.85, 23.97

 

CMYK 0 / 13 / 26 / 0

HEX #FFDDBC

RGB 255 221 188

HSL 29.55, 1%, 0.87%

LAB 90.14, 6.94, 20.55

 

CMYK 0 / 41 / 53 / 2

HEX #FB9575

RGB 251 149 117

HSL 14.33, 0.94%, 0.72%

LAB 71.75, 35.22, 33.31

 

CMYK 0 / 44 / 58 / 8

HEX #EA8362

RGB 234 131 98

HSL 14.56, 0.76%, 0.65%

LAB 65.44, 36.49, 35.09

 

CMYK 0 / 48 / 64 / 15

HEX #D9714F

RGB 217 113 79

HSL 14.78, 0.64%, 0.58%

LAB 59.09, 37.87, 37.06

 

CMYK 0 / 53 / 70 / 22

HEX #C85F3C

RGB 200 95 60

HSL 15, 0.56%, 0.51%

LAB 52.72, 39.35, 39.23

 

CMYK 0 / 58 / 78 / 28

HEX #B74D29

RGB 183 77 41

HSL 15.21, 0.63%, 0.44%

LAB 46.36, 40.89, 41.55

 

CMYK 0 / 41 / 54 / 2

HEX #FB9574

RGB 251 149 116

HSL 14.67, 0.94%, 0.72%

LAB 71.73, 35.14, 33.83

 

CMYK 0 / 54 / 54 / 2

HEX #FB7474

RGB 251 116 116

HSL 0, 0.94%, 0.72%

LAB 65.17, 51.55, 25.24

 

CMYK 0 / 41 / 54 / 2

HEX #FB9574

RGB 251 149 116

HSL 14.67, 0.94%, 0.72%

LAB 71.73, 35.14, 33.83

 

CMYK 0 / 26 / 54 / 2

HEX #FBB974

RGB 251 185 116

HSL 30.67, 0.94%, 0.72%

LAB 79.88, 16.32, 44.09

 

CMYK 0 / 12 / 54 / 2

HEX #FBDD74

RGB 251 221 116

HSL 46.67, 0.94%, 0.72%

LAB 88.68, -2.27, 54.7

 

CMYK 3 / 0 / 54 / 2

HEX #F4FB74

RGB 244 251 116

HSL 63.11, 0.94%, 0.72%

LAB 95.78, -19.88, 62.81

 

CMYK 17 / 0 / 54 / 2

HEX #D0FB74

RGB 208 251 116

HSL 79.11, 0.94%, 0.72%

LAB 93.3, -33.67, 59.31

 

CMYK 0 / 41 / 54 / 2

HEX #FB9574

RGB 251 149 116

HSL 14.67, 0.94%, 0.72%

LAB 71.73, 35.14, 33.83

 

CMYK 0 / 41 / 54 / 2

HEX #FB9574

RGB 251 149 116

HSL 14.67, 0.94%, 0.72%

LAB 71.73, 35.14, 33.83

 

CMYK 0 / 35 / 46 / 6

HEX #EF9B80

RGB 239 155 128

HSL 14.59, 0.78%, 0.72%

LAB 71.79, 28.45, 27.14

 

CMYK 0 / 29 / 39 / 11

HEX #E4A18C

RGB 228 161 140

HSL 14.32, 0.62%, 0.72%

LAB 72.15, 22.26, 20.87

 

CMYK 0 / 23 / 30 / 15

HEX #D8A797

RGB 216 167 151

HSL 14.77, 0.45%, 0.72%

LAB 72.54, 15.76, 15.2

 

CMYK 0 / 16 / 20 / 20

HEX #CDADA3

RGB 205 173 163

HSL 14.29, 0.3%, 0.72%

LAB 73.23, 10.03, 9.45

 

CMYK 0 / 54 / 37 / 2

HEX #FB749D

RGB 251 116 157

HSL 341.78, 0.94%, 0.72%

LAB 66.09, 55.42, 3.24

 

CMYK 0 / 54 / 52 / 2

HEX #FB7479

RGB 251 116 121

HSL 357.78, 0.94%, 0.72%

LAB 65.26, 51.95, 22.54

 

CMYK 0 / 41 / 54 / 2

HEX #FB9474

RGB 251 148 116

HSL 14.22, 0.94%, 0.72%

LAB 71.52, 35.65, 33.55

 

CMYK 0 / 27 / 54 / 2

HEX #FBB874

RGB 251 184 116

HSL 30.22, 0.94%, 0.72%

LAB 79.64, 16.85, 43.79

 

CMYK 0 / 13 / 54 / 2

HEX #FBDB74

RGB 251 219 116

HSL 45.78, 0.94%, 0.72%

LAB 88.18, -1.26, 54.11

 

CMYK 0 / 65 / 85 / 3

HEX #F85724

RGB 248 87 36

HSL 14.43, 0.94%, 0.56%

LAB 58.88, 59.39, 59.33

 

CMYK 0 / 53 / 69 / 2

HEX #F9764C

RGB 249 118 76

HSL 14.57, 0.94%, 0.64%

LAB 64.66, 47.3, 46.32

 

CMYK 0 / 41 / 54 / 2

HEX #FB9574

RGB 251 149 116

HSL 14.67, 0.94%, 0.72%

LAB 71.73, 35.14, 33.83

 

CMYK 0 / 29 / 38 / 1

HEX #FCB39D

RGB 252 179 157

HSL 13.89, 0.94%, 0.8%

LAB 79.25, 23.87, 21.83

 

CMYK 0 / 17 / 22 / 1

HEX #FDD2C5

RGB 253 210 197

HSL 13.93, 0.93%, 0.88%

LAB 87.49, 13.14, 12.08

 

CMYK 0 / 41 / 53 / 2

HEX #FB9575

RGB 251 149 117

HSL 14.33, 0.94%, 0.72%

LAB 71.75, 35.22, 33.31

 

CMYK 23 / 0 / 54 / 2

HEX #C1FB74

RGB 193 251 116

HSL 85.78, 0.94%, 0.72%

LAB 92.39, -39.16, 58.02

 

CMYK 54 / 45 / 0 / 2

HEX #748BFB

RGB 116 139 251

HSL 229.78, 0.94%, 0.72%

LAB 60.91, 22.91, -58.58

 

CMYK 0 / 41 / 53 / 2

HEX #FB9575

RGB 251 149 117

HSL 14.33, 0.94%, 0.72%

LAB 71.75, 35.22, 33.31

 

CMYK 54 / 0 / 41 / 2

HEX #74FB94

RGB 116 251 148

HSL 134.22, 0.94%, 0.72%

LAB 89.32, -58.45, 38.37

 

CMYK 41 / 54 / 0 / 2

HEX #9474FB

RGB 148 116 251

HSL 254.22, 0.94%, 0.72%

LAB 57.8, 43.22, -63.43

 

CMYK 0 / 41 / 53 / 2

HEX #FB9575

RGB 251 149 117

HSL 14.33, 0.94%, 0.72%

LAB 71.75, 35.22, 33.31

 

CMYK 23 / 0 / 54 / 2

HEX #C1FB74

RGB 193 251 116

HSL 85.78, 0.94%, 0.72%

LAB 92.39, -39.16, 58.02

 

CMYK 54 / 13 / 0 / 2

HEX #74DBFB

RGB 116 219 251

HSL 194.22, 0.94%, 0.72%

LAB 82.56, -21.35, -24.78

 

CMYK 30 / 54 / 0 / 2

HEX #AF74FB

RGB 175 116 251

HSL 266.22, 0.94%, 0.72%

LAB 60.4, 49.51, -59.12

 

CMYK 0 / 41 / 53 / 2

HEX #FB9575

RGB 251 149 117

HSL 14.33, 0.94%, 0.72%

LAB 71.75, 35.22, 33.31

 

CMYK 39 / 0 / 54 / 2

HEX #98FB74

RGB 152 251 116

HSL 104, 0.94%, 0.72%

LAB 90.29, -52.91, 55.02

 

CMYK 54 / 13 / 0 / 2

HEX #74DBFB

RGB 116 219 251

HSL 194.22, 0.94%, 0.72%

LAB 82.56, -21.35, -24.78

 

CMYK 14 / 54 / 0 / 2

HEX #D774FB

RGB 215 116 251

HSL 284, 0.94%, 0.72%

LAB 64.89, 59.46, -51.71

 

Description

Color code: HEX #FB9575 | qconv.com Color code: HEX #FB9575 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 149 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 149 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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