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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB8CC1 it is the complementary color #04733E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB8CC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB8CC1 shade: #FF8CBC, #FF9ECF, #FFB0E2, #FFC2F5 and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB8CC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB8CC1 shade: #FB8CC1, #EA7AAE, #D9689B, #C85688 and #B74475

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB8CC1 shade: #FB8EC2, #FB8EA4 and #FB8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB8CC1 shade: #FB8EC2, #FB8EDF, #F98EFB, #DC8EFB and #BE8EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB8CC1 shade matches the following richer shades: #FB8EC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB8CC1 shade: #FB8EC2, #F197C2, #E8A1C3, #DEAAC3 and #D5B4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB8CC1 shade: #F98EFB, #FB8EE0, #FB8EC3, #FB8EA5 and #FB938E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB8CC1 shade: #F83E97, #F966AC, #FB8EC2, #FCB6D7 and #FEDDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB8CC1 shade: #FB8CC1, #FBDC8E and #8EEEFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB8CC1 shade: #FB8CC1, #C3FB8E and #8EC3FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB8CC1 shade: #FB8CC1, #FBDC8E, #8EFBC6 and #8EADFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB8CC1 shade: #FB8CC1, #F9FB8E, #8EFBC6 and #908EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 23 / 2

HEX #FB8CC1

RGB 251 140 193

HSL 331.35, 0.93%, 0.77%

LAB 71.63, 48.28, -8.84

 

Complementary color

CMYK 97 / 0 / 46 / 55

HEX #04733E

RGB 4 115 62

HSL 151.35, 0.93%, 0.23%

LAB 42.21, -40.81, 21.7

 

CMYK 0 / 45 / 26 / 0

HEX #FF8CBC

RGB 255 140 188

HSL 334.96, 1%, 0.77%

LAB 71.99, 48.91, -5.47

 

CMYK 0 / 38 / 19 / 0

HEX #FF9ECF

RGB 255 158 207

HSL 329.69, 1%, 0.81%

LAB 76.2, 42.48, -9.7

 

CMYK 0 / 31 / 11 / 0

HEX #FFB0E2

RGB 255 176 226

HSL 322.03, 1%, 0.85%

LAB 80.63, 36.09, -13.41

 

CMYK 0 / 24 / 4 / 0

HEX #FFC2F5

RGB 255 194 245

HSL 309.84, 1%, 0.88%

LAB 85.22, 29.85, -16.7

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 44 / 23 / 2

HEX #FB8CC1

RGB 251 140 193

HSL 331.35, 0.93%, 0.77%

LAB 71.63, 48.28, -8.84

 

CMYK 0 / 48 / 26 / 8

HEX #EA7AAE

RGB 234 122 174

HSL 332.14, 0.73%, 0.7%

LAB 65.33, 49.07, -7.79

 

CMYK 0 / 52 / 29 / 15

HEX #D9689B

RGB 217 104 155

HSL 332.92, 0.6%, 0.63%

LAB 58.99, 49.83, -6.58

 

CMYK 0 / 57 / 32 / 22

HEX #C85688

RGB 200 86 136

HSL 333.68, 0.51%, 0.56%

LAB 52.63, 50.51, -5.15

 

CMYK 0 / 63 / 36 / 28

HEX #B74475

RGB 183 68 117

HSL 334.43, 0.46%, 0.49%

LAB 46.29, 51.03, -3.39

 

CMYK 0 / 43 / 23 / 2

HEX #FB8EC2

RGB 251 142 194

HSL 331.38, 0.93%, 0.77%

LAB 72.06, 47.41, -8.76

 

CMYK 0 / 43 / 35 / 2

HEX #FB8EA4

RGB 251 142 164

HSL 347.89, 0.93%, 0.77%

LAB 71.24, 43.53, 6.73

 

CMYK 0 / 43 / 43 / 2

HEX #FB8E8E

RGB 251 142 142

HSL 0, 0.93%, 0.77%

LAB 70.74, 41.11, 18.26

 

CMYK 0 / 43 / 23 / 2

HEX #FB8EC2

RGB 251 142 194

HSL 331.38, 0.93%, 0.77%

LAB 72.06, 47.41, -8.76

 

CMYK 0 / 43 / 11 / 2

HEX #FB8EDF

RGB 251 142 223

HSL 315.41, 0.93%, 0.77%

LAB 73.01, 51.76, -23.34

 

CMYK 1 / 43 / 0 / 2

HEX #F98EFB

RGB 249 142 251

HSL 298.9, 0.93%, 0.77%

LAB 73.84, 55.88, -37.38

 

CMYK 12 / 43 / 0 / 2

HEX #DC8EFB

RGB 220 142 251

HSL 282.94, 0.93%, 0.77%

LAB 70.54, 47.63, -42.76

 

CMYK 24 / 43 / 0 / 2

HEX #BE8EFB

RGB 190 142 251

HSL 266.42, 0.93%, 0.77%

LAB 67.47, 39.27, -47.81

 

CMYK 0 / 43 / 23 / 2

HEX #FB8EC2

RGB 251 142 194

HSL 331.38, 0.93%, 0.77%

LAB 72.06, 47.41, -8.76

 

CMYK 0 / 43 / 23 / 2

HEX #FB8EC2

RGB 251 142 194

HSL 331.38, 0.93%, 0.77%

LAB 72.06, 47.41, -8.76

 

CMYK 0 / 37 / 20 / 5

HEX #F197C2

RGB 241 151 194

HSL 331.33, 0.76%, 0.77%

LAB 72.71, 39.46, -7.92

 

CMYK 0 / 31 / 16 / 9

HEX #E8A1C3

RGB 232 161 195

HSL 331.27, 0.61%, 0.77%

LAB 73.92, 31.25, -6.78

 

CMYK 0 / 23 / 12 / 13

HEX #DEAAC3

RGB 222 170 195

HSL 331.15, 0.44%, 0.77%

LAB 74.96, 22.92, -5.36

 

CMYK 0 / 15 / 8 / 16

HEX #D5B4C4

RGB 213 180 196

HSL 330.91, 0.28%, 0.77%

LAB 76.54, 14.53, -3.68

 

CMYK 1 / 43 / 0 / 2

HEX #F98EFB

RGB 249 142 251

HSL 298.9, 0.93%, 0.77%

LAB 73.84, 55.88, -37.38

 

CMYK 0 / 43 / 11 / 2

HEX #FB8EE0

RGB 251 142 224

HSL 314.86, 0.93%, 0.77%

LAB 73.05, 51.92, -23.83

 

CMYK 0 / 43 / 22 / 2

HEX #FB8EC3

RGB 251 142 195

HSL 330.83, 0.93%, 0.77%

LAB 72.09, 47.56, -9.27

 

CMYK 0 / 43 / 34 / 2

HEX #FB8EA5

RGB 251 142 165

HSL 347.34, 0.93%, 0.77%

LAB 71.26, 43.65, 6.21

 

CMYK 0 / 41 / 43 / 2

HEX #FB938E

RGB 251 147 142

HSL 2.75, 0.93%, 0.77%

LAB 71.78, 38.55, 19.7

 

CMYK 0 / 75 / 39 / 3

HEX #F83E97

RGB 248 62 151

HSL 331.29, 0.93%, 0.61%

LAB 57.69, 74.99, -5.64

 

CMYK 0 / 59 / 31 / 2

HEX #F966AC

RGB 249 102 172

HSL 331.43, 0.92%, 0.69%

LAB 63.85, 62.81, -8.63

 

CMYK 0 / 43 / 23 / 2

HEX #FB8EC2

RGB 251 142 194

HSL 331.38, 0.93%, 0.77%

LAB 72.06, 47.41, -8.76

 

CMYK 0 / 28 / 15 / 1

HEX #FCB6D7

RGB 252 182 215

HSL 331.71, 0.92%, 0.85%

LAB 81.32, 30.18, -6.48

 

CMYK 0 / 13 / 7 / 0

HEX #FEDDED

RGB 254 221 237

HSL 330.91, 0.94%, 0.93%

LAB 91.19, 14, -3.6

 

CMYK 0 / 44 / 23 / 2

HEX #FB8CC1

RGB 251 140 193

HSL 331.35, 0.93%, 0.77%

LAB 71.63, 48.28, -8.84

 

CMYK 0 / 12 / 43 / 2

HEX #FBDC8E

RGB 251 220 142

HSL 42.94, 0.93%, 0.77%

LAB 88.76, 0.56, 42.18

 

CMYK 43 / 5 / 0 / 2

HEX #8EEEFB

RGB 142 238 251

HSL 187.16, 0.93%, 0.77%

LAB 88.86, -25.11, -15.16

 

CMYK 0 / 44 / 23 / 2

HEX #FB8CC1

RGB 251 140 193

HSL 331.35, 0.93%, 0.77%

LAB 71.63, 48.28, -8.84

 

CMYK 22 / 0 / 43 / 2

HEX #C3FB8E

RGB 195 251 142

HSL 90.83, 0.93%, 0.77%

LAB 92.82, -35.67, 46.48

 

CMYK 43 / 22 / 0 / 2

HEX #8EC3FB

RGB 142 195 251

HSL 210.83, 0.93%, 0.77%

LAB 77.13, -3.02, -33.01

 

CMYK 0 / 44 / 23 / 2

HEX #FB8CC1

RGB 251 140 193

HSL 331.35, 0.93%, 0.77%

LAB 71.63, 48.28, -8.84

 

CMYK 0 / 12 / 43 / 2

HEX #FBDC8E

RGB 251 220 142

HSL 42.94, 0.93%, 0.77%

LAB 88.76, 0.56, 42.18

 

CMYK 43 / 0 / 21 / 2

HEX #8EFBC6

RGB 142 251 198

HSL 150.83, 0.93%, 0.77%

LAB 91.15, -43.09, 15.75

 

CMYK 43 / 31 / 0 / 2

HEX #8EADFB

RGB 142 173 251

HSL 222.94, 0.93%, 0.77%

LAB 71.28, 9.13, -42.08

 

CMYK 0 / 44 / 23 / 2

HEX #FB8CC1

RGB 251 140 193

HSL 331.35, 0.93%, 0.77%

LAB 71.63, 48.28, -8.84

 

CMYK 1 / 0 / 43 / 2

HEX #F9FB8E

RGB 249 251 142

HSL 61.1, 0.93%, 0.77%

LAB 96.45, -15.67, 51.79

 

CMYK 43 / 0 / 21 / 2

HEX #8EFBC6

RGB 142 251 198

HSL 150.83, 0.93%, 0.77%

LAB 91.15, -43.09, 15.75

 

CMYK 43 / 43 / 0 / 2

HEX #908EFB

RGB 144 142 251

HSL 241.1, 0.93%, 0.77%

LAB 63.54, 27.38, -54.28

 

Description

Color code: HEX #FB8CC1 | qconv.com Color code: HEX #FB8CC1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 140 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 140 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 23 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 23% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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